Lois McMaster Bujold Hi Nicole --

It took me ten minutes to figure out how to actually answer questions using this feature... ah, the learning curve. Again. Succeeded, though, so there.

Anyway, first question, cool! The answer is less cool, I'm afraid. I have nothing new in the publishing pipeline at this time. In general, I find my work-in-progress to be too fragile to discuss during its early stages except with my old trusted Beta readers. Also, talking about things that are only in the idea stage tends to generate reader expectations that one risks disappointing. On the bright side, if I do start talking about something, you probably have a pretty good chance of actually seeing it someday.

The next thing up in the career-maintenance work queue (which goes on independently of anything new) will probably be helping prepare an edition of Sidelines: Talks and Essays for print-on-demand, but first we have to finish up The Spirit Ring, ditto.

Ta, L.
Lois McMaster Bujold I'm reviewing most of the books I've read lately here on Goodreads, because, why not. GR makes it pretty easy. I think you can look up my reviews in my "My Books" section, or find them somewhere on my profile page. (It may take some scrolling.) I've picked up so many helpful reading tips from internet reviews, it seems like a good thing to pay it back, or forward as the case may be.

My reading has slowed down lately, due to some retinal issues in my left eye that make lines of print look somewhat like captchas. :( I can't read for as long as I used to at a stretch till I find myself reading with my left eye closed, which is generally my signal to put the book down and go do something else for a while.

Ta, L.
Lois McMaster Bujold Well, each book had something special about it that made it worth the writing to me. So it's an apples-vs.-oranges problem. That said, Memory, A Civil Campaign, and The Curse of Chalion are all right up there. (And Paladin of Souls, and... you see the problem.)

Ta, L.
Lois McMaster Bujold Hm, this is looking like the Frequently Asked Question, here. I don't have any news about a next project at this time. A return to Chalion is not ruled out, but I don't have anything live going forward at present.

Ta, L.
Lois McMaster Bujold This Goodreads site has a private message system, which I believe members can use for such purposes.

I prefer e-mail to snail mail -- it's much easier to answer.

Ta, L.
Lois McMaster Bujold Wow, of the dozen or so questions I just found waiting for me on this feature (I should perhaps check it more often), this one was about half of them. Nothing is absolutely ruled out, but I don't have anything in progress at this time.

Ta, L.
Lois McMaster Bujold I find I like best working with a character who has complicated and interesting thoughts, an interior landscape worth spending time in. It is increasingly the same case for my chosen reading, too -- if I'm going to be spending hours -- or, in the case of a book I'm writing, months -- in this other headspace, I want it to be a congenial one. This seems to work for both fiction and nonfiction, interestingly. This quality is also sometimes dubbed "voice", but I think there's far more to it than just style. A quite complex headspace can be expressed in plain language, but witty delivery is very much a bonus. A character who offers dry wit and humor that is sharp without being cruel along with his or her insights is a special treat.

Ta, L.
Lois McMaster Bujold The frequently answered question of the day, I see, with slight variations. Nothing in the near future, no. Just at present I appear to want to work on nothing whatsoever, but presumably I will get through the novelty of semi-retirement in due course, or get bored, or a neuron will fire. Breath-holding contraindicated.

Ta, L.
Lois McMaster Bujold I wouldn't want to be any of my characters. They have terrible things happen to them, not to mention to the people around them. I prefer a much more peaceful existence.

Ta, L.
Lois McMaster Bujold Oddly, I was thinking about this earlier today, when contemplating my bookshelves and their remaining space. (I currently have space on my shelves due to a recent drastic culling.) The answer to this question seems pretty much identical with a list of my keepers, which tend to run by author. In no particular order, Georgette Heyer, Jennifer Crusie, Megan Whalen Turner, Terry Pratchett, Ben Aaronovitch, the triple-headed Jayne Anne Krentz (she has two other names she writes under.)

It's a rare and happy event when a new writer is added to that stable. I've recently become a fan of science writer Nick Lane, although his are more "feel-smart" books than "feel-good" books.

Ta, L.
Lois McMaster Bujold I am woefully behind on newer authors.

Of the older authors I read Back When, one standout is Cordwainer Smith. I suspect an unusually high percentage of his stuff may have aged well. Other names to try -- and I haven't reread enough of them lately to be sure about that aging-well/badly issue -- might be Randall Garrett, Poul Anderson, Eric Frank Russell, Zenna Henderson, Roger Zelazny, Daniel Keyes (only one book -- Flowers for Algernon, but with a book like that you only need one), James H. Schmitz and Lloyd Biggle, Jr.

Ta, L.
Lois McMaster Bujold No, I don't. I don't have a lot of physical activities -- driving, chores, handwork -- that invite hands-free listening, I am (now) part-deaf in one ear, I find oral presentations slow compared to reading, and most of all, I am a very visual processor with a very visual memory. All of that works against listening. Although if I were to acquire some hands-busy-brain-free routine task, that could change. (I once had a friend who used to work at a particularly stultifying data entry job while listening to audiobooks, which I found boggling.)

With my own books, it is pretty much impossible for any narrator to exactly replicate the cadences and intonations I have in my own mind, so that adds an extra level of dissonance.

Ta, L.
Lois McMaster Bujold
Well, a Caz prequel would be barred from a happy ending, pretty much. And a Caz sequel would be, inevitably, a lesser story than the one already told.

One of the things I'd wanted from the Chalion series, insofar as it has developed, was to get away from its being stuck on one set of characters in one time and place. I sort of want it to be able to shift around to different times and countries and new people, and perhaps different thematic and theological concerns. This runs rather counter to the usual notions of series, which work to attach the readers to particular characters. I don't know when or if I'll ever follow this scheme up, or out.

Ta, L.
Lois McMaster Bujold
Nothing is promised, nothing is permanently ruled out. (And nothing is in the pipeline.) But I don't foresee anything happening with Chalion soon.

I have finally bit the bullet and switched from "rest" to "exercise", in a carefully supervised manner. (The Y, it turns out, will rent you a trainer for a reasonable sum.) But that will take some time to pay off.

Ta, L.
Lois McMaster Bujold
I did a few workshops early in my career, but in general I find teaching pretty exhausting, so I duck those gigs now. The thing about teaching is that one needs to be able to cover rather more than what one knows, according to the needs of the pupil.

As far as writing teaching goes, I usually direct people on to Pat Wrede's blog, http://pcwrede.com/blog/ , or her collected-posts book Wrede on Writing. She does this sort of thing so very well.

Ta, L.
Lois McMaster Bujold
Oh, I have a bunch of fave anime. Paprika is probably my favorite feature, though of course I also like most of the Studio Ghibli offerings. Series include but are not limited to Mushi-Shi, Otogi Zoshi, The GokuSen, Wallflower, Sekai Ichi Hatsukoi, Antique Bakery, Junjo Romantica, Mirage of Blaze, Shonen Onmyoji... As a general rule I have no use for giant fighting robots in any form, fighting samurai (Samurai Champloo excepted), ultra-violence, grimdark, or horror, though sufficiently Japanese folklore horror sometimes gets a pass.

Since I am not an anime producer, adapting my work is not up to me -- media adaptations are a buyer's market. But I have long thought Falling Free would be good in that medium.

No video games. I sampled Dragon Warrior and a few others back in the 80s, and quickly realized that if I got any further into this, my kids would die, my house would burn down, and my nascent career would go down the toilet. So I have missed the train on gaming.

Ta, L.
Lois McMaster Bujold
Answered (and discussed) here:

https://www.goodreads.com/questions/2...

You are not alone, it appears!

Ta, L.
Lois McMaster Bujold
Nothing is promised, nothing is ruled out, but at present those ideas don't spark anything for me.

Readers often ask for more of the same, but I think in many cases that's not what they mean; what they are really saying is, "Give me a story that will make me feel the way that one did!" Which may actually be quite a different thing, but is much harder to articulate.

(Or, for all those fractal follow-ups, there's always Fanficwoman. To the rescue!)

Ta, L.
Lois McMaster Bujold
Mm, family is difficult. My parents passed away years ago, my father when my career was only starting. From one comment he made, I gathered that my adult content was a bit dismaying to him; I think that somewhere in his head, I was still twelve. My mother was not a F&SF reader, so while the writing part seemed sort of OK to her, the genre was not something to which she related. "If you want to write, why not try writing for the local paper?" she once inquired, when I was bemoaning my early lack of progress. Leaving aside the rural benightedness of The Marion Star, the noncomprehension of this question seemed profound.

Only one of my brothers is a reader -- he does like my stuff, and I think reading it has brought me into focus as a human being for him, rather than a vague fuzzball labeled "little sister". I gather he found this rather unexpected. (He loved The Curse of Chalion.)

My kids, well, my children are rather opaque to me. Cordelia's apparent maternal telepathy is the most wish-fulfillment part of the character, from my point of view. My daughter has read at least some of my work, and we relate to each other as adults nowadays, or at least I think we do. My son has never, as far as I know, read any of my fiction. Not sure what to make of that. (I wish he would, for just the reasons you name above, but I can hardly make my books required reading.)

My friends pretty much consist of folks who like my stuff, because there is, after all, a selection process at work there.

Ta, L.
Lois McMaster Bujold
I don't have any one source for that. It was more of a lifetime accumulation of reading of all sorts, from C.S. Lewis through The Confessions of St. Augustine to a smattering of mystics from other religions to biographies of saints (Ignatius Loyola was fascinating) to accounts of 19th C. leper colonies. Blenderize that with my biology and science education, or at least pop science education, that gave me a distaste for dualism, and strange things happen.

(Note that the gods of Chalion cannot really be called celestial, as they are equally immanent at all points.)

Ta, L.
Lois McMaster Bujold
I am not at present in the mood for war stories, and I haven't done any short work for decades, so probably not.

It seems good that the books "run off the sides of the page" in all directions for readers, though. It suggests that the tales are engaging people's minds and imaginations, which is, after all, their job.

Ta, L.
Lois McMaster Bujold
In order: probably not, no, no, and no, and yes.

Glad you like Enrique! You may be pleased to know that once he gets over his grad student fecklessness, he ages very well. Martya is pleased.

Ta, L.
Lois McMaster Bujold The short answer is whining, lots of whining, but more seriously, there is a certain inherent orneriness in picking unusual plot shapes or protagonists, a kind of low mutter of "I'll show them!" After the initial set-up, I do have to write my way into my books scene by scene, and let the story itself show me where it's going and how it's going to get there. I don't know how much suspense this creates for the readers, but it certainly creates suspense for me.

So there isn't exactly a gap to bridge. There is wanting, and there is doing. There really isn't an in-between state that isn't just more wanting. (Or whining.) "Planning" for me is diffuse, broken into small bites and spread throughout the whole of the doing.

In other words, at the working face I am never writing a novel. I am writing, at most, a scene (and then another, etc.) Or half a scene, or a paragraph, or whatever functional unit I can actually hold in my brain at one time.

But, certainly, there seems not much point in writing a story just like everyone else's, because they've already done that. I could just read theirs, for a lot less trouble. (Which is not quite the same thing as taking a trope or idea that delights me from the genre cornucopia off to a corner to play with my way. I certainly do that.)

Ta, L.
Lois McMaster Bujold
Nothing is in progress at this time.

Ta, L.
Lois McMaster Bujold
I have no appearances scheduled at this time.

Ta, L.
Lois McMaster Bujold
I was mainly drawing on already acquired background. Keep in mind that Barrayar (or any other Nexus world) has about as much resemblance to current Earth countries as, say, modern Portland, Oregon has to 16th C. England and Japan. I'm not writing contemporary or historical fiction, here, just fiction informed -- or flavored -- by history. You are setting yourself a higher bar.

That said, assuming actual travel is out of your reach (as it was mine), you need lots and lots of nonfiction reading. You need both general overviews, to give you a framework, and first-person contemporary accounts, to find those telling details that all get filtered out of general histories. Eyewitness writings become harder to find the farther back in time one goes, but by the same token, one is less likely to be overwhelmed by the choices.

These days, you might also have the chance to get an on-line test reader/friend from the country of interest to Beta read for you. I know the fanfic community does some of that.

And finally, it may be worthwhile to remember that one has set out to tell a story, not write a PhD thesis. Research is potentially endless and endlessly seductive, but there comes a point when it's time to railroad.

Ta, L.
Lois McMaster Bujold
Same answer, I'm afraid; there is nothing to report at this time.

Ta, L.
Lois McMaster Bujold
Short answer is, no.

I actually think Shards would be much easier to make into a feature film (that resembled the book -- not that Hollywood cares about that) than The Warrior's Apprentice, which is the one people seem to focus on. (Although the latter might go well as a TV mini-series.) But movie rights are a buyer's market, and there are very few legit, actually-capable-of-making-a-film producers buying.

I also think Falling Free could make a splendid animation or anime. But, as I am not a film producer with access to hundreds of millions of dollars and a couple-three decades of experience in the industry, which is what it takes, it is not up to me.

Ta, L.
Lois McMaster Bujold Thanks!

No Croatian publisher has made an offer on the Sharing Knife books yet.

Algoritam licensed all three Chalion books and Captain Vorpatril's Alliance, but I don't know how (or when) they are coming along.

Ta, L.
Lois McMaster Bujold
Well, I'm not sure there is a short answer aside from I Was A Lot Younger. I'm not going to write my autobiography here in this little box, but some of that period is touched on in my forwards and afterwords to my Baen omnibus editions, which are now all collected in Sidelines: Talks and Essays.

I'm not sure my guilt and time problems were any different from those of any other working mother, but the open and self-directed structure of writing makes it a lot harder and more confusing for a family to recognize as work -- even after one starts selling -- compared to a parent who goes out the door at 8 and doesn't show up again till 5. On the other hand, it was way more flexible -- I never had to beg a boss for time off to deal with family emergencies or illness, I didn't have to waste time on a commute, and the actual core hours involved were usually fewer than 40 (or 50, or 60) hours a week. On the downside, getting paid was a rare and random event. "I must go to work this week or I will be fired" is a lot more immediate an argument than "I must go to work or I might not get paid next year, maybe. Or perhaps the year after..." Especially when one is mining the couch cushions for milk money.

I actually developed my writing process in that environment, by collecting extensive notes in little bites over a period of days and then, when they reached critical mass, hiring a babysitter or using time my spouse was home to take my notebook (3-ring binder, not laptop -- they weren't invented yet, and I couldn't have afforded one even if they had been) to the public library and do the core first drafting in short bursts. Not for me a process where one sits in front of the computer for hours wrestling for inspiration. Once I had the first draft nailed to the page, I could bring it back and transcribe and edit in the more chaotic home environment, ditto any and all para-writing tasks. Once both kids were in grade school, this whole struggle went away -- school time was writing time. I only sent a sick kid to school a couple of times... :-( Summers, I went back to the old system, but since the kids were indeed older it was all less fraught.

Note that this all got started because, in a rust-belt town in the middle of a recession, I couldn't get a day job. (If I had, I might not be here today, so, whew for that.) How someone is to juggle a day job, a family, and writing, I cannot advise -- that's one more cat/chainsaw/burning torch than I ever tried to keep in the air at once.

Ta, L.
Lois McMaster Bujold
I'm afraid those are doomed to stay throw-away lines, along with the politician, the lighthouse, and the trained cormorant.

I am now having a vision of an annex to L-Space, somewhere, where all those unused characters and ideas from the whole of literature sit around getting drunk and complaining to each other about how they were robbed of their rightful places in the spotlight...

Ta, L.
Lois McMaster Bujold Glad you've enjoyed the trip!

With regard to future work, nothing is promised, nothing is ruled out.

Ta, L.
This question contains spoilers... (view spoiler)
Lois McMaster Bujold I don't think Cordelia ever got an apology, but in due course (after several years) her criminal charges got ironed out, so she and her mother could exchange a few visits. And, of course, so that Miles might make his later visits, which he seems to have done unexceptionably except for Bothari's assorted weapons violations.

The general reaction to the marriage was at first imaginatively negative; later, largely forgotten, as such news kerfluffles tend to be. There might have been the occasional article such as American women who marry important foreigners sometimes get, but Cordelia would not have cultivated such. (Someone on-staff might have been managing such PR for her.)

Ta, L.
This question contains spoilers... (view spoiler)
Lois McMaster Bujold
Some considerable amount of this question can be answered by this:

https://www.goodreads.com/book/show/5...

which I'd read for general interest the summer, iirc, before I wrote that section of the Ivan book.

It also has, in that weird way writers' brains work, some inspiration in a climactic scene in an old Alec Guinness movie titled The Horse's Mouth. It's not a building that unexpectedly sinks, but the sort of hidden-in-plain-sight setup is reminiscent.

But I did not actually come up with ImpSec HQ's fate until I was almost at that scene in the writing. At the time the Arquas discovered where the old lab now was, I had no more idea than they did how they were to tunnel for access. From reading all those WWII POW-camp memoirs, I knew tunneling was not a trivial task, but then I remembered I was writing science fiction, and was not limited to 20th C. technology.

How the Mycoborer (tm) could go wrong in so many ways was inspired somewhat by my niece Molly's colon cancer awareness/teaching project, The Colossal Colon, which I will leave you to Google. And from that point on, the logical developments pretty much wrote themselves.

So it was a complicated tangle of feedback loops from many sources, not a single tidy logical string.

Ta, L.
Lois McMaster Bujold
Well, that's not up to me; some maker of graphic novels would have to ask to license it.

There was one such deal a few years back in French for The Warrior's Apprentice, with Soliel, who were going to do the book in three volumes. The first (which I had thought was pretty good, art-wise) sold so badly, they never did the following volumes.

Either my stories are hard to translate into visual media, or the audience for same isn't much into stores like mine. Or both. Although one data point is not a proof, it was rather daunting. So I'm not holding my breath.

Ta, L.
Lois McMaster Bujold
You're welcome!

Ta, L.
Lois McMaster Bujold
At this stage of my life, I think I'd pick somewhere advanced with really good medical care. But probably not Beta Colony, because I like the outdoors too much. The less advanced planets, clearly, are easier to set stories on -- more goes horribly wrong.

The place is littered with space stations -- every advanced planet maintains them, civilian or military, by their wormholes and in orbit, and sometimes for several systems beyond. They all tend to be rather alike, due to technological constraints -- even less tolerance for things going wrong than downside. That said, it seems to me I've featured a lot of them in the tales -- Elli's home, Quaddiespace, the Hegen Hub, the factory one Miles captures in WA, the one at the climax of Komarr, a dozen transfer points in the Miles stories. Mirror Dance starts on one, CryoBurn ends on one... the list goes on.

Stations and ships do require highly self-controlled populations. Planets, in addition to offering free air and gravity and all that attractive space, have more elbow room for erratic behavior.

Ta, L.
Lois McMaster Bujold
I've never written any, but I've seen quite a few. In addition to those seen earlier in my life, for several years after I moved to Minneapolis, a friend and I had season tickets to the Guthrie Theater, where we would take in 6 a year of considerable variety. In addition, I was a member of a (now defunct) play-reading group; we ran through quite a lot of Shakespeare, among other things. (Modern playwrights were more of a problem to do due to variant or unavailable editions.)

Plays (as contrasted with TV and film, in which everyone's brains are steeped) are interesting because the dialogue must carry so much more of the story-telling.

Ta, L.
This question contains spoilers... (view spoiler)
Lois McMaster Bujold No to the first question, maybe someday to the second. It would want to be a novelette or novella, I think, but I have no clue what was involved either. I'm not sure what all it would need to keep it from becoming too drearily political, yet still call for the combined talents of both Miles and Duv.

Ta, L.
Lois McMaster Bujold
There was a movie offer back in the mid-1990s on The Warrior's Apprentice, which went as far as a script. The script was so dire, with less than zero relationship to the original book, I was enormously relieved when they didn't go on to make a movie from it. That experience pretty much cured me of any desire for a media adaptation.

Georgette Heyer never had a movie made from any of her books, but in just two years she will be coming up on 100 years of her books being in continuous print, read by millions over that time. I could be quite content with a century-long career like that, even if didn't live to see all of it.

Making a movie of Miles would be harder than it looks, since so much of the important action and humor is taking place inside his head, in his thoughts, not visible to the outside observer, or to the camera.

Ta, L.
Lois McMaster Bujold
I have no plans to do so at this time.

I was a bit sorry that I'd given my universe such a very 60s-Analog element, although in my defense I did give it a non-magical physical substrate. ("There are no effects without causes" and all that.) I'd have to think of something different to do with a rather well-worked-over trope.

(There was a good book by Rebecca (R. M.) Meluch that did some pretty interesting things with a telepath... can't recall the title offhand. It might have been The Queen's Squadron or it might have been another.... (quick Amazon check -- yeah, that was it.) Downer ending, though. She does good work -- check out her books.)

Ta, L.
Lois McMaster Bujold
No such plans at this time.

My current interests run more to comedy than to drama, I confess. I think I'm also overdue for something completely different, without a giant series backstory to wrestle. Making the same text serve, simultaneously, trufans who remember it all, occasional fans who have read only some stories and remember it only dimly, and brand-new readers who know nothing except what is on the page in front of them right now, is... a tricky balancing act. And yet late-series books can also present other artistic opportunities that single novels can't, so, go figure.

Ta, L.
Lois McMaster Bujold
I have nothing new going on with The Sharing Knife universe at this time. I don't rule anything out, because I've discovered my backbrain can ambush me unexpectedly, but certainly nothing soon.

Dag and Fawn's tale feels told to me (and at great length, too.) In general what I need to start a story, and what I want to explore during the course of it, is not a setting or an idea, but a character or characters. Once I have the characters, well, the question of "what ideas can challenge this person?" brings things into line nicely.

This is rather the opposite of some classic SF tropes, where the characters are got up to display the ideas. The clearest example being where some random Redshirt is sacrificed to demonstrate the capabilities of the alien weapon; what's most important about the scene is the weapon, not the person. This is also done on a much larger scale and less obviously not just with alien weapons, but with all sorts of things up to and including political ideas. My brain does not seem to work that way. So what I need to start a new project is not an idea, but a person (one who, for whatever reason, matters to me) to whom that idea will matter.

Ta, L.
Lois McMaster Bujold
I am not sure what you mean by "quest star stories". Every character is the center of their own universe, and therefore every character has some story potential. Some will be more interesting to me than others, but then there follows the question, "Will this interest sustain a whole novel?" Those are more rare. (Jo Walton has dubbed this centering quality "protagonismus".)

There's also the matter of plot-character interlock, as each creates the other. Some characters come with one perfect plot, and when that tale is told, they're done, ready to retire. Some more flexible characters can sustain more than one plot or one kind of plot, and from these sorts the writer can more readily squeeze a series.

The most difficult thing with late-series books is wrestling the backstory, even when it's cut down to just the most immediately pertinent backstory. This was pretty readily do-able when I just had 6 books; 16 is more of a challenge. As I've said elsewhere, the exact same text must be made to simultaneously serve the dedicated fan who remembers everything, the occasional reader whose familiarity with it all is dim, and the new reader who can know nothing but what is on the page now. Tricky stuff.

Ta, L.
Lois McMaster Bujold
Technically, there are not multiple religions; there are multiple heresies of one religion. Which can certainly supply all the fun and games of any other religious conflict, and more, as history shows.

The gods of Chalion are all about souls, and are indifferent to politics as such. People who want to conscript the gods to their side find this deeply confusing at times.

What's really interesting to consider/speculate upon is how a person might contrive to be an atheist in the world of Chalion. People being people, I bet some manage it.

Ta, L.
Lois McMaster Bujold
The e-ARCS are a Baen Thing. They do it for selected lead books, according to some calculation of their own.

The e-ARCS have worked out just fine for me, so far. One of the fringe benefits, I have found, is that we get several hundred free proofreaders, to catch all those little glitches that have escaped the editorial net so far (and there are always some.) One must filter out the things identified as mistakes which aren't, of course, and there is inevitable duplication, but on the whole I have found this beneficial.

Ta, L.
Lois McMaster Bujold
It certainly is a distraction, but if I didn't have it, I would just go looking for something else. I suppose I needed something to replace all that computer solitaire... (I finally had my son take the game off my machine.)

If the writing is going well, it's not too hard to ignore the distractions. If not, not.

There are physical limits in play as well -- only so much eye and butt fatigue tolerated per day. One must be aware of one's endurance and use one's limits wisely. Or so I theorize...

The constant tug back to older works is a subtler problem. I have that on the pro side as well, in the editing and proofreading of new editions of older material. I just spent the past two weeks going over the files of books I'd written in 1983 and 1984, bringing them up to my 2015 punctuation standards and so on. This is not time I spent thinking up anything new, so I suppose it adds up. (It was a pretty good way to spend two weeks of a Minnesota February, however.)

Ta, L.

Lois McMaster Bujold
My direct-placement e-books are all currently available in Kindle, iPad, and Nook versions. There is some doubt among the people who help me with these things that Kobo is a large enough vendor to be worthwhile; this may change in future.

The old Fictionwise got bought out and eaten by Barnes and Noble. So all those placements are long gone.

HarperCollins does seem to have my fantasy novels up in the public library Overdrive system. I don't have a clear idea about how that is working out. I would like to get my direct placement e-books out on there as well, but that is waiting on finding out more.

Ta, L.
Lois McMaster Bujold
That's not up to me. Some competent filmmaker would have to license the rights and produce the film, and there are none on my horizon at present.

Ta, L.
Lois McMaster Bujold
There are no forbidden questions as such, though some may get more satisfactory answers than others.

I am not working on a new series at this time.

Should I have anything new to announce (winters in Minnesota are long, dark, cold, and conducive to indoor activities, after all), I would make a blog post. However, as I am not one of those people who counts up their clicks (why, for pity's sake?), I'm not much into teasing. If there is something firm to say, I'll just say it.

Ta, L.
Lois McMaster Bujold
Something could happen in that direction. (But it wouldn't be a war story, certainly.)

Ta, L.
Lois McMaster Bujold
Aside from improving the copy-editing, no. I figure those books were written by that Lois, then; they belong to her, and I shouldn't go messing about with them. They say that in 20 years even one's bones replace themselves. I think the 2015 Lois would be better off spending the time writing something new than in diving down that endlessly extending rabbit hole. (Because, of course, ten years from now I would have yet another perspective, etc.) Also, Han shot first.

Or, of course, I could spend more time goofing off. I am very behind on my goofing off, I figure.

Ta, L.
Lois McMaster Bujold
Cool vid, but the most intriguing part is not shown, which is the 3-D printer. I'm really looking forward to seeing what happens with that technology.

Not sure what this has to do with a hypothetical Miles movie, though. Downey himself is too old to play Miles, alas.

Ta, L.

Lois McMaster Bujold
I pronounce Tej with a soft J like "Bujold". ;-) More that soft French J than the harder sound of edge or ledge. I'm trying to think of an English word that has that sound... I'm sure there must be one, but I'm blanking on it right this moment. Bon jour and all that.

(Not Tey, though.)

Hope this helps --

Ta, L.

Lois McMaster Bujold
Thank you!

bests, Lois.
Lois McMaster Bujold
I've always thought Aral worked better as a character by not giving his viewpoint. He has this enormous gravity, that everyone else revolves around; it would all look very different from his angle of view.

I don't at present envision going back in time for a tale, but one never knows.

Ta, L.
This question contains spoilers... (view spoiler)
Lois McMaster Bujold
Well, Cordelia has had 40 more years of complicated living and observation by then. She is also at that moment about as emotionally exhausted as it is possible for a person to be. Cordelia's thoughts represent Cordelia, not a platform for the author.

I had planned to end the book upon the words, "Count Vorkosigan sir?" But the epilogue presented itself to my brain over about a two-day period during my revision stage, sluicing through at white heat from wherever such things come from. Confluence, compounding, confounding, all of those; but not planning in the sense this question posits.

That said, I have had since I wrote Shards a lot more experience, both directly and through watching friends and relatives up close, with those end-of-life issues that cluster around the body outliving the mind. (And I'd had considerable observation before then, as a hospital worker.) When I was 15 and first read the appendix to The Lord of the Rings that recounts the death of Aragorn, I did not understand it, and resisted it fiercely in a fanficcish sort of way, right along with Arwen. I don't argue with it now.

Ta, L.
Lois McMaster Bujold
No, alas, I do not.

If anyone else does, feel free to chip in. I'm not sure if the Spanish branch of Amazon would be a help, since it does not meet the criteria "in the States".

Most of my books have been published in Spanish at one time or another, but I suspect most are long out of print.

Ta, L.
Lois McMaster Bujold
For the same amount of time and energy, I could probably write a new novel. Doesn't seem like a good trade to me...

;-), L.

(That said, there is Sidelines: Talks and Essays --

https://www.goodreads.com/book/show/1... )
Lois McMaster Bujold
My brain is pretty quiescent just at the moment, having just come off a book project that took (with assorted interruptions) three times longer than usual, and with the final edit still to go. I think the next thing on my agenda is a few more bites of semi-retirement. Plus some fresh reading and watching, and then there's the Minnesota summer to enjoy which, after the Minnesota winter, one is due. After that, who knows? Certainly not me.

So glad you liked The Sharing Knife! That one tends to get short shrift sometimes.

Ta, L.
Lois McMaster Bujold
I'm doing very few cons these days (part of my semi-retirement), so, likely not.

bests, L.
Lois McMaster Bujold
I envision them as like military cadet tunics -- jackets with high round collars, variously fastened. One can see the style in a lot of anime boys' high-school uniforms as well. (I was just rewatching xxxHolic -- there's an example.) Also Nehru jackets. In short, I am using the two terms almost interchangeably.

Ta, L.
Lois McMaster Bujold

I've been mulling over when to say more. I'm thinking late fall, just before the eARC becomes available, but I'll probably break down and say some things sooner.

I figure if I give you all very much information, you'll all race ahead and make up the book in your heads yourselves, and then be artificially nonplussed, later, when the book I wrote doesn't match the one/s you've envisioned. If a reader has less time between learning about a book and reading it -- picking it up cold in a store, say -- there is less chance for that phenomenon to develop.

It is not a war story; it is about grownups; it is not grimdark but still embeds some serious themes. It is science fiction. I expect reader response to be all over the map, because it always is.

Some readers will love it (I say this with some confidence, because some already have), some will hate it, and there will be approximately ten thousand reviews that go, "This wasn't the book I wanted! Here, let me give you this 500 word outline of outline what she should have written..." Each one different from all the others, of course. (That one's a sucker-bet.)

What say you all? How much information to you actually want to get, in advance?

Ta, L.
Lois McMaster Bujold
Resigned.

I've pretty much given up on the idea of cover art as illustration. Thematic covers would be OK, if one could come up with iconic images that represent the theme or tone of the book.

Ta, L.
Lois McMaster Bujold
Er... all of them?

Although not, it must be said, all at the same time. I pick and choose from all that I know/have done/have read according to the needs of the story at hand. Insofar as the stories are not all alike, neither are their sources. (I think what makes this question so hard to answer may be the "consistently" part.)

Also note that jumping off from this substrate of "the entire contents of my head" to a story involves a whole lot of transformations, amalgams, cross-linkages, and other meta-games as a natural part of creativity.

Ta, L.
Lois McMaster Bujold
I have never had a broken bone, no. I've had a few other minor injuries over time, or things like wisdom teeth removed etc., but not even any major surgery till a few years ago.

Call it... "creativity"? :-)

Ta, L.
Lois McMaster Bujold
Ah, there's a question often asked.

I don't think "serving her time" is a correct way to think of her, as she was never jailed. She got away with a remnant of Randall's Rangers; how long she held them together afterward is another open question, but I suspect not long. If nothing else she'd have had to abandon them so as to be less findable by Cetagandan hit squads. Whether she finally managed to evade them is another unanswered question. If not, she no longer exists as a potential plot generator. If so, she'd still want to stay as far away from that quadrant of the Nexus that contains both Barrayar and Cetaganda as possible. She's pretty twisty, but I don't think she's into the sort of deranged revenge as an end in itself that could cost her more than she stood to gain.

Not that she would turn up her nose at any revenge that came along as a bonus side effect of other efforts. But it wouldn't be a goal.

She was obviously an adrenaline junkie, or she wouldn't have been in the line of work in which we first encountered her. While she'd doubtless have less of that as she aged, her post-Vor Game employment could go to either legitimate or non-legitimate enterprises, as long as she saw profit in it for her.

Another open question is how much she learned from her Hegen Hub experiences, and what-all she identified, once she calmed down, as "That was a mistake -- let's not do that again."

Ta, L.
Lois McMaster Bujold
I think they did manage to catch the queen again, but a few stray liveried worker bugs would still be turning up here and there for a long time after the events of A Civil Campaign. Possibly as far as a few blocks away. Given that the bugs are clearly labeled, I can see random persons returning them to VK House for the reward if they could catch them... or generating interesting paranoid rumors about them if they couldn't.

Miles would not be much inclined to laugh till after the dividends from assorted bug enterprises started to come in. These would do quite a bit to soothe him in due course. The Armsmen, well... 20 guys, 20 possible responses, so you have a range of possibilities there. Possibly also pegged to who invested early and who didn't.

Ta, L.
Lois McMaster Bujold
Ah, good question to get clarified.

The surname is "Bujold", and my books should be listed under the Bs.

McMaster is my maiden name, which I use as my middle name. So there should be no hyphens, either. Both stores and libraries, as well as readers, sometimes get confused about this, unfortunately.

(I sometimes wish, as I am sitting there writing my tripartite name over and over at book signings, that I had gone with the shorter "Lois McMaster" as my writing name, but it is too late now to change. At least Bujold appears higher in any alphabetic list, which can't hurt for visibility.)

Ta, L.
Lois McMaster Bujold
Caz came first, and hung around in limbo for rather a long time till his setting, with a lot of pre-fabricated plot elements, arrived in the form of 15th C. Spanish court history. The idea of the curse slotted in subsequently -- I mean, a curse would explain so much about the real historical place and period...

The proto-Caz might have alighted in some other country of the era, as I was especially interested in that cadre of men who rose from the middle classes to become the right hands of assorted kings and queens and wrangle the transition from medieval realms to more modern styles of nation-states. Walsingham, Cisneros, Richelieu, the ill-fated David Riccio, etc.

In general, potential ideas or settings don't do much for me till an interesting character arrives. Only then does a story come alive.

Ta, L.
Lois McMaster Bujold
If we had a viable, legitimate offer, sure. It's a buyer's market, though. Very few production companies are up to creating such a media series -- it takes a barge-load of money and highly experienced people -- and they have a million books to choose from.

I had one feature film offer about, good grief, twenty years ago now, which went as far as a script, which was unfortunately dire. It pretty much cured me of any excitement or hope about the process, I'm afraid.

There would likely be a better chance of more of the actual book making it onto the small screen than the big one. Although Falling Free (animation!) or Shards of Honor might actually work better for a feature film than the Miles tales, as they are shorter and more self-contained.

Ta, L.
Lois McMaster Bujold
Alas, no such thing is planned at this time.

Many of my secondary characters could have whole books of their own, but there is only one of me. (And no, I'm not interested in farming things out, sorry.)

Ta, L. Slow writer, getting slower.
Lois McMaster Bujold
Hope it works out!

Indeed, I never pictured my own stories' ships moving through Nexus normal space using reaction mass of any kind. Gravitational rowing, for all I know, but not spitting stuff out the back end at high velocity. So many problems with the physics of that.

(Yes, I know "fuel" gets mentioned, because one can't get something for nothing, not to mention "thrusters", but one should not be picturing chemical combustants.)

Ta, L.
Lois McMaster Bujold
I wasn't, but hey, with uterine replicators, anything is possible...

:-), L.
Lois McMaster Bujold
I am told that my books were, at least at one time, among those available in the ISS e-library.

Making my work read on all seven continents and in outer space, which seems a very fine boast to me. (I once had a fan send me a snap of a couple of my titles from a base library in Antarctica.)

Ta, L.
Lois McMaster Bujold
I have been very much reducing my convention attendance and other PR obligations -- that's a big part of the semi in my semi-retired. So, probably not.

Ta, L.
Lois McMaster Bujold
Well, I'll be around Minneapolis from time to time. But there is nothing else in my schedule at the moment. (Nor am I looking for anything to be.)

Ta, L.
Lois McMaster Bujold
Well, your first speculation is not wrong, but, taking them as an undetermined box in which anything might be happening as long as it didn't impinge on Cordelia's then-frame-of-view, I would expect, with 8 or 9 men, several possibilities. Any who were known loyalists to Aral would have been put under arrest, if Vordarian could catch them before they went underground. One or more could have died resisting or defying arrest. Any he could suborn, he would have. Fence-sitters would have found plausible bolt-holes, but not have been trusted by Aral afterward, and would have been encouraged to retire.

Vordarian didn't have long enough as emperor to appoint his own stable, I'm afraid. Luckily for them.

Ta, L.
Lois McMaster Bujold
I have not read Gogol, so cannot say. So many books, so little time!

Ta, L.
Lois McMaster Bujold Well, The Curse of Chalion was written on-spec, conceived as a stand-alone, and finished before I ever offered it to a publisher. So I don't think I was thinking of an Ista-book before then, even though that last scene does seem to be a promissory note in retrospect. However, HarperCollins wanted a three-book contract (which we cut down to two, because I had become skittish about mortgaging my future -- remember, an advance for an unwritten book is not income, an advance is a debt, which must be worked off), so I had this big blank spot to fill. My obligation was just for "a fantasy novel", content unspecified.

I do remember describing my initial ideas for Ista to my HC editor Jen Brehl at one of the Worldcons (?), sitting on tall stools at some trendy cafe, and getting the usual nonplussed look I get from editors when I try to describe my initial ideas. I remember much the same look on Jim Baen's face over dinner at Philcon '89, when I was first describing Barrayar. They seem to get over it by the time I turn in the manuscript, though, so that look of vague editorial dismay doesn't counter-alarm me anymore.

The book still took some developing. It was competing for my attention with what became Diplomatic Immunity, as by the concatenation of circumstances I had ended up with contracts from two different publishers for unwritten books, and each was blocking progress on the other, which was when I discovered that I am really not a writer who can work on multiple projects at the same time. After nine months of fretting I eventually set Ista aside to concentrate on DI first, and things started to move again. Once the book for Baen was bagged, I was able to give Ista my total attention. Happily, during the intervening year some new ideas slotted into place, filling out the scheme, so the extra gestation time was all to the good.

Ta, L.

Lois McMaster Bujold
Good luck with your puppy!

bests, Lois.

(PS, Persons who want to send brief personal messages can also do so through Goodreads' own message/e-mail system. So far, I've only used mine to answer, not to initiate, but it doesn't seem to be too opaque, though it may have other quirks of which I am still unaware.)
Lois McMaster Bujold
Well, we'll see what Gentleman Jole and the Red Queen does for you.

https://www.goodreads.com/author_blog...

But after three new Vorkosigan books in a row, none of them planned, I think I'm ready for a break from that universe.

Ta, L.
Lois McMaster Bujold
Yes, he was. One of them, at any rate -- very seldom does inspiration have only one source. (The young Winston Churchill also has a foot in there, somewhere.)

The movie came out when I was a teen; I followed up with a lot of reading about the man himself including that memoir, which was a deal more complex and a bit beyond what my shallow teen brain could process, but I suppose the stretch was good for it. My understanding grew better as I grew older and learned more, both about the period of history and people generally. It has been some decades since I revisited Seven Pillars; it would be interesting to reread it again now and see how much it has changed, including in light of a half-century more of history unfolding. :-)

Also interesting, if you can find a copy, is Lawrence's The Mint. A tinge of that went into Camp Permafrost, in an oblique sort of way.

Ta, L.
Lois McMaster Bujold
Hm, I'm going to have to throw this one open to other GR participants to answer. I don't have one up my sleeve. Wikipedia might have something.

My own usual list is internal-chronological, here:

https://www.goodreads.com/story/show/...

One can usually find first publication/copyright dates on the back of the title page in a paper book, though the omnibus editions and magazine publications sometimes confuse that. I'm not sure there is a set standard placement of such matter for e-books.

Ta, L.
Lois McMaster Bujold
Wodehouse has been an occasional read for me, and certainly not an early one. So I wouldn't name him any kind of major influence.

The Vor came more from Japanese samurai with a dash of European and Russian military castes.

Ta, L.
Lois McMaster Bujold
No, I'm afraid I haven't read this writer, although her name sounds dimly recognizable (I won't say familiar). Wikipedia, I see, has no entry for her. I find a Judith O'Reilly mentioned on Amazon, evidently a British writer -- same one?

Ta, L.
Lois McMaster Bujold
I can't say as I've thought much about bucket lists. One of my long-time ambitions was realized when Captain Vorpatril's Alliance made the real NYTimes bestseller list, what gets shorthanded as the Big List -- my later books had tapped the extended list enough times by then to make me think it possible and not a pipe dream.

Regrets, I think, are not bucket-list material. "I wish I'd done X differently in 1969," and the like. Also dangerous; if one could go back and change things, one might risk arriving at a less satisfactory outcome in the long run. Other things tend to be not under anyone's control, such as, "I wish my spine would stop having arthritic deterioration." Death would halt such declines, I suppose, but it's not a solution I favor. Be careful what you wish for and all that.

I'm pretty happy right where I am, really.

Ta, L.
Lois McMaster Bujold
Yes, of course. I was probably driven through most of them by economic pressures that were indifferent to my feelings.

"Changing the world" or even "changing the world of science fiction" was never my goal, fortunately. "Not getting my utilities cut off for nonpayment of bills" was. That, happily, turned out to be a more feasible aim.

It is the nature of the book market that one cannot be financially successful without also being well-known, one's name being one's brand-name, more or less. Which is felt to be the means and which the end will vary from writer to writer, natch. And whether one really needs "rich and famous" or if "self-supporting and well-known in my field" will do. Beware those moving goalposts, which can always make one feel artificially bad.

"How high is up?" is one of those dangerous questions that each writer must answer for themselves. Setting goals unrealistically high guarantees frustration, too low risks not challenging oneself to do as well as one otherwise might. (As a rule of thumb, it is also better to focus on what you can do, and not on other people's non-controllable responses. "Finish a book" is controllable, "sell a book" less so, "become a bestseller or win an award" still less so. Unhappy is the writer who boards this train wrong way round.)

As for time, it passes at exactly the same rate for everyone, regardless of how one chooses to apportion it. It's all choices and tradeoffs. Some prices might really be too high, some rewards too meager; only the person who is leading that life can decide.

That said, when I contemplate the ever-upthrusting mountain range of reading matter in the world, effectively infinitely more than I could ever read in my remaining lifetime, I do sometimes wonder why on earth I'm trying to make more, yeah -- if that were my only motivation. Except that writing is in itself an intrinsic pleasure for me, if a weird one -- I sometimes wonder if writing fiction ought to be classified as a dissociative disorder. So I would likely still be making up stories even if no one else wanted them, only with less social approval.

Ta, L.
Lois McMaster Bujold I have had many book covers over the years. Which one/s are you referring to? (A couple of links would likely help clarify this, picture:words, 1:1000 and all that.)

Ta, L.
Lois McMaster Bujold
This is going to be a very interesting real-life experiment in unexpected consequences, as time goes on. I've been watching it out of the corner of my eye for quite some time. The article does suggest it makes a big difference whether the women in question are of an educated class or not -- but that would make a difference anyway, so, hard to tell at a glance.

Ta, L.
Lois McMaster Bujold
This seems to be a common fannish sport. I don't do it much, but if you like, you can picture Oliver Reed playing Aral, and Paul Darrow playing Duv Galeni. Cordelia might be vaguely young-Vanessa-Redgrave. Illyan seems to be some kind of cross between David McCallum and Walter Koenig. Adjust ages as needed,

Miles is hard, although there was an actor who played Richard III in a long-ago TV production that had something of him, lots of energy. Have forgotten his name. (Checks internet -- Ron Cook -- 30 years back. 1983 production, tho' I don't remember when I saw it.) Otherwise, characters' visages mostly float, even when I'm writing them.

Ta, L.
Lois McMaster Bujold
That question is much too broad to answer! You are asking about 35 years of learning experiences, here... :-)

That said, for aspiring writers there's this for teaching about writing: http://pcwrede.com/blog/

Go back to the beginning and read till you get to the now, and you will pick up an awful lot of practical, sensible, professional advice.

Ta, L.
This question contains spoilers... (view spoiler)
Lois McMaster Bujold
Multiple personality disorder is an old, and perhaps somewhat factitious, idea. The more recent notions about dissociative disorders generally seem to rest on somewhat more solid foundations. The rest was creative insight; putting myself in Mark's skin and thinking it through, which is what a writer does when creating any character, more or less convincingly.

I don't know if Mark and Kareen will ever marry; they seem to be getting along fine with a galactic-style partnership. If they did, they might well have a choice of which legal codes to marry under, which could matter. If they ever decide to have children, that could change, but probably won't until that point.

Ta, L.

Lois McMaster Bujold Hi Iva --

The backstory of the first malice is almost as vague in my mind as it is in the characters. I figure to fill in the details if I ever write a prequel which, I admit, does not seem likely. But it involved the most powerful magics of the old mage-lords, a deal of hubris, and an attempt to pull in something that was Not Of This World. From there, things did NOT go according to plan.

I do believe that the alien-ness of the malices is from that Outside; their evil, all from their human parts or programming.

Dag's people have very limited written records of the Old Days, and some oral traditions more-or-less distorted in the retellings. Their broad outline is more-or-less correct, but there are a lot of missing details.

Ta, L.
Lois McMaster Bujold
Yes, Jole is the same character -- 23 years later, so "same" is an arguable term. :-)

Ta, L.
Lois McMaster Bujold Too early for spoilers, I think, but it is certainly the case that we saw the later Aral and Cordelia mainly through Miles's eyes, which is a peculiarly restricted frame. I can say that Cordelia and Aral loved each other without reserve until death parted them.

Also, don't forget that Cordelia is Betan. Betan /= 21st. C. Middle American, despite her accent. Technology, as usual, creates the ambit of the possible, in culture as in so much else.

So much else, but you'll have to wait for the book for that.

Ta, L.
Lois McMaster Bujold Hi Steve!

I don't, but for a while earlier in my career I was in a writer's group who read their offerings aloud to each other, which may have had some long-term effect. And I certainly subvocalize while composing,

The professional narrators of my audio books seem to like them, for what that's worth.

Ta, L.
Lois McMaster Bujold
My history reading is erratic, although it does rather accumulate over time. But I haven't read that one, no.

Ta, L.
Lois McMaster Bujold
Hee. Not the first to name kids or pets after my characters, although in this case it seems to be by chance. I just hope the kids don't hold it against me in later years... the pets are on their own.

Ta, L.
Lois McMaster Bujold I can't say that characterization is something I try to focus on... it seems to come "for free" for me. (Referring to a metaphor about writing where every writer has different aspects of the craft that seem to come easily to them, and others they have to work for.) I have to work for plot, and setting, and, argh! names, tech and worldbuilding, and magic systems if extant, theology, politics, architecture and clothing design and so on. But if a character presents him/her/itself as interesting enough to write about in the first place, they seem to come walking onstage already pretty integral. Also, nearly impossible to alter in any arbitrary fashion, even though they grow and change with the story. Mountains are easier to move.

Though they do tend to go through a stage early in their development (and, indeed, later on in the tale) where I keep trying story and backstory on them to see what fits, like a frustrating shopping trip, but that feels more like discovery than invention.

Once I have a character, everything else can be added. Without a character, everything else is useless.

Ta, L.
Lois McMaster Bujold I'm glad you enjoyed Pen and Des -- I certainly enjoyed writing them. (And do pass the word -- this work is getting no promotion beyond word of mouth.)

I have no plans to expand this novella as such. It is not impossible that the characters could have further short (although 35k words is not actually "short") adventures someday, a series in miniature, but nothing is in the works at this time. (I am back to being semi-retired for the rest of the summer.)

I really enjoyed getting to write something short, after the prior novel that took three years (though to be fair, a lot of that was life-interruptions.) But for a novella one needs to have just the right idea to fit the length. Short stories and novelettes seem too short to me to get in much character development -- they tend to be more idea-centered snapshots. But novellas are just long enough, elbow room without bloat. Whee!

Ta, L.

Lois McMaster Bujold The first two Chalion books were written over a decade ago, now, so my recall of their composition is getting vague. I had a life accumulation of occasional church attendance, but more important was probably reading. Some C. S. Lewis, a book by Thomas Merton, something by an Islamic mystic, some readings on Buddhism, Taoism, and Shinto, The Confessions of St. Augustine, biographies of St. Ignatius Loyola and that fellow who went off to found the leper colony in Hawaii, Teresa of Avila, and so on. And reading, yes, about real-life mystics, mostly from the Middle Ages in the course of my general historical filter feeding of the era.

The serious mystics across religions do seem to be zeroing in on something similar, and recognize it in each other, though whether it is some subtle universal equivalent to the hiss from the Big Bang, or just the 60-cycle hum of their own biology, I am not sure. (Though I suppose it could be both.)

Ta, l.
Lois McMaster Bujold I have certainly recommended the anime of Mushi-shi. I think I found it first on Netflix, but now own my own copy. (They did a live-action movie of it, too, but the anime is much better. The anime is quite closely based on the original manga.)

No influence on butter bugs, as A Civil Campaign was written in the late 90s, and I didn't find the anime till much later, after Netflix was invented.

Ta, L.
Lois McMaster Bujold Hopes, maybe, plans, not yet. I have characters, I have setting, I have notions, but no suitable plot has yet reported for duty. I think I need to get less busy, to give brain room for something to come up, but that keeps not happening. Too much time spent on servicing old material, lately, though that is part of the necessary business of writing.

Must retire harder...

Ta, L.
This question contains spoilers... (view spoiler)
Lois McMaster Bujold
I'm pretty sure Gregor went to the interment as Gregor, and was barely conscious of what he was wearing. I'm also pretty sure his valet put him into whatever was correct, that morning. I don't know if there is an equivalent Imperial uniform to House Blacks. At this last, private stage of things, a civilian suit is also a possibility. It would not have been the gaudy parade red-and-blues, anyway.

Ta, L.
Lois McMaster Bujold
Everybody has accents; the Vor are no exception. That should be in the plural, of course, given all the different regions and language groups on the planet. Some accents would be more associated with high status or places of origin than others, and thus aped, and whatever the BBC uses most would tend to spread. Barrayarans don't have quite the mania for placing/pegging each other by their voices as do the Brits, but they come close.

The Vorkosigan family accent runs to something like "British actor doing stage Russian accent".

Betan is closest to American Midwestern, yes.

Ta, L.
Lois McMaster Bujold I'm glad you found "Penric's Demon", however inadvertently!

I'm not planning anything at this stage, though I'm open to possibilities. Part of the reason for the Penric tale is that I wanted to explore direct e-placement, which, among other things, has far fewer constraints on length or topic than other modes of publication. I'm certainly counting the experiment a success.

But, really, Penric's tale happened because I wasn't trying to write at all, but rather, had relaxed and kicked back. With my brain less busy, there was space to listen to myself think. (The internet, I observe, is quite willing to keep one's brain frantically busy 24/7.) Also, an idea needs to be of the right weight and length for a novella; too little and there's nothing to say, too long and it turns into a novel, which is not the point of the exercise. I will say, finishing something in a mere three months was a real treat. So, we'll just have to see.

Ta, L.

Lois McMaster Bujold Well, that's a question I plan to leave to readerly speculation. However, if a double-dominant dose of the gene is required for the telepathy to kick in, in standard Mendelian inheritance patterns, it will actually be the second generation after Ethan that starts to show the effects, and then, of course, only if primed with enough tyramine. The very first actives would likely put it down to drunken hallucinations, with a few poor boys wondering if they were going crazy, till word got around.

Ta, L.
Lois McMaster Bujold Yes, it will be available as an e-book. First will come the eARC, Advanced Reader's Copy, effectively the same as my galley proofs, which will be for sale off Baen's own website in advance of publication by a couple of months. The usual price for these is $15. The regular, fully corrected e-book will be released no later than simultaneously with the hardcover, I think. (I should probably cross-check this data.)

It's more important for publishers to get accurate early pre-order data for print books than e-books, due to needing to decide on the size of print runs and arrange all with the printing company, for the books to be printed and shipped by the pub date. E-book "print runs" are indefinitely instantly expandable, as long as people don't crash the server...

Ta, L.

Oh, I should add there will be a pre-signed hardcover edition for sale, too, rather like the one for Ivan's book.
Lois McMaster Bujold
I hadn't, but I have heard of similar things. Going right back to pre-electric days exploring, and possibly building, Egyptian tombs using mirror-light.

Ta, L.
Lois McMaster Bujold "Aspiration character" is a new term for me -- thanks! Is it common coin?

No special catalyst, except that his time had come, and Miles was overdue for a rest. I'd had a notion for a story for him before (give him a Cetagandan princess!), which failed to jell. Lots of fan requests for more Ivan fell on the usual politely deaf ears till I had a new idea (give him a Jacksonian mafia princess!), which even recycled a little of the old idea as a bonus, and we were off and running. Or strolling, in Ivan's case.

The most important part of the practice for him was giving him a viewpoint in A Civil Campaign, I think, which he'd never had before, allowing us to explore his hidden shallows.

Ta, L.
Lois McMaster Bujold Ah, this is a frequent confusion, engendered by that old Baen timeline, I think.

Back when I was putting together the three Miles novellas for the fix-up collection Borders of Infinity (note the absence of the "The" -- and of quote marks, which signify a short story), Jim Baen asked me to write a frame in which to embed the three tales to make the volume look more like a novel, as collections didn't sell well. Which I dutifully did, making it a sort of little story, because that's what I do. It does not in any way stand alone. I have Miles remembering or telling the three episodes to Illyan while in hospital after a mission, plausible reasons for asking or remembering supplied by the frame.

The three novellas plus the original frame may be found in the collection (or novel) Borders of Infinity, currently available as a direct-placement e-book and in other formats. The frame was dropped when we broke up the novellas to fit in the chronology of the omnibus volumes, as it would have made no sense in that context.

If I had realized back in the 80s how much confusion it would make in the future, I would have titled the collection something very different from the title story! Too late now, so I just have to keep explaining to people.

Ta, L.

Lois McMaster Bujold
Nothing is promised, nothing is ruled out, and nothing is in progress.

I'd like to do some more new things, but I have lately involved myself with the e-book relaunch with the new e-covers, which is going to keep me busy for a month or two more. After that, who knows?

Ta, L.
Lois McMaster Bujold
Not at this time.

I had an official offer to sharecrop from Baen, years and years ago, and turned it down. It just doesn't mesh well with the way I work. Too much is intuitive, too much generated on the fly, too much just-in-time world-building, too much control-freakery. Trying to work with another writer would be a huge communication burden, and all the fun parts would be left out, from my point of view.

Ta, L.
Lois McMaster Bujold
Nothing is promised, nothing is ruled out, and nothing is in progress.

Ta, L.
Lois McMaster Bujold
That goes all the way back to The Warrior's Apprentice in 1986, when (admittedly mentioned in passing by Tav Calhoun) Beta Colony's arrangements are indicated to be highly flexible. And there was that poly family in The Sharing Knife. Athos... is in a class by itself. Lots of variety in the Vorkosiverse, although mercenary fleets, naturally, are not much about family formation. Jackson's Whole, anything can happen and does. And then there are the Cetagandans, the ghem indicated to practice polygamy sometimes, the haut deeply mysterious, no idea what their ordinary citizens get up to, and so on and on.

A lot of the stories touch on an exploration of what might happen when sexuality and reproduction are truly technologically separated. Sexuality becomes optional and malleable, and much less fraught, but somebody still has to change the babies' diapers, or they will die. Not everyone needs to have children, but all characters need to have parents -- or some SFnal equivalent, and no cheating by having people raised to adulthood in vats and anyway, who would run the vats? So.

No new books are in process at the moment, so I can't predict what I may like to explore next.

Ta, L.

Lois McMaster Bujold No, no. and no, roughly. I am more a listener than a talker, and tend to gravitate to inveterate talkers therefore, who do all the work for me, which in turn doesn't give me much practice at talking.

Ta, L.
Lois McMaster Bujold By the third generation, they had lost electricity, and were down to wind, water, and muscle power for a time. Loss of tech went hand-in-hand with loss of social cohesion, and came back much the same way. By the last quarter-century before the end of the ToI, they were getting electricity back. There followed about 15 years of very rapid development between the rediscovery and the Cetagandan invasion, half a generation. Development continued throughout the Occupation, in erratic patchy ways. Lots of off-planet imports turbo-boosted things, as well as disrupting them.

Details left as a problem for the student, or Fanficwoman.

Ta L.
Lois McMaster Bujold Well, I wouldn't rec starting with Memory, simply because so much of the impact of the book rests on what went before. I don't think there is a sure-fire Vorkosiverse starter-book -- readers' tastes are too different, and the books are not all the same. The series does build by accumulation, and I have tried to make each volume work as a stand-alone, although that has become harder over time.

Borders of Infinity is a sort of sampler-platter, and short, so that might be worth trying.

I could ask readers to chime in, here, though I'm pretty sure it would not result in consensus.

Ta, L.
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Lois McMaster Bujold I left that open at the end of CryoBurn. I, Gregor, and Miles are all conscious of the conflict-of-interests issue. I'm sure Miles at least offered his resignation. Gregor might have more-or-less stored it in the refrigerator, holding Miles in reserve for any galactic contretemps that might call for his special expertise, but keeping him out of any Empire-internal cases.

An Auditor's powers are not a 24/7 (or 26.7/7) thing, but activated and deactivated case by case. Jumping one between cases would automatically create a case, however, so, like many things on Barrayar, it has ambiguities that only Barrayarans seem to readily parse.

Ta, L.
Lois McMaster Bujold The influence of Japan is more structural, on the authorial level, than internal in terms of fictional founder population. (Though the 50,000 Firsters were undoubtedly more racially mixed than most readers seem to realize, drawn from four different kind-of-European Earth regions 200 or more years from "now".) But Japanese history gives a worked example of cultural isolation and forcible rediscovery that is most evocative, psychologically and politically, when thinking about SFnal lost-colony scenarios. Useful stuff.

Reading rec: A Daughter of the Samurai (1925) by Etsu Inagaki Sugimoto.

Ta, L.
Lois McMaster Bujold Names are always a burden to me. When working in a made-up universe like Chalion or the Wide Green World, I often brainstorm potential name lists in advance of the story, so that when a new character pops onstage I don't come to a dead stop for three days trying to figure out his/her/its name. I have a prefab list of dozens, and just run down it till one pops out as feeling right for that individual. This also allows me to create a more uniform sense of language/name groups and so on. (Taking a region on a map, chopping all the names into syllables, and recombining them can lend a subliminal sense of language/culture unity to a name list.) In working in the Vorkosiverse, I am very happy to now live in the age of Wikipedia, where I can pull up lists of authentic ethnic Old Earth names at a mouse-click. Beats the heck out of the days when all I had was the local telephone directory and some syllable-scrambling.

Ta, L.
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Lois McMaster Bujold
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Lois McMaster Bujold
Nope, I got the names off ethnic/country-of-origin name lists, probably Wikipedia, though I sometimes find other sources.

The coincidence is amusing, however.

Ta, L.
Lois McMaster Bujold I have no dietary restrictions, although in recent years I've had to give up coffee :-( because it gives me indigestion.

For a while, I was trying to do dinners for a group which included a vegetarian, a person on the Atkins diet, and a person who did not like fish. I think I finally had them brown-bag it...

There are some classic old SF stories about vat meat versus dietary shibboleths, which the commenters can probably chime in with.

Ta, L.
Lois McMaster Bujold I'm not sure where that series is going at this time. My original plan for five-books-five-gods seems to have run aground, as the template proved too rigid; the recent novella "Penric's Demon" was in part an experiment to see if I could shake something loose in a new direction.

Ta, L.
Lois McMaster Bujold I would like to do more with Penric, but no suitable plot has reported for duty yet. Doing something short was definitely a blast. I think it's time for something new, but I don't know what yet. I still have about a month of work left to get the Vorkosiverse e-re-issue all out, plus proofing and 1100 tip sheets to sign for Gentleman Jole and the Red Queen; after that, my eyes will need a rest, and after that, we'll see.

Ta, L.
Lois McMaster Bujold Due to founder-effect, Dubauer is a common name on Beta Colony (like Smith); the ba picked it because it seemed bland and unmemorable.

I do not know the ba's final planned destination, but it must have had the equivalent of an orphanage lined up waiting there. The prospective employees were doubtless peeved when their employer did not show up, stiffing them.

Ta, L.
Lois McMaster Bujold Huh! A wind tunnel, I take it? Interesting.

Yes, a bit like a quaddie ballet, though the quaddies could afford to move in a slower and more controlled fashion.

Ta, L.
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Lois McMaster Bujold
This answer contains spoilers… (view spoiler)
This question contains spoilers... (view spoiler)
Lois McMaster Bujold I do not know if Leo and Silver had kids, but it is not ruled out. They would have needed biotech aid. Quaddie names were for a long time one unique name per quaddie, which, as the population expanded, got to be a stretch before they went to adding the numbers to allow duplication.

Yes, Delia was named after Cordelia; the latter is probably her actual legal name.

5 almost 6, 11 just turned from 10, a few months slipped in somewhere, variants in planetary year length... many retcons are feasible.

I don't know if Ivan and Tej have had kids "yet", nor where he is posted, nor, indeed, what his "new career" really turned out to be. Ivan presently exists in an electron cloud of potential, position unknown

Nikki did not choose to be adopted, and did choose to retain (and perhaps redeem) his family name. In his immediate Vorsoisson line, he is the senior male, being only son of the only son to have offspring, and possibly not too many brothers/uncles upstream.

Baen doesn't seem to be doing library placements at present, though HarperCollins is, and has my fantasies for them up in many libraries' e-systems. Blackstone Audio also has good library placement. I would like to get some of my direct-placement/self-published Vorkosigan e-book backlist up, at the very least a couple of titles to test the waters, but have not so far succeeded in doing so. I'm not sure which one or two would be best to experiment with.

Ta, L.
Lois McMaster Bujold While acquaintance with a number of different real-world religions informed the Chalion books, I think the Five Gods are original, both in underpinnings and in a lot of details. Some ideas are stolen and modified, such as the rather check-mark-shaped signing of the Five over the five theological points (four if one is Quadrene) versus the Catholic signing of the Cross, which is also a mnemonic.

The ancient Chinese probably had less influence than several other sources. Otherwise, I used lots of natural elements; the hand, the seasons, human familial relationships, and so on. Five was also attractive because it resisted, to a degree, dualism, which I think is a way of looking at the world that tends to create a lot of ill.

The two religions in The Hallowed Hunt had some inspiration from the clash between early Christianity and the Germanic, Saxon, and Nordic pagan religions of the so-called Dark Ages. Great Audar's career borrows elements from Charlemagne, for example. (Well, steals, perhaps, since I have no intention of giving them back.)

Ta, L.
Lois McMaster Bujold Neither; what I care about most is the character study. The plot only exists to reveal new things to me about the characters, to supply a worthwhile road for their spiritual journeys. Ditto the setting, really. The readers are merely invited along for the ride. What they get out of it all will be to a large and non-controllable (and, I have observed, wildly varied) extent up to them.

Ta, L.
This question contains spoilers... (view spoiler)
Lois McMaster Bujold This answer contains spoilers for the book, but really only the first chapter. (Free sample chapters, 1 - 4, are presently to be found here: http://www.baenebooks.com/p-2892-gent... )

Yes, I "knew" what Jole was (although not yet his first name) back when I first wrote The Vor Game in 1989, though he existed then more as a cloud of potential than as a known position. That potential expanded after I wrote Memory, circa 1995, which packed Aral and Cordelia off to Sergyar and incidentally extended Aral's narrative life by a decade. For the next 4 volumes the series followed Miles, who, you may have noticed, is a trifle self-centered, and thus so are his books.

Jole might have continued to exist merely as my private amusement if I hadn't been drawn back to write first CryoBurn and then Captain Vorpatril's Alliance, during which my speculations about him solidified, and then invited his story. The first notes hit actual paper in early 2011, when I was stalled on Ivan's book for various internal and external reasons. I then picked up Ivan's tale after a radical revamping and finished it, so I didn't get around to writing the first scene of GJ&RQ(which became the second scene of the actual book) in early 2012. (2/26/2012, my computer files tells me. Huh.) Reader demand to know what happened after CryoBurn also fed into this, as I gradually realized that the aftermath that really interested me was not Miles's, but Cordelia's.

Writing Jole's story did its usual trick of creating him, or at least, making him visible to me, in greater detail, and he finally achieved the character-density you see by the end of the book. (Not to mention that first name.)

Ta, L.
Lois McMaster Bujold Aliens vs. no-aliens is an old bifurcation in space opera. The formative works I was reading back in the 60s offered both models. A lot of the aliens tended to be just people in costume, and not just on Star Trek. Two models of the latter choice for world building were of course Asimov, who had humans-only, and the less-well-known but amazing writer Cordwainer Smith, who had extensive bioengineering of both human and animals, and who was much the bigger influence on me.

By the time I began writing, science was beginning to catch up with the bioengineered future Smith had envisioned, and the "aliens are us" notion seemed even more plausible. By the time I'd finished the first couple of volumes of my not-planned-in-advance series, I'd pretty much committed to the bioengineered-humans model, and that if there were any advanced aliens in our galaxy (which is a big place not only in space but in time -- two such species could miss each other not only by light years but by millions of years) they wouldn't show up in in my characters' lifetimes.

Ta, L.
Lois McMaster Bujold Fashion being what it is, the answer is probably "all of the above". Palazzo pants, certainly, but also every variation, as befitting the season, the venue, or the need to sell more trousers.

Ta, L.
Lois McMaster Bujold Still no plans for Kobo at this time, sorry.

It's short; your computer might not be too onerous. Or, it will be coming out sometime next year from Subterranean Press as a chapbook-sized hardcover, so there's that.

Ta, L.
Lois McMaster Bujold Good luck on the writing! A very practical font of advice may be found on Pat Wrede's blog, here:

http://www.pcwrede.com/blog/

Go back to the beginning and read in small bites, or, if you want the fast-forward version, there's this:

http://www.amazon.com/Wrede-Writing-T...

In general, my characters seem to have their own voices and opinions, to which mine are necessarily subordinate. I owe them the most honesty I can muster, and everything I know (at the time.) I find this more liberating than uncomfortable, although that may be some species of displacement. I have to forget the audience and my careful social-self while I am writing, although readers certainly come to the forefront of my thoughts when it's time for marketing, or for watching their reactions to find out what I've written.

I think Pat has some posts in the book I just rec'd, or certainly on her blog, on the problems of keeping the internal editor from crippling the internal writer. I am also reminded of a complaint from long-time Analog editor Stan Schmidt, frustrated about writers coming up to him and explaining that they didn't send him this or that tale because "it didn't seem like an Analog story." "It's not your job to reject stories for my magazine -- it's mine!"

Ta, L.

Lois McMaster Bujold Not Star Wars. I was approached once for Star Trek novels, long ago, but for me that starship had sailed. They should have asked me in 1968... :-)

I believe all the big franchises have some sort of story bibles these days. (In the early days, when all this was first being invented, things were more free-form.) But it's not something I'm interested in -- I want to write my own stories -- so I've never investigated further.

My friend Pat Wrede was approached through her agent and contracted to write the middle-school novelizations of the last 3 Star Wars movies, back when. But she was under legal obligation not to talk about it, at the time. But those were a lot more constrained than the side novels, as she was working from "live" scripts (some of them still wriggling.)

Ta, L.
Lois McMaster Bujold For all we know, he might be; Ezar Gregor, styled Gregor, the way Aral Alexander chooses to be Alex.

Or he might have some other name combo -- perhaps Ezar never liked his name, and chose not to have it inflicted on his grandson, preferring to honor someone else. Or maybe Serg wouldn't have it. The possibilities are many.

The naming custom isn't all that strict, in reality.

Ta, L.
Lois McMaster Bujold Yes, Baen will be releasing their e-edition no later, I believe, than the hardcover release. I'll post when it goes live. (And, of course, the eARC is out now, though it will be going away when the final arrives.)

There will also be a signed limited edition, about which, I am reminded, I should make a post.

Ta, L.
Lois McMaster Bujold Well, but Vorbarr Sultana is not earthquake country; such events there would be unusual and alarming even to earthquake veterans. Nonstandard details such as the plumbing and other connections ripping out of the walls as the building went down would likely also be attention-grabbers.

As the building is windowless, its inhabitants wouldn't have been treated to the sight of the earth rising up past their windows, but it has plenty of other monitoring to give alarm. Until that, too, was buried or borked as events magisterially proceeded.

Ta, L.
Lois McMaster Bujold Start with Shards of Honor, but circle back and pick up Falling Free sometime before you get to Diplomatic Immunity.

That's enough for going on with, but if you want a profusion of detail, my own reading-rec order is here:

https://www.goodreads.com/story/show/...

Ta, L.
Lois McMaster Bujold This seems a good question to throw open to the readers at large -- more suggestions in the comments, folks?

Depending on my mood, I have been fond of the Regency romances of Georgette Heyer. Middle Pratchett is always good -- very early Pratchett hasn't found its voice yet, late Pratchett sometimes tends to more dark. Jennifer Crusie for contemporary (or, by now, then-contemporary) romantic comedy. Ben Aaronovitch's Rivers of London series isn't comedy, but narrator Peter Grant's voice and views are pretty amusing at times. Megan Whalen Turner's YA fantasy series starting with The Thief is also very re-readable (try to avoid spoilers, going in.)

I also like animation and anime -- pretty much all the Pixar and Dreamworks offerings, Miyazaki of course; other, quirkier things. Paprika is a fave feature-length film, Mushi-shi, while it is not comedy -- it might be "gentle horror" -- a favorite series. The series "The Wallflower" is... not readily describable.

Some good Shakespeare comedy on film includes the 1997 production of Twelfth Night starring Helena Bonham Carter, and the nicely goofy 2000 production of Love's Labour's Lost done as a 1930s Hollywood musical.

Ta, L.
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Lois McMaster Bujold That story is, if not dead, in cryostorage, very cold at present. I won't say I'll never get back to it, but it needs to go somewhere other than where it had stalled, and the unblocking idea shows no sign of occurring. So, probably best not to hope for it.

Ta, L.
Lois McMaster Bujold I am barely aware of the new SW movie, I'm afraid. I loved the first trilogy, was hugely disappointed by the second -- for that much money, why couldn't they have bought a good script? -- and never got into the books.

More for you all...

Ta, L. (I am waiting for Minions to appear on Netflix, however.)
Lois McMaster Bujold I've never worked out the timeline in detail (and if I ever had, the paper I'd have written it on would be long gone by now anyway.) But, sure, roughly right. I put the Ceta invasion ~15 years after the end of the ToI, and it lasted ~ 20 years. I'd put Dorca's unification later, since he survived right up to and through most of the Occupation; although he might have been merely the emperor to finish, rather than start and finish, that political process. I've never established when Aral was born in relation to the end of the Cetas, but, if not before, soon after. Have no idea what you mean by "canonization of the Vor caste", although equipping them with and/or shooting them from cannons would occur toward the middle-to-end of the ToI.

Ta, L.
Lois McMaster Bujold Imprinting, mainly, I expect. These were the sorts of stories I grew up loving in my teens. (1960s vintage, plus any earlier work lingering on local library shelves.) I didn't come to reading romances or mysteries till later, in my 20s, though they were both inboard as interests by the time I started writing for professional publication in my early 30s. Also, because of my reading familiarity with the F&SF genres, and with conventions, I had at least a vague clue how to go about submitting work, and where, which I lacked for other genres.

Mostly, though, F&SF are universal receivers, like certain blood types; they can absorb any other genre's plots, tropes, styles, and ideas. So an SF writer does not, at least in theory, have to give up any literary possibilities, or restrict their creative range.

Ta, L.
Lois McMaster Bujold Which movie? I saw a made-for-TV remake with the original cast some years back, which wasn't all bad. If there is a new remake, I haven't seen it yet.

Also, not 14 now, which makes a difference. Dear God, has it been fifty years...?

A huge number of people of my generation were fans of that show; not least, I suppose, because there were far fewer choices of things to watch back then, which tended to concentrate and enlarge the audiences.

Ta, L.
Lois McMaster Bujold Yes and yes.

:-), L.
Lois McMaster Bujold I doubt it. Miles's life has gone in rather different directions, by age 43, than he envisioned at age 17 or even 27. As do most of ours...

He has found other ways to serve, not less honorable.

Ta, L.
Lois McMaster Bujold "Alice" more-or-less, but with not so sharp a sound as the "c" compels... Accent on the first syllable. "AL-ease" is just a tad too softened, but something like that.

Ta, L.
Lois McMaster Bujold Nothing planned in that direction at this time. I'm afraid you're just going to have to use your imagination...

These books could spawn fractal sequels, but there is no way I could write them all.

Ta, L.
Lois McMaster Bujold Answered here: https://www.goodreads.com/questions/2...

I just recently watched The Tale of Princess Kaguya and thought it very fine. I can also highly rec The Story of Saiunkoku, and have also liked the work of CLAMP.

I haven't had time to watch for a while, but I am always interested in recs for the better-grade stuff. (I don't have time to sort through the drek myself.)

(A quick check finds none of your recs currently on Netflix, my source, tho' they do offer a 1992 edition of Arslan. Any relation?)

Ta, L.
Lois McMaster Bujold You are welcome!

Nothing new to report at this time, although with a Minnesota winter coming up, who knows? The launch of Gentleman Jole and the Red Queen in just six weeks is going to be an enormous distraction, though only for a while.

Ta, L.
Lois McMaster Bujold Glad you have found, and are enjoying, the books!

No, I was not aware of the jazz pianist. Quite a few short, interesting people have been brought to my attention by readers since Miles first appeared, but none of them are sources.

Ta, L.
Lois McMaster Bujold Yes, I was told the e-version is supposed to go up at the time of its release. I do not know why there is not a page or pre-order option for the e-book. So, Real Soon Now, but not quite yet. (The e-version will also be available at www.baenebooks.com , when the eARC comes down.)

A bit later: I asked of Baen, and got this expansion:

"The ebooks do not go on sale on Amazon as pre-orders. They are all put up on the 16th of the month prior to publication.

It is available now as a partial at Baen Ebooks, so your readers can even get started if they want. The entire download will become available on January 16.

http://www.baenebooks.com/p-2893-gent...

All ebooks purchased at Baen Ebooks are perfectly capable of being read on the Kindle. There are various ways to do it, but the easiest by far is just to use the book’s sales page to email it to your Kindle. I am a Kindle guy, and I do this all the time. There are instructions there on the page when you sign in with a Baen Ebooks account. It’s very easy to do.

Otherwise, the ebook will be for sale January 16, 2016 on Amazon and other ebook sources including iBooks, Kobo, B&N, etc."

Ta, L.
Lois McMaster Bujold Hi Mathieu --

I have not yet received an offer from a French publisher for the book, so, not soon. (It would have to be licensed, then translated, then go through the publication process -- this usually takes a year or more.) Translations are a "buyer's market", thus not up to me.

bests, Lois.

Lois McMaster Bujold Hi Ines --

We have not yet had an offer from any Croatian publisher for Gentleman Jole and the Red Queen, so, no news. You are probably in for another long wait, I'm afraid.

Ta, L.
Lois McMaster Bujold Hi Tatyana --

Those are the sorts of details I normally leave each reader to imagine for themselves, so you are free to devise whatever pleases you. The great advantage of this is that fans can have all the choices, not just one.

Have fun!

Ta, Lois.
Lois McMaster Bujold
No, I don't have a full list of all Vor names on Barrayar, Counts or otherwise. (Nor do I have a 30-volume leather-bound copy of the Encyclopedia Barrayarica in my garage, though it is, I suppose, a testament to my worldbuilding that so many people seem to imagine I do.) There are more Vor family names than there are countships. There has also been historical turnover of clans in countships, for all the possible reasons.

I have never established what's going on with the government structure of South Continent, except that it is not countships, new or old. When last heard from they were directly held Imperial (not Count Vorbarra) lands, presumably divided up as needed for local government.

The terraforming of S. Continent continues as people get to it. It will be a generations-long project.

There have to be more interesting big islands and island chains as well, not mentioned yet... With examples before us of Hawaii, Iceland, and New Zealand, it rather seems to depend on what the plate tectonics are doing; which could be more or less active than Earth's.

Ta, L.
Lois McMaster Bujold I'd wanted to write a Barrayaran regency romance ever since I awoke to the fact that Barrayar had this perfectly good regency lying around. Aral Vorkosigan's regency was long over by the time this book came along, but why should that stop the parade? A lot of other elements went into the book, not least Shakespearean comedy... somewhere around is a long fannish discussion of them, A Reader's Companion to A Civil Campaign. Aha, free pdf is here -- http://dendarii.com/ACC-Companion.pdf -- warning, large file.

At this point, I could write in any mode I wanted, so long as I liked it enough to have internalized it. One reader-reviewer even described Gentleman Jole and the Red Queen as an SF-mainstream crossover, which may be a bit of a stretch, but not for me to say. Whatever the mode, it would have to be a story I relished enough to slog through the bog of actually writing.

Ta, L.
Lois McMaster Bujold
Nope; I had never heard of them before you told us just now.

Jole came out of my head when I first invented the character, back in about 1989. He acquired his first name four or five years ago, when I began to develop the ideas for his book, which I created in a common way by generating a list of possible names and staring at it till his name presented itself from the pack.

He came really close to being Perry, a nickname for Perrin; dodged that bullet... Oliver suits him much better.

Ta, L.
Lois McMaster Bujold
More anxious than relieved. Granted that the cover is not embarrassing, and is actually thematically emblematic of the story, and doesn't give readers anything to complain about having "got wrong", but will it sell?

What people claim they want, and what they actually buy, may be less congruent than imagined.

Ta, L.
Lois McMaster Bujold
Oh, gosh. No secrets, no secret handshakes. Persons looking for practical writing advice might do well to start with Pat Wrede's blog or her book Wrede on Writing.

As for me, there are two books that discourse at length on the topics of how I write: The Vorkosigan Companion, edited by Lillian Stewart Carl and John Helfers, and my own Sidelines: Talks and Essays, which is an e-book collection of most of my nonfiction writings of the past three decades, which are generally about writing. (I shall not retype them all here...)

My work life has changed over the years as my life has changed -- how I operated in the 80s was different from the 90s, and again from the 00s, and is now very different again as I work out what semi-retirement means to me.

Ta, L.
Lois McMaster Bujold
Good question; I 'd have to write a story to learn the answer. It is among other things unknown how much Horseriver was lying about that library, using it to explain his knowledge actually acquired by living through his times. It's also unknown if he left whatever he possessed behind, or destroyed it, although the progression of the story suggests the former. I'd think the Temple would be first in line to seize anything interesting, posthumously. I. & I. might get to see it later...

Ta, L.
Lois McMaster Bujold
I'm glad to have my work on audio as well!

Nothing is in the planning stage at this point. (Well, just now there are a herd of PR chores in support of the book launch stampeding toward me.)

Ta, L.
Lois McMaster Bujold
Yes, Arde and the pilot Cordelia suborned/hijacked are intended to be the same -- one feels that his unfortunate encounter with Cordelia was the beginning of the slippery career slope that ended with the poor schmuck in the heap where Miles found him.

I don't totally insist on the interpretation, but really why not? Parsimony and all that.

Ta, L.
Lois McMaster Bujold I had a wonderful trip to NZ in 2003 for the national SF convention in Auckland, and was able to tack on a 10-day tour of South Island, and I've also had a great trip to Australia, to Perth for Swancon... 23, iirc. I'd love to go back, but I'm afraid the airplane ride would be excruciating given all my wonderful new arthritis issues. I can't sleep on planes; coming back from Perth to Minneapolis entailed being awake for 36 hours. You know all those people who say they wish they had a 48-hour day? No, really, they don't.

Hot actually sounds good right about now, though. Minus-17 F. predicted here tonight.

Ta, L.
Lois McMaster Bujold Assuming you already know about Gentleman Jole and the Red Queen, I can only answer with what is becoming my usual mantra: nothing is planned, nothing is in progress, and nothing is ruled out.

Ta, L.
Lois McMaster Bujold Go for it; have fun; don't send it to me.

As I was writing fanfic possibly before the term was invented (and so were a lot of other people), any other answer would be quite hypocritical.

I once wrote up a little essay on the topic, good grief, ten years back now; a bit out of date but in parts still pertinent.

http://www.dendarii.com/fanfic.html

This essay was written just a few years pre-Kindle and the e-books marketing revolution, which is a whole 'nother conversation and then some. (The link at the end of the essay to the old City Pages interview is long dead.)


Ta, L.
Lois McMaster Bujold It's unclear if you've found The Hallowed Hunt yet, or the novella "Penric's Demon", both set in the same world but in different time periods and with completely different casts of characters (except the gods.)

Yeah, I think most everyone likes a trickster figure, especially including storytellers.

My The Sharing Knife tetralogy has a deliberately different "voice", as suited to its world, but it is more fantasy.

I have no news on future work at this time. No promises, nothing in progress, nothing ruled out.

Ta, L.
Lois McMaster Bujold You're welcome!

Ingrey is a rather different sort of protagonist that Caz or Ista, younger and grouchier. But I feel he has his own surly charms.

Ta, L.
Lois McMaster Bujold Nope, I hadn't caught that one. Fun!

Ta, L.
Lois McMaster Bujold
I haven't read The Attenbury Emeralds, so I have no idea. (You may be asking the wrong author.) The British have a general mania for gardens, though, so I don't see any necessary connection.

Ta, L.
Lois McMaster Bujold It's basically some species of doughnut, either bread or cake, bakery or street-food version. Funnel cakes from the State Fair are yet another type. Local variations in the recipes may be expected to be numberless.

Ta, L.
Lois McMaster Bujold
Having just re-copy-edited all 17 of them for the new e-covers last summer, I should have an answer for this, but it's still a surprisingly difficult frequently asked question. But I suppose Memory and A Civil Campaign are the front runners.

Ta, L.
Lois McMaster Bujold Have you found my 2015 novella "Penric's Demon" yet? (It's available as an e-book in the Kindle, Nook, and iBook stores, and now also as an audiobook.)

Aside from that, nothing is promised and nothing is ruled out.

Ta, L.
Lois McMaster Bujold
It's a real-world name (you can Google it) , so it likely has some official pronunciation somewhere, but I pronounce it "sipis" but with a little touch of the tongue to the back of the incisors just before the s.

Ta, L.
Lois McMaster Bujold
In general, SFnal audiences do not care for stupid protagonists, unless it's a tragedy like Flowers for Algernon. After all, the tacit understanding is that readers are expected to identify with the protagonists, and if there's one thing the SF crowd valorizes above all others, it's brains. They also don't much care for stupid antagonists. So that role is pretty much relegated to side characters.

That's not to say even smart characters can't make mistakes or have biases; they just do it on a higher and trickier level. When a smart man sets out to fool himself, he has to be really convincing. I believe Michael Shermer has some whole books on this subject.

The other authorial trick is of course to make the protagonist young and inexperienced, in which case the story arc must include them becoming less so. Inexperience can be fixed; stupidity, almost by definition, can't, since it pretty much consists of not learning better.

There is also a psychological mechanism whereby people defend themselves from information or learning that threatens their self-identity; also not the same thing as unintelligent since it happens at every IQ level.

Ta, L.
Lois McMaster Bujold The two Mayhews are optionally the same fellow -- a probability that I do not insist upon. If the two are one, both the issues you mention got worked out sometime, well before Miles's wedding, but I do not know when or how.

Ta, L.
Lois McMaster Bujold
I think they may have shown up a few times, but very seldom. I don't remember my dreams well, except for a few I'd rather forget; most of them seem to be about travel traumas. Or home repair traumas. I have spent more time in insanely snarled airports in dreams than in my waking life.

Alas, my dreams have never been any help at all in figuring out my stories, except that if I don't get enough sleep (very common these days with chronic insomnia) I can't write. Or think. Or move, much.

Which makes me wonder, does anybody else have useful dreams about my characters?

Ta, L.
This question contains spoilers... (view spoiler)
Lois McMaster Bujold The notion of Jole's character and relationships existed ever since he popped onstage in The Vor Game, which I wrote back in 1989. But that wasn't what the books I was writing then were about. So the ideas rode along through time in a potential reservoir of story that I dub "Schrodinger's Cat Carrier". No telling whether a story-cat is alive or dead till I open the box to actually write it.

Then there followed those several years when I was writing the seven fantasies for HarperCollins, and didn't think I'd ever get back to the Vorkosiverse at all. But then I wrote Cryoburn at a special request from Toni Weisskopf following Jim Baen's death, and then Ivan's book because it seemed like it would be fun. And by that time, 2011 or so, I realized the cat was definitely alive, and yowling to get out. So, to continue the physics metaphor, it was both preexisting and slotted in; both a wave and a particle.

Ta, L.
Lois McMaster Bujold
Ah, excellent!

I think Ron Miller was very proud of those covers, and pleased to get the chance to do something outside of his usual range. (Plus, there's always the chance that some visitor to your office will see them and ask, "What's this...?")

Ta, L.
Lois McMaster Bujold
Jole rhymes with prole. Or pole, role, etc.

Ta, L.
Lois McMaster Bujold
I hadn't seen that one, but reports of attempts at the tech have popped up from time to time for years. I hope one of them finally works!

I have occasionally reflected that the future we get will not be the best of all possibles, but merely the one people are willing to pay for.

Ta, L.
Lois McMaster Bujold
By marriage. No, I don't know her maiden VorName.

Ta, L.
Lois McMaster Bujold
I'd say gratifying rather than thrilling. (I do hope some of my more horrific hypothetical inventions do NOT come to pass!) I show what I do mainly for plot reasons; after that, practicality and likelihood do come into play.

Ta, L.
Lois McMaster Bujold
I should point out, vat meat has been a science fiction staple for decades; it's not original to me. There have been a number of attempts at it reported in the news, but I don't think the production and marketing are ready to compete, yet.

Ta, L.
Lois McMaster Bujold
Well, one of them was certainly getting back too late from Kibou-danii to see Aral again, and say all those last things he wanted to say. (And, his night thought whispers, if only I had been there at that moment maybe I might have saved him somehow...) The death of Bothari is certainly one, which Cordelia does know. The death of the pilot officer may be up there; Miles may believe she doesn't know about it. I think she might. Miles's career-destroying lie to Simon Illyan is high on the list, though possibly not the highest. Going after Mark on Jackson's Whole , or at least the way he did it. Really, he's spoiled for choice, and readers can pretty much fill it in as they please. Not to mention the option of off-stage events we haven't seen.

Ta, L.
Lois McMaster Bujold
Which con goes with those initials? I'm guessing Bay (Area) SF, but it's all a blur by now.

No, not tempted. Fans are great, but travel hurts. I have chronic nightmares about airports. (Although seldom airplanes, as such. Apparently, I am not afraid of flying, but am of the TSA.)

Ta, L.
Lois McMaster Bujold No, The Warrior's Apprentice was, hm, three books and three years before Brothers in Arms. I don't think one can draw a connection, there. Publicly, of course, Mark was supposed to have been perceived as "Miles goes nuts", not as "Miles's unexpected younger brother".

Ta, L.
Lois McMaster Bujold
Galen is a fairly common name, going back to Roman times, where it was attached to a famous physician and medical writer. For Komarrans, I wanted Italian-flavored names, to evoke Venice.

Megan Whalen Turner has a physician minor character named Galen somewhere in her YA fantasy series starting with The Thief, which your son might be ready for in a year or so. I expect she was also thinking of the noted Roman.

Ta, L.
Lois McMaster Bujold
I do not understand what this question is asking for. Try again?

Ta, L.
Lois McMaster Bujold
This is the sort of detail I leave up to the readers' imaginations, although my own description of Barrayaran traditional fashions runs to "Ruritanian". As The Prisoner of Zenda was set in a fictional middle European country and written by an Englishman, both of your ideas for sources have merit.

Or I suppose, you could go in Betan sarongs... :-) Your climate may not permit.

Good luck, and congratulations!

Ta, L.
Lois McMaster Bujold
Heh. I'd think it would be more along the lines of "even a stopped clock is right twice a day", but, very interesting link!

Ta, L.
Lois McMaster Bujold
This answer contains spoilers… (view spoiler)
Lois McMaster Bujold The KINDLE edition from Spectrum is legit, and you are fine with it. The audio edition from Blackstone and Audible is also properly licensed.

However, earlier this month (Feb. 2016) some scammer put out a shoddy print-on-demand edition through Amazon's self-publishing arm, CreateSpace, which is just the e-book grepped and put through the system. This PoD paper edition is stolen. I don't know how many copies the scammers have managed to shift so far.

My agent is working on getting attention from Amazon to get it taken down, so I expect it to disappear in due course, with luck before too many more readers are taken in.

Later this year, there will be a legitimate paper edition from Subterranean Press, which will be a very nice hardcover chapbook -- I just saw a preview of the cover art, which is striking. More announcements on that as things get finalized.

Meanwhile, please do not purchase the CreateSpace print-on-demand version. If you have bought it in error, Amazon does make returns easy (I've returned a couple of book purchases myself, for printing glitches.) "I found out this edition was stolen" is a good reason for a return, I would think. Send it back and recover your money.

Ta, L.
This question contains spoilers... (view spoiler)
Lois McMaster Bujold Insofar and as long as the two remain separate, what they are going to have is a perpetual argument. What practical compromises they eventually work out are at this point unknown.

(Pen's noticing of Rusillin was not attraction, but worried jealousy, btw. He was unconsciously afraid Des might like the more powerful man better.)

Demons don't have a sex; Des is no more whatever-sexual than "she" is horse-sual or lion-sual. One might argue that demons perform gender, I suppose. But all these 12 layers of experience are imprinted upon her, and simultaneously available to her multiplex personality. That said, demons do have an appetite for experiencing the physical through their human (or animal) hosts.

It is unknown if a demon could end up, however temporarily, in a tree or plant. That would certainly be their last choice, if so.

:-), L.

Lois McMaster Bujold
You are most welcome! The support of readers throughout the years has been what has allowed me to have a career.

Ta, L.
Lois McMaster Bujold
Thank you for the kind words!

Judging from the book's reviews, about 20% of my readers would cry "Noes!" to your last question. But in fact, I don't know what will interest me next. I think I'm due for a long stint of general cultural filter-feeding, in order to find out.

bests, Lois.
This question contains spoilers... (view spoiler)
Lois McMaster Bujold
This literary universe goes off in all directions, as far as the eye can see... I, alas, do not stretch that far. I have at this time no idea what I'm going to write next, if anything; right now I think I'm due for new input, but such can only go into my brain so fast before memory formation can't keep up.

When I look at the knowledge glut available to me here-and-now, I feel as though I've been taken into a giant grocery store and told I have to eat all the food on the shelves. Just... can't... do it...

Ta, L.
Lois McMaster Bujold
Hi Carol --

No, I don't have any more formal signings scheduled at this time. (Hence no current listing, it being a null set.) If I acquire any, I'll post the info on my Goodreads blog.

For readers who just want signed copies or, with some extra waiting, signed and personalized, Uncle Hugo's Science Fiction Bookstore here in Minneapolis keeps most of my titles signed in stock.

Ta, L.
Lois McMaster Bujold I'm glad you like my work!

Do all the cosplay, or other fanac, you want -- just don't ask me to design anything... :-)

(There has been a great deal of Vorkosiverse and other costuming done over time -- people may have some pictures up online. Feel free to share links below.)

Ta, L.
This question contains spoilers... (view spoiler)
Lois McMaster Bujold
This was off-stage; nothing ever written. In the same bag as the politician, the lighthouse, and the trained cormorant, I'm afraid.

Ta, L.
Lois McMaster Bujold
I am the person least qualified to answer this, I suspect. A recent reviewer suggested the two Cordelia books followed by Gentleman Jole would make a good trilogy, and I concur, whether as refreshment or first-read. Prior references to Jole are scattered in The Vor Game, Cryoburn (brief -- four words -- but extremely significant, if one thinks about it), and Captain Vorpatril's Alliance, but I'm not sure they're necessary.

But -- I say again, probably fruitlessly -- Gentleman Jole is also readable as a stand-alone, complete in this kit, batteries included. A reader doesn't have to have read any other Vorkosigan book, or, indeed, any other Bujold book, to read this one.

(The two reasons to turn aside are if said new reader is planning to read the others, and doesn't want spoilers (although there would still be plenty of surprises), or if the reader is one of those strongly averse to finding romance in their SF.)

So, short version: stand-alone, or the Cordelia Trilogy.

Ta, L.
Lois McMaster Bujold
I don't actually know the answer to this question. I've certainly seen feedback from almost every conceivable F&SF-reading demographic, but I don't know what proportions they fall in. I've had fan mail from readers aged 11 to 84.

Family, and domesticity generally, tend very much to be spurned in these genres, certainly as positive portrayals or central subjects. I have a theory that this has its roots in SF-as-bildungsroman, where the primary psychological work of the protagonist (and of the identifying reader) is of separation from the family in order to achieve adult autonomy. Romance is the psychological opposite, the work of recreating the family, hence the often-seen antagonism between the two modes. So is romance or the private sphere felt as a threat to that autonomy, rather than its fruition? Good question for a paper, I think. (Not written by me.)

So, yeah, in my search for story ideas that aren't the same as the stories everyone else is writing, these themes recognizing the domestic are certainly under-explored ground.

Mind you, my original thinking was not so developed. It ran more to something like, "It seems as if every other hero or heroine is an orphan. Let's give my guy a family he can't so narrative-conveniently escape, and then see what happens..."

Ta, L.
Lois McMaster Bujold
I expect lactation in the Vorkosiverse is a matter of choice; the hormones etc. could certainly be made to sit up and behave if personal lactation was wanted (by any gender, actually), with the tech shown. As yet another alternative, vat-created human breast milk would also be feasible. Different places and times would pursue different fads. In all, more choices, more conscious decisions for the poor beleaguered parent.

(I have had occasion to reflect that the female mammalian body is actually a device for filtering nutrition from the environment through to the next generation, both pre- and postpartum. Evolution, so strange...)

Ta, L.
Lois McMaster Bujold
I am no gardener myself, but we may assume it was a mix of local native and imported plants -- the planet, while new, has still had 40 years for people to find some things that work. People were probably transplanting the things they liked to look at to the places they wanted to look within 15 minutes of arrival (and making a few mistakes, too.) I expect she gave thought to not letting invasive species loose. (Well, apart from her fellow humans.)

The Gridgrad area was a newer local ecosystem for settlement, so would take a bit more research, but even there, there were people there before her.

Ta, L.
This question contains spoilers... (view spoiler)
Lois McMaster Bujold
Discussed at length in this interview:

https://www.goodreads.com/interviews/...

The short answer is "Yes," albeit in a tentative fashion.

Glad you enjoyed the book/s!

Ta, L.
Lois McMaster Bujold
Well, if I'm speaking to prospective readers one-on-one, I usually ask them a few questions about their reading preferences, and take them into account. Do they prefer fantasy or SF? Love or loathe romance tropes? Like mysteries? War stories? Coming-of-age tales, or older heroes? Prefer male or female protagonists? Want a long series or a stand-alone? Are they spoiler sensitive or don't care? Etc.

Long general answer is here:

https://www.goodreads.com/story/show/...

Short answer is Shards of Honor for the SF, The Curse of Chalion for fantasy, The Sharing Knife, Vol. 1: Beguilement for fantasy/romance, or The Spirit Ring for a stand-alone with a YA vibe. That cuts it down to 4; flip a coin twice if nothing jumps out at you. Some of these books have been around for a long time, and I hope will continue to be so. They'll wait for you to catch up. The only wrong choice would be not to read any.

Good luck!

Ta, L.
Lois McMaster Bujold
No such plans at this time.

I'm not sure I actually see the point of e-boxed sets, when all the e-titles of a series are equally and simultaneously e-available. For paper books, boxed sets circumvent book vendors' maddening habit of not having all the books, or the earlier books, available on the shelves simultaneously, so that anyone's attention that is caught, say, by Book #4 is thwarted from starting at the beginning and so doesn't start at all. E-vendors, with their infinite virtual shelf space, don't have that problem in the first place, thankfully.

So any reader can fill in the blanks any time, in any order, a la carte.

E-boxed sets, which are in effect e-omnibuses, have the opposite problem of readers complaining that they'd bought such-and-such a title previously, and why should they have to pay for it twice, or the worse one of mistaking the omnibus for a new title, ditto. I think it's safer just to put all the books out as coherently as possible (hence the new e-cover treatments), and let readers choose for themselves.

For reading order and the Did-I-get-them-all? questions, there's this:

https://www.goodreads.com/story/show/...

Everyone please feel free to pass this link along.

Ta, L.
This question contains spoilers... (view spoiler)
Lois McMaster Bujold
Another job for Fanficwoman, but if one posits Ma Kosti was no older than about 50 when we first meet her, she could easily have a 20-year career at VK House before she started to slow down too much, or even more if she spent most of her later time directing and teaching her minions. Since being a Ma Kosti minion would in due course have been recognized as a great way to launch a high-level cooking career in Vorbarr Sultana, minions would not be in short supply.

Cooking show vids would indeed not be out of the question. She's a shrewd woman and doing well, but wise enough not to give up the actual cooking, which is her art, for money management, which is a mere necessary chore. But, really any woman with four kids and some unknown number of grandchildren would have no trouble finding ways to dispose of excess money, or having it disposed of for her.

I think she ends up with a quite balanced life.

Ta, L.
Lois McMaster Bujold
I have no plans for such at this time.

Ta, L.
This question contains spoilers... (view spoiler)
Lois McMaster Bujold Coincidence, I believe. Although I did read a pile of the Rex Stout books decades ago, I don't remember either of those. The Duronas were just two of several flower and bird names in the clan.

Ta, L.
Lois McMaster Bujold He sounds interesting -- has he written any pop sci on a level that would be accessible to laypersons (such as me)?

Ta, L.
Lois McMaster Bujold "The dog who did nothing in the night time" is (a bit garbled by by the time it gets to Fyodor and Jole) a famous quote from the Sherlock Holmes story "Silver Blaze". To quote from memory, so possibly inexact:

SH: I would draw your attention, Watson, to the curious incident of the dog in the nighttime.

JW: But the dog did nothing in the nighttime!

SH: That was the curious incident.

Ta, L.
Lois McMaster Bujold That story has always been backstory. I never had plans to expand it, aside from the bit I added in Gentlemen Jole and the Red Queen during the conversation on the visit to the Prince Serg, which was more about history, and a comment on how our picture of the world changes and becomes less simple as we learn more about it, which was a running theme through that whole book. I have so far only seen one review which understood the full implications of that scene, though.

I've done a couple of in-series prequels with Miles. (Barrayar doesn't quite count because about the first third was written as part of the initial draft of Shards of Honor, then set aside for several years.) I find them rather constraining, as instead of just fitting into the series at one end, they have to fit at both ends, which restricts the development of the story-line and especially the growth of the characters. And then there's the question of why characters in later books written earlier never think about the events of the prequel, which restricts things even further.

This would be less of an issue with a deep backstory story, I suppose. But I am currently quite tired of war stories. And the bookstore shelves are crammed with them already. There is no shortage; I don't need to spend my limited time making more of the same. Books used to be able to be about something else, I'm pretty sure. I'd prefer to explore in that direction, or some path even less traveled.

Ta, L.
Lois McMaster Bujold Mostly, I think, Miles happened. I had some vague plans for more, but the next thing I tackled was Brothers in Arms, and after that one thing led to another. By the time I reached a point where I might circle back and pick it up again, the material had gone pretty cold, and I wanted to do something new. (Which I eventually did, with The Curse of Chalion.) Sending Miles and Ekaterin to Quaddiespace in Diplomatic Immunity was my substitute, and gave me as much closure as I wanted.

Properly, following the Escape from Pharaoh should have come the 40 Years in the Wilderness followed by the Conquest of Caanan, i.e., the passage to the future Quaddiespace, and the initial building of the asteroid colony. But that spaceship has sailed.

Looking back, I think I picked my projects not by plot or even character, but by themes I found psychologically interesting or resonant in any given year. Or whatever book I write wraps around that resonance as it goes, and allows it to embody itself. (It's far from a linear process.)

Ta, L.
Lois McMaster Bujold Insufficient gravity to hold a free atmosphere is a problem for both worlds, the moon more than Mars. Antarctica would be easier than either, but the seasonal affective disorders would be fierce. (Although Antarctica once had dinosaurs, so if global warming keeps going, who knows.) Colonies on either the moon or Mars would probably have to have enclosed arcologies like Komarr, for starters. The future is a long time; I wouldn't rule out anything, but I don't see it happening in the near future, for reasons of economics, biology, and physics.

Ta, L.
Lois McMaster Bujold I keep bashing this in the head, but the same rumor keeps surfacing; I have concluded that the fanfic tale is the story people want to be true. And there are more of them than there are of me, so.

There is just enough of a grain of truth under this that I can't deny it outright, but the real story is rather more complex.

The Vorkosiverse actually got its proto-start in the very first novelette that I wrote, "Dreamweaver's Dilemma", back in late 1982. It never sold at the time. (Later, it was printed in the Boskone SF convention souvenir collection Dreamweaver's Dilemma when I was GoH there in the mid-90's, and again in my little e-collection Proto Zoa http://www.amazon.com/Proto-Zoa-Lois-... ) Beta Colony and the Wormhole Nexus generally got its (somewhat off-stage) start in that tale, plus the history of jump ships, the initial colonization diaspora from Earth, etc. Barrayar did not yet exist.

Scratching around for what to write next, in December of 1982, I bethought me of a TOS scenario that I had made up to entertain myself while driving to work at OSU Hospitals at least five years prior. Which was, indeed, a female Federation officer and a Klingon captain (pre-ridged-rubber-heads; these were the old-style fuzzy-eyebrows morph) down on a hostile wilderness planet who had to cooperate to trek I-don't-remember-where for I-don't-remember-why; the mental movie was never written down. There was no more to it. Whether or not this long-vanished train of thought qualifies as "fanfic" seems to me a question for debate. By someone other than me.

Walking around behind the notion of Klingons to the actual historical Earth militaristic cultures upon which they were based, I considered both European and Asian models, especially the samurai. A key work under this (besides a 3-volume history of early Japan I'd read back-when, and a history of the Meiji era) was A Daughter of the Samurai (1928) by Etsu Inagaki Sugimoto, a memoir of a woman who was born just prior to the Meiji era as the daughter of a rural two-sword samurai, and who ended teaching Japanese at an eastern American university in the 1920's. The notion of a planet with that sort of abrupt generational socio-political transition came from that reading. Lost colonies being an SF staple, one with such a traumatic rediscovery yielded my Barrayar pretty quickly. It slotted very neatly into my wormhole diaspora background from the novelette, Aral's boots appeared in the mud in front of Cordelia's nose, and the rest was, so to speak, future history.

Note that the rest of the series, not to mention the rest of that book, was not yet in my mind: just getting to the end of My First Novel quite filled my plate. (Working title Mirrors, final title Shards of Honor (1986))

You may copy and quote this in full if you wish.

Ta, L.
Lois McMaster Bujold Fascinating!

It does sound quite like a fountain of middle-age... too late for me, belike. It will of course take many years to prove itself, but it sounds as if a lot of people are seriously working on it.

Ta, L.
Lois McMaster Bujold Thank you!

Ta, L.
Lois McMaster Bujold Nothing is planned at this time. (So, no breath-holding. Don't want my readers to asphyxiate.)

Ta,L.
Lois McMaster Bujold Nothing in the works at this time.

Ta, L.
Lois McMaster Bujold Nope, I haven't, as far as I remember, read that Asimov story. There are similar tropes kicking around the genre, I'm sure.

Ta, L.
Lois McMaster Bujold I thought back in 1985 that this should be do-able -- and probably for less money than it took to put a man on the moon, etc.

Ta, L.
Lois McMaster Bujold Hm, not bad. I had in mind the young Vanessa Redgrave for Cordelia's looks, back when.

https://www.google.com/search?q=vanes...

But, of course, time marches on.

Ta, L.
Lois McMaster Bujold Yes, the Vorkosigan series does seem to have this property that I've dubbed "spawning fractal sequels". Any number of my minor (and major) characters seem to have lives that extend off the edges of the pages, and implied stories of their own. I do not have the ability to spawn fractal clones of myself to write them, alas. (And if I did, the clones might just as well prefer to go off and do something else altogether; see, "Mark".) So, no hope there. I'm afraid you all will have to use your own imaginations for these.

Ta, L.
Lois McMaster Bujold Well, that's some fine and varied company!

How much I work on my sentences consciously at the micro-level varies. Some scenes just flow out, others have to be squeezed. I spend a lot more time these days (because I have more time, and working paperless makes it easier) combing through my paragraphs winkling out small glitches like word-echoes or less-than-ideal sentence construction or syntax, or improving word-choices. (Sometimes, I get it right the first time :-) Sometimes I have to use bracketing fire to get my range.)

But mostly I'm just recording the movie in my head, "I write what I see", well, with added sensory data to the visual when I think of it. No movie, no words, though, as there is nothing yet to describe. So my writing sessions tend to come in little bursts of ideation, captured in notes, as I work out the progress of each scene (or half-scene.)

My more detailed creation tends to come in scene-chunks, that being about all my brain can handle at one time. Paragraphs are interesting in their own right, structurally and otherwise, and can be almost like little prose-poems. Big blocks of text or just three words, or one, depending on the work they're being called on to do. Every paragraph should move forward internally, placing the reader at a slightly different place at the end than they were at the beginning. (Or sometimes a very different place, see, three words.)

Ta, L.
Lois McMaster Bujold I'm glad you've enjoyed the books!

Nothing new is in the works at this time for the Vorksosiverse. I should have some Penric news to mention on my blog in the near future, though.

Ta, L.

Lois McMaster Bujold OK, I won't...

:-), L.
Lois McMaster Bujold That's all in that series/world for now.

Ta, L.
Lois McMaster Bujold That one died in the middle, alas. I'm not sure if it will ever be resurrected. (This is the great disadvantage of public readings or discussion of my works that haven't been at least finished in first draft. Lesson to me.) Good set-up, but after that... sigh.

Ta, L.
Lois McMaster Bujold Er... all of them?

For simple question, this one is surprisingly hard to answer. For one thing, I would have to remember all my books at the same time. But as a rule of thumb, characters who have the most books over which to develop will have the most stage-time to deliver surprises. Miles, as so often, takes the lead here. (Although, for a one-book character, Wencel Horseriver was pretty obstreperous.)

Ta, L.
Lois McMaster Bujold I pronounce it like "have", for all that it is probably a truncation of Xavier which would go with "save". The Great Barrayaran Vowel Shift, or something...

Ta, L.
Lois McMaster Bujold Well, I can't listen to anything and read (or write) at the same time, so no. That said, music has occasionally been an inspiration or aid to my imagination. While I was writing The Sharing Knife, the songs of Dave Carter and Tracy Grammer were a boost.

Other things at random. Since my kids moved out, I've not been as much exposed to new music, so I'm rather out of touch. I don't drive enough to get much in the car, either. (Also the hearing loss in my right ear combined with the road noise (combined, not infrequently, with unclear recordings or delivery of lyrics) makes it an aggravating frustration to even try.)

Ta, L.



Lois McMaster Bujold No, no relation to the astronauts -- in fact, I don't see the connection. I picked it for the vaguely Russian sound -- Aral Sea, after all -- and because I liked it.

I'm glad you are enjoying my work!

Ta, L.
Lois McMaster Bujold Not too soon to ask, just too soon to answer.

I'd like to do more with Penric and Desdemona, but am currently suffering a combination of choice-paralysis and trying to makes bricks without straw, i.e., I need to do more research reading. This may take some time, as the phrase goes.

Ta, L.
Lois McMaster Bujold Not at this time.

Ta, L.
Lois McMaster Bujold You do realize, I wrote that tale back in 1986, and I can't actually remember what I had for breakfast last week...

That said, my first notes for the story envisioned a camp rather more like the ones I'd seen in WWII movies. I certainly wanted something more SFnal; not sure when I made the switch-over, but it was pretty early in the notes stage, before I'd started actual composition. Force domes, walls, whatever, had been tossed into my VK story mix before then, so it was just a matter of scaling up.

That plus, as an introvert who likes solitude, I could imagine nothing more dire than being trapped somewhere with a crowd of 10,000 people and not being able to get away from them to be by myself. (And no books, argh.) Miles dealt with it rather better than I would have.

Ta, L.
Lois McMaster Bujold Can't do Hogwarts or Myers-Briggs, sorry. You all are welcome to have a go at figuring out Miles. (Although Slytherin is likely a strong contender for him.)

Yes, I think Miles is an extrovert, energized rather than drained by engagement with other people. He can deal perfectly well with solitude for short stretches, but then he needs action. I am the reverse.

Ta, L.
Lois McMaster Bujold Heh. No, I hadn't (I don't twit) but Aaronovitch and I do have a sort of mutual literary admiration society going, here. So, good-oh.

Ta, L.
Lois McMaster Bujold Chalion exists; it just didn't come up specifically in Penric. The Ibran language covers Chalion, Brajar, and Ibra all three, after all.

I believe it does come up in HH, as Ijada's Dad was from there. Or those parts. Been a while since I read it myself.

Ta, L.
Lois McMaster Bujold Don't know yet; Blackstone has not yet made an offer on it. If/ when such an event occurs, I will post the news on my blog. Note that even if it goes to contract, it would still be several months minimum till production and release.

Ta, L.
Lois McMaster Bujold Well, besides the fact that a lot of the books were published before "Winterfair Gifts" was written, it was not a Baen book. The story does now appear in the omnibus Miles in Love, however.

Best short guide to my books remains this one: https://www.goodreads.com/story/show/...

Ta, L,
Lois McMaster Bujold Grover Gardner (the Blackstone Audiobooks narrator) has in recent years often called me on the phone before starting a project to check pronunciations. In the earliest works he recorded, we hadn't yet made that connection, so the pronunciations are inconsistent over recording dates.

By is bi, although it's uncertain how much of that is situational with respect to his (old) ImpSec job. The occasional over-the-top swishiness is mostly an act, to mislead or annoy people.

I don't know who lied to By's dad about By and his sister. Richars would be an interesting and plausible candidate, certainly. If so, it's quite possible By never found out, or at least not at the time; equally possible that he eventually did.

No, I don't know the names of Cordelia's other 4 girls. I had some notes somewhere. I know she'd wanted Simone, but then Miles nipped in and grabbed it first, somewhat to Cordelia's annoyance.. "Olivia" is doubly likely, to honor both Aral's mother and Oliver, though that might be saved for if she and Oliver ever had a girl together. "Elizabeth", after Cordelia's mom, has also been snapped up. There are lots of other possibilities, anyway, Alys and Xaviera among them.

Ta, L.
This question contains spoilers... (view spoiler)
Lois McMaster Bujold Well, perhaps a punne, or play on words.

:-), L.
Lois McMaster Bujold Mark's weight seems to be one of those things that's better to leave each reader to imagine for themselves. It varies over time, both up and down, depending on his current circumstances. But never lower than 2x Miles, which would be about 200 pounds. More, even much more, is certainly possible.

Personally, I suspect Kareen of having a very private and rather transgressive fetish... but that's between Kareen and Mark. And their therapists, physicians, and perhaps body-modification specialists. I expect Vorkosiverse bariatric medicine has all kinds of tricks for keeping people healthy at any weight that we, alas, do not, so overweight, or indeed any weight, does not trail the kind of rather hysterical negative social surround there that it does here. I'm sure people find other things to be busybodies about.

That Mark's overweight freaks Miles is just a delicious bonus, from Mark's point of view. But that's not about social disapproval, but rather Miles's own identity, control, and body-image issues when confronted with this unexpected twin.

Ta, L.
Lois McMaster Bujold Nope, sorry.

The "lost colony" is an SF staple; many writers have rung changes on the theme over the decades, both before I write my first Vorkosiverse book (in 1983) and after.

Ta, L.
Lois McMaster Bujold Not there, no.

Unless you want to imagine one, I suppose...

:-), L.
Lois McMaster Bujold Since I wrote Miles starting in 1983, no. He predates a great deal of late 20th/early 21st C. medical development, actually. Fascinating new stuff is coming along constantly, but since I lack a time machine, my books can't take advantage of it.

Ta, L.
Lois McMaster Bujold

Nope, no media adaptations on the horizon at this time.

The notion that the stories or characters would survive such an adaptation in any recognizable form seems optimistic to me; my two prior adventures in that direction certainly didn't. (A short story adapted to a half-hour show, which was actually produced, back in the 80s, and a feature film offer in the 90s that only went as far as a jaw-droppingly dire script.)

Ta, L.
Lois McMaster Bujold
That will be up to Blackstone Audiobooks to make an offer. Subsequently, it would still be some time for the work to move through production to release, so, not time to hold one's breath yet.

Should there be news from that quarter, I'll certainly post it on my blog.

Ta, L.
Lois McMaster Bujold
I have no idea how Audible does its recordings; you'd have to ask at Audible or Blackstone, I'm afraid.

(Note that some of these audio editions are several years old, so no one may remember even if they were there.)

Ta, L.
Lois McMaster Bujold "Aftermaths". Which, since it is also found at the ends of Shards of Honor (and in my little collection Proto Zoa) will already have been read by most Vorkosigan fans; it's there mainly to catch new readers, maybe.

Plus it was the only short-enough thing I had available.

Ta, L.

Lois McMaster Bujold I'm not enough of a gamer to aspire to game development on any level. (Nor am I interested at my age in retraining, when I could be writing new stories instead.) It would be up to some game company to license the rights to my work and develop it, while I sat on the sidelines and fretted ignorantly. Rather like film adaptation, that way.

Ta, L.
Lois McMaster Bujold I consider my little reviews to be my personal informal reader responses, and don't set a particularly high bar for myself. I try to capture how I reacted and why without putting in too many spoilers, and offer something of what I see as the mode or mood of the book for others considering reading it, but really, they're on their own. The accumulation here on Goodreads acts as much as a reading diary for me as anything else, so I can look back and find, "What the heck was the title/author/what that book was about that I was reading last year...?"

It's interesting, looking back over a long enough baseline, to see which books were memorable, and which have settled into the sludge at the bottom of my memory and dissolved.

Ta, L.
Lois McMaster Bujold Mm, not really, at this time. Even the NESFA hardcovers only run for the first 8 volumes that never had an original hardcover issue from Baen. However, Baen is presently engaged in reissuing all the old VK titles in a nice trade paperback, and if you wait a bit, they should all be available that way. (Or better yet, don't wait, so they'll be encouraged to keep going.)

They started with SHARDS OF HONOR last year... https://www.amazon.com/Shards-Honor-V... and have also done BARRYAR and THE WARRIOR'S APPRENTICE.

THE VOR GAME and BORDERS OF INFINITY will be upcoming later this year.

Updated proofreading, too, for an added bonus.

Ta, L.
Lois McMaster Bujold I have nothing planned at this time.

Ta, L.
Lois McMaster Bujold No, I don't have any Ukrainian translations.

The rights to do translations have to be licensed by the publishing company that plans to bring the book/s out, and they usually hire their own translators. (Naturally, since a publisher will be investing considerable up-front resources in this task, which they hope to make back by sales, they expect their license to be exclusive.)

So, alas, probably not OK unless you represent and are speaking for a publisher, in which case you/they should contact my agent. Sorry!

Ta, L.
This question contains spoilers... (view spoiler)
Lois McMaster Bujold

I don't always know how every book will end, no, though I often have a sort of general target in mind. Exactly how I'll get there has to be worked out as I write, and the target sometimes shifts in the process. Inspiration comes to me in visions of scenes or exchanges or loose bits, which I capture in notes and massage around till they work right, as each scene comes up. (I almost always write stories in chronological narrative order, since every scene written changes the ambit of the possible for what follows, sometimes incrementally, sometimes by a lot.)

With Cryoburn, yes, I had the last scene, and indeed the last line, in mind well before I began the book (years before); much of the book was me finding my way to it. Yours is pretty much the reader-response I was aiming to elicit, although readers who approached the book thinking it was just going to be another Miles-plot-romp were alas self-confused by their own assumed reading protocols. A lot of my books tend to repay rereading, where the reader is at last reading what's actually in front of them, instead of looking around for some other story.

Ta, L.
Lois McMaster Bujold I've been typing this way for 50 years; I have no motivation to try to retrain myself at this point.

It is the speed of my making-things-up, not the speed of my typing, that regulates the pace of my production. There are no mechanical aids for the former, alas. It's an extremely oblique process at the best of times.

Ta, L.
Lois McMaster Bujold I think the themes have always lurked in the background; the metaphors just play out differently and more directly in fantasy, where the supernatural is "real", than in my more secular, as it were, SF.

Yes, I've read some Charles Williams. (Also the rest of his writers' group... :-) Lots of other background reading accumulated over the years, from Thomas Merton to St. Augustine to Dorothy Sayers to G. K. Chesterton and on, all slowly disintegrating in the compost heap of my memory by this time.

Ta, L.
Lois McMaster Bujold Part of my semi-retirement involves ducking the stresses of book tours, so, likely not. (There is also the present absence of a novel to tour for, a slight snag in the scheme.)

Those Analog appearances were really important to my early career, I must agree.

Ta, L.
Lois McMaster Bujold Not at this time.

Ta, L.
Lois McMaster Bujold Oh, that one's new. Several people have pointed out the cockroach-butter one to me. One sees why Mark's version was such a hard sell,,, :-)

Ta, L.
Lois McMaster Bujold An appalling workload, plus reluctance to step on Lady Alys's turf; pretty well, probably; don't know; don't know; don't know; don't know; a bit over a foot square.

Ta, L.
Lois McMaster Bujold Probably the best book to try is The Hallowed Hunt. It's set in somewhat the same geographic region as the two Penric tales (well, just south -- the Weald) maybe 150 years earlier. Note that its hero and point-of-view character, Ingrey, is something of a passive-aggressive (as well as actually aggressive) bully-boy to start out, so riding in his head will demand a drier sense of humor than sunny Penric.

I hope to do more with Penric, yes. Can't say when.

The first two novellas had/will have limited hardcover paper editions from Subterranean Press, but the print run was/will be quite small, so they aren't easy to find. Future paper assemblages or collections must wait on a larger accumulation of stories, which will take a while. Many ideas, only one brain to process them. There's a queue.

I really like novellas, too. Note that they can range, officially, from 17,500 words, more short-story-like, to 40,000 words at the cap, which can feel a little more novel-like. I enjoy the tight focus, the limited, intimate scope, and the fact that they don't take a year, or four, to write. And I am very interested in the indie e-pub experiment.

Ta, L.
Lois McMaster Bujold I'm not sure yet what all I will do with Penric, although he seems the sort of itinerant character who has lots of story possibilities. Among other things, I'd like to keep the turning room to jump around in his timeline however I please. As usual, nothing is promised, nothing is ruled out.

bests, Lois
Lois McMaster Bujold Nothing along those lines is planned at this time. But I'm glad you enjoyed that tale!

bests, Lois.
Lois McMaster Bujold Well, nothing in the Vorkosiverse was settled in "our" time, but rather, two hundred and more years into our future, when people may be assumed to have gotten around and mixed and split and recombined right here on Earth even more than now. Colonization also tends to divest languages en route. So a few ethnic names are not really enough to build a theory of future history upon.

Ta, L.
Lois McMaster Bujold Not necessarily; the stories were not planned in such detail so far in advance.

But I thought it was rather amusing when it turned up.

Ta, L.
Lois McMaster Bujold Try the Chalion series, or The Sharing Knife tetralogy. Neither will be the same, note, not even as each other, because what would be the point of that (from the writer's point of view, at least.) But if you can go into them planning to take them for what they are, rather than pre-riled 'cause they aren't another Miles book, I think they would repay your eyeball time.

In other current writers, I can rec Megan Whalen Turner's YA fantasy series starting with The Thief, and Ben Aaronovitch's urban/crime fantasy series starting with Rivers of London -- US title Midnight Riot.

That should do for starters...

Ta, L.
Lois McMaster Bujold Vorkosigan Vashnoi was the old Vorkosigan's District capital that was nuked toward the end of the Cetagandan Occupation aka 9th Satrapy. It is part (center, actually) of all the radioactive land Miles's grandfather left him.

For Miles, then, it is a symbol of dying before surrender, the ultimate Barrayaran stubbornness; he is, as it were, declaring his ownership of his Barrayaran self, Lord Vorkosigan, not Admiral Naismith, along with the dream, memory, and remains of the lost city. No matter how unrewarding that identity may sometimes seem to him...

Ta, L.
Lois McMaster Bujold Lots of tropes. I was thinking recently about how much I like the Smart Sidekick characters (infinitely more than jock heroes, ferex), although I'm not sure that's a trope, exactly. Smart heroes are good too, when one can get them. Well-done angsty backstories can lure me in (badly done ones, not so much), with characters eventually triumphing over same to earn their happy endings.

Also a sucker for hurt-comfort, which seems a very female taste. If anybody can explain this one... I can't, and I share it.

Guilty pleasures also change over time. At present, anime, manga, and fanfic seem to top the list. Selectively; I'm pretty picky, now I've completed the initial discovery/survey phase. Next year, who knows?

Ta, L.
Lois McMaster Bujold Mm, don't think I can answer this one, Each work had its fun parts and its hair-tearing parts, and over thirty years my memory has turned to compost anyway. If something isn't any fun, or at least doesn't speak to me in some gripping way (or, better, both), I can't write it in the first place.

It is a particular joy, when I have been scratching away at a stubborn knotty bit, to have the untangling solution fall out of my brain and slot in perfectly. (And then I wonder why the heck it couldn't have done that earlier.)

Ta, L.
Lois McMaster Bujold Yep, more or less. I think mine used lasers, but the same idea.

Mine went one further in that after the scan, one could try virtual replicas of the proposed clothing on one's virtual image, and see how they looked without all that wriggling in and out of piles of cloth and what-not.

Ta, L.
Lois McMaster Bujold Well, I always listen to commentary with interest, because it's a source of endless fascination to me the wildly varied ways people read and process the same text. But that's just a kind of mildly masochistic self-indulgence. Otherwise, I pretty much ignore them. My story, my characters; if they want to be in charge, they can write their own. If they want someone to take dictation, they can hire a stenographer.

Exceptions are readers with technical expertise in some element that has come up in the story -- medicine, for example -- who can give me advice or ideas or prevent me from making gaffes in matters of fact. Technical expertise can extend to certain characterization issues sometimes, so as almost always in writing, the boundaries are fuzzy and the true answer is, It Depends.

Note that there is also a difference between solicited critique, before a work is published with the explicit goal of test-driving it and uncovering flaws, and later commentary, after it's entirely too late to change anything and anyway the writer has already moved on to the next project. (If writers treat the latter with the same attention as the former, they will drive themselves crazy.)

Ta, L.
Lois McMaster Bujold Well, I can't answer those questions, but I can mention there is a new Penric tale in the works. I'll announce particulars on my blog when they materialize, probably in a few weeks.

Foix's demon certainly has a good and lucky start, yes. Bodes well for a long and fruitful future for it.

Ta, L.
Lois McMaster Bujold This is a question without an objective answer. A superb reading experience relies on a complex, interlocking match between a specific reader's desires, expectations, abilities, and stage of life, and a particular text, such that even with the same text, each reader will get a different experience; and even the same reader with the same text will have a different experience on subsequent rereads. So there are no "best books", only "best readings", and even the latter changes as the reader grows, learns, and ages.

Ta, L.
Lois McMaster Bujold Yes, check out Uncle Hugo's Science Fiction Bookstore here in Minneapolis. They have all my books signed, and you can get personalizations by request, with some lead time.

http://www.unclehugo.com/prod/index.s...

Dreamhaven Books & Comics here in Minneapolis also has a few.

Ta, L.
Lois McMaster Bujold In general, it's any tale where one character gets hurt and another has to take care of him-her-it, forcing a changing and deepening of whatever emotional relationship between them the author is in pursuit of. (When the emphasis is more on the hurt part, one sometimes suspects a touch of authorial sadism, or at least bad mood, but really, it's mostly a device to peel bare and reveal emotion.)

For over 132,000 worked examples, there's this:

http://archiveofourown.org/works/sear...

(Probably best to pick a fandom you know and like and then apply the tag, so you won't drown altogether. It's a very popular trope.)

Ta, L.
Lois McMaster Bujold I've answered questions about my writing process in about a million interviews, scattered about; here's one older link salad:

http://www.dendarii.com/interviews.html

There's a Vorkosiverse Wiki with more recent interviews:

http://vorkosigan.wikia.com/wiki/Auth...

Ta, L.
Lois McMaster Bujold I don't think I have a single favorite. What I want to (re)read varies wildly with my age, my mood, everything really. I don't think I could even pin down a favorite per decade. (Although Cordwainer Smith stands out, and up, from the 1960s.)

Ta, L.
Lois McMaster Bujold Well, without seeing the article, I can't guess. I suppose it might have been written by a Young Person, who hasn't caught up with the overwhelming totality of his culture yet. Twain is certainly well known to me, but I grew up in a time rapidly becoming almost as lost as his.

Ta, L.
Lois McMaster Bujold No, not as such; the underlying theological conditions are not the same.

Not that people, being people, wouldn't do horrible things to each other locally from time to time, under various misapprehensions about the gods. But they are misapprehensions susceptible to actual correction.

Ta, L.
Lois McMaster Bujold I can't actually answer that, as they both walked on stage as-is, and could never have been any other way.

So it was never a matter of "I am interested in writing about disabilities, therefore I will compose these characters to frame those issues," but rather, "Huh. That's one way to slow him down a bit. So what is he going to do now? Let's see what happens..."

The first reader to point out that I was writing about disabilities actually fastened on the quaddies, whom I did not think of as handicapped at all, but rather, hyper-adapted -- as long as they were in the right environment. We had some really interesting early exchanges on the subject.

Ta, L.
Lois McMaster Bujold No, whatever Supanova may be. I loved my prior trip down your way, but travel and my body don't play so well together these days.

Ta, L.
Lois McMaster Bujold I can't say. Nothing is planned at this time.

Ta, L.
Lois McMaster Bujold I suspect this question may be a translation glitch, but if not: I have no idea which authors my work may have affected.

Ta, L.
Lois McMaster Bujold Anywhere from 0 to 16, depending on what's going on at the moment; but a lot more often 0 than 16.

Lately, eye issues curtail the high end. Also, I am semi-retired.

Ta, L.
Lois McMaster Bujold Assuming you mean my opinion and not yours (which I cannot guess), I didn't create a crippled hero; I created Miles. All his issues, by no means limited to the physical, just came along-with.

More immediately, he rose out of his parents' situation. As people tend to do.

Ta, L.
Lois McMaster Bujold Maybe, if they were well done. If not, not.

I do think they could adapt better to TV than a feature film. But in any case, the adaptation would be much harder than it looks, as so much of the appeal of the books depends on the experience they offer of the insides of people's heads, which visual media cannot give, and on voice, also lost in translation.

Ta, L.
Lois McMaster Bujold Yes, sometimes.

Not least because re-publications typeset in new editions require the page proofs to be proofread, again, offering an irresistible chance for a bit more copy-editing. So I reread the whole Vorkosigan saga for direct e-publication a few years ago, and am doing so yet again for the new Baen trade paperback editions.

It's a chore that can get really tedious, given enough repetitions.

Ta, L.
Lois McMaster Bujold I'm afraid I do not understand what you mean to ask with this question. Translation glitch?

Ta, L.
Lois McMaster Bujold Would I? No. Would Cordelia? Yes, apparently. Granted she has a longer life expectancy than I do, and probably better current and future health. If I had the anticipated number of years ahead of me that she does, any number of life do-overs could look more attractive.

Haven't read Tidhar, so I can't speak to that.

Ta, L.
Lois McMaster Bujold Yes. Well, Blackstone, thus presumably Audible. The work is in process now. Release date Dec. 6th, according to their website --

http://www.downpour.com/catalog/produ...

Their blurb is a trifle misleading. It's actually 5th only in the Chalion series; 2nd in the Pen & Des sub-series. I foresee the usual Bujold-reading-order confusion will continue.

Ta, L.
Lois McMaster Bujold A great many of my comments on my writing may be found here:

http://vorkosigan.wikia.com/wiki/Auth...

Ta, L.
Lois McMaster Bujold Yep, I'm happy to get more manga/anime recs.

Adaptations are not up to me -- whatever company that produces them would have to contact my agent and make an offer (it's a buyer's market.)

Ta, L.
Lois McMaster Bujold Well, we are living in the 21st century now, which was always The Future. (Granted, it's not the future we ordered or expected.)

I think the real world has always been pretty fantastical, but in the Old Days (tm), people could only access a small slice of it. Due to the internet and other communications technologies, people are being exposed to way more of it than had even been possible before, and indeed way more than most of us can process.

And, yes, they keep making more. This has changed the problem from that of accessing knowledge that is scant and rare and valuable, a perpetual state of local famine, to triaging an avalanche of knowledge. I've likened it to being taken into a huge modern supermarket, and told one has to eat all the food on the shelves. Obviously, the old system of trying to know everything about everything can't work in this new environment. I'm not sure we've figured out yet what will.

Ta, L.
Lois McMaster Bujold That is far beyond the scope of the current work-in-progress. I already have at least four rabbits to chase, and if I don't narrow it down, no story can be written at all. So, speculate away, but it's not a question I can answer.

(In other words, this is the point where you go talk amongst yourselves, and I sneak away out of sight to work unperturbed.)

Ta, L.
Lois McMaster Bujold The god's seasons change at the solstices and equinoxes (except of course for the Bastard, who gets leap year day/s -- not necessarily the same as ours) plus there is a day at the mid-point of each season that's a lesser holiday as well. "Mother's Midsummer" has been mentioned, ferex. So there's a holiday every six weeks. So I guess they have both?

Ta, L.
Lois McMaster Bujold You're welcome?

Ta, L.
Lois McMaster Bujold Prophetic, aren't I?

Ta, L.
Lois McMaster Bujold I have no idea if a Croatian publisher will make an offer on Gentleman Jole. But I'm glad to hear I have a new reader! Good work.

bests, Lois.
Lois McMaster Bujold Never, probably. It would need a new universe. The VK-verse is set up to be "Due to bioengineering, 10,000 years down the timeline, the aliens will all be descended from us."

Ta, L.
Lois McMaster Bujold Well, people can pronounce it however they please, but I pronounce it more-or-less the way you do -- NICK-ees.

(The one I'm really having trouble deciding is Skirose, which could go any of three or four different ways. If Grover Gardner calls to ask, I'll have to make up my mind.)

Ta, L.
Lois McMaster Bujold Glad you are enjoying these little tales!

Although do remember the magic is ultimately magic; some readers get carried away with the skiffy-minded possibilities, and overthink things, just as some readers get carried away trying to find nonexistent 1:1 parallels between our-world geography and history, and these tales. Fun for them, I guess...

Ta, L.
Lois McMaster Bujold For some reason, you seem to be noticing the few wider-age-differences couples preferentially. Miles and Ekaterin, Simon and Alys, Ingrey and Ijada, Ista and Illvin, Kou and Drou, Fiametta and Thur, Tony and Claire, Whit and Berry, Iselle and Bergon, and on and on, are all very close in age. Anyone's guess on Aral and Cordelia, given the different expected lifespans. And a sprinkling of others in that decade-ish range -- Gregor and Laisa, Ivan and Tej, Alys and Padma for that matter.

It's a figure-ground effect. I suppose. The figure always seems to stand out from the ground, even or especially when the ground is larger.

My family is small, and so does not offer a wide range of samples; friends, a few, but they are relatively rare, as they are in my books.

Ta, L. (It's Fawn, Jole, and Cordelia, btw; I suspect you are being betrayed by an overaggressive spellchecker.)
This question contains spoilers... (view spoiler)
Lois McMaster Bujold Short answer: nope.

But I'm glad you like the series, and the respect is always appreciated.

Readers have all kinds of ideas for things for me to write, far more than any writer could get around, and this is normal. But my real job is to figure out what I want to write. I'm afraid it's not apocalypses, and any development on that potential lies far past the end of Miles's lifetime, so there's little attraction for me.

Ta, L.
Lois McMaster Bujold There are many how-to-write sources -- I usually recommend Pat Wrede's blog, for starters: http://www.pcwrede.com/blog/

Why to write is a different question. It is perfectly possible to write for oneself, for one's own pleasure -- in fact, that pretty much has to underlie all other goals, or one might just as well be flipping burgers for a living, or doing something else more reliable to get the desired attention or validation. After that initial joy-in-creation, further ambitions are up to the individual, and can vary wildly according to taste.

As a cart-horse-protocol observation, it is generally necessary to write something before one gets or grows an audience for it, although one does sometimes see people trying to do it the other way around. A friend of mine describes those as "people who want to have written." Not recommended.

Beyond that, there are lots of ways to reinvent one's own life, especially necessary for older women, as we tend to lack satisfactory standard social role models for actually, like, still being alive when older. If you ever get to Ista's book, Paladin of Souls, it addresses some of those issues. (Note it is a sequel to The Curse of Chalion, however.)

Ta, L.
Lois McMaster Bujold Georgette Heyer uses it this way in her Regency historical fiction. It was probably period slang if used that way, but archaic enough for my purpose. "Tip" being way too modern in terminology, although certainly not in fact.

(Emolument might also have done, or, giggling about its use in Love's Labours Lost, remuneration, but vail is a shorter word.)

Ta, L.
Lois McMaster Bujold You're welcome! (?)

Ta, L.
This question contains spoilers... (view spoiler)
Lois McMaster Bujold The story ran over its length limit. This one is going to have to be a story arc, I think, spread over more than one tale. Cold Minnesota winter coming up, here, so you have a chance to see a continuation at some point.

Ta, L. Enjoying these shorter lengths.
Lois McMaster Bujold Don't forget The Hallowed Hunt in that set wish!

Anyway, it's not up to me. Print rights are held by HarperCollins, who may do with them as they wish. In general, paper reprints of older books are only financially feasible if it's done in coordination with release of a new frontlist novel, and sometimes not even then.

Right now -- I just checked -- you can buy the original hardcover editions of all three titles used starting at a penny plus postage on Amazon. (For rather more, you can buy unused ones signed from Uncle Hugo's Science Fiction Bookstore here in Minneapolis.) This is not something a publisher can compete with, for small-demand items.

Ta, L.
Lois McMaster Bujold Hee. You may now dub it Madame Owl, I suppose...

Glad you like Penric. I'm enjoying him too.

Although I would maintain that Pen is quite sane. And so are the majority of the voices in his head, most of the time...

bests, Lois.
Lois McMaster Bujold A lot of your questions can be answered, at length, here:

http://vorkosigan.wikia.com/wiki/Auth...

and here:

https://www.amazon.com/Sidelines-Essa...

(also available on Nook and iTunes.)

No dictation for me -- I very much need the eye-hand circuit to write. Verbal-aural is not my preferred mode.

Ta, L.

Lois McMaster Bujold Assuming you like fantasy, start with The Curse of Chalion.

Happy reading --

Ta, L.

Lois McMaster Bujold Well, vat meat and artificial wombs are standard SF genre furniture for a long time, and Lake Lethal was based on a real lake in the Cameroons -- the writers may have read the same article in Scientific American that I did.

Still, it would be nice to think that I had fans in the media world.

Mia is Mia Maz's first name. It may be customary in her culture to go by one's last name, except perhaps for intimate friends, but in the instance quoted she's telling him not to use the "milady", as that isn't a title she has. Yet.

Multiple POVs versus single-viewpoint aren't necessarily harder or easier, they just present a different set of challenges. What matters is if the viewpoint/s chosen and the plot play well together. My viewpoint characters tend to wrap their plots around themselves, which risks the plot galloping off in all directions unless variously controlled.

Ta, L.
Lois McMaster Bujold Oh, cool. (Or is that a fictional TV show? I am so out of the loop...)

Ta, L.
Lois McMaster Bujold That one is original to me. (They aren't always, natch.)

Ta, L.
Lois McMaster Bujold Hard work.

Ta, L.
Lois McMaster Bujold Nope, haven't read that one. So many books, so little eyeball endurance...

Ta, L.
Lois McMaster Bujold I believe the first two Chalion novels include maps, but only of the Ibran peninsula where those books take place. I didn't make more than a penciled note-sketch map for The Hallowed Hunt (though you can think "medieval Germany" as a shorthand for the Weald), nor for the Penric tales so far. (Though you can think "medieval Switzerland" for the first two stories.) Don't go overboard trying to draw parallels with our-world history and geography, though. The inspirations are fluid.

Or, I see, we have the Ibran maps up at dendarii.com --

http://www.dendarii.com/map.html


My nonfiction e-book Sidelines: Talks and Essays has iirc one or two earlier pieces that address the Five Gods Universe. Or there might be something in the mass of author interviews also linked at the wiki, but heaven knows where. Anything Chalion-pertinent would likely have been done around 2001 - 2005.

For other stories in that universe you'd likely want to start with The Curse of Chalion -- the author's note in the back of the Penric e-novellas has more particulars.

Ta, L.
Lois McMaster Bujold Thanks! Happy climbing-out-of-the-dark-days to everyone, too.

Ta, L.
Lois McMaster Bujold I'm rather well-supplied at present. Today I finally downloaded the free Kindle app to my new tablet-computer to read manga, and found it works a treat. So that's going to open up new avenues of exploration for a while. I'm quite looking forward to a January of staying in and reading!

bests, L.

Lois McMaster Bujold Playing 1:1 correspondences between the books and our world would be an exercise in frustration, I'm afraid. But Lumpton etc. might be Central Ohio, maybe. Sort of. It's a bit of pre-fabricated worldbuilding, not an attempt at historical fiction with the serial numbers filed off.

Ta, L.
Lois McMaster Bujold The twins' age may end up being something like the location of Watson's wound, I'm afraid. You can close much of any perceived gap by positing 5-almost-6 and just-turned-11.

Cryoburn takes place approximately 4 years afterCaptain Vorpatril's Alliance. The trip Miles take in CVA is Gregor's follow-up to the Sergyaran weapons theft.

There is also the open question of how long is a year, as each planet is different. Even more brain-bending is the question of what time means on opposite sides of a wormhole jump, but I prudently do not go there.

Ta, L.
Lois McMaster Bujold I rather hope so, but I can't say what or when.

Ta, L.
Lois McMaster Bujold I'm glad my work can serve you.

Ta, L.
Lois McMaster Bujold It was a fluke of timing. The Penric tales are specifically designed to come without deadlines, contracts tacit or otherwise, or any other constraints (on me). There may be more. Sometime. If I feel like it. And I like the idea. And don't have the flu, travel, broken appliances, house repairs, anything else I'd rather be doing, etc. The plan is to write them for me; the rest of you can come along for the ride if you like. Or not. Whatever... :-)

Ta, L. Semi-retired, trying not to backslide. (But glad you like Pen. I do, too.)
Lois McMaster Bujold I am not the person to answer this. I suggest you write to/inquire of the Hugo administrators, who have contact info somewhere on the Worldcon website.

Ta, L.

Later: I asked. The view of the Hugo administrators seems to be that the SFWA ruling is not theirs, and that fans may nominate the book as usual per its hardcover first publication date of February 2016, i.e., for this year's Helsinki Worldcon.

(By the way, anyone who has the chance to go, I recommend Helsinki and Finland heartily. I had a great time on a trip there a couple of years back.)

Ta, L.
Lois McMaster Bujold Nope.

(Fanficcers can play as they please; such is not, thankfully, my responsibility.)

Ta, L.
Lois McMaster Bujold Hm, I think that was my 2008 Denvention Worldcon speech. Alas, after ten years, I know longer remember how I was going to develop that metaphor.

It probably had something to do with the notion about how show breeds are over-bred to the point where they are no longer functional as dogs, parallel to how genre stories get over-selected during popular trends till they are no longer functional as stories. But the speech was already plenty long, and trends die on their own, like algae blooms, if, it sometimes seems, not soon enough. (Dystopias, *cough*.)

Ta, L.
Lois McMaster Bujold Yes, it was, and the original is hanging on my library wall. The picture-as-a-whole was used for the Science Fiction Book Club combined edition of the first two volumes.

That may be seen here: https://images.gr-assets.com/photos/1...

The first two volumes with the images separated were supposed to be displayed side-by-side in bookstores, but alas no bookstores noticed the connection, so that little bit of intended PR fell through the cracks.

Ta, L.

Lois McMaster Bujold
Yep, teratomas are deeply weird. But at least reasonably well understood, nowadays. (That poor Chalionese proto-oncologist was really struggling.)

The weirdest fictional treatment of a teratoma I have yet run across was from the Black Jack mangas. Which are from bizarro-land even by the standards of manga.

Ta, L.
Lois McMaster Bujold My brain seems to be a narrow bridge with only one lane. Input and output have to wait their turns on each other. When I'm writing, I have to reduce reading, or my mind is too full of other people's stuff to hear myself think.

The internet is especially bad for this, because there is no such thing as coming to the end and being able to close it, finished, and move on.

T, L.
Lois McMaster Bujold
I do revise while writing, but it's so practiced by now that I hardly have to think about it. The unit-of-attention is more the paragraph than the sentence, however, as its shape drives what the sentences within it need to be. Sentences don't exist in isolation, after all. (Well, not in prose fiction.) Beyond that, what I consider the real work-unit for me is the scene. I usually need to have the whole scene blocked out before I can start writing.

I have a visual imagination. First I have to think of the picture/movie of what I'm trying to get down; then, when it is fairly clear in my mind and captured in rough notes, the words to describe it follow, floating up out of wherever they are assembled in my brain. Some of this happens as part of outlining, some later. It feels spontaneous at this stage, but it's actually not, as it doesn't happen without a great deal of pre-writing thought/work. Tidying the words follows that. (It could hardly precede it, after all.)

The amount of tidying needed varies. (Sometimes, I get it right the first time!) Micro-editing tends to include winkling out word echoes, unknotting less-than-ideal syntax, and improving word choice. When I change the actual events being described, I no longer consider it micro-editing, but most of that gets done at the prior scene-outline stage.

I do some nudging on the fly as I write, some later on during one of the many rereads. If the story is flowing out hot, I pause less.

Ta, L.
Lois McMaster Bujold The Vorhalas is some other Vorhalas. It's not as rare a name as Vorkosigan.

No other Serg offspring, although the Escobar mess offers possibilities for AU fanfic. Ditto alternate fathers for Gregor, but really, with DNA typing, paternity is not something one can conceal -- even in the 21st Century, let alone the 30th. (For the AU fanfic, also consider Aral... heh.)

Ta, L.



Lois McMaster Bujold We may have met in passing somewhere, but no, I don't know her. Great news about her book, though!

Ta, L.
Lois McMaster Bujold Re: agents, I went at it backwards. I had sold/published several books starting in the mid-80s without one, began to learn my way around a bit, took advice from a few writer friends, contacted my agent of choice, and we first met and shook hands in New York on Nebula Weekend, 1989. Still with each other. This is not a route that is really available nowadays, so my experience is useless for new writers.

My go-to book-or-blog for new writers is Pat Wrede's: http://www.pcwrede.com/blog/ or her blog e-book, Wrede on Writing. She only has a little to say about agent hunting, but what she does offer is sensible and sound.

Start with what Pat has to say, and look over what other advice you can find -- there will be tons, not all of it good -- and after that, I'm afraid, you are on your own.

Terrifying and depressing, yeah. This is normal. Sorry I can't be more help --

Ta, L.

(I should add, if your agent search does not prosper, Kristine Katherine Rusch's blog used to have some informed advice on how to do without one. But she is very experienced, so I'm not sure how much of what she advises can really be emulated by a newbie.)
Lois McMaster Bujold I doubt there will be any foreign translations of the Penric tales until there are enough to collect in a commercially saleable novel-sized volume, or a couple of them. Which is going to be a while. It's not viable for the publisher otherwise.

No, you may not do it yourself, because it would screw up the later possibility of an actual sale. (Except, I suppose, privately, for your own consumption. Another of those don't-ask-don't-tell things.)

If there are professional translators for self-published e-books, done presumably as work-for-hire, it's not a part of the e-business I'm plugged into yet. It would be extremely demanding for the original author to try to work across many language platforms, with people one does not know; that's part of the service an actual foreign publisher provides. (At no cost to the author.) Better to spend one's time and brain-budget writing a new work.

Ta, L.

Lois McMaster Bujold
I am fond of Megan Whalen Turner's alternate-Greece-ish series starting with The Thief, and Ben Aaronovitch's Rivers of London urban fantasy, first book Rivers of London, retitled Midnight Riot in its US release.

I have also been drawn into the manga/anime from CLAMP titled Tsubasa: Reservoir Chronicle, which has an obligate narrative interlock with their other series xxxHolic. One can spend many, many hours trying to figure out wtf is going on with the plot/s, but it's the characters that induce me to bother.

Just for starters.

Anyone else have some faves?

Ta, L.
Lois McMaster Bujold No, you are not alone, but there were several logic problems with that potential plot development. For one, it would have required the science crew that Cordelia had hired to track the course of the underlying magma to be entirely incompetent at their jobs. Overstretched they may be; but they are not useless ditzes. This is a millennium in "our" future; we must also posit that volcano predictions are much improved over the benighted 21st Century, just as health care and space travel are.

Also, on the literary level, it would have required a coincidence of plot timing of the sort I have been much criticized-for, in the past.

Much more importantly, on the literary level, it would have proved an interruption to the story I was telling, not a part of the story I was telling.

Ta, L.
Lois McMaster Bujold
Cedonia is vaguely Greece and Italy munged together. This world lacks an Italian peninsula as such, although I posit a chain of islands in their place.

I have not yet devised a map for this region, as I haven't finished making it up yet. Stories have to pass through to call their landscapes into existence.

The Weald as an inverted sort-of Germany is correct, and Penric's native cantons are vaguely Swiss. Further correspondences may or may not happen, depending on my tales' needs for pre-fab world-building. People should not get too carried away with matching games; this is not historical fiction with the serial numbers filed off, for all that I may use dismembered bits of history as plausible (or, sometimes, completely incredible, because history offers a lot of no-one-could-make-this-up moments) jumping-off points.

Ta, L.
Lois McMaster Bujold I don't have anything in mind for more in the Sharing Knife world at this time, no.

I take my projects one at a time, these days, and don't try to block out (or block off) the future. So I don't give definite yesses or nos. (Well, whenever something is finished in first draft, I'll likely start to mention it.)

Ta, L.
Lois McMaster Bujold I'm quite fond of Eugenedes and Irene from Megan Whalen Turner's The Queen's Thief series (starting with The Thief, and this series should be read in strict order), for their understated complexity.

Ta, L.
Lois McMaster Bujold Since most of the subsequent plots of the books hinge on that particular newbie-regent mistake of Aral's, I'm afraid poor Carl is doomed without reprieve.

I was thinking of early Sydney Harbor for Cordelia's cove. If the family manages to hang on to that stretch of shoreline for a century or two, the property values are going to be astonishing.

Ta L.
Lois McMaster Bujold Hm. In the very formal venue of the Residence, classical, waltz 'n schmaltz, rather military march-ish when they want to liven the dance up. Think Russian folk dances, also. (Interesting speculation what Gregor listens to when by himself, on his Imperial headphones, but I bet it's not more of that.)

What Barrayaran popular music generally consists of, post-Time-of-Isolation, is another question, with a much more varied answer, especially over a century of time. Marching bands not-military are a thing mentioned, and competitions for same, leading to really complicated drills (and trills.) We've seen folk music by actual folk, up in the Dendarii Mountains, at least. Plus all those galactic influences and fads pouring in, mixing things up. I expect the music scene on Barrayar is very lively and much debated/argued-about. Puts me in mind of a character mentioned in, iirc, the Liavek fantasies, as a celebrated theater critic and duelist...

Ta, L.
Lois McMaster Bujold
Yep, saw that, blogged it. Very... bemusing.

Ta, L.
Lois McMaster Bujold
I figured the temple designs and decorations should vary by regions, their climates, building materials, and histories. In the Ibran peninsula, where temples keep changing hands as the endemic wars move over them, being able to alter allegiances without having to tear down the whole building is more parsimonious. Smaller wooden temples can get away with a pentagonal design, but once one hits the weight of stone buildings, stresses must be more carefully balanced, hence 5 sides plus devoted entry = a more even 6. Wooden carvings where wood is abundant, stone and mosaics and frescoes where it is not. And so on, as my invention holds up, my stories meander geographically, and my historical reading matter inspires or informs (or corrects.)

Ta, L.
Lois McMaster Bujold Taura is Miles's notion of the feminine form of Taurus, for the Minotaur found at the heart of the Labyrinth.

I don't know where the name/nickname Rish came from; I don't think it's a mispronunciation, no.

Ta, L.
Lois McMaster Bujold
Never read it, so, no.

As a general rule, readers inclined to the game of "spot the sources" tend to ascribe influences based on what they know, not on what the author knows/knew. Academics are possibly the worst offenders. (Though they can be right twice a day.)

Ta, L.
Lois McMaster Bujold You can send me e-mail through the Goodreads messaging system -- if you can figure out how to work it. There may be snags, such as having to be friended or something first; more experienced Goodreaders maybe able to chime in on the protocols.

I much prefer e-mail to snail mail, as it is vastly easier to answer.

Ta, L.
Lois McMaster Bujold
At one time, I had plans in that direction, but the books seriously failed to materialize. Really, both gods ought to be fraught with possibilities, but neither seem to be speaking to me. No juice.

At the moment, I'm finding Penric and Desdemona's slightly more comic tone to be more congenial. And their shorter lengths way less daunting and exhausting.

Ta, L.
Lois McMaster Bujold
The recordings were made in different orders, some before the narrator was able to catch up with me for pronunciations. So I'm not surprised it's a bit random. Dendarii is den-DARE-ee, Galeni is gah-LEE-ni.

Ta, L.
Lois McMaster Bujold I'm going to have a couple of things coming up in mid-March in honor of "Penric and the Shaman", at Dreamhaven and Uncle Hugo's respectively. I'll be putting the details up on my blog sometime in the next few days, when they are all firmed up.

I've also committed to Convergence, the July 4th-ish (6th - 9th) big con this summer.

We'll have to see about the hand; I'm slated for some surgery on it in late March. We might just have to wave at each other. (-:


Ta, Lois.
Lois McMaster Bujold I made it up for the sound of it, and in some small part because the letter I was using for a placeholder in the first draft while I was thinking up yet another name was "Z". It has no outside referent.

Ta, L.
Lois McMaster Bujold I read a certain amount of poetry in my younger days, some of which sticks with me. I've not read much lately, but I suppose it's in there as an influence underneath somewhere.

We all listen to a lot more poetry daily than we realize, because song lyrics are nothing but that. People who say "poetry doesn't sell" are overlooking the multi-billion-dollar music industry.

Ta, L.
Lois McMaster Bujold
You'll have to ask the movie makers that question. It's not up to me.

(That said, making a movie from my writing would be a lot harder than it looks at first glance, due to the fact that so much of what is interesting is going on inside the characters' heads, nearly impossible to show from the outside.)

Ta, L.
Lois McMaster Bujold
Well, my standard answer to this question lately has been Megan Whalen Turner and Ben Aaronovitch. In older work, Georgette Heyer can still be fun. Jennifer Crusie for more contemporary. If you are looking to widen your scope into manga, some of the works of CLAMP are pretty good. Some of theirs are misses for me, but the cross-connected series xxxHolic and Tsubasa: Reservoir Chronicle really worked for me, eventually, although they take considerable commitment to unravel. I have a review section up around here somewhere... ah.

https://www.goodreads.com/review/list...

Although, of course, not everything reviewed is recommended or appropriate for all audiences.

Ta, L.
Lois McMaster Bujold I'm having fun with them too, although I'm making no promises as to frequency. But the chance at a lot of variety is enticing. (Of course, for that one also needs a character who is capable of supporting more than one sort of story.) Also, for me the beginning of writing a novel is generally something fresh, and the end is rewarding, but the middle is a slog. Novellas have a lot less middle.

The new e-markets have really opened up more potential variety for story length, as well. In the days of the paper magazines, the issues couldn't fit in very many novellas. In the more recent years of publishing, editors needed big bricks so as to be able to justify the big prices required to cover all their costs. For original e-books and stories, nothing has to be stretched or padded or truncated to fit any particular economic model. It reminds me of that quip, "How long are your legs?" "Long enough to reach the ground." E-tales can be just long enough to reach the ground.

Ta, L.

Lois McMaster Bujold NICK-eez

Ta, L.
Lois McMaster Bujold There may be a couple of collections in the future, but it will be the rather far future. Breath-holding is still contraindicated. This is my semi-retirement project, after all.

There might be more, maybe. Sometime. If and when there is, I will certainly tell y'all.

I admit, I'm finding my own Kindle easier to carry around, although I'm still terribly afraid I will drop/break/lose it somehow. Also, it's like having an instant bookstore/library in my purse. The expandable type for my eyes and light weight/lack of need to hold pinched open for my increasingly arthritic hands are also a plus.

Ta, L.
Lois McMaster Bujold
Sounds like a job for FanficWoman. Or FanficMan, I suppose. (Although don't ask, don't tell -- me at least.)

More seriously, it is a good thing when one's world-building, not to mention character-building, appears to readers to run past the edge of the page or the end of the book. It suggests they have actually become engaged with one's art, which is kind of the goal.

To answer your more specific questions, Cordelia and Jole never marry, although after 20 or more years of it they might as well be, and neither gets posted off planet (although they may travel) because they are both very soon out of the sorts of jobs that can compel such things.

(Though it does occur to me that their 20th anniversary will be a strange frisson for Jole, because it will mark the beginning of more years than he'd been with Aral, and their 40th ditto for Cordelia. After that it's Sergyar Incognita for both.)

Ta, L.
Lois McMaster Bujold I'm afraid not. There are a few comments sprinkled here and there, variously cynical or sincere (or both) on the subject of the Vor at war, but I have no idea which may be the one you are thinking of. Or where to find them. Remember, I wrote some of those books over 30 years ago.

Ta, L.
Lois McMaster Bujold No such plans at this time. Just now I'm on a kick for the Penric novellas; after that, who knows, but I'm more likely to move forward than circle back.

Ta, L.
Lois McMaster Bujold
No, I am doing very little travel at present. (Seattle's a great town, though.)

Ta, L.
Lois McMaster Bujold Not at present; time (and attention) does not permit.

That 24/7 is a hard limit...

Ta, L.
Lois McMaster Bujold
My paper consumption has varied over the years. In the beginning, it was a 3-ring notebook and some pencils, a laboriously typed first draft with two carbons (one for Pat and one for Lillian) and a final draft ditto (but not dittoed.) I could not afford photocopying.

Paper consumption went up as I entered the computer years, and could print out test readers' copies at will. My agent also needed two copies of the final, one for the publisher, one to be photocopied multiple times for foreign submissions and shipped overseas. So during the 90s, one novel could consume a nearly 10-ream carton of paper, and that was just on my end. Not to mention keeping the post office busy lugging it all back and forth.

Around the turn of the millennium, I started submitting e-files to Baen, often with a paper copy backup as well. It took a long time for the supporting paper copies to drop out, as publishers gradually joined the 20th Century, or rather, old staffers retired or died and were replaced by newer ones. It's only in the past few years that my submissions process, including to and by my agent, has become entirely paperless.

It's also only in the last few years that my writing has become paperless. Gentleman Jole and the Red Queen was the first novel I wrote without making a complete running printout, punched and put in a binder as I went, although I still printed certain sections for various purposes. So it's only as I reached the Penric tales that I have started to use no paper at all, except to print out a section to take to a reading or something.

My recent galleys have all come as pdf files, too. It took me a bit to get used to that, but I've converted now. (It probably also helps a lot that I now have less unwieldy computers with better screens to read them on. My new Lenovo X1 Yoga is downright addictive. It does splendid things for manga.) Don't underestimate the impact the improvements in reading devices have had on fostering all this.

So on my end, a case of paper has dropped to a fraction of a ream, over the past... urk, it can't be 20 years...?

At my last move, three years ago, I donated a whole packed bedroom of manuscripts, paper files and whatnot to the collection at Northern Illinois University; better them than me. I lugged all that stuff after me for years, and I so don't miss it now.

Ta, L.
Lois McMaster Bujold Only used. The Reader's Chair went out of business years ago, alas.

Ta, L.
Lois McMaster Bujold
Yes.

Longer answer must wait till my hand heals.

Note the two do cross-pollinate, in both directions, and have been doing so for well over a century, making the question more complex than it looks.

Ta, L.
Lois McMaster Bujold Yes; Blackstone just picked it up.

More specific news will be on my blog when there is some.

Ta,L.
Lois McMaster Bujold Presently, that story-start lies dead in the files. Or at least cryofrozen. So, no breath-holding.

Ta, L.
Lois McMaster Bujold As you like. Note the parabola could well be something that unfurls or deploys when the weapon is activated/powered on.

Ta, L.
Lois McMaster Bujold
Not as relayed, no. But I have mixed in trying to improve my covers from time to time, and it has never helped. I mostly don't try anymore.

I am more relaxed about it all in these later days, when I no longer imagine a bad cover will sink my whole career. (Well, maybe that Paladin of Souls one in Britain, but I gave up on the UK market years ago.)

Ta, L.
Lois McMaster Bujold 1) Somewhere about the middle of the first draft of Shards of Honor, and 2) yes, the misnamed "bugs", horned hoppers, some unnamed sea life on the shore of Kyril Island, other bits along the way. Alas, nothing big and exciting like Barrayaran were-tigers or anything. The vegetation gets described repeatedly.

At one point, very early on in the story development, I'd toyed with the idea of an alien contact/invasion to keep my two protagonists working together but apart for the second half of the book, but the Barrayaran war idea worked much better, more intrinsically. I was also interested in exploring the bioengineered-future all-the-aliens-were-us trope. The Barrayar stories give a snapshot of that very long-range project just begining.

Ta, L.
Lois McMaster Bujold Four different UK book publishers over two decades failed to sell my books to their satisfaction (or mine). The last-but-one forgot that they had bought three books from me, and would not have published them at all except that we prodded them as the license was about to expire. Just as the line was dying; the editor brought in to oversee this demise didn't even bother to read them in order to write cover copy, but just cobbled something together from online reviews. Sales (once they bothered to print them) were microscopic. The last publisher dropped my series midway because they failed to sell enough copies, which they phrased as, the book failed to sell enough copies.

That book was Paladin of Souls, winner of the Hugo, Nebula, and Locus awards for best novel, and a NYTimes bestseller. Yeah.

I don't know what's wrong with British publishers versus me, but it was plain by then that it was nothing I could fix by writing better or faster or anything else under my actual control to do.

Happily, my direct-placement e-books have given me a way to route completely around the UK publishers and book distribution and reach readers directly. My e-titles on iTunes and Amazon UK have been selling modestly but steadily since 2011, with no sign of slacking off. As more UK readers get into e-books, I expect that to continue.

Ta, L.
Lois McMaster Bujold Yes, I did know about the upcoming Turner -- it sounds very interesting. I probably won't get to a podcast due to my 24/7 being already pretty full, but it's good to know such things exist.

Ta, L.
Lois McMaster Bujold Yes, we're still a long way from Beta Colony -- but not as far as some people think. This isn't imaginary biology, the way my wormholes are imaginary physics.

Ta, L.
Lois McMaster Bujold I wouldn't go overboard with the credit if I were you. Aldous Huxley was playing with the trope, which has become standard genre furniture, as early as 1932. He was using it for quite different narrative purposes than I was, true. (Exploring some peculiarly British class issues, metaphorically, if I recall from my one reading of, good grief, half a century ago.)

Not to mention fantasy precursors as far back as the Mahabharata, though I'm not sure how to count those.

Ta, L.
Lois McMaster Bujold She died at the massacre, and I can't tell you anything else about her. Iirc she was supposed to be younger than Aral, but who knows. Alas for a character whose only shot at existence is a throw-away line...

Ta, L.
Lois McMaster Bujold Yes. As has been pointed out by someone, it's still a long way to a tech that goes from IVF to live birth, but it may well be a start on closing the gap.

Ta, L.
Lois McMaster Bujold A lot of folks must have seen that news... It's a step, but there is still a long way to go before maternal mortality and morbidity becomes a thing of the past.

Ta, L.
Lois McMaster Bujold Ayup. See below in "most recent" order for comments.

While this incrementally closes the gap between IVF and live birth, it won't be a real UR till it does. Some more decades, methinks.

Ta, L.
Lois McMaster Bujold Probably, very cheap high-output non-polluting power generation. With that, all else becomes possible. Eventually.

Ta, L.

(Hand is healing more slowly than I'd hoped, grump.)
Lois McMaster Bujold Thanks, again.

Ta, L.
Lois McMaster Bujold All editions of the 3-novella collection Borders of Infinity include the framing story between the 3 sections. Do not confuse the collection with the (also published independently as an e-book) single novella "The Borders of Infinity", which contains that story only.

(If I had known how much confusion it was going to create 25 years later, I would have titled the collection something else, but it is now Too Late.)

Ta, L.
Lois McMaster Bujold I am not planning to go, but I can absolutely recommend Helsinki, and Finland, to those who are. Allow time to look around! (I can personally rec the National History Museum on Mannerheimintie as a strategic place to start.)

Somewhere in Sidelines is my 2012 trip report in full, https://www.goodreads.com/book/show/1...

Ta, L.
Lois McMaster Bujold I believe I finally decided Aral's middle name was Xav.

The naming convention cited is a custom, not a law; it's common but not invariable. Despite Miles's self-interested pitch to Mark that time. (Miles in hot pursuit of an agenda is not a reliable source.)

The Britishisms are a combo of "not from around here", a nod to Barrayar's founder population and history, and an effect of me reading so much Brit lit.
Lois McMaster Bujold Heh. Interesting.

Ta, L.
Lois McMaster Bujold Ah, my mother had that one. No fun.

I have a writer friend with eye problems who is doing a lot of audiobook listening now, too. At least the offerings are hugely more abundant these days, with e-downloads.

At present, I am merely rationing my reading time. (Or should be. I know I've been overdoing it when I start seeing double through one eye.) I expect I'll be forced to more self-discipline in due course. My creative process is very visual and kinesthetic, seeming to demand written notes and visual feedback; I'm not sure how much of a stretch trying to put my lagging audio brain into the loop would be, but I'd need to be more desperate than this. So, no advice on audio writing aids from me yet, but maybe others could chime in in the comments?

Ta, L.
Lois McMaster Bujold No plans at this time to follow up. The problem of imagining all the possibilities is left, as they say, for the student.

Ta, L.
Lois McMaster Bujold Not at this time.

(Must note, Brothers in Arms and Mirror Dance were written a long time ago; late 80s and mid-90s respectively. My whole life then was intense.)

Ta, L.
Lois McMaster Bujold I would like there to be more, too. Things are slow at present due to the hand-surgery thing, which has taken far more recovery time than I anticipated. Also, still semi-retired. I have some broad ideas; it's the work and detail work that's the block just now. Also, it's summer outside! It's Minnesota, don't blink!

Ta, L.
Lois McMaster Bujold
I'm sure you're not. (-:

You might check out the fanfic scene. Someone may have agreed with you.

Ta, L.
Lois McMaster Bujold
1 - Physically, perhaps; Sara's in her mid-30s when last seen by her narrative. I don't think she'd want to. Being mistress of her own estate, and far away from the scenes of her former pain, may be enough for her. (But you may imagine whatever you like; published canon offers no constraints.)

2 - That's just how Cordelia walked onto the page. Not reason or consequence or author agenda, merely initial condition. There are plenty of sound scientists out there who also quietly hold religious beliefs. (Guy Consolmagno, SJ, for a case in point -- you can likely look him him up. MIT grad and Vatican astronomer.) It's just that the noisy nutbars get all the press.

Ta, L.
Lois McMaster Bujold
This is not something that I would care to do.

Though not for lack of having been asked. But it runs very counter to the series' thematic structure (yes, it has one), and even more counter to the intuitive way I write. It would not only be far more work, and much less fun, than writing tales myself, it would block my work on other, newer things, dragging me backward. Not a win from my point of view.

Ta, L.
Lois McMaster Bujold
Glad you are enjoying Pen & Des! So am I, thus far.

Part of my, hm, not plan but hope for the Penric tales is to keep the series structure as loose as possible. (Think how, say, the original Sherlock Holmes stories work by accumulation while stitching back and forth in the characters' lives, although they have the card-up-the-sleeve of Watson's after-the-fact narration.) I'd like to be able to jump around in Pen's timeline at will, although my prior experience does show if one jumps too far forward too fast it tends to block off sectors for development, so there are some limits on that score. But not nearly as many as with more rigid sequential-chronological structures. See The Sharing Knife tetralogy for a worked example at the opposite end of the spectrum.

I do plan/hope to do more with Pen in Cedonia, but those ideas aren't quite ripe yet.

Ta, L.
Lois McMaster Bujold
This looks like someone's art project.

That said, maybe in the future...

Ta, L.
Lois McMaster Bujold
I'd like to get my self-pubbed books on Overdrive, yes, but my current helpers are not set up for it, and I'm not up to doing it by myself. So it's a hung project at present.

The audio books are placed in Overdrive through and by Blackstone, good on 'em. And, I believe, HarperCollins have placed my fantasies from them.

Ta, L.
Lois McMaster Bujold I used to, but I am doing very, very few cons these days. Part of my semi-retirement is retirement from PR/public speaking, which would eat my life if I let it.

Ta, L.
Lois McMaster Bujold
Since I've never heard of him, no.

If he's that inventor of basketball, still no.

Ta, L.
Lois McMaster Bujold
Baen is doing quite a nice trade paperback reprint series -- they have the first five books out now. Starts here:

https://www.amazon.com/Shards-Honor-V...

No box sets planned, no.

Also, NESFA Press has the first eight titles (which were original paperbacks when they first came out) as nice hardcover reprints, although that only goes up a till my first printings started coming out as hardcovers.

Ta, Lois.
Lois McMaster Bujold
Mark Twain, or thereabouts, iirc. It goes back a _long_ way.

Ta, L.
Lois McMaster Bujold Glad you enjoy my writing!

I've experimented with doing workshops and other teaching gigs in the past, but I am not comfortable with them. Much of my semi-retirement consists of bowing out of such PR-related tasks.

Ta, L.
Lois McMaster Bujold
I'm pleased you found Mark convincing. You apparently aren't the only one; the story was once referenced in an article in an actual academic tome -- https://www.goodreads.com/book/show/1...

As far as sources go, All Of The Above pretty much covers it.

However inadvertently, I'm also glad the story helped you deal with your own challenges.

Ta, L.

Lois McMaster Bujold
In the real world, indeed, there aren't any definitive endings. That's one of its many differences from fiction.

A present, I prefer to leave the series as it stands.

It does make me wonder, though -- how many kinds of things do different readers parse as an "ending"? (I mean, besides the writer dropping dead, which in this world of publisher work-for-hire extensions isn't even a sure bet.) Anyone want to say in the comments?

Observations of series dragged out beyond their natural ends can be instructive, as well. I touched on this a little somewhere in the recent manga and anime discussion on my blog.

Ta, L.
Lois McMaster Bujold
My mind has no wish to be plumbed at this time, nor even have wiring run in, but off the top I can direct you to T. E. Lawrence, Basil Liddell Hart, John Keegan, and Barbara Tuchman.

Probably about a hundred more historians and memoirists (first-hand accounts are way the best) whose names escape me without a major spelunking. I read a lot of this stuff back in my teens, when WWII was still saturating the zeitgeist, and my 20s. I was recently reminded of Bat Bomb by Jack Couffer, my fave WWII memoir, although it has no actual war in it. Unless you count burning down the army air corps base.

I don't think you realize how far down and murky the depths of my mind are by now. A lot of my references are reduced to hand-waving and things like, "that memoir by the youngest paratrooper general (oh, Gavin), or "that appalling account of the Bataan death march" (could be any of many), or "the one by the Pacific pilot (Baa, Baa, Black Sheep, aha!) or "the one about the Flying Tigers", or, "the one about the borked first landing in Italy", or... And so on.

You could just take it chronologically, and start with Thucydides, I suppose. Or Herodotus. I can't say that either informed my mind that much, but I guarantee many of the military geeks you wish to study, studied them. Have not read Julius Caesar, but he still has works in print, too.

Ta, L.
Lois McMaster Bujold
Slow to change; standards for military pilots tend to be stricter; and employers generally want to duck any perceived risk of health-care costs.

Ta, L.
Lois McMaster Bujold "Snickering" is probably the right word. After all, if it's not funny to me, why should it be funny to anyone else?

Crying is much more rare, but very valuable when it occurs. If it doesn't move me, etc.

Bouncing around the room yelping in wicked glee is also a good sign.

There are reasons writers are better off working alone...

Ta, L.
Lois McMaster Bujold
I don't, really, have a 30-volume set of the Encyclopedia Barrayarica (with commentaries) in my garage, so readers are free to speculate about questions like this as best suits their needs. (They will anyway, I have discovered.)

Ta, L.
Lois McMaster Bujold
They are considered Barrayaran Vor, and would be received as visiting foreign VIPs (or dependents of same.)

(Well, someone like Benin might see them as equivalent to live grenades, but that's a different consideration.)

Miles's genes being formally taken up by the Star Creche doesn't make him socially or politically haut (nor would he consent to such a conscription); they would not be used entire, after all, just taken under close consideration.

Ta, L.
Lois McMaster Bujold
I have no idea what is going on with SoftWear. I believe Steve Salaba is still active in the fan community in the Chicago (?) area, but he may not be doing dealer's room vending stuff anymore. Anyone who knows more is welcome to answer.

Ta, L.
Lois McMaster Bujold
I can only answer as usual: not at this time.

In general (though not always) my books start and grow with interest in a character, not some sweep of events.

Ethan of Athos is an exception of sorts, since it began with the question, "What else can I do with this SFnal technology?" but even it didn't begin to roll out until the main character presented himself.

Ta, L.
Lois McMaster Bujold I have no such plans for Miles, but young Churchill was one of several threads of inspiration that went into creating him, so your instincts are correct. (Not one of the major threads, but there in the snarl somewhere.)

Ta, L.
Lois McMaster Bujold
Not offhand, but I'll bet the commenters could chime in below...?

I'm fond of Jennifer Crusie's smart wit, but other than that we're both writers from Ohio, I don't think most people would call our work similar.

Ta, L.
Lois McMaster Bujold No UK publisher chose to offer for it. I can't sell books to publishers who don't want them. What they were thinking, I have no idea, and it is likely too late to ask.

Happily, I now have direct e-publication of all my works in the UK, which has been holding steady and even slowly growing from its inception in 2011, as more readers discover e-books.

Note that when discussing my UK non-career, we are talking about four different publishers over time. Two of the lines, Pan and Earthlight, were discontinued while I was in them, rather like having one's horse shot out from under one, so it wasn't just me affected.

To be fair, the first mistake was mine back in the late 80s, when my (actually Baen's, at that point) then-foreign-rights agent took the VK series from Headline to Pan after book #4 for the sake of a higher advance. We should have stuck with Headline... maybe. It was all downhill from there. Too late, live and learn, etc.


Ta, L.
Lois McMaster Bujold If you like a scoop of romance in your fantasy, try The Sharing Knife tetralogy. Just four books, self-contained, so pretty self-limiting obsession-wise.

The Spirit Ring is just one book, so even safer. Quasi-historical Italy with magic.

Ta, L.
Lois McMaster Bujold Er, most of them? Could mention Cotillion, The Unknown Ajax, The Toll-Gate, Friday's Child, The Reluctant Widow, The Foundling, The Convenient Marriage... really, the list goes on.

Ta, L.
Lois McMaster Bujold Other posters will have to chime in on this one...

Ta, L.
Lois McMaster Bujold
They are all out as e-books in the UK, of course. You could have them in seconds by downloading, say, the free Kindle app onto the very screen you are reading from now. Not sure what iTunes offers in that direction.

A paper volume would depend on a British paper-books publisher making an offer for them, which seems very unlikely. Even British publishers (may) have woken up enough to want e-rights with their package, which I am not foolish enough to part with. The chances of anyone in the UK wishing to do paper-only like Subterranean Press seem remote.

Note that even SubPress doesn't get books into US stores, apart from a few specialty shops. Their business model doesn't attempt to cope with the book returns system (which is a whole 'nother essay.)

(At present, my own eyes are doing better with reading off a screen than from paper print, for whatever reason. The ability to enlarge type is a boon. Holding the device comfortably in one's lap or hands is another issue, which I'm presently managing with a board/tray that is padded underneath for my laptop and a small triangular foam cushion to prop my tablet.)

Ta, L.
Lois McMaster Bujold
Congratulations on your wife!

Ta, L.
Lois McMaster Bujold Thank you!

I shall likely go out to dinner with friends, at some point. We're always on for that, but we run out of birthdays.

Ta, L.
Lois McMaster Bujold
Since I don't know the actress, can't help you out.

Ta, L.
Lois McMaster Bujold
Since "Penric's Fox" follows "Penric and the Shaman" in internal chronology, and the series is still pretty short, I decided to give it its proper tag and renumber the following novellas.

See: https://www.goodreads.com/author_blog... for the full debate.

Also, you seem to be one behind in your Penrics -- there are now 5 novellas total. In new (as of Aug. 2017) chronological order, they are now:

Penric's Demon
Penric and the Shaman
Penric's Fox
Penric's Mission
Mira'a Last Dance.

Happy reading!

Ta, L.
Lois McMaster Bujold
That will be up to the audiobooks company, presumably Blackstone. If/when there is anything solid to report, I'll post it.

Ta, L.
Lois McMaster Bujold At a random mention, I found a cheap 3-season set of an old anime called Slayers, which is very much early-90s. D&D style comedy-drama, clearly aimed at younger watchers. It's not doing much for me so far, but it's something mindless to look at for a while when my left eye stops cooperating for reading.

I don't actually want to find another gripping one just now, as I have some other things to do for a bit. 24/7 and limited brainspace issue. A person must triage.

Ta, L.
Lois McMaster Bujold It is more likely Elizabeth came to Barrayar than Aral went to Beta, although some diplomatic journey is possible toward the later, quieter part of his regency.

They would have got along all right eventually, though both would have been stiff at first, and a stiff Aral is a little hard for anyone not Cordelia or maybe Simon or Alys to read.

I haven't heard anything lately about the re-releases. You should likely ask over at Baen; they have a Facebook page and a website.

Ta, L.
Lois McMaster Bujold A lot of the latter had already been written (mostly in the 60s and 70s, by both men and women) at the time I wrote Ethan of Athos, and in fact Ethan was in part a riposte to those. The fact that you'd never heard of them may answer your question?

Ethan has done pretty well to survive 31 years still in print/ebook and available, I think. Readers can still find it. As a general rule, only new books get booted up onto bestseller lists, but selling quietly for a long time can add up, too. Word-of-mouth has been the lifeblood of my career.

Ta, L.
Lois McMaster Bujold
I'm not sure I understand your question. My stories are what they are. People can take them or leave them.

Are writers actually trying to modify the openings of their stories for such purposes, now?

Ta, L.
Lois McMaster Bujold My agent doesn't handle my short stories (of which I have written very few), and the current novellas are dedicated to my e-publication experiment. So, nothing going on in that direction at this time.

Ta, L.
Lois McMaster Bujold As far as I know, my use of the funeral animals is original, though animals do play parts in many real-world faiths.

(I am suddenly put in mind of that scene in The Rook, which I will not attempt to describe here, where two different theories of prognostication clash horribly. And hilariously, if one's sense of humor is sufficiently black. Can't remember which animal species was the one in play, alas. It might be time for a reread, now the sequel is out.)

Ta, L.
Lois McMaster Bujold Yes, that tale or one like it (in the version I read, it was a gift to the king of Norway) is often repeated in histories of that era. Because of course. It captures the imagination in a mere sentence or two, begging so many more questions.

There may have been more than one madman of the era who thought a polar bear was a great hostess gift, who knows.

Ta, L.
Lois McMaster Bujold I just looked up when tasers were invented; it says 1974. I thought it was later. In any case, my stunners owe more to long-time SFnal weapons like Star Trek's phasers (set to stun -- don't let your finger fumble!)

My characters, to their credit, do sometimes worry about hidden medical conditions in their targets. But we might posit that my stunners work on a different and slightly safer mode than tasers.

Ta, L.
Lois McMaster Bujold After typing out "Vorkosigan" approximately one million times, I was determined that my next series protagonist should have as short a name as possible.

"Pen" vs. "Penric" is decided on the fly, according to who is speaking, in what mode, whether I'm just establishing things or am further along, sentence rhythm, and how much variation or lack-of-repetition I need in a particular passage.

(I actually made up the name "Penric", constructing it from a syllable salad, and then discovered it is also a real name. Not a common one, though.)

Unlike Tolkien, who apparently adored naming things, naming is a bit of a burden for me. It is necessary to defamiliarize names from our-world, key them to their respective distinct languages and cultures, and try not to inadvertently name people after obscure airplane parts or bad words in foreign tongues. The rise of internet searches makes checking the latter much more possible than it used to be, but also more necessary.

Ta, L.
Lois McMaster Bujold I hope so, but I can't say when. As a general rule, I have found it better for my process (and sanity) not to discuss works in process or possibility until the first draft is nearly bagged. I am not, I must remind people, a fast writer, so there's no point hanging around underfoot in the kitchen until after I call you for the meal.

Whenever there is actual news, I will post it on my blog. So you won't miss anything.

Ta, L.
Lois McMaster Bujold I reread my own work so many times in the course of writing it and prepping it for publication, it's pretty well burned into my brain. I can pop back and check anything I'm in doubt about. (This can ambush me when I am happily wrong in some memory, and don't think to cross-check.)

Very often, something that was a throw-away line in an earlier work gets exploited and expanded in a later work, giving a flattering illusion of long-laid planning.

Ta, L.
Lois McMaster Bujold I'm only into about the second season. It is very silly, which is sometimes just the ticket. I think my favorite character so far is the big, blond, rather Russian swordsman. Although I'm also rather fond of the appalling Prince Dad.

Ta, L.
Lois McMaster Bujold I'm glad you revisited The Hallowed Hunt! Yes, that one seems particularly prone to suffer from readers expecting it to be some other book, and being peeved when it does not match their expectations, instead of mine.

I am about to start recommending readers approaching Chalion read it first, to circumvent that expectations-effect. Although that might just generate the same problems in reverse order. I'd need to hear from a few more readers who'd read tHH first in order to form a theory.

I have heard from quite a few readers who, like you, read it again later and had a wholly different and more satisfactory experience. But persuading readers to read again a book they bounced off of in the first place is a bit of a trick.

Passive-aggressive bully-boy Ingrey was a very interesting viewpoint character for me to write, but I can see how his prickly surface (and interior) could be off-putting at first. And his character-arc was not to become a saint, like Caz or Ista, but a sacred king, quite a different job description. But, yeah, there may be such a thing as a writer trying to be too subtle.

Ta, L.
This question contains spoilers... (view spoiler)
Lois McMaster Bujold We don't know. Possibilities include, Animals Are Different, the fox got a brief spurt to escape (foxes can sprint really fast) before passing out in some shadowy place her pursuer missed in the dusk (that would be my pick), or the god stuck His thumb in somewhere.

Ta, L.
Lois McMaster Bujold Answer is, All Of The Above. Some were extrapolations of current tech, some were twists on (or arguments with) common SFnal furniture, taking it that one question farther.

Ta, L.
Lois McMaster Bujold Nope, there is nothing brewing in the Vorkosigan universe at this time. (Isn't 17 books enough? It seems like a lot to me...)

No collaborations for me -- they do not mesh with my writing process, and would be at least twice as much work as writing an original piece.

Ta. L.
Lois McMaster Bujold
Heh. He was a favorite of mine as well.

But there is nothing about him on my current event horizon, no.

Ta, L.
Lois McMaster Bujold I mainly wanted to have some fun playing with a really powerful sorcerer character. Once I decided to set him in the Chalion universe, a lot of the parameters and limits came factory-default. Then the game became to see what all I, and he, could do to explore them. We'd seen sorcerers before in the 5GU, but never from their own points of view.

Of course, once characters are set up and initially launched, they have a way of riding off down their own roads, the more so as they have time and space to develop. This takes us both to unexpected places, which is rather the point of such a journey.

The ala carte novella structure of Penric's tales is meant to give me the maximum choice of routes.

Ta, L.
Lois McMaster Bujold The largest pay-through to the author are the indie-published e-books. Kindle/Nook/iTunes give the author 65% - 70% of what the customer actually pays. Another important factor is that these are vendors not publishers, on which more below.

E-books published through a publisher are next, although losing between half and three-fourths of the proceeds along the way depending on one's contractual royalty rate. (In return for services rendered, variously valuable or essential.)

Next would be publisher hardcovers, which usually come out at about 10% - 15% of the cover price to the author.

Next would be mass-market paperbacks, normally between 6% to 10% of the cover price to the author, although I've heard some abusive publishers (including Romance and academic) may chew it down as low as 2%.

The other two elements that have to be factored in to calculate actual income-to-the-writer are, What is the cover price? and How many copies can be sold?

Another factor is authorial control. Publishers of any sort require contracts and rights licensing which, depending on the terms, can remove the author's control of the book for anything from some set number of years (OK) to term-of-copyright (or as I call it, unto the heat-death of the universe.) This latter is best avoided, although again, a particular author with a particular title and particular other terms may decide it's worthwhile to them. In the era of paper-books-only, one could commonly get these rights back for one's out-of-print titles for the asking, but now that e-books are forever and most publishers are immortal corporations, this is a lot harder to do.

The fact that the vendors listed in the first paragraph are not publishers is huge for authorial control. They don't own/license any exclusive rights in one's book. The author puts works up or takes them down at the author's will (and a month's notice), and sets their own prices. There are a few pitfalls in the process, as in any process, but on the whole, including the all-important distribution, indie e-books win over any other form of publication in terms of potential benefit to the actual writer. (Or, to be fair, I should say "actual established writer." But that's a whole 'nother essay.)

To answer the question you actually asked, above, any of my three vendors are effectively equal in terms of what I get, so whatever platform is most convenient to you is fine.

Ta, L.
Lois McMaster Bujold As an author, I have been delighted with the new internet downloading market for audiobooks, which has blown it wide open making room enough even for my work. (When it was physical media only, it used to be a very restricted market.)

I'm not a very aural-brained person, so I don't listen to audiobooks at this time, preferring visual print/pixels. I also lack things like a long commute, time on a treadmill, or other dead-time that they can fill. If I have worsening eye issues as I age, that may shift.

Ta, L.
Lois McMaster Bujold Nope, such a thing is not for me. In the old days, impending running-out-of-money was enough to keep me focused, if sometimes frantic. Nowadays the pressures are internal, mainly a work demanding its own completion.

I get stuck regularly, and shoving through is not usually a good idea. It just results in me trying to write Wrong Things, which my backbrain perfectly well knows are wrong or the vision-spigot would not have shut down so firmly.

Although "keeping at it" is required, the process is oblique. Sometimes it means backing off for a bit till the well refills, especially if I have just written out the last spate and have to stop and take stock. Other times it means I need to do some more research of some sort, import the key idea or notion that unlocks the present puzzle. Talking out the plot snag with certain friends also sometimes helps, if not directly, stirring things up, brainstorming, what Pat Wrede calls "plot noodling".

I am a sort of mini-burst writer, with the bursts being, generally, one scene long. The vision of the scene comes up in my head -- one scene being all it can hold at a time -- and I marshal it up for the march by making a quick draft in penciled notes to nail the spine and structure and good bits, choreograph the dialogue, and so on. If I am interrupted after this point, I won't lose it. I sometimes wait a few hours or a day to let anything else slot in or shift. Take the notes to the computer and get it down, lather, rinse, repeat. I generally need to know what just came before the scene under construction (which is easy because I've already written it) and what comes after, so it will be aimed in the right direction and come out in the right place for the transition to the Next Bit.

Ta, L.
Lois McMaster Bujold Assorted demonic or spirit possessions, possessed objects, shared bodies, multiple personality scenarios, etc. etc. are a staple of fantasy (and, with some jiggling, SF as well.) So that one could have come from anywhere.

Ta, L.
Lois McMaster Bujold I should say, more precisely, that the self-e-publishing part has grown frighteningly fast. Writing still takes (me) as much time as ever.

I did finally make the shift, a few years back, to not printing out chapters as I went, instead working paperless just with e-files. (My paper consumption has dropped from cartons to next to nothing.) I find I do a lot more micro-editing this way, although I'm not sure that makes a discernible difference on the readers' end. But the editing-as-I-go, at the sentence level and scene by scene, has also grown in importance, as there is less time at the end to second-guess everything.

Ta, L.
Lois McMaster Bujold Idealized, I suppose. Most F&SF readers demand their main characters be smart, and I have a low tolerance for the "stupid misunderstanding" romance plot as a way to keep the principals apart for whatever the length of the story. (Certain comedies excepted.*) There are lots more interesting problems that can be evoked to keep people apart as needed.

Those who spurn romance stories because the outcome seems set are mistaking what the plots are about, I think. The question a romance plot must pose, and answer (showing one's work!) is not "Do these two people get together?" but rather "Can I trust you?" Which is most certainly not a trivial problem, in art or in life.

Ta, L.

* I am now thinking of Georgette Heyer's Friday's Child, where nearly all the main characters are young idiots, and the reader's hilarity and suspense comes from watching the ensuing train-wreck. But while the characters are over-the-top feckless, the book itself is very smart.
Lois McMaster Bujold
Yes, you may. Thank you!

Ta, L.
Lois McMaster Bujold
That will be up to some print publishing company to decide. They know where to find my agent... There are enough for two reasonable 3-novella collections, now, in proper order. But note that SubPress's period of exclusive license, while short, still has some time to run before any competing edition may be published.

Ta, L.
Lois McMaster Bujold I believe I've heard something about that, but it is not for me, for all the same reasons that regular professional sharecropping is not.

Ta, L.
Lois McMaster Bujold
Oh, yes. I loved his relationship with his bemused father, too.

Heyer reuses the type, and it is common elsewhere, so it's not a sole source. See also Wodehouse.

Ta, L.
Lois McMaster Bujold
Not for me -- I already have all the social media I can handle -- but good on 'em.

These days, I pretty much rely on my readers to spread the word. It seems to work about as well as anything.

Ta, L.
Lois McMaster Bujold
Heh. I have no idea how Amazon's algorithms work. Good for me, though, because my works turn up on lots of pages through those connections, which may well be the only way some readers learn of them.

Walter Jon Williams is good, though; I like Steve Brust but no idea what Ballista is; I've only read half of one Modesitt -- inventive but PoV character seemed to lack interiority. The rest I do not know, because I have been buried so deep in the avalanche of popular culture I may never be found alive.

Does anyone know how Amazon comes up with these? I would assume some mechanized statistical buying survey...

Ta, L.
Lois McMaster Bujold
No, Alys was not a Vorrutyer. Ivan is related to that line through his dad.

Ivan mentions aunts somewhere -- I posit Alys has some sisters, number unknown but plural, less possibly some brothers, living elsewhere, not in the capital scene. Probably with families, hence the sort of cousins one meets maybe half-a-dozen times in one's childhood and barely knows. Yes, I would suspect the sisters are also well-bred and tough-minded.

Ta, L.
Lois McMaster Bujold
Not particularly Leo, but engineers in general. Also,

https://www.thegreatcourses.com/cours...

Wonderful, and I see on-sale this week (Nov. 2017), so I recommend everyone grab a copy quick as they can. It's where I got the Lewis bolt, which of course I could not call that.

Ta, L.
Lois McMaster Bujold I wasn't thinking of any particular example of the historical type, no. There are certainly plenty of models to choose from. Unfortunately.

Ta, L.
Lois McMaster Bujold
Both, heh.

Ta, L.
Lois McMaster Bujold
Ah, thanks for the link. Reader response is always fascinating in its infinite variety. "A book is like a mirror" as someone said. (The second half of that quote is more rude, and does not apply here, although it does demonstrate that the sometimes-strained relationship between writers and reviewers has not changed in centuries.)

I had a great trip to Barcelona back in 2008, which I remember fondly. It always boggles me a bit when my work turns up in academic courses. I hope your students are having good luck and a good time with their reads!

Ta, L.
Lois McMaster Bujold
No relation whatsoever. The name actually started out as Redwell, in the first draft, but I thought it sounded too much like Redwall.

(Switzerland, however, had some utility as a historical source.)

I confess I've never heard of Greenwell, Wisconsin.

Ta, L.
Lois McMaster Bujold
I have neither influence, nor control, nor in most cases even knowledge. I have no idea who is responsible for the genre or subgenre labeling in catalogs, but if it is individual library systems or even individual vendors, it could be all over the map. I'd call them all "Fantasy", myself.

Or "Bujold books".

Ta, L.
Lois McMaster Bujold I had not heard this urban (or rural) myth, no. (I've no doubt that some people would do such a thing, were it possible; much less sure of the chemistry involved.) In my story, it was an extension of the ill-fate of the rat encountered on Pen and Des's escape from the bottle dungeon back in "Penric's Mission", and a hint that this chaos magic could be truly dangerous if out of control, as potentially lethal as gravity. Or even dangerous when under control.

Ta, L.
This question contains spoilers... (view spoiler)
Lois McMaster Bujold
No, that decision was set at the time I wrote "The Mountains of Mourning" in the late 80s/early 90s, though of course Miles didn't know it yet. The story was occasioned by a friendly debate between me and Jim Baen, discussing whether to have the banner over the titles read "A Miles Naismith Adventure" or "A Miles Vorkosigan Adventure". Jim was hoping for "Naismith", and lots of milSF tales. The novella showed him why it had to be "Vorkosigan".

I knew then that Miles would have to go back home someday, though I did not yet envision when or how. By the time I finished Mirror Dance, I knew.

Ta, L.
Lois McMaster Bujold
The Curse of Chalion was the first Chalion tale written, optionally as a stand-alone, not that this lasted.

No, I cannot briefly outline my thoughts that went into its world-building, not least because it was 18 years ago. And would be as long as the novel itself. But you might be able to find some things in the interviews I did around that time period, early 2000s.

http://vorkosigan.wikia.com/wiki/Auth...

Also in Sidelines: Talks and Essays, maybe.

https://www.goodreads.com/book/show/1...

It started by looking at 15th C. Spanish history, and wondering why no one was stealing its lurid events the way they mine the Wars of the Roses. But it didn't end there. Lots of long-brewing thoughts about how religion is treated in fantasy got folded in underneath.

There might also be something among the already-answered questions in this column, if you scroll back through. It is alas not searchable.

Ta, L.
Lois McMaster Bujold
They may be presumed to be the same fellow, at different ends of his speckled career.

Ta, L.
Lois McMaster Bujold
Nope. "Vor" is an aristocratic prefix I made up for the sound of it, back in the day, in echo of such things as the German "von", French "de", Dutch "van der", and others. I was pleased to learn later that it was also the Russian word for "thief", which fit right in.

Ta, L.
Lois McMaster Bujold
Nope, I don't know "Giradoux" -- is it title, author, or what? Good line, though.

Ta, L.
This question contains spoilers... (view spoiler)
Lois McMaster Bujold I haven't; I would have to stop and make it up. I would start by working out the age-spreads, though, and thinking through what I know of families with such large age gaps.

Generally benign, occasional friction, some competition for parental attention, but mostly distanced. Nikki is about 12 years older than his next-oldest sibs, and more than 20 years older than the youngest twins, almost old enough to be their parent himself.

Ta, L.
Lois McMaster Bujold
Well, that's a good question, which would likely take many more years and stories to answer. Any change in her fundamental spiritual state would be very slow, however.

Ta, L.
This question contains spoilers... (view spoiler)
Lois McMaster Bujold
Yes, Bosha is very beguiling. (My plaint on him, while I was writing what became "The Prisoner of Limnos", was "Surakos Bosha is a damned scene-stealer!") He has this crowded and lurid backstory which might be interesting to explore in more detail, even though, broadly, we know how it comes out. How he came to the Xarre household and earned his place of trust might not be such a Tale Already Told as I think.

My knowledge of albinism is necessarily constructed from research (including a few historical and folk-tale references; it's a trope in more than one culture.) Nobody in my personal small circle of acquaintance to lend those extra telling details that don't make it into written sources, alas. In my defense, I did give him some eye issues with the photosensitivity...

Any potential Bosha front-story, ongoing, runs into an even greater wall of complexity than his backstory. I have a lot of ideas about my characters' lives, but extracting suitable novella-length tales out of them is a trickier proposition. And, of course, anything and everything written always spawns yet more potential threads. (While cutting off others.)

Ta, L.
This question contains spoilers... (view spoiler)
Lois McMaster Bujold
In order: Nothing more is planned at this time; two to four; soon if not yet. (Although given Vorkosiverse medical tech, children don't have to be crammed into a few fertile years.)

Ta, L.
Lois McMaster Bujold The short, facile answer is I Made It Up; the long one, which would be as long as my autobiography, that it evolved out of a lifetime of learning about, contemplating, and reading about real-world religions. The smattering of writing I've read from and about real mystics across a variety of faiths gave me a sense that they were all indeed honing in on some same thing, whether the godhead or the 60-cycle hum of their own biology being unclear. (Presuming the two are not the same.) Also from reading about the social functions historical societies carried out, and still carry out, with and through real-world religions -- teaching, medical aid, charity, orphanages, occasions for art, all sorts of community self-organized self-help. I wanted my fantasy-world religion to partake of both these serious endeavors. (Politics, like the poor, may always be with us.)

It also gave me a chance to argue with dualism, which is, in my view, a mistaken construction of the world that has done much harm through history. I wanted to make my gods both profound and evolutionary, based on a frame of the concept of emergent properties, which is about as far from the rigid simplicity of dualism as anything I've yet encountered.

And, of course, wanting to write my fantasy-world religion this way was indeed a reaction the the facile D&D-style constructions of religion.

Ta, L.
Lois McMaster Bujold
The book read to Umegat in the very last of The Curse of Chalion and of course the pilgrimage party in the opening chapter of Paladin of Souls were as-it-were shout-outs to The Canterbury Tales, especially the Chalionese version of the Wife of Bath. After that, the tale was on its own.

So, both our minds were playing games.

Ta, L.
Lois McMaster Bujold
Answered recently:
https://www.goodreads.com/questions/1...

You may also find some comments from me on the subject in interviews done around the turn of the millennium, around 2000 - 2007, when the books were first coming out:
http://vorkosigan.wikia.com/wiki/Auth...

Ta, L.

(It's a good idea generally to glance back through the previously answered questions, to see if one's query has already been addressed.)
Lois McMaster Bujold Fanac is for the fans. If you are not intending to make this commercially available, it is not necessary to ask. Or tell.

(Just as a point of general information, the issue of concern is not money, which would likely be trivial, but clarity of copyright. And the latter is only of concern to some major media purchaser, although there the legal concerns can become fierce and expensive. Alas.)

Ta, L.
Lois McMaster Bujold The Africa trip was in 1971, and the Europe one in 1965, so both over 50 years ago. While I still remember more about them than any of my high school classes, I don't think I have the endurance to type them out just now.

I do still have all the slides. No slide projector or other method of displaying them, however. (Note to all the techie readers about to jump in with advice, Yes, I know they could be converted to digital. No, I'm not on for that project just now either, thanks.)

The hitch-hiking was with my 21-year-old brother (I was 15.) 1965 was likely just on the cusp before such a thing came to be considered too dangerous. Youth hostels and his valiant attempt to tour Europe on $5 a day. We did England, Scotland, and a bit of Wales. Switzerland and north Italy were in there somewhere, and passenger trains, a novelty to my Midwestern experience. (My brother was a big train and model railroad buff. To this day I still find public mass transportation alien and daunting.) Three weeks of this, switched to trains in France, where it wasn't so easy to thumb it, then he dumped me with my parents in Paris, once we'd finally found their hotel, and he went north to Scandinavia and we went south by car to Germany and Italy.

This was back in the days when a trip overseas was considered a once-in-a-lifetime experience, not a weekend jaunt. I was, of course, totally ignorant of the histories much of what I was seeing, and no internet to fill in, hah, but less so by the end. 1965 trip is also memorable for being where I first found The Fellowship of the Ring, on a used-book rack in Rome. I would say, "Left by some hippie," but hippies weren't invented yet.

Ta, L.
Lois McMaster Bujold
Okay...

Ta, L.
Lois McMaster Bujold They could well be related, but if so the two branches of the line diverged so long ago that spelling differences crept in. They way they do, with immigrant populations.

Ta, L.
Lois McMaster Bujold I had not, but it seems to be in line with other information I encounter sloshing around.

Ta, L.
Lois McMaster Bujold "Vorobyev" is of course a real Russian name. When I ran across it, I immediately snitched it for a character. I like to fancy the clan was absorbed into the nascent Barrayaran aristocracy due to linguistic confusion.

Ta, L.
Lois McMaster Bujold Komarr is relatively socially liberal, although not as much as Beta Colony. Galen's prejudices -- or hatreds, more precisely -- are of Barrayar in general and Aral Vorkosigan in particular, for which any ammunition to hand would serve.

Uterine replicators, certainly, would be common background tech from a Komarran's point of view; it would be like being prejudiced against, I dunno, pick the routine medical technology of your choice. IV drips, MRI scans, ventilators. But anything can be hurled as an insult if the irate person is distraught enough.

Ta, L.
Lois McMaster Bujold
I'd not seen this bit.

Personally, I'm now sold on buying a general-purpose tablet computer and downloading ALL the reader apps, usually free, to it. (Mine is brilliant for manga, it turns out.) My helpers, besides being overrun with the work on their plates now, say that Kobo is a minor sales venue. If Kobo gets stronger, that opinion might change.

Ta, L.
Lois McMaster Bujold
My books have been translated into over 20 languages, although
not all titles in all languages. Note that this is over the course of my whole career, so many editions will have aged out of license and into oblivion.

First place to look, I suppose, is at the publisher websites of the target-language countries. AST (in Cyrillic ACT) has been my Russian publisher. Next would be the country Amazon site, if they have one. I know Japan, France, and Germany Amazons sometimes have my books. After that (or through that) used-book vendors in the language of interest.

Offhand, from memory before my morning tea, my books have been translated to:

Spanish
French
German
Italian
Hungarian
Finnish
Estonian
Croatian
Bulgarian
Greek
Czech
Russian
Japanese
Chinese
Hebrew
Frisian
Dutch
Korean
Lithuanian
Polish

Hm, I feel I'm missing something... I may have been counting Chinese traditional and simplified as two. We had a recent offer in Thai, but nothing has come of it yet.

It's interesting to contemplate which countries or regions apparently read SF, and which don't. I know in some of the smaller countries, like Croatia, Finland, and the Netherlands, most people who do read the genres do so in English, for breadth of access.

Ta, L.
Lois McMaster Bujold
I likely wouldn't begin writing the Vorkosigan saga today, so.

Although Barrayar, as such, is still a metaphor for the 20th Century, so that still stands, even as the 20th C. is fading as fast as people can get away.

Ta, L.
Lois McMaster Bujold The five gods are not interested in governments, only in souls.

Ta, L.
Lois McMaster Bujold
The six extant Penric & Desdemona tales are ready for two 3-novella omnibus paper volumes, if some print publisher wants to step up to the plate; there is a contractual wait for the stories to age out of Subterranean Press's term of exclusive license, however, which will be a while yet given that the last two haven't even been printed the first time. (Still to go are "Mira's Last Dance" and "The Prisoner of Limnos". Given that it takes the average big publisher a year to get a book to print press, it does seem like some of the wait could double up with normal lead time.)

They know where my agent lives, so.

Note that we want a publisher capable of getting books into brick-and-mortar bookstores, otherwise there's no point.

(My experiment with print-on-demand with The Spirit Ring was lackluster in results, so I'm in no hurry to repeat it.)

Meanwhile, you might try interlibrary loan.

Ta, L.
Lois McMaster Bujold
You're welcome?

I think you will find e-readers a useful addition to print works. I have certainly been enjoying my devices. My Kindle Paperwhite was good, and got me into the game, but I do have to say my Android tablet beats it for readability and range. (Manga is brilliant on it.) The Paperwhite remains more portable, however. Depends one's needs.

(The Subterranean Press limited paper edition of "Penric's Demon" is now selling in the secondhand market for quite insane prices, making your device look even more of a bargain, for a while.)

Ta, L.
Lois McMaster Bujold
Alas, I don't follow actors enough to have a suggestion for Pen. I went off to look at an internet picture array when Ron Miller, the artist, and I were kicking around cover ideas, but he went with landscape (or seascape) instead, to my relief. None of the shots I saw then were totally satisfactory. So for the casting game y'all are on your own. I note hair color is changeable; facial structure would be the key.

Nothing new is in progress at the moment -- it's been a sluggish winter. All sitting around watching Great Courses and anime, and not going outdoors. New Pen is not impossible, especially given his flexible story-length options, but the next idea spark has not yet reported for duty.

Ta, L.
Lois McMaster Bujold Manga and anime rather run together for me, since my interest usually starts with the anime and then, if it really catches my interest, I track back to the manga to compare or continue (since the anime versions often stop short.) Some dual faves include Mushi-shi, Pandora Hearts, Tsubasa: Reservoir Chronicle, and its parallel work xxxHolic. Bleach in parts, like the curate's egg. Saiunkoku, if I'm remembering the spelling, was very good but broke off unfinished. The anime of it is now hard to find. Paprika remains my favorite feature film. There are lots of others that I've found interesting, but not necessarily re-watch gripping.

If you are looking for that novel-like feel, I'd recommend Pandora Hearts, if you haven't read it already. Excellent art, plus it has the virtue of actually being a fully (if weirdly) finished work.

Ease-of-access is the main driver of my current explorations -- Netflix, Crunchyroll (anime plus e-manga), and my public library have been my main sources to date. I don't usually buy volumes unless I've sampled them already and can't get them any other way, though the ease of downloading (and storing, and reading) e-manga from Amazon is leading to more actual trial purchases. Rightstuf.com has proved another source for the obscure, sometimes.

Ta, L.
Lois McMaster Bujold
Glad you've enjoyed the book!

I think it was informed mainly by observation of the world around me, but in general I am a believer in gradients of human behavior, not tidy boxes. Not that tidy boxes aren't very popular, among those who wish the world to be simpler than it is...

The other observation, of course, is that children create, and certainly mold, parents, at all sorts of levels and in all sorts of feedback loops, from the most basic biological survival up through deep patterns of culture. And these, too, all exist on gradients.

Ta, L.
Lois McMaster Bujold
I've been across a few passes by car, in the Rockies and the Alps. And I've ridden horseback. Not at the same time, but it isn't hard to meld the two experiences together. (And the Cascades and in New Zealand, come to think, though the latter were later. Travel is good for a writer/future writer...)

Ta, L.
Lois McMaster Bujold Oh, gosh, I wrote that book 18 years ago, so it's all blurred in my memory. But I can say that besides Spain (obviously) I was thinking about a whole raft of not-necessarily-noble-born Renaissance ministers to kings and queens who helped usher in the transition from realms to nation-states: Walsingham, Cisneros, Richelieu, the unfortunate David Riccio, and so on.

The Hallowed Hunt, which you may get to, draws on a lot of material from a slightly earlier period in Germany. Kick-off book was:

https://www.goodreads.com/book/show/2...

and then a pile of other source material including biographies of Charlemange.

Ta, L.
Lois McMaster Bujold
Nothing so planned at this time.

(Besides, I already did The Next Generation -- that was Miles, ne?)

Ta, L.
Lois McMaster Bujold In and out of my brain seems to be a one-way bridge. Heavy input blocks output, and eats time for rumination, or even for long-term memory formation. Since modern media now provides an effectively infinite river of input, and I have neither infinite time nor infinite brain-space, I do have to go on a sort of self-imposed input diet while actively creating. Or put another way, I start to create when what's going on inside my head manages to be more interesting to me than all that's coming in from outside.

Naturally, this is growing harder, as modern media gets better and better at competing for people's attention, and there is easier access to way more of it.

Ta, L.
Lois McMaster Bujold
Five gods, I hope not. I have less than zero desire to follow in the footsteps of L. Ron Hubbard...

That said, there seems to be an interesting bifurcation in reviews of the Five Gods stories, between readers who are alive to the spiritual issues and take seriously how and why they drive the characters, and another reader-stream who seem to be completely tone-deaf to such issues, and thus find the courses of actions baffling, pointless, trivial, or not matching their expectations of how a story should go and why.

Ta, L.
Lois McMaster Bujold Yes, please; I'll make a blog post.

For those who wonder what we're talking about, there's this:

http://www.dendarii.com/tribute.html

Ta, L.

Lois McMaster Bujold
Fun! I'm going to assume you wanted to share this with the world, and not just me... The questions do seem to be made anonymous, so this should be OK even if you didn't.

Just a general note, the Goodreads messaging system is best for private emails. (I grant it's not easy to make work. Tips welcome in the comments section below.) But anything one doesn't actually want publicly posted and archived for all time in the Q&A column should go there.

Ta, L. Whose brag-shelf is now up to four bookcases.


Lois McMaster Bujold Nope, dy Sanda was not particularly god-touched.

Porifors is a sort of generic melange of an assortment of minor Spanish military castles, not including the Alhambra. (Its region was never that rich!) Internal design as per the needs of my plot.

(The Zange was somewhat inspired by the Alcazar of Segovia, however. Also internally redesigned per plot. Another fun fact: "Cazaril" is a partial anagram of the word alcazar.)

Ta, L.
Lois McMaster Bujold
I don't have anything new planned for the Vorkosiverse at this time, but you are free to imagine the Athosians having a happy ending. Or a happy continuing, rather. (All the happier for NOT having a Plot land on them, I suspect...)

Ta, L.
Lois McMaster Bujold
I suspect the impact of engineers upon the world is rather greater than that of writers, but one must reflect who it is gets to write the accounts... :-) Engineers are quieter, their successes found in all the disasters that don't happen, and thus are never taken note of.

I do wish my dad could have lived to see some of my later successes -- he died a month after my first book was published, at which time it was by no means clear if this writing stuff was going to work out for me.

Ta, L.
Lois McMaster Bujold
I actually made up the prefix "Vor" for the sound of it, to evoke such aristocratic markers as the German "von", the French "de", and so on. I was however very pleased to learn later about the Russian word, as it seemed to fit very well for a caste that started as some sort of mounted thugs, or counter-thugs (because that sort of thing is contagious), and looking at the histories of warlords and feudalism in our world.

Ta, L.
Lois McMaster Bujold Right, it's not actually that hard. 5 kids altogether of the Count VR in that generation.

First son and heir was Pierre's and Donna's father. Second son was Ges, who had no legitimate or known offspring. Third child was Aral's ill-fated first wife, who also died without offspring. Fourth-child-third-son was Richars's father, Fifth-child-fourth-and-youngest son was By's father.

By has one sister, Richars has at least two sons and possibly one or more daughters; any sisters for Richars unknown but not impossible. Dono and Olivia will have several children, and By's potential reproduction is unknown. Any miscarriages or children dying very young are not known/invented, though the former is probable and the latter possible especially in the earlier generations, adding gaps to spacing between siblings.

(The name is pronounced vor-RUT-yr, by the way. And the planet is barra-YAR.)

Ta, L.
Lois McMaster Bujold
I'm glad you enjoyed the tetralogy! The Sharing Knife tends to get less love than my other series, and I have several hypotheses but no certainty as to why, except that those who do like it, like it a lot. Bless them. The target audience (if there were such a thing, and not just me throwing stories into the air to land where they will) seems to have a thinner overlap with my other audiences, I guess.

All I can say is what I say about similar inquiries for all of my books: I have nothing planned at this time.

Ta, L.
Lois McMaster Bujold
Well, I was another person then (and it was another world) but yes.

Ta, L.
Lois McMaster Bujold
Heh. Many are the possibilities. We've seen what can happen when a human-sized demon is forced to jump to a smaller mammal; one could extrapolate from there.

Ta, L.
Lois McMaster Bujold I pretty much know by gut feel when the events of a novel have come to the right conclusion on the scene-by-scene level -- although for Cryoburn I added the codicil/drabbles after some comments from test readers, to keep folks from galloping off in all directions with sequel speculation. There follows a revision pass, when I have collected and collated comments from test readers and editors, on either the finished first draft or chapter by chapter, depending, and respond to them as seems right. On the sentence and word level, I tweak till the thing leaves my hands for publication, and on the typo and polishing level, for decades after, as opportunity permits.

So, not much like painting, no.

(Although very much like sand painting in a windstorm.)

Ta, L.
Lois McMaster Bujold Nope, I've never written out the rank minutia. Viz costuming, you are also on your own, though I could note that I have not inflicted the necktie upon Barrayaran men.

What Vor ladies wear will depend upon era, age, income, and venue or function, so there's quite a lot of free play, there.

I could add, the Russian fans were doing quite a lot of Vorkosiverse costuming at one time -- there might be something online for inspiration, or at such fan art refuges as Deviant Art. Check around. Other commenters might chime in below.

Ta, L.
Lois McMaster Bujold No fan club as such. Fanac is for the fans, to be self-assembled at will, or whim. Have fun, be nice.

Ta, L.
Lois McMaster Bujold
Alas, no. My high school French was half a century ago, and has gone down the same drain of time as my high school body. I can recognize the others on a page, but cannot read them. (I can recognize Hangul (Korean alphabet) now, too, go me. Thank you Great Courses.)

Ta, L.
Lois McMaster Bujold I did not, since I wrote the books starting over a decade and a half ago, but the results are intuitively obvious.

Cool article, though.

Ta, L.
Lois McMaster Bujold
About as scientific as trying to boil a egg in its shell in a microwave, I expect. I mean, we don't need future-science for this.

Or, for more immediately pertinent parallels, I suppose the autopsy reports from submarine disasters would give some useful insights. All the space disaster autopsies we possess so far are from ground-based or atmospheric incidents.

Biology and medicine. They are real sciences, people...

(My closest speculative examination of the subject is probably the short story "Aftermaths", found at the end of Shards of Honor.)

Ta, L.
Lois McMaster Bujold
Yes, I presume. I'd written the opening of what you see back in late 2011, early 2012, but it stalled out and other projects took over. It was never intended to be novel length, though I'd thought it was going to be a longer novella than it finally proved. Rather like that description of the length of someone's legs: "long enough to reach the ground." In this case, long enough to reach the end.

Ta, L.
Lois McMaster Bujold
Nothing is planned or in progress at this time.

Thanks for the signal boost!

Ta, L.
Lois McMaster Bujold It's been too long since I read it, and it is conflated by now with the movie, so I really can't say. (Also, I read Harry Potter and the Philosoper's Stone, but that's because I snuck it in from Canada.)

Ta, L.
Lois McMaster Bujold On the spectrum of retirement, I am choosing my own adventure, which is a lot slower than most people think of as adventure. To the greatest degree possible, it consists of avoiding the things about an author's career that I found most wearing -- book tours, for instance, or speaking or teaching engagements, or most cons, or in general anything that involves getting on an airplane. Or deadlines. Or contracts for anything that is not all the way finished at least in first draft. (Some parts are not sluffable ever -- keeping business and tax records, ferex.)

It also consists of reading or watching whatever the heck I want, and not ditto what I don't want. Less self-improvement -- I figure it's all downhill from here anyway -- and more brain candy. Because when someone my age or older says, "Life is short," they kinda mean it. Personally, I blame my mitochondria -- see https://www.goodreads.com/book/show/3... (Granted, the recent anime binge has more to do with new accessibility and the dratted epiretinal membrane/macular pucker issues.)

The indie self-publishing experiment, so far quite successful, suits this plan well. Shortest possible route from story in my brain --> text --> most succinct possible technical transmission --> text --> story in reader's brain.

Ta, L.

(Many people, when they gas about retirement, say "I want to travel and write a book!" Um...
Lois McMaster Bujold But if you read it now, you can read it again later. It's not as if those pixels will wear off the screen from the eye friction...

Ta, L.
Lois McMaster Bujold
Glad you enjoyed it!

For the record, "Weatherman" was an out-take from The Vor Game, the novel was not a continuation or expansion of the novella. At the time, the Analog sale was a chance to turn little more cash on the work, very much needed.

But no, I have no plans for a continuation.

Really, the story should be complete in itself; I'd be very interested in reader response from someone for whom it is their first Bujold, or at least their first Vorkosigan. I think it should stand alone just fine, but I admit I haven't had a chance to test that. "But they'll get a different read!" is not a useful complaint, as everyone always gets a different read.

Ta, L.
Lois McMaster Bujold
Yes.

(This is a reference to a line of Cordelia's memory-musings in Gentleman Jole and the Red Queen, for those wondering.)

Really, I shouldn't wonder if it's SOP for all Survey personnel to store gametes, before going off on their dangerous voyages. Because Beta, and their families, certainly wouldn't want to lose those high-grade gene lines.

Ta, L.
Lois McMaster Bujold Smashwords apparently has Business Level Issues, that incline my agent to shy away from it. So, no, not at this time.

Meanwhile, I should remind people that Baen.com still offers a number of my e-titles, in assorted formats; folks who care about such things might want to look there. (Not the recent novellas, granted.)

(It often puzzles me why people who have downloaded a story and can presumably thus read it on the spot would wish to convert it, rather than storing it as-is, but that's another religious debate. Having been party to cleaning up the estates of a couple of persons by now, and observing a few more, I will note that nobody is going to want your books after you die, so that reason rather falls down.)

Ta, L.
This question contains spoilers... (view spoiler)
Lois McMaster Bujold
You do not provide links or descriptions how to find either of the things you reference. Try again?

If, at a wild guess, you are trying to compare "The Flowers of Vashnoi" and Proto Zoa, they could not be more different. The first is my most recent Vorkosigan series novella, and the second is a collection of my very earliest short stories from the 1980s.

I don't see the covers as anything alike, although if one were comparing them on a small black-and-white screen, maybe one might make that mistake?

Ta, L.
This question contains spoilers... (view spoiler)
Lois McMaster Bujold
Thanks for giving The Hallowed Hunt a second chance! A startling number of readers have reported the same first read/second read effect you describe. I'm still trying to figure out why.

My current theory is that series readers were nonplussed by finding it was not a continuation of the first two books, and spent their first read mad at it for their thwarted expectations. Once they calmed down and were willing to take it was it was, their reads improved.

Or it might be that they really did grow older and smarter, who knows? Readers who shared this experience are welcome to chime in below and share it some more.

Ta, L.
Lois McMaster Bujold
Personally, I am indifferent to DRM, as both writer and reader -- I think it's utterly useless for stopping piracy, and it certainly doesn't impede me from reading anything I buy (*) -- but some of the people I work with are not. So DRM it is, for now.

Ta, L.

(* -- Meaning that I read legal copies on legal apps, not that I break it myself; yet another tech learning curve that I have no desire to scramble up.)
Lois McMaster Bujold
No, no plays or scripts from me. It's a different medium from novels and short stories, etc., so I'd have to retrain, which I am presently too lazy to do. More cogently, to achieve any kind of performance and reach an audience, it requires working together with people in groups.

A mainstream novel I read once had the memorable line, discussing the pleasures of life, "It takes two to make love, but eating you can do alone." I would add writing fiction to that list.

Ta, L.
Lois McMaster Bujold
I am pleased that you felt Ekaterin was an authentic representation of these complex and difficult issues.

Ta, L.
Lois McMaster Bujold
Oh, yes, in any large enough group there is a sprinkling of anything. Some readers quite dislike Miles, too, or Barrayar in general. (Why they keep reading the books in that case puzzles me, but, oh well, readers.) Although I must say your friend sounds as though she likes Cordelia quite well enough for going on with.

One thing some people seem to miss is that in her first two books, we see Cordelia from the inside, all her doubts on display, and in all but the last of the later books, we see her from the outside, in brief fragments. That changed angle of view, and the information it does/does not take in, makes a huge difference in perception. (I play with this a bit in GJ&RQ.) Information bias and viewpoint control are a valuable tools in the writer's toolkit, especially for characterization but also for plot and worldbuilding.

Ta, L.
Lois McMaster Bujold I'm afraid I don't follow enough current actors to answer this question. Good to know some might be out there, though!

Ta, L.
Lois McMaster Bujold
Not known to me. Anyone else?

(Librarians tend to be good at this sort of question.)

Ta, L.
Lois McMaster Bujold
Running out of money used to work quite well...

In recent years (and from the beginning as well), the work itself demands its own completion. Not, alas, on anything resembling a regular schedule. I've described half a novel as like half a bridge, useless until complete from shore to shore.

There is usually also some significant emotional reward for getting the work out there and read, and getting reader feedback. It is, after all, Attention, with luck more positive than negative.

Ta, L.
Lois McMaster Bujold
Not per se, but it's an interesting conundrum. Approximately ten million tales from the points of view of teens, almost none from their parents (the Enemy, usually, in coming-of-age tales, as is older authority generally.) Mothers, parents, and domesticity are perceived by many readers to be the antithesis of exciting stories.

Don Sakers had some musings on the topic, if this link still works:

https://web.archive.org/web/201611232...

Ta, L.
Lois McMaster Bujold
You should have something on Goodreads called your "Author Dashboard", most likely accessible from your Profile page, or from that drop-down menu from the circle on the far upper right. Start there and explore its tips. It has a link called "Author Tutorial" right on it.

I no longer remember how I first found/founded my own Author Dashboard, so perhaps a poster with a better memory could chime in below with more directing advce?

Ta, L.
Lois McMaster Bujold
Answered your own question, then...

:-), L.
Lois McMaster Bujold
I can, but the route there is long and roundabout, and involves more Cedonian politics and time than I want to deal with right now. (Actually many potential routes, which doesn't make it easier.) Maybe someday. No promises.

And then there's Bosha's entire angsty backstory, which could be a novel in its own right, but a weird one. Also with a problem or six about a satisfactory ending. But yes, Surakos Bosha is certainly one of those characters who unexpectedly leap off the page.

Ta, L.
Lois McMaster Bujold
Ekaterin is already mature when the story opens; no YA heroine, she. So she has much less "character development" to do at age 35 than Miles had at 20. The experience will inform and enlarge her abilities as Lady Vorkosigan, going forward. Because Countess is a job description as well as a title.

Ta, L.
Lois McMaster Bujold
Nope, you are on your own for cosplay. Pick a color you like not already defined, have fun.

(Do note that I have not inflicted Barrayaran males, military or otherwise, with the necktie.)

Ta, L.
Lois McMaster Bujold
I had not seen this, but the practices it discusses are by no means unusual, especially across history. (And prehistory, though that's harder to suss out.) Look up the infanticide practices of the Romans and Greeks, if you want something closer to home. I don't know if anyone has done work on the practices of the Teutonic tribes, but I'd expect something similar, or in any culture that is periodically or routinely thrust to the edge of survival.

Selective infanticide is the historical norm. Saving such children is new, and largely a consequence of advances in technology and the economy. (As a rule of thumb, people tend to embrace the moralities they can afford.)

Ta, L.
Lois McMaster Bujold This question is a bit too broad to answer, but briefly, All Of The Above covers it. Like found art, the stories tend to be pieced together like a montage from all sorts of magpie bits and bobs, fleshed out as I go. Including, of course, experiences from all periods of my life. (Pieces of my childhood are (among) my life experiences, natch. They aren't really something separate.)

Which bits in my bag get picked out for inclusion at any given time is driven by the underlying needs of the story. So the process is far from random.

(My nonfiction collection Sidelines: Talks and Essays includes more on some of the stories' specific origins, scattered about.)
Lois McMaster Bujold I am glad my work helped nourish you when you needed it. (And I'm always especially pleased to hear a good word for The Sharing Knife tetralogy.)

I've never had a library named in my honor, but it would be cool. Though I once had a name plaque on a chair in a library auditorium, that some fans rustled up for me when the library was canvassing. I suppose I can always hope for an asteroid. I did have an experimental rescue robot named after me once, years ago, which was a treat.

Ta, L.
Lois McMaster Bujold
Glad you are enjoying the book! I do think surly Ingrey grows on one, if given a chance.

Really, only the name and a loose connection with animal practices and sacrifices is brought over from our-world sources. Almost everything else about 5-gods-world shamanism is made up for the purposes of, and to be consistent with, the world-building of the story.

Ta, L.
Lois McMaster Bujold
No, although I certainly thought about it.

Amusingly, quite a few readers over the years, some admittedly speaking other languages, have not recognized "Lois" as a feminine name, so I got some of that marketing gender confusion for free anyway.

Although whenever I am put to signing a large stack of books, I often regret not going with "Lois McMaster", which would have cut the time folks had to spend in signing lines by a third.

bests, Lois.
Lois McMaster Bujold
I have no idea what this is in reference to.

L.
Lois McMaster Bujold Middles are hard; many writers bog in them. I can offer you a quote from one of my characters: "Nothing worth doing is fun all the time. But it's still worth doing all the time."

For writing advice, try http://www.pcwrede.com/blog/ or the compact version, the e-book Wrede on Writing.

Your last question is much too broad to answer here, but I cover some in my nonfiction collection Sidelines: Talks and Essays. Also in assorted interviews over the years, http://vorkosigan.wikia.com/wiki/Auth... Comments on specific books tend to cluster around their original pub dates and attendant PR pushes.

(If what you are really trying to ask is, "Where can I get the inspirations for my books?", the main answers are: life experience (including work and family relationships, friends, getting people to talk to you and tell you their personal anecdotes, in other words lots of listening) tons of reading including history and nonfiction, travel and other direct non-reading information flows such as museums, courses, live stage plays as well as the normal flood of TV and movies, and, again, life experience.

Ta, L.
Lois McMaster Bujold
It's old American Midwestern slang for "asking for it"; behaving or speaking in a provoking way that inspires others to attack, literally or figuratively. "Lumps" being what you get when someone hits you.

Ta, L.
Lois McMaster Bujold
No working link, there, but my quotes bob around all over the internet, so I'm not surprised. Out of context, mostly, and attributed to me even when it was a fictional character in a fictional situation speaking. The game of Twitter Telephone being what it is, that may backfire weirdly someday, but so far it seems OK.

Ta, L.
Lois McMaster Bujold
Nope. You still have Diplomatic Immunity, a bit part in Captain Vorpatril's Alliance, major stuff in Cryoburn, and minor roles in Gentleman Jole and the Red Queen and "The Flowers of Vashnoi".

So, Miles to go.

Ta. L.

(There are *cough* a couple of other series as well...)
Lois McMaster Bujold
I've seen the movie; didn't know about the manga. Thanks for the rec!

Ta, L.
Lois McMaster Bujold My experiences with breaking in are too far out of date to be useful in the new millennium. Anyone else wants to chime in with suggestions, feel free to use the comments section below.

If you check your Goodreads "Author Dashboard", which should be accessible from the drop-down menu on the picture cartouche on the far upper right of your own profile page, there are an assortment of author tutorials from GR. I've not looked at them myself, so cannot speak to their utility.

Ta, L.
Lois McMaster Bujold I hope so, but there is nothing new in the works at this time.

(Much of the point of the ala carte e-novellas scheme is to keep the series, or story-grouping, as flexible as possible. I seem to be reinventing the old pulp magazine system for doling out tales, without the encumberment of the pulp magazines.)

Ta, L.
Lois McMaster Bujold
I'd think they'd want his brains, but, nature, nurture, not to mention nutrition. Replicating Miles would be a lot harder than just copying his DNA. I don't think the Cetagandans have any particular motivation to gratuitously extend his life.

As far as medical aid goes, I'd think Miles would be a lot more comfortable going to Beta Colony. We don't actually know that he hasn't...

Anyway, I have no plans for such a tale at this time.

Ta, L.
Lois McMaster Bujold
Glad you have enjoyed the stories!

But nothing is planned in that direction at this time, no.

Ta, L.
This question contains spoilers... (view spoiler)
Lois McMaster Bujold
Heh. Do not apologize for enthusiasm. But, alas, I can only recite what is becoming my mantra: there is nothing in that direction planned or in progress at this time.

Ta, L.
Lois McMaster Bujold
Ayup. Go here, read everything:

http://www.pcwrede.com/blog/

Or, if you want a compact version, this:

https://www.goodreads.com/book/show/1...

Good luck!

Ta, L.
Lois McMaster Bujold Good question; I have no answer.

Although surely some analogous situations have cropped up in real life by now, people with formerly uncurable conditions which have been overtaken by advances in medical technology.

For myself, I expect I would be ecstatic, then swiftly readjust to my new normal normal. Any folks with RL experiences are welcome to chime in with their own insights.

Ta, L.
Lois McMaster Bujold

...Which book?

puzzled, L.
Lois McMaster Bujold
All of the books ferex here on Kindle (and iTunes, and Nook) listed as from Spectrum Literary Agency are self-published.

https://www.amazon.com/s/ref=sr_pg_2?...

Includes all the novellas, including the 7 recent original-to-epub ones, the nonfiction collection Sidelines: Talks and Essays, the old short story collection Proto Zoa, most of my Vorkosigan Saga backlist (republished, technically), ditto The Spirit Ring; I may be missing something, but, short answer, yes.

The seven fantasy novels through HarperCollins and my recent few Baen books remain with their original publishers.

Ta, L.
Lois McMaster Bujold
If you like science fiction, and are not allergic to a touch of romance, start with Shards of Honor. If you like fantasy, start with The Curse of Chalion or, for a shorter taste, the novella "Penric's Demon".

After that, look here: https://www.goodreads.com/story/show/...

Good luck!

Ta, L.
Lois McMaster Bujold
You may.

Ta, L.
Lois McMaster Bujold
Part 1 of 3-part comment.
Lois McMaster Bujold
Part 2 of 3-part comment.
Lois McMaster Bujold
Part 3 of 3-part comment.

As an aside, it is better to put comments in the Question column under a question, or over in a comments section under a post in the main blog; this feature is not really formatted for chat, or at least, the Q part is not.

Ta, L.
Lois McMaster Bujold
I've answered this one a bunch of times in a bunch of places, now scattered to the winds of time I suppose. I really should fix myself one of those canned-answer files for FAQs, but so far I've been too lazy and disorganized. Iirc the intro to Baen's 30th Anniversary trade paperback reprint of The Warrior's Apprentice touches on it, also the Afterword to Young Miles.

No, I never have a clear idea how any character will turn out. In general, I set them in motion and watch them go, like an AI self-learning program. They will be created by their actions as they progress. (Note that speech, too, is an action, as is internal dialogue.)

I don't know where folks think the contents of people's imaginations come from, except from the world around them. It's not an either/or proposition. Real-word inspirations include but are not limited to young T. E. Lawrence, young Winston Churchill, my own relationship with my own father, a physical (but not psychological) template in a hospital pharmacist I used to work with long ago, Aral's and Cordelia's personalities and situation, and doubtless other sources now forgotten at a remove of, let's see, Miles was initially created in 1984, so now almost 35 years.

The first thing I knew about Miles, before his name or anything else, was that he would be born to Aral and Cordelia physically handicapped in some way, but very bright, on mutie-hostile Barrayar. This was about halfway through the writing of Shards of Honor. At that point, he was little more than a glowing blob in my mind, or in Cordelia for that matter, but he got better.

One might also note that the original first draft of Shards of Honor actually went up through the soltoxin attack, but not including the start of the war of the Pretendership. So up to the end of Chapter 9 or thereabouts, don't remember exactly where I broke off. I then cut backward to the present ending. When I went to start Barrayar a number of years later, I wrote a new Chapter One for the needed transition, laid in the 8 chapters I had in hand, retyping and editing them, and went on from there. So for a while, I knew a lot more detail about Miles's early start than the readers did.

Miles is not so much an outsider as a liminal figure, really, existing on the borderlines of so many things, able to see, and be pulled, in multiple directions.

Ta, L.
Lois McMaster Bujold
Ivan gets his honorific not from being heir to Count Falco, but for being great-grandson of Prince Xav, and in a Certain Unstated Relationship to the camp stool. Barrayaran titles don't have as many quirky exceptions, which must be learned one by one and vary with context, to their already ad hoc rules as, say, the English language does, but there is a definite tendency in that direction.

Ta, L.
Lois McMaster Bujold
Nope, never encountered this before, but it is amusing. I hope it was tasty wine!

Ta, L.
Lois McMaster Bujold
For myself, since 8th grade; though there was a long hiatus in my twenties. For what eventually became professional publication, since 1982.

Ta, L.

Lois McMaster Bujold
Hm, some of these process questions are answered earlier in the Q&A column -- you might try scrolling back -- or in my interviews. I would say my series are pretty ad hoc, building one book at a time which always changes or channels the possibilities for what follows. Within a book, I will have only a vague idea where it's going; writing starts when the preliminary notes, averaging about 50 pages, and whatever research reading I've done, somehow make the opening scene/s rise up in my mind. I capture the thoughts in penciled notes, then type them, shifting the scene-block out of my mind to make room for the next wodge, and repeat the process. So my planning is diffuse, not done all-at-once.

But I am not seat-of-my-pants as it is usually understood; I need to have each scene I'm working on blocked out in notes, sequence of events mostly nailed, dialogue roughly scripted, and choreography roughly designed, before I sit at the keyboard. But only one scene at a time, with a glimmer of what's next. Details are filled in, sequences modified, items added or tossed, etc. editing as I type.

Lather, rinse, repeat till I reach the end.

Ta, L.
This question contains spoilers... (view spoiler)
Lois McMaster Bujold
If you think it through like Ezar... and it says something about Cordelia that she could, it was to assure that if the Prince were rushed injured into surgery, he would not make it out alive.

Belt, suspenders...

Ta, L.
Lois McMaster Bujold

Yep, I got a pin as well as a rocket. Pictures of the latter shown on a blog post made at the time...

https://www.goodreads.com/author_blog...

I actually got two nomination pins that year, iirc, one for series and one for novella. The necklace is getting a bit crowded...

There are lots more older GR posts, not to mention older Q&A answers, for anyone with the curiosity, time, and endurance to scroll back through them.

Ta, L.
Lois McMaster Bujold
Answered here:

https://www.goodreads.com/questions/1...

(I am willing to give these first two the benefit of the doubt, but if as a result I end up with a stream of newbie writers of completely unrelated items popping up here to covertly advertise themselves, I'm going to start deleting the "questions" without response. This sort of thing is not good Netiquette, folks -- although I completely understand the desperation.)

Ta, L.
Lois McMaster Bujold Well, it's very flattering, of course. And a little weird. Each reader has their own construction of everything they read, and I don't think academics are immune from this in any way. In fact, it's something of their stock-in-trade. They are also writing within a genre, Academic Writing, with its own genre conventions and agendas, with certain boxes they are trained to tick, and which take some learning to parse for a reader coming in from the outside. (Just as in any other genre of writing, truth to tell.)

Arguing with same bears for the writer the same hazards as attempting to argue with any other review. One of the (fortunately) early lessons in professional etiquette I was offered from an older writer back in the 80s, and which seems only more pertinent now, is never to respond to reviews except, perhaps, for an occasional thank-you if someone says something especially nice. It's much harder to stick by this wise rule in these days when reviews and comments come not from a tiny handful of edited print columns, but dumped out by the virtual truckload. And from a much wider range of sources.

I was given the chance to read this book in manuscript, by the way, and offer corrections (iirc I tried to limit myself to those of biographical or bibliographical fact) which was a nice courtesy to receive.

( https://www.goodreads.com/book/show/2... for more on the book referenced -- academic press e-book pricing, but far from the most heart-stopping I've seen.)

Ta, L.
Lois McMaster Bujold
2002 Saturn sedan. It has 50,000 miles on it, 'cause, y'know, I don't commute... If it'll go for another 50k, it should take me up to 2034.

Ta, L.
Lois McMaster Bujold
Yep. https://www.goodreads.com/author_blog...

Someone had actually told me that some time back (along with sending me the pix of my books in the library in Antarctica), but it's fun to see the whole list.

Ta, L.
Lois McMaster Bujold
I've answered my-process questions in a lot of places, including (somewhere) in this Q&A file, so you might find more detail if you hunt a bit. "Stumbling" happens all the time, I suppose, but I do a lot of it before starting to type out first drafts, in my notes-and-outlines phase, which also get constantly redeveloped as I go. The worst part of a book or story for me is not the beginning, but the middle. Middles are the pits. So I suppose I manage bit by bit, breaking down the process to chewable bites.

Separate from the actual writing is all the business stuff -- contracts, deadlines, promotional duties -- which can add stress depending. Which is why one of the conditions of my current semi-retirement is to neither contract nor announce new work, if any, till the first draft is bagged. (It's normal business practice not to publicly discuss any contract or other negotiations till they're over. Since many of us writers are sort of raised by wolves, business etiquette, too, can take some learning.)

Pat Wrede had a good post recently on the topic --

https://www.pcwrede.com/advice-for-cr...

If you scroll back through her blog, she has a lot of cogent remarks recently on middles and their hazards, too.

Ta, L.
Lois McMaster Bujold
I don't think you are right, but perhaps you are not thinking over a wide enough array of my characters. Other commenters might find this an interesting enough question to chime in with their takes below. Miles and Ivan? Claire and Silver? Barr and Remo? Cordelia and Alys? Penric, Inglis, and Oswyl? None would seem to fall into the range of what I take you to be thinking. (I'm not actually sure just what, or who, you're thinking about, here, actually. For one thing almost no one who talks about power ever stops to define the term, always dangerous in a debate.)

A lot of the stories do include characters who have to step up to larger responsibilities than had fallen to their lots heretofore. That's usually called "character development", though.

Ta, L.
This question contains spoilers... (view spoiler)
Lois McMaster Bujold
I first came up with Vashnoi in 1984, when I was writing The Warrior's Apprentice, so it predates not only Fukushima but also Chernobyl. (But not, of course Hiroshima and Nagasaki.) It was built in broad outline back then, including the idea that there would be people occupying it extra-legally, and other people whose jobs it would be to chase them out. The recent story was further informed by information about Chernobyl -- I particularly rec the PBS show from a few years back with the irresistible title of "Radioactive Wolves".

Ta, L.
Lois McMaster Bujold I don't have any plans at this time for visiting the deep backstory of that world. Other things, well, never say never, but I have nothing to report at this time. The malices were a kind of magical-scientific accident, possibly during some pursuit of powering up mage-craft and pursuing immortality; they partake of something human crossed with something nonhuman. They do seem to have something insectoid in their makeup, but it may also include theft of aspects from the now-absent gods. (If there ever were gods.) Howsoever the individual elements that went into them were healthy enough in their original forms, the amalgam was a disaster.

Ta, L.
Lois McMaster Bujold
By that I'm guessing you mean the author's deliberate intent. I don't think character growth is spontaneous; it is usually a result of the story-so-far, which is why the writer has bothered to put all that stuff on the page in the first place.

Whether surrender-of-the-self-to-the-greater is right or not will depend on the character and their particular story (and their particular "greater", not to mention what is meant by "surrender".) Very easily it might be the reverse, a character recognizing that whatever they had identified as their greater actually wasn't, and should instead be ignored or resisted.

Miles has a descant on it somewhere, to the effect that true destiny does not consume, but rather, returns an enlarged self. If something consumes with no return, one may be in unrecognized trouble.

Ta, L.





Lois McMaster Bujold
It sounds as if you might need a new beta reader. They do wear out, over time; nothing lasts forever. (Although a writer can wear them out faster by making them read repeated revisions, something to be avoided.) Nor is any given beta reader suitable for all works. Also, no one will ever be as interested in your own writing as you are (rather naturally) so expecting them to somehow carry you goes beyond what one can reasonably ask from a crit.

I don't know about courage, but if you want information the resource I recommend is this: http://www.pcwrede.com/blog/

Or for the short portable version, this: https://www.amazon.com/Wrede-Writing-...

Scattered through are a number of useful and sensible posts on coping with critique problems, from both sides.

Financial concerns likely need to be addressed separately, though also sensibly -- no one in the modern world can live without money, the more independently obtained the better -- and are outside of my range.

Good luck!

L.
Lois McMaster Bujold I've discussed my process in a number of places, including earlier in this column (probably more toward the beginning, scroll back), and in interviews and essays over the years. There's a mine of interviews here: http://vorkosigan.wikia.com/wiki/Auth...

Also iirc in The Vorkosigan Companion https://www.amazon.com/Vorkosigan-Com... among other vendors.

But briefly, setting, plot, and character form feedback loops as I go; any of the three have served as start-points in different books, but character tends to be the most important for driving things forward. I use a rolling outline, a mess of general notes followed by scene-by-scene penciled memory aids that are halfway between notes and rough drafts, one scene at a time as I write. (Thinking it up and writing it down are two different phases for me, and the notes capture the thinking-it-up parts.) No way could I hold a whole book in my head on Day One; the next scene is about all I can manage, lather, rinse, repeat till done.

Ta, L.
Lois McMaster Bujold
Nope. D&D, and computer games, came along after I was a grownup (of sorts), married, with kids and a job and a household and a career to launch, so there was No Time.

Given the dangerously addictive behavior computer solitaire evokes in me, I'm more than a bit afraid to try much else. (I had my son take it off all my computers and hide it.) More power to y'all, though.


Ta, L.
Lois McMaster Bujold
Ivar is new to me, but you have to figure, every medical condition that exists now existed in the past, if with different names and explanations. (Except the ones that used to kill at birth or early on.) Thankfully many old killers have been rendered more rare by sanitation, immunizations, sterile technique (ferex tetanus used to take out a lot of infants from dirty cuts of the umbilical cord) and better understanding of nutrition. Grant you, osteogenesis imperfecta isn't one of those "easy" fixes.

Ta, L.
Lois McMaster Bujold
Grover's great. My agent adores his voice work.

I'm not much of a listener, but I've found my reading app on my tablet computer turns every book (well, every e-book) into a larger-print book, which has been a boon, lately.

Ta, L.
Lois McMaster Bujold
Thanks!

Ta, L.
Lois McMaster Bujold
Good question, which I would probably need a book to stop and work out. Although Inglis, if not a saint, certainly earned his god's attention at the end of "Penric and the Shaman". He also had a cameo in The Hallowed Hunt.

But yes, there should be saints of the son; His turf being comradeship, the hunt, autumn harvest, there should be room to speculate.

"Guardian of young males" tends to be a pretty thankless task, but someone's got to do it. Five gods know they need it. Also a good question where, aside from biological fatherhood, the two gods would have their hand-off of allegiance.

Ta, L.
Lois McMaster Bujold
Guessing that last word was meant to be "fiction", no; there's also this:

https://www.goodreads.com/book/show/1...

Ta, L.
Lois McMaster Bujold Thank you!

No, the lovely Catherine Asaro ably represented me at the Hugos this year. She has entrusted UPS with the trophy, which should show up here next week. I'll make a blog post when it does, if I can remember how to kludge around Goodreads' very annoying images limit.

The whole ceremony is up on YouTube now.

Ta, L.
Lois McMaster Bujold
I'm going to stick with "World of the Five Gods" for story covers and ad copy, myself, but the fans may devise what they please. It was being abbreviated 5GU, for Five Gods Universe, a while back, which might serve for those with tired texting thumbs.

Ta, L
Lois McMaster Bujold
I last read Leinster in, probably, grade school, so my memory of his work is compost by now. I have a dim association with some sort of space medical drama, if I'm not munging him with his contemporary Alan Nourse. Or James White, tho' the tales I read by him are more distinct, even at this remove.

So, none to report, sorry.

Ta, L.
Lois McMaster Bujold
I don't remember, but I expect the book is widely available through Project Gutenberg, not to mention public libraries, so I expect you could find the reference with a short search.

Ta, L.
Lois McMaster Bujold

Which book, and where?

And what do you mean by "coming up"?

baffled, L.

(My books are available on iTunes, Nook, Amazon Kimdle, the paper stores of the latter two, a few brick-and-mortar stores, and many public libraries. In most cases, one has to spell correctly to get a hit...)

Lois McMaster Bujold
Blurbs are solicited at all three levels. I have in the past, when my books were in the production stage, had my editors ask me for a list of likely candidates to send pre-publication copies to for remarks. It is up to the editors to decide which of the ones they then get back to put on covers. I don't think anyone ever suggests what to say to the blurber, but since space on a cover is tight, it's common to select just the most useful-looking phrases from whatever has been offered.

My indie ebooks don't require blurbs on their "covers", though we recycle old ones onto the vendor pages where appropriate, or new ones taken from professional reviews. (Which are another source: Publisher's Weekly, YALSA, and Booklist are all names-to-be-recognized, especially by purchasing librarians.)

Anne McCaffrey's nice blurb came through Baen, with whom she had a close working relationship. (It may have been on the back of a postcard she'd mailed from her Mediterranean vacation, but I don't remember for sure.) Peg Kerr was in a writer's group with me at the time, so I'd already read the book in manuscript, making that one easy.

I decline requests for blurbs all the time these days, rather shamefacedly as I benefited from them in the past, but I have eye issues that curtail my reading time. So I'm rationing it for either, first, work on my computer, or second, whatever is left goes to things I've chosen, usually on my tablet. Enlargeable fonts, yay!

Ta, L.
Lois McMaster Bujold
I don't think I said that anywhere -- got a link?

It is in the back rooms of my mind that Ingrey and Ijada are ancestors of Inglis, though. And Oswin an ancestor of Oswyl. The two stories are about half-a-dozen generations apart.

Ta, L.
Lois McMaster Bujold
Yes, rule is that to be nominated a series has to have a new work published in the award year.

Not that it matters. Although The Sharing Knife has its own cadre of loyal readers, it doesn't seem to have been as widely popular with the Worldcon crowd as my other two series.

Ta, L.
Lois McMaster Bujold
That is what this Q&A column is for. But keep in mind it is a public space, so questions should be of general interest, not contain anything personal you don't want the world to read, and brief.

Ta, L.
Lois McMaster Bujold
Hm. In general, I lay no claim to being a futurist, although it's always fun to be right twice a day. I'm not sure what you mean by "you would love to go after if you were younger" -- as a writer? As a student? As a patient? (This week, I want a noninvasive cure for macular pucker, if I get a pick.)

For anyone interested in prognostication, I'd say keep an eye on biology. Where any pop sci books published more than five years ago are now out of date, as are some that were published one year ago. Or last week. The explosion in biology itself, of course, stems heavily from the explosion in computing and communication. Progress is happening all over in a 3D or maybe 4D web, not in a line, which makes any linear extrapolation, the favorite of many (but not me), almost bound to be incorrect.

This seems like a good topic to throw open to the comments section.

Ta, L.
Lois McMaster Bujold
To answer in order, I have begun to believe writing fiction is actually a high-level dissociative disorder. Besides that, certainly the material for a story comes from everything the writer has ever done, read, watched, or experienced. What forms that material gets shaped into will depend on the writers' internal psychological needs, or interests, and what material they have encountered. (Starting, at the most fundamental level, with what language/s they speak, and what forms of story their culture presents them with.)

I suspect imagination begins almost as early as consciousness and memory -- what children have not played "Let's pretend!"? -- but certainly I was making up scraps of story by grade school, and writing them down by junior high. My writing that was good enough, and original enough, to make the grade of professional publication began in my early 30s, after I had acquired more learning and life experience to draw upon.

More (than you wanted to know) may be found in my nonfiction collection Sidelines: Talks and Essays, or in the interviews section on the Vorkosigan wiki, http://vorkosigan.wikia.com/wiki/Auth...

I direct all aspiring writers over to Patricia C. Wrede's blog, http://www.pcwrede.com/blog/ , for one of the more sensible writing-advice sources on the internet (go back to the beginning, read it all), or for the compact version her book Wrede on Writing.

Ta, L.
Lois McMaster Bujold Okay! I see I am confronted this morning with five nearly identical sets of questions to the most recent answered, all apparently from the same high school class, and therefore an assignment. My friend who writes YA gets tons of these, and they are a great burden on the target author -- teachers should be made aware that it is unfair to make a kid's grade hinge on this, and teachers really shouldn't do it to any writer from whom they have not first asked and received permission. But one can't blow off kids, so.

I will treat them as one unit, and only answer non-duplicating questions. Classmates, if you click my Q&A column into "newest first" order, at the button on the upper right, you should be able to see them all grouped, albeit in reverse order than I answered them.

First of all, many of these questions have been answered previously in this very column, at greater length. If you scroll down to the beginning and read up, you will find them. More is available free online (this being what it is, free online seems the way to go) at the Vorkosigan wiki, http://vorkosigan.wikia.com/wiki/Auth... Not to mention my Wikipedia entry, and those of my books and characters. (I find it a source of great amusement to reflect that my imaginary friends have their own Wikipedia entries...

But, of course, I gather that the purpose of the assignment is not "learn this material", but rather, "practice writing a letter". (And possibly in a 2nd language, which deserves respect.) So.

Breaking out questions in order received:

"Can you recommend any new or upcoming authors to us?"

I'm very fond of Megan Whalen Turner's series starting with The Thief. That would keep you going for five books right there. I can also rec the works of Patricia C. Wrede -- her The Enchanted Forest Chronicles are very popular. Neither of these are exactly new, as I don't keep up with even my own genre. Now that I'm blogging on Goodreads, which makes it easy, I've taken to dropping short reviews of whatever I happen to have read, which you can find here: https://www.goodreads.com/review/list...

Naturally, they are not filtered for children, since I am 68. Lots of manga lately, in part due to improved access, in part due to my eye issues.

"What keeps you motivated during creative slumps?"

Formerly, running out of money. Half a story is about as economically useful as half a bridge. These days, as well as formerly, a story demands its own completion. Think of an unfinished story as like an imaginary splinter in the mind, which cannot heal till the thing is out.

"How did you come up with the idea for your book?"

Oh, dear, such an assignment question. Don't worry, I don't blame you. But it is not answerable unless you specify which of my 30 or so works you are asking about. Conveniently, your classmate has already asked it in a more general way: answer here. https://www.goodreads.com/questions/1...

An additional note to pass on to teachers generally: if you are doing this, and have one or a few target authors, get the kids who are targeting the chosen author together in groups to collate their questions and send them as one letter, not six or sixteen near-duplicates. Alternately, some teachers do the collating themselves as a class exercise. (This also has the privacy advantage that the return address can be to the school, when this is done on paper or even email, not all the kids' homes or home e-addys.) My YA-writing friends are pathetically grateful to teachers who think to do their assignments this way.

(And Angelley, good luck on your reading and writing!)

Ta, L.
Lois McMaster Bujold Hi Belle --

See also my answers to your classmates, some of which I will cross-link. https://www.goodreads.com/questions/1...

"Do you find it hard writing books?"

Yes.

"Where can you find most of your ideas?"

Answered here, among other places: https://www.goodreads.com/questions/1...

"And for most of your stories, Do you see yourself as the main character?"

No, my stories are not written as self-inserts. Most of them explore very different lives than my own. That said, all my characters, major and minor, hero or villain, have to come in some sense out of my own mind, experience, and knowledge. Until I have internalized a character to some degree, I cannot know what they will say when they open their mouth to speak, let alone what they will do or how they will react in a given situation.

I've also described this as stepping into a character's skin/body/mind and wrapping it around me, but it's their skin, not mine.

Best of luck to you in your reading and writing...

Ta, L.

(Wow, whichever kid has the bad luck to be last in the queue is going to get short shrift. Must try to even it up somehow...)



Lois McMaster Bujold Hi Francine --

I see you seem to be in the same class as this: https://www.goodreads.com/questions/1...

Breaking out your questions in order,

"First... Do you view writing as a spiritual practice?"

Ah, there's a different question, very good. No, not as such, but writing by its nature entails enormous amounts of self-reflection and self-awareness, if sometimes in a rather dissociative way. It also depends on how one defines "spiritual", and whether it is to be sought outside the self or within the self, or both.

"What period of your life you started writing most often?"

Answered in part here: https://www.goodreads.com/questions/1... But certainly my early 30s were when I grew serious about productivity. It wasn't just a hobby at that point.

"Third.. How did you come up with the idea? "

Duplicate question, answered in the link/s above.

"How long does it take you to write a book?"

Mine have varied from ten months to four years, depending on pressure and interruptions.

Your last question was cut off by the character limit of the questions box. If it is not a duplicate, you may ask it again.

Good luck with your reading and writing!

Ta, L.
Lois McMaster Bujold Five points to Hufflepuff for asking first!

You are welcome to ask any question that your classmates have not already asked and had answered. (See https://www.goodreads.com/questions/1... and following. And previous.)

Ta, L.
Lois McMaster Bujold
Last in the queue, you unfortunate student...

See here https://www.goodreads.com/questions/1... and linked for more.

"How did it start ma'am?"

A great many questions about my early writing career are answered earlier in this column -- scroll down -- in my interviews http://vorkosigan.wikia.com/wiki/Auth... , in my nonfiction work Sidelines: Talks and Essays, and in The Vorkosigan Companion.

But really, I think all imaginative creation starts in childhood with "Let's pretend!" games, and goes on to thinking imaginatively about fiction one has read or watched. From there it's a very short jump to wanting to make such creations oneself. (Fanfiction is frequently a normal first step, depending on the models one has encountered.)

"What or who are your inpirations?"

Really this goes back to modeling, referenced above. A huge amount of human learning happens through modeling, copying the thing done by another whether the thing is how to throw a volleyball or how to write a story. Short answer would be "All the fiction I have read and liked." Specifics are answered elsewhere as per references. (Do I need to say, copy does not mean plagiarize -- it means making one's very own thing after the mode demonstrated.)

"How do you feel while writing your stories ?"

Since stories can take up to years to compete, quite a few things. I'm always most excited to be either beginning or ending a piece; the middles are always a slog.

"What books you can recomend on us?"

Answered elsewhere in this batch, and in this column.

Good luck on your further reading and writing --

Ta, L.
Lois McMaster Bujold
Yes, it is contracted to SubPress and in the production pipeline. I believe it's scheduled for sometime next summer. (It's not up on their site for preorder yet.) When I get a firm date, I will post it to my blog.

Ta, L.
Lois McMaster Bujold The "what inspires" question was asked and answered generally elsewhere in this batch from your classmates. The not-quite-facetious answer is that I think writing fiction is a dissociative disorder; the more economic, my need for a job I could blend with care of my two preschool children in the middle of the recession of 1982 in a small town in Ohio. After that, there was a reward feedback loop -- people like this thing, do more.

What I want to say to the people who read my stories are the stories themselves. Anything else, including all PR (publicity -- like this blog, for example), is, as one of my characters quips somewhere, persiflage, camouflage, or just plain flage. It's why I prefer, when I'm forced to write anything, to write Afterwords not introductions. Some writers want to be famous. I want not to get in the way of the stories.

That said, a minimum amount of fame is required to sell anything; people at least have to be able to remember and spell a writer's name in order to find their books. (For the record, again, Bujold is my surname and B is the letter my books should be shelved under. The McMaster is my maiden name that I use as my middle name. No hyphens.)

Ta, L.
Lois McMaster Bujold
No, I haven't written about it, so you haven't missed anything. Among the unsettled but likely possibilities are that appointments automatically end with an emperor's death, requiring the new sitting emperor to re-up the appointment or allowing him to clean the slate and start over with his own choices, or some mix of both. Interregnums or more than one person being declared emperor by assorted factions opens yet more possibilities for hijinks.

Ta, L.
Lois McMaster Bujold
Yes, and not Miles. There are plenty of other senior people in the Empire who might step up to the plate in the less fraught times than those Ezar and Aral faced. Laisa or Laisa-plus-small Regency Council -- Laisa, somebody senior military, somebody senior civil government being one of many possibilities.

Ta, L.
Lois McMaster Bujold
So glad you've found Penric! I don't know if the notion of a court jester or allowed fool is in circulation in the realms around Chalion et. al. -- they don't have knights or knighthood, after all. But if so, the job might well have affiliation with the Bastard (though not in Quadrene lands). The individual could have their personal soul's allegiance to any of the gods, depending, and their degree of religious devotion or lack of same, too, would vary with the person.

Ta, L.
Lois McMaster Bujold

Have no idea what this is. I'd guess it's someone wanting to get me to do their homework, but I can't imagine what the assignment would be, though the deadline does suggest it. Anyone wants to have a go in the comments section, feel free.

Ta, L.

(For the record, I never did my own kids' homework, either. Nor, in many cases, mine.)
Lois McMaster Bujold I'm pretty sure I've answered this one before, a couple of times, earlier in the Q&A column; scroll down. But to recap, pretty much everyone who was published in Analog Magazine in the 60s, and whatever I could find on my libraries' shelves during that decade. Worth particular mention are Cordwainer Smith, Poul Anderson, Randall Garrett, Anne McCaffrey, Zenna Henderson, L. Sprague de Camp and Fletcher Pratt, Eric Frank Russell, Tolkien of course, early Zelazny, and Fritz Leiber.

When I started writing, I had the most help from Patricia C. Wrede and Lillian Stewart Carl. (By that point, reading nonfiction became more useful for inspiring stories.)

Ta, L.
Lois McMaster Bujold
Since I have not read the book in question, I have no idea. Might be a homage? Fanfiction? You are asking the wrong author, really.

Ta, L.
Lois McMaster Bujold
While I may have run such thoughts through my mind, if not often, I've never had the time or energy to divert to writing anything like that out. If I can write (or even imagine) at all, I'd rather be writing pay copy that I can actually share.

Littering the mental roadside along the way are doubtless the desiccated corpses of story ideas that never gained traction and were superceded, but I don't give them much brain room either.

Ta, L.
Lois McMaster Bujold
I'm glad you've enjoyed my work! I have no idea what, if anything, is next, except that it will likely appear more slowly. I will post all publishing news of note on my blog, of course, though by their nature subrights and reprints dominate the stream.

Ta, L.
Lois McMaster Bujold
It's a real Danish (iirc) man's name, meaning "day". And it's short, making two marks in its favor. I first saw it in the news attached to Dag Hammer...(schold, skold, it's been a half century) who was Secretary-General of the UN back in the 50s or 60s, who seemed vaguely heroic to my young mind.

I'm also told, much more recently, that it's a slang Aussie term for the clumps of soil dangling from a sheep's hind end, so I likely won't use it again. Sadly.

Ta, L.

Lois McMaster Bujold
I'm rather fond of Cordelia's recent remark, "What is love but delight in another human being?" I think it cuts through a lot of clutter.

Ta, L.
Lois McMaster Bujold
I have no idea where you could have heard of a new Miles book coming out; it is not so. (If this is a misconstrual about the untitled, unfinished novella I read from at Dreamhaven last night, that was set in the world of The Sharing Knife. No idea when or if it will be finished, though.)

As for the rest, some of it may be a job for Fanficwoman. But it is always heartening to hear that my characters seem to have lives that spill over and beyond their pages.

Ta, L.
Lois McMaster Bujold
Nope. (Not for lack of fans asking, mind you.)

Ta, L.
Lois McMaster Bujold
No such planned. (I assume you have already found Gentleman Jole and the Red Queen.)

Ta, L.
Lois McMaster Bujold
If you are asking about my books, the reading-order guide is here:

https://www.goodreads.com/story/show/...

If you are asking about reading in general, the people answering, perhaps in the comments section below, would need to know things like your reading level, whether English is your first or second language, and what sorts of books you like already, or some similar clues to your tastes, to guide you toward some likely-to-be-happy choices.

Ta, L.
Lois McMaster Bujold Like all stylistic questions, the answer is It Depends. I would say Sally, but whether you could make that work would depend on how smoothly you set up the transition in and out of the flashback, embedding the necessary clues and traffic signals for the reader. Which might depend in turn on what reason your point-of-view character is channeling the memories of another person or personality.

For writing advice generally, I always rec Pat Wrede's book Wrede on Writing; also her blog, http://www.pcwrede.com/blog/

Ta, L.
Lois McMaster Bujold
No, but others might be interested.

L.
Lois McMaster Bujold
Sure, but I try to limit the impulse to typos or clear infelicities of grammar or construction. Plus the occasional adverb kill or extirpation of a word-echo, or regularizing capitalization or spelling of neologisms. In earlier passes, I spent a lot of time tidying italics, as for mechanical reasons I'd avoided them in my first few works. (My daisy-wheel printer used to jam when going back over lines to underline, the then-current method of signalling to the (human!) typesetter that the word was to be italicized when the pages were composited. Instead I had to go over every page with a straight-edge and pen to hand-enter them. Also earlier with my old electric typewriter and carbons, though I forget what its problem was with backing up to underline. Electronic files now make this concern obsolete, yay!)

Perpetually rewriting old books is a temptation to be resisted, first because it would be a bottomless task that would swallow all new work, second because that other Lois of 20 or more years ago was another person, and I don't exactly have the right to alter her work. Though once in a great while I find a line has been widely misread or misconstrued by some significant number of readers, and I have to think hard about whether to violate that historical principle. Words changing their meanings or usage over generational time is yet another thorny problem.

The temptation is automatically limited with works on paper, as changes can only be made when a new edition is printed. E-books, argh.

Ta, L.
Lois McMaster Bujold Yes! It was very self-indulgent. Treated myself to a massage, hit Lund's/Byerly's grocery for decadent supplies, swung by the library, watched some of the anime series I'm presently binging on till I ran out of DVDs, then spent the rest of the time reading. Perfect cocooning plan for a gray November day.

I will have the dinner out later in the month, with my usual birthday dinner round-robin group, but I prefer to avoid restaurants on Fridays and Saturdays, having become crankily allergic to noise and crowds.

Ta, L.
Lois McMaster Bujold A print edition is planned, or rather, two collections of three novellas each, but they will likely not be in time for a birthday before late next year. I will post on my blog when all is finalized and there are more details to impart.

Speaking as an older reader, I'm adoring my tablet computer (an Android Pixel C, in my case) with Kindle app for most of my own reading these days. It turns every e-book into a large print book (eye issues, argh), and is lighter and easier to hold than any paper book (arthritis issues, also argh. I prop mine up on a cushion on my lap and don't have to hold it at all.) The initial learning curve -- tap where? -- was as usual maddening, but with a few days' practice became entirely worthwhile. (Mine taught me some moves to manage my soon-added Smartphone, as well.) And a general-purpose tablet is not limited to the Kindle app. For a gift that keeps on giving, you might, if your budget extends (or can be combined with siblings') think about giving her a tablet for reading. And, if you are especially good and techie children, setting it all up for her. (My son did mine for me, heh.)

Other advantages: being able to check out or return library e-books for free, any time day or night, without having to drive anywhere; ditto buying books, pulling them out of the air. There are also thousands of older classic books up for free, many also readily accessible through the Kindle app.

Ta, Lois.
Lois McMaster Bujold Nothing planned at this time.

Ta, L.
Lois McMaster Bujold
I hadn't heard, but it's good news!

Ta, L.
Lois McMaster Bujold I'm so glad my work stands up for you over multiple rereadings. As per your request, I can only answer it as I have others before; nothing new is planned at this time.

Ta, L
Lois McMaster Bujold Saw it, yep. Got a post up, too, if a little late off the mark.

Ta, L.
Lois McMaster Bujold Yes, I've read quite a bit of Charles. I reviewed a few in my My Books space, if you scroll back. Favorite so far was The Secret Casebook of Simon Feximal, https://www.goodreads.com/review/show... ,for its Victoriana-pastiche values among other things.

Ta, L.
Lois McMaster Bujold I've dipped into several such. Ellis Peters' Brother Cadfael series sticks in my mind. Sherlock Holmes and Peter Wimsey are only historical by default, these days. There are actually rather a lot of fantasy-mystery crossovers out there, since one must give one's characters something to do, and Great War for the Fate of the World stories are getting really old.

For an older but still splendid entry in the genre, I expect the Lord Darcy stories by Randall Garrett still hold up.

The trick with a fantasy mystery, I think, is that there be a fantasy element both integral and fair in the mystery part.

Ta, L.
Lois McMaster Bujold
Coincidence; I barely watched that era of Star Trek. But notions of various sorts of spiritual or alien body possession or sharing have been kicking around fantasy and SF since before they were even genres. For earlyish examples on the SF side, Heinlein's The Puppet Masters for a negative, Hal Clement's Needle for a positive spin, both of which I read back in the 60s. For fantasy, too numerous to list. Who knows how many variations in anime by now.

Not a new or unique idea. Whatever freshness any given writer may bring to it is all in the details. On the other hand, no one complains that they've already read one story about a human being, they don't need to read any more...

Ta, L.
Lois McMaster Bujold
The Vorkosiverse would certainly have it within easy options to medically arrange the mother's (or wet-nurse's) hormones however she or it pleased. (*) Well-understood biology, by that time. In most places, it would be considered a personal choice.

There would also be the option of vat-made human milk, I have no doubt. (Or any other kind.)

* - Also, Athos. Who knows what they consider culturally normal, though I'd bet on vat milk there. Probably.

L.
Lois McMaster Bujold
You are entirely welcome!

It's good to know the series still holds up for new readers in a new millennium, so many years after its inception. (It takes me aback to realize this series is now older than some of its readers. If you were born after 1982 for first writing, or 1986 for first publication. That's... getting to be a lot of people.)

Ta, L.
This question contains spoilers... (view spoiler)
Lois McMaster Bujold
You need to read Shards of Honor more carefully. It's all in there, some by implication.

Note also that none of the following books are from Cordelia's viewpoint. This closely shapes and constrains what information leaks through. Miles doesn't actually know everything about everything, as much as he would like to; or else the stories don't touch on Cordelia at all, being off-planet or whatever. After a certain point, she would also have been reticent for Jole's sake, as was Aral.

Viewpoint matters, people. Hugely. (At least in tight-third or first person narratives. In real life, too.)

Ta, L.
Lois McMaster Bujold
Nope. I'd never heard that one, actually. (It's rather good, though.)

Ta, L.
Lois McMaster Bujold
This question makes the odd assumption that there is a singular answer. But to answer in full would take typing out my entire biography, which there is no space (nor endurance) to do here.

However, if you scroll back through this Q&A column, you will find a lot of similar questions asked and answered previously, which should cover it. (Since there are something like 600+ entries so far, this should keep you busy for a while.)

There is also this: http://www.dendarii.com/biolog.html

and other older material on the site, and a pile of interview links at the Vorkosigan wiki,

http://vorkosigan.wikia.com/wiki/Auth...


Ta, L.
Lois McMaster Bujold Ethan was the third novel I'd ever written, in 1985, before I sold any. (Shards was first and Warrior's Apprentice was second.) "Labyrinth" and "The Mountains of Mourning" were written around 1988 - 1989 to accompany "The Borders of Infinity", which had been written in mid-1986 for another Baen anthology, into a collection all my own. Borders of Infinity (first pubbed Oct. 1989).

I have no idea who or what GG may be. I don't believe Enrique's accent was mentioned one way or another in "Flowers".

Ta, L.
Lois McMaster Bujold
Yes to all three -- running gag, inside joke among at least the Survey types, and no, Beta isn't nearly as perfect as some Betans would have outsiders believe -- plus an effect of my living through many decades of American democracy.

Ta, L.
Lois McMaster Bujold There used to be an alarming theory that writers should be required to actively extirpate fan fiction or lose their own rights, but really, about ten million fanfics have been written about Harry Potter, and no one (sane) is arguing that J. K. Rowling does not therefore possess her own copyrights. The concern, I think, belongs to a previous technological era. Nuisance lawsuits can happen to anyone, anywhere, for any reason, so I don't think pro writers are especially vulnerable.

Actual plagiarism in professionally published media is covered under a different set of laws and social rules.

Hollywood is another smoke, with a much larger audience having therefore a much larger number, if not necessarily percentage, of nutbars in it, and more money in play to attract predators and scavengers. Production companies are picky about clear rights for valid historical reasons.

Also, the boundaries are too fuzzy to sensibly identify. What about filk? Poetry? Alternate Universe or Crossover fics? Unlikely porn? The list goes on. I certainly consider filk fair game, for starters.

Note that there could be no restriction I can imagine on me reading fanfic in other fandoms... :-)

Ta, L.
Lois McMaster Bujold
Speculation on Mark's part, but presumably he must have seen a few cases like that, plus variations, before when he was growing up in the clone creche.

Ta, L.
Lois McMaster Bujold
Start by writing and finishing the actual, y'know, book. Everything else you list comes after.

For more general writing advice, this column is invariably sensible:

http://www.pcwrede.com/blog/

Start back at the beginning and read up.

There are approximately one million other online writing and marketing columns out there, of variable utility, most drawing on experiences from this millennium, which my own are not. Perhaps commenters could list some more they think good.

Ta, L.
Lois McMaster Bujold
Yep, it's centered around winter solstice on Barrayar. It is also connected with some sort of intercalary week/10 days/Saturnalia that is inserted every year to make the Earth-origin 12-month calendar come out even with the actual revolution of the planet around its sun. (At one point I posited, but never used, the notion that every Barrayaran month is exactly 4 weeks/28 days, leaving some more time to adjust at the end.) The whole fudge-factor period is also dubbed "Winterfair".

Ta, L.
Lois McMaster Bujold
Jole was first developed in 1989, when he popped into The Vor Game and was so vibrant and suggestive despite his short time on stage. The strong possibility occurred to me then, but that wasn't what that (or subsequent) books were about so it remained more imagined potential than developed. The Sergyar section of any of the characters' biographies couldn't occur till I decided to send Aral and Cordelia off to Sergyar when I wrote Memory in the mid 90s.

Following VK books had other characters and business, not to mention settings, to explore, and then there was that long stretch entirely away from the series when I was writing the two fantasy series. So it didn't switch from potential to kinetic till after that. And then the relationships finally became thematically and plot relevant to the book at hand, aka "more fun with uterine replicators: the next generation (-al shift)", with both gender and generational issues to explore versus the technology, in Gentleman Jole and the Red Queen and so Jole went, a bit belatedly, to center stage. (Because, you know, for all the character-and-relationship drama, this is supposed to be science fiction, here.)

Ta, L.
Lois McMaster Bujold
Nothing is planned at this time.

Ta, L.
Lois McMaster Bujold
That would be the sort of thing written by a writer with a passion for political fiction.

(My interest is psychological studies, if you haven't figured that out by now.)

Ta, L.

...what about Athos do you imagine needs fixing? They looked like they were doing OK when last seen...
Lois McMaster Bujold
Mark came mainly from, well, insight into Mark. He is largely his own invention, in more ways than one. (Also from my own notions about the fundamental biological bases of behavior.) Since the book was written in the early 90s -- 1992 - 93 -- I'll have to acquit me of using "current" research. Or even then-current research, beyond what leaked in from the general culture.

Ta, L.
Lois McMaster Bujold
Any actual sequel would just spawn fractal possibilities for other sequels, so short of blowing up the galaxy, which seems wasteful, there is no "end".

Though there is fanfiction out there, if you're desperate.

I'd actually like to get back to Penric, myself, but I don't have the pieces I need to settle on a specific tale yet.

Ta, L.
Lois McMaster Bujold
"Name TBA" novella-ish evades any novella award category because of its length; novel category ditto. It's off the hook for that straight out of the gate.

No word on audio or a print version -- it hasn't even been finished in final revision (my least favorite part of writing, urgh, so there is some loin-girding yet to go, here) and submitted, let alone contracted, after all. Neither are unlikely, but no news is no news. When there is news, I shall certainly post it.

Ta, L.

Lois McMaster Bujold I am going to throw this one open to the commenters, since I have no idea what sort of publisher, or scam, Covenant Books may be. Normal publishers allow the writer to make corrections at the line-edit, the copy-edit, and the page-proof stage. Which are up to the writer to make good. If you did not do so, the result is on you, not them.

(There are horror tales of messes occurring between page-proof approval and publication, which other published writers will have to supply; I've been mostly lucky. Except on a few reprints where, because they were setting from old files, I didn't think I'd need to read the page proofs again, wrong, sigh.)

Although I am not entirely sure whether you are referring to actual editing, where the line editor makes substantive suggestions to improve the work that the writer carries out (or elects not to, or comes up with alternate fixes), or copy-editing, where minor errata are addressed, or final page proofs, after final formatting and typesetting, to winkle out the last typos and similar glitches. (The next stop is Readers' Eyes, at which point it is Too Late.)

But, really, learning to edit your own material is one of the basic tasks and duties of a writer. Because you can't trust anyone else, even at a pro publisher. If you can't send in a manuscript as close to camera-ready as humanly possible... then you need to go over it again. Yourself. Though perhaps with help from friends or a crit group, or whatever online resources you can access for your specific weak issues.

Ta, L.
Lois McMaster Bujold Later: Actually, it's in here:

https://www.downpour.com/proto-zoa?sp...

Nope.

It's a short story, for pity's sake...

(My first, as it happened. Very much a practice piece.)

Ta, L.
Lois McMaster Bujold Which story? I have over 30 of 'em.

Although, in all cases, the answer is no. No media adaptations of my work have yet been made.

(Well, except for that one early short story "Barter", made into a half-hour episode by Tales from the Darkside, which had so little to do with the story I wrote I coldn't figure out why they even bothered to license the rights. No one would ever have guessed a connection.)

Ta, L.
Lois McMaster Bujold
Hm, hard to answer, since much of my writing is intuitive rather than consciously constructed. But I suppose decades of direct observation of people (especially including myself), personal experience, doings; more at a remove, reading, watching, listening and more reading. My theories of human behavior are based to the degree my understanding allows in the patterns of the deep biological and bio-social substrate of all primate humans, as contrasted with particular cultures or associations (although the group dynamics of all kinds of human associations and how and why they assemble themselves is itself a study.) "Accidents versus essences" is the way I sometimes shorthand it for myself. Or, "Culture is what biology uses to clothe itself." And, sometimes, to disguise itself.

Also, do keep in mind, when you are reading certainly fiction but also nonfiction as well, what you are experiencing is not the world, but the inside of another writer's head. Which is a thing to be marveled at in itself, but, as the old saying goes, the map is not the territory.

Ta, L.
Lois McMaster Bujold
Yes, I'd like to do more with Penric and his Princess-Archdivine sometime, though no obvious plot has yet reported for duty, only insufficient bits. The nice thing about ala carte e-publishing is that it doesn't set a series order in stone, or print. I can jump around anywhere in Pen's timeline if I want.

I will leave more intimate personal speculation about Llewyn and her long-time faithful secretary and friend to the fanficcers, methinks. Note they are both sworn members of the Daughter's Order, not the Bastard's Order, fwiw.

Des seems to go off-line when Penric is unconscious or asleep, cut off from the world just as he is. It might be the first sign of a demon, oops, ascending to take over the sorcerer's body if the demon could seize the wheel during unconsciousness, Jekyll & Hyde fashion, but that speculation is not established in text at this time.

Ta, L.
Lois McMaster Bujold
Anybody have any suggestions...?

L.
Lois McMaster Bujold
Some answers here:

https://www.amazon.com/Sidelines-Essa...

Some here:

https://www.amazon.com/Vorkosigan-Com...

Some here:

https://www.google.com/search?client=...

Some here:

http://www.dendarii.com/

And a whole bunch just by scrolling down to the start of this Q&A column and reading up.

That should keep you busy for a while...

Ta, L.
Lois McMaster Bujold Jennifer Crusie sounds like a good choice for you.

Other recs, commenters?

Ta, L.
Lois McMaster Bujold
Er, which one?

If you are referring to the just-published "Knife Children", it's about 52,000 words. Structurally, functionally, and in price a novella, though a tad overweight for the official category.

If anything else, you'll have to specify.

Ta, L.
Lois McMaster Bujold
Answer, such as it is, on next rock...

L.
Lois McMaster Bujold
I think you want an actual biologist or biology/evolution pop sci or scientific book/article to answer this question, and as recent as possible -- basically, anything published in the biological sciences more than five years old is likely to be out of date. Sometimes, more than one year old. But the peculiarities of human mating cycles compared to the other primates have been commented-upon since, gosh, Desmond Morris? Speaking of out-of-date pop sci.

I briefly met Le Guin exactly once, at a convention many years ago, so cannot pretend to speak for her in any way. Note, though, that in most works of fiction there will be at least two levels, representation and metaphor, and it is as well not to confuse one with the other.

Ta, L.
This question contains spoilers... (view spoiler)
Lois McMaster Bujold
Nothing like that planned from me at this time.

Ta, L.
Lois McMaster Bujold
Nothing planned at this time.

Re: your other question, others on the internet would be more up to date on these PR issues than I am.

On that head, I've lately received a slew of stealth attempts to parasitize my blog or Q&A with covert ads, links, and promotions for other people's totally unrelated books. I thought the first few might just be clueless newbies with bad netiquette, but as they've kept coming I suspect someone is telling new writers to do things like this. Don't.

Ta, L.
Lois McMaster Bujold Ah, that's a different question.

I don't choose books to review. I just choose books to read, and if I've read it, I figure I might as well toss up a review if there's anything of interest to say about it. Goodreads' function makes it easy, which is why I started.

That said, I usually limit reviews to the first in a series if there is one, I don't review anything I did not finish, and I don't review everything I read.

Ta, L.
Lois McMaster Bujold
Thank you for your attentive reading! What people get out of my prose does depend to a degree on what they bring to it.

No, it's not consciously done, exactly. I do feel any paragraph should spill out, at the end, someplace further on than where it began, and therefore most sentences, from which paragraphs are made, must do so, or link up to do so, as well. Making each paragraph a unit of change in the story, if you will: in motion. And I do spend a lot of time in the editing passes improving word choice, sometimes for purely mechanical reasons like fixing word echoes, sometimes to sharpen characterization or world-building. But I don't think of that as anything other than just writing.

Ta, L.
Lois McMaster Bujold
Glad you enjoyed it!

I did think, for a while early in the writing, that Barr and Lily might make it to Clearcreek, but the story had other ideas, thematically driven. You may certainly imagine them making a more social visit later on.

Nothing new is planned in this world at this time. I'm taking my projects one at a time nowadays.

Ta, L.
Lois McMaster Bujold
Well, as I've said elsewhere, I do rolling revisions now I'm working paperless, so there is no real boundary between drafts. (This does tend to result in more editing and micro-editing of the earliest parts than the latest.) Finding "the end" is done as much by feel as anything; I know it when I see it. I also collect an array of test reads, aka beta reads, both during and at the end, which gives me a mirror in which to see the work when my own eyes don't focus anymore.

The final editing pass is always a very nervous proposition. I've described late edits and changes as like trying to swap out one card in the second layer of an eight-layer house of cards.

Other than that, I can tell the end is nigh by exhaustion; mood swings viz the work, from delight to hostility and back (though those go on in the middle as well); noting that changes are starting to muddy rather than clarify; and the ever-popular "change it and then change it back, lather, rinse, repeat" syndrome, all of which are signals that it's time to be done.

Deadlines, wanting the fun of publication, or the call of a new story also motivate putting the keyboard down and backing away. However, the phrase "a story is never finished, only abandoned" is one of those great truths. My daughter, a metals artist, also put it strikingly when she described a finished piece as "a series of decisions that I stopped making."

Ta, L.
Lois McMaster Bujold Hm. Are you asking how I do it, or how you should do it?

If the latter, there are a number of good posts going back on Pat Wrede's blog that address the art of critique, both giving and receiving it:

http://www.pcwrede.com/blog/

It may take a while to find them, but it will be time well spent.

Ah, better. When I typed "critique" into the blog's search box, I got all these, which might speed things up.

https://www.pcwrede.com/?s=critique

Narrowing further with "giving critique" winnows it down to this:

https://www.pcwrede.com/?s=giving+cri...

Apart from pointing out basic errors such as spelling, grammar, typos, confusing syntax, word echoes, or floating antecedents, which should be utterly routine and feeling-free, framing remarks in the mode of, "This bit did this for me. Did you really mean it to work that way?" can be helpful. Saying "you are wrong" can be argued with; saying "I had this response" really can't. Including positive remarks along with the negative also helps keep the recipient's ears open and less defensive.

As for myself, I have a very tiny circle of other writers with whom I exchange crit, all of us going back for years. Tact is still required, but we all know that for all of us, making the work as good as it can be comes before feelings. Though, granted, possibly not by much; I still sometimes have to take a day or three to digest negative crit sent my way. (It probably also helps that they all write at a high professional level already, which cuts out need for the bulk of lower-level -- but also more objective -- corrections.)

Ta, L.
Lois McMaster Bujold You, I, or Miles; memory does funny things at that range.

Ta, L.
Lois McMaster Bujold
Nothing new planned in that direction at this time, sorry.

Ta, L.
Lois McMaster Bujold
Huh. Nope, not authorized. I'll have to check it out.

Ta, L.
Lois McMaster Bujold Glad you enjoyed the novella! The start of it had been sitting in my head for years, and I needed to get it out.

There is nothing new in that universe planned at this time. I'm continuing to be interested in the novella length, however.

Ta, L.

Lois McMaster Bujold Well, apart from the prior tetralogy, and the picture in my head that wouldn't go away that always started with Barr shaving off his Luthlian beard and going on to find the burned-down farm, there was a certain amount of reverse-inspiration from every YA novel ever about the adolescent girl/young person running away from a home where no one appreciates them, with or without the village slaughtered in their wake, and onward with magical pet to find secret powers, better mentors, improved bio-social status, heroism in the War to Save the World, etc etc.

This novella runs the classic scenario through more realistic filters, and most of all looks to see what happens when one switches the viewpoint and focus to the cast of characters who are more normally portrayed as casually dismissed collateral damage or public utilities. Thus, an exploration of the hazards of parenting, of the people who have to carry the can, rather than of adolescent empowerment.

Lots of other details from my life and experience and acquaintance, at all ages, went in as needed, but that's the structural backbone.

(There are a curiously large number of YA-centered stories out there, both pro and fan, that seem to have absolutely no idea what grownups do all day, nor how the worlds they live in are made and maintained.)

Ta, L.
Lois McMaster Bujold All of the Vorkosigan books are available as ebooks on Kindle, Nook, and iTunes. Speaking for Kindle, which I use myself, simply download the free Kindle app from the Amazon website onto your chosen device, and follow the directions. You should be up and reading in minutes. It should work fine on your smartphone. (I also have the app on my phone, as backup, though I don't use it for reading due to small-size issues.) I believe our other two vendor platforms offer something analogous.

I have a Kindle Paperwhite, but I haven't used it since I put the Kindle app on my general-purpose tablet, with its much larger screen (which will also display e-manga and color.) It turns every ebook into an instant large-print book, much appreciated by my aging eyes. (I have an Android Pixel C, but most any tablet should work the same)

The Baen e-bookstore also offers some of my stuff, possibly in more forms; check it out at Baen.com

Ta, L.

Lois McMaster Bujold Well, first, wrest back control of your auto-correct feature, which is stabbing you in the back.

I am not a writing teacher -- also, characterization is not a conscious process for me, which makes it hard to break down into teachable bits -- but I promise you will find much to chew on at Pat Wrede's writing blog at http://www.pcwrede.com/blog/ You can use its search function to winnow the offerings, for example by typing "characterization" or other likely keywords into the search box at the top.

I see she also has her excellent Worldbuilding piece up, now divided into subsections: https://www.pcwrede.com/fantasy-world... It focuses on fantasy, but much is equally applicable to SF.

And, of course, there is her blog collection Wrede on Writing, available as a separate ebook, very convenient.

Ta, L.
Lois McMaster Bujold
No, can't say as I've ever had that experience. I have physically modeled characters from time to time off actors, at least for their jumping-off points, but they tend to mutate into their unique selves pretty quickly as the story goes on.

Ta, L.
Lois McMaster Bujold
Test of Honor was the title for an early (late 1980s) Science Fiction Book Club omnibus of Shards of Honor and The Warrior's Apprentice. My first SFBC sale, back in the day, which no doubt did its bit toward building my audience.

Dire cover, but, being a dust jacket, at least one could remove it...

Ta, L.
Lois McMaster Bujold
Nope.

I have no idea what language that notion would hold for. ...Maybe you pronounce it differently than I do? For me, it's OOM-me-gat.

Ta, L.
Lois McMaster Bujold
First of all, learn the difference in definition and spelling between "inspiring" and "aspiring", which I believe was the word you were actually reaching for here. (Unless you were betrayed by your auto-correct, in which case brush up on your proofreading.)

Next, read this: https://www.pcwrede.com/worst-and-bes...

And the rest of Pat's on-writing posts, while you are at it.

Ta, L.
This question contains spoilers... (view spoiler)
Lois McMaster Bujold
In order: we don't know, not known but not outside the range of possibility, no, and no.

The gods have no interest in human politics; they are only interested in souls. They don't "fight" each other, but it is not impossible they might compete for souls in subtler ways.

Ta, L.
Lois McMaster Bujold
Yes. Subterranean Press will be doing a collectable hardcover edition like the Penric tales. Projected publication late July. I've just had a look at the cover art by Jenn Ravenna, very nice, so things are in train. Nice interior design, too.

While it is on the shorter end of the novella range in word count, about 23k words, paper publishing economics are the same and so will the price be, $25. It's also a binding that will stand up to library use. (If what you want is a cheap reading copy, you need to turn to the e-edition.)

Ta, L.

(The current official length of a novella for SFWA or Hugo purposes is defined as a story between 17,500 words and 40,000 or 45,000 words, depending. This may change in future; not my problem, though. The term's wider definition out in the world of all books is looser.)
This question contains spoilers... (view spoiler)
Lois McMaster Bujold
You do realize I wrote that book almost 20 years ago...? :-)

I just went and looked up that passage. The warning is simply one Caz scarcely needs, that they are in a public and not necessarily friendly venue, on-stage under all eyes in one of the biggest political scenes so far of Iselle's young life, and he needs to be formal and cautious in his speech.

Ta, L.

Lois McMaster Bujold
Nope.

Sherlock Holmes, maybe...

Ta, L.
Lois McMaster Bujold
Interesting take.

As a rule of thumb, what any reader will get out of a work is sensitively dependent on what they bring to it, since beyond the words-in-a-row blueprint the writer supplies to all identically, the construction materials are sourced locally.

A worked example of the process may be had by anyone comparing the high and low star rating reviews on any of my works, which Amazon will handily collate for one. Anyone contemplating the range who thinks, "It doesn't sound as if they read the same book," is quite right; or, more precisely, didn't experience the same book.

Ta, L.
Lois McMaster Bujold I think you may be asking the wrong person... :-)

That said, it's a pretty obvious name. I'd be quite willing to believe we were pulling from the same sources. Which actually happens a lot, in writing.

Ta, L.
Lois McMaster Bujold
This is not a question about my work, but I'm going to let it through anyway in case someone can answer in the comments.

Possibly there is some general SF discussion group the questioner could be directed to?

L.
Lois McMaster Bujold
This is in answer to the immediately-prior questioner, below if you arrange the Q&A by newest-first.

(Usually, these sorts of comments should go in the comments section of the original post, so they don't get separated.)

L.
Lois McMaster Bujold
I think these process questions may have been answered at greater length earlier in this column -- people who want more are invited to scroll back. But, briefly, the answer would be different for each book but converging on "a little". My notions at the start about the end change along the route as I write my way, scene by scene, into my material, and new possibilities arise that were not yet thought-of, and could not be thought-of, back at Scene 1. So even when I think I know the ending, I often turn out to be wrong. The story only looks inevitable in retrospect.

My scene-by-scene outlines are a rolling process, scaffolding for my elusive thinking and my prose, built and taken down in a just-in-time fashion. Like nailing jello to the wall. (Which would work, come to think, if you made the jello cold and concentrated enough...)

Ta, L.
Lois McMaster Bujold There can be a number of different answers. A series may cease to sell well enough or be dropped by its publisher, in which case the writer may switch to something that seems more salable. Editors jump houses or companies go under, pulling out the support rug. The writer may have health or family issues. The writer may lose interest, in which case squeezing out more would be a sort of mental torture. The writer may have run out of fresh things to say about this particular set of characters or world, and be unwilling or unable to recycle and repeat. Where the story seems to want to go may be a place the writer doesn't wish to follow. The writer may have grown into other interests, so the story doesn't have any powering emotional resonance for them anymore. The zeitgeist may have moved on, leaving the story beached, out of date, too clearly the product of an earlier time. Or any combination of the foregoing.
Lois McMaster Bujold Back in the day (mid-80s) there was no internet nor, from a small town in Ohio, other easily accessible source of information on agents, so I mainly asked my writer friends, when we corresponded or I met them at conventions, about theirs. My first such query sourced that way fell flat, politely rejected. I no longer remember the details, but I must have learned about the second through another writer acquaintance who used that agent. (I had at that point made my first novel sales to Baen unagented, and sold a scant few short stories.) There was some no-longer-remembered exchange of letters, but somehow we arranged to meet in NYC when I was there for the '89 Nebulas (at which Falling Free won for best novel) and shook hands at a breakfast meeting the next day.

Which was 30 years ago this spring, if I have my arithmetic right. It was a very lucky break for me -- I had only the vaguest idea what I was doing -- but, like most luck, preceded by a lot of work.

Ta, L.
Lois McMaster Bujold I do sign at Hugo's occasionally, but my next gig is planned for midsummer when "The Flowers of Vashnoi" comes out from Subterranean Press. Hugo's always has signed books of mine in stock, however, which may be purchased in-store or mail order. Mail orders can sometimes be personalized on request, though it will make the order take a bit longer to fill.

Hugo's makes a great treasure trove to visit, and don't forget the adjoining Uncle Edgar's for mysteries. Meanwhile, if one's interests run to a wide range of comics, there is also Dreamhaven Books & Comics here in Minneapolis.

Ta, L.
Lois McMaster Bujold I am glad the series has worked so well for you, and over time at that.

No, I don't have anything further planned in that direction at this time.

Ta, L.
Lois McMaster Bujold They haven't been invented. Or not yet.

Widespread knowledge of the chemistry of fireworks is a necessary precursor, and not the only one. The population density is still relatively low. And guns wouldn't work on malices anyway.

To clarify another often-missed point, the world of The Sharing Knife is not a descendant of our own.

Ta, L.
Lois McMaster Bujold A few of my characters had some mild physical inspiration from actors over the years, although once they hit the page they quickly mutated into their unique selves. I haven't really been watching enough live-action media lately to keep up on the more recent menu of possibilities. I think my characters would want new actors and actresses to bring them to life on-screen.

That said, back in the day Aral had some somatic inspiration from Oliver Reed, Cordelia from Vanessa Redgrave, Galeni from Paul Darrow. I once saw a fellow in the early 80s who starred in a BBC-TV production of Richard III that I thought could almost do Miles, but his name escapes me... ah, thank you Internet, it was Ron Cook.

Ta, L.
Lois McMaster Bujold
No.

To put it briefly: ideas are easy, writing is hard. Most writers want to work on their own ideas, not someone else's.

If you want to see your ideas on a page, you are far better off learning how to write yourself. (Among other things, that should teach you why your hopeful plan above won't work.)

An excellent place to start, with some of the most sensible writing advice on the web, is here: http://www.pcwrede.com/blog/ She even has some posts scattered in there on this very topic, and why it never flies.

Ta, L.
Lois McMaster Bujold
There are quite a few posts earlier in this column, and in my interviews, that describe my writing processes. If you are really curious, you can scroll back. A bunch of interviews are handily collected here: https://vorkosigan.fandom.com/wiki/Au...

Ta, L.
Lois McMaster Bujold
I have very little in the way of scene-sized outtakes, because most of that editing happens at the rolling-outline stage, and doesn't make it past pencil-scratchings. When I was slogging through the middle of what became Diplomatic Immunity, I did write an experimental prologue from Guppy's point of view, but decided the book was thematically better served starting where it had. Which is around somewhere... ah.

http://www.dendarii.com/excerpts/prol...

Wow, that was a while back. (Spoilery if you've not read the book, btw.)

There were also iirc five chapters midway in Ivan's book that went in a different direction and ground to a dead halt, which I scrapped in favor of the final and better developments. (I was basically trying to shove Ivan into a Miles-like plot, which did not work either logically or psychologically.) That was probably my biggest post-composition cut. It's nothing I'd show or can even readily find at this point, but it wasn't altogether work wasted, as I made up a deal of material, including a first pass on Moira ghem Estif, that I recycled in various ways.

So, nothing to show and no regrets.

Ta, L.
Lois McMaster Bujold
Sorry, I don't have anything for you.

Upon reflection, I realize that everything I've started, I've finished. This is more parsimony than anything else, I suspect.

You can make up your own story fragments, you know. Which will be just as true as any others.

Ta, L.
Lois McMaster Bujold
Probably the Vorkosiverse. Pre-industrial-world medical care and life options are pretty dire, not to mention their more limited access to information.

In choosing, exactly where and when makes a difference. All war and plague zones are contraindicated, regardless of universe.

Ta, L.
Lois McMaster Bujold
Probably not; sailors have uneasy relations with sorcerers and their chaos demons. Not that they didn't wonder...

Ta, L.
Lois McMaster Bujold
I also pronounce it you-jin.

Ta, L.
Lois McMaster Bujold
It's not ruled out. His possibilities are far from exhausted.

Ta, L.
Lois McMaster Bujold Well, this (1993, I see, accounting for its antique flavor) article seems to have nothing to do with me, Miles, my work, or my world literary or business. It's rather like reading about aliens, except aliens seem more accessible.

L.
Lois McMaster Bujold
I wrote A Civil Campaign in 1998 (first published 1999); you do the math...

:-), L.

...Gosh, has it really been 20 years? I guess so.
Lois McMaster Bujold
Thanks?

...Which book?

L.
Lois McMaster Bujold
I suspect this is one of those recent spate of spam questions, but just in case it's not, my birth year is listed on my author profile.

L.

(The spam questions have been weird. Some are outright gibberish, some could be an ESL person struggling to express himself, none have anything specific to do with my works (something of a tip-off.) They don't usually seem to embed advertising links, though some are clearly attempted mass promotion of newbie amateur ebooks entirely unrelated to my genres. Anyone else have thoughts on how to deal with this clutter?

There are also a sprinkling of gibberish comments that turn up randomly under my book reviews. Are other reviewers getting these?)

L.
Lois McMaster Bujold
I have the power to skip or flag peculiar Q&A entries. I should likely skip more of them, but years of ingraining from public schools -- answer every question you can on the test! -- is hard to overcome.

I do have to approve "friends", but as this is a public site for, well, publicity, I don't vet them. (For one thing, that would be much too large a tax on my time and attention.)

Ta, L.
Lois McMaster Bujold
Nothing at present. Well, except my own, to check galleys on reprints, but that's not done for fun. I do try to drop brief reviews of whatever I am reading that I finish here in my "My Books" section, but that's as much for my own benefit, to remember it all, as anything.

Ta, L.
Lois McMaster Bujold
I am most certainly not one of the first to write romance into SF -- E. E. "Doc" Smith and Anne McCaffrey preceded me by decades, among many, many others.

SFR (Science Fiction Romance, for the uninitiated) has hived off subsequently into its own commercially viable subgrenre, and I haven't been keeping up with its developments.

I'm enough of an old SF hand that I feel that if one is going to make a romance central to an SF story, the new technology, science, and/or world-building should make a difference to how the old reproductive dance plays out. Not just drop a bog-standard romance down in front of an SFnal backdrop. But people write and read this stuff for many more varied reasons than I do, so that's more an observation of my own tastes than a god-forbid prescription to anyone else.

Ta, L.
Lois McMaster Bujold
Thank you?

Ta, L.
Lois McMaster Bujold
Probably The Lord of the Rings and The Last Unicorn top my list for fantasy. It's been many decades since I read Asimov, but back in the day I liked the robot stories and mysteries best.

Ta, L.
Lois McMaster Bujold
Simon questioned it because Simon questions everything; he's a naturally suspicious fellow. (Well, also by training and long experience. Rats, he smells them. At a great distance.) That ImpSec's records didn't match the facts-as-found could only be determined later; finding out why they didn't match will certainly be someone's job post-events.

Ta, L.
Lois McMaster Bujold
Pre-nerve-disruptor Dubauer wasn't based on anyone in particular; though he barely had stage time to develop before unfortunate plot events happened to him. His behavior post-damage during the trek was inspired and informed by my experiences chasing one-year-old toddlers. It's an age when they are just getting into that suicidal-mania stage, pre-verbal and post-mobile, lasting the next couple of years that gives so many parents heart attacks.

Which also gave Aral and Cordelia a chance to subconsciously scope each other out as prospective parents.

I'm glad my work served you!

Ta, L.
Lois McMaster Bujold
Yes, you can buy signed and personalized copies of my books from Uncle Hugo's Science Fiction Bookstore here in Minneapolis. They ship internationally.

http://www.unclehugo.com/prod/index.s...

Ta, L.
Lois McMaster Bujold
Cool! It's always nice to find my creative estimates supported by real-world evidence...

Ta, L.
Lois McMaster Bujold
I haven't had time to look at this yet, but other readers may also be interested.

Ta, L.
Lois McMaster Bujold
Yes, it was a metaphor. (Or else the email would be much more exciting to open, but I don't think even Vorkosiverse technology is up to emailing live animals. Though that suggests a very different SF story...) Ivan is performing a typical secretarial or executive assistant's task of triaging the day's incoming demands and filtering out things his boss shouldn't waste his limited time upon.

Ta, L.
Lois McMaster Bujold Pen would consider himself straight. So is 10/12ths of Desdemona. (Or 8/10ths, if one declines to speculate on the gender identities of the lioness and the mare.)

Balancing these competing views is one of Pen's many tasks in accommodating his demon.

Also playing in is Pen's deep medical education and experience. When one of your jobs is teaching anatomy to medical students through human and other dissection (a winter course, back in Martensbridge), you pretty much get over any kind of body-consciousness. Between the long medical careers of Amberein and Helvia, and his own shorter but extremely intense one, Pen has pretty much seen it all by age 29, and must sometimes remind himself that other people are shyer or more prudish. "Anyone with their skin still on looks dressed to me," as I believe he phrased it once.

Ta, L.
Lois McMaster Bujold
Nope.

Most of Freud has been rendered obsolete by advances in neurobiology, which is, y'know, actual science.

This, btw, is a typical spam-looking question. The two tip-offs are that there is nothing whatsoever in it about my work or me, and that the questioner is a tabula rasa. Should I just be skipping these, or do they entertain anyone?

Too early in the morning for this, L.
Lois McMaster Bujold
When a query looks a bit odd, a check of the poster's page shows their stats. If they have more books than friends, I figure they are here on GR for the right reasons. Granted that's not a good proxy when a person has just joined.

I don't auger down any more than that, because I am not here to vet people. Or be responsible for them in any other way, by preference. (I have to overcome decades of parental and placation reflexes for that, a work in progress.)

Freud seems to be the psychology equivalent of the phlogiston theory: seemed logical in its day, spawned lingering metaphors, obsoleted by further data.

Ta, L.
Lois McMaster Bujold
Grover was selected by Blackstone, ages ago.

It seems to have worked out well... :-)

Ta, L.

...Yeah, these Q&A columns could do with a search function. I can't even find stuff sometimes. I did, it seems, once help persuade tptb to make it possible to order them by newest, rather than the random shuffle they had previously.
Lois McMaster Bujold
The Sharing Knife (or the Wide Green World) has always been its own world, not descended from our own.

It is, however, a source-riff on Midwestern US in parallel, or contrast, to the many, many cod-Europe fantasies out there. If Tolkien can do it with England, and Pratchett with The Chalk, I don't see why my home should be excluded from the game. (Aragorn gets Eagles, Dag gets... turkey buzzards. :-)

Ta, L.
Lois McMaster Bujold
This is too complex and individual a question to be answered in a paragraph (or possibly at all), so commenters are invited to chime in below.

But briefly, for myself as a reader, the writer/artist can sell me almost any kind of world-building if they have convinced me of the reality of the characters, and get me inside their heads for some sort of gripping interiority. (Granted, my foray into manga and anime has lowered the bar for world-building logic.)

As a writer, while I know readers will forgive or overlook much in a work that just delivers up the right emotional set-pieces, I don't want them to have to. (If a work doesn't deliver up the emotions, there is little point in reading it; one would be better off spending the same time reading non-fiction. Not that non-fiction isn't selected and edited to be a kind of fiction in its own right.) So the attention I spend on world-building is actually in support of my characters.

Ta, L.

Lois McMaster Bujold I am not a writing teacher, on the internet or anywhere else, so I can't help you with that part.

As for the other, a quick visit to Wikipedia should answer you --

https://en.wikipedia.org/wiki/Lois_Mc...

Ta, L.
Lois McMaster Bujold
It's indeed an interesting question, and one I have mulled from time to time, but I don't have anything pending or trending in that direction yet. There are still so many possibilities in the characters currently on my plate.

Science would presumably develop differently, and on a different timetable, with so many best-brains off in pursuit of theology and sorcery.

Ta, L.
Lois McMaster Bujold Question continued next panel...
This question contains spoilers... (view spoiler)
Lois McMaster Bujold
I do not own or operate dendarii.com; Michael Bernardi does. He's here on Goodreads, so you should be able to find him for questions about the site. Note that he maintains it solely as a fannish labor of love, unpaid.

Softwear Toys 'n Tees was owned by a fan out of somewhere near Chicago, Steve Salaba, and again, I don't own or operate it, or know if he's still in business. You'll have to search, I guess. There was another convention dealer doing stuff for a while, Pegasus iirc, but I haven't heard from them in years.

Ta, L.
Lois McMaster Bujold
I suppose a dead snake would be some problem that should have been dealt with below this level, a garden snake would be ordinary Ops issues, and a venomous snake would be something with hidden political implications or connections, or some genuine time-critical emergency. (Actually, the later would bypass the herpetology triage altogether.)

Ta, L.
Lois McMaster Bujold
Er, I am not Paul de Becker, and in fact have no idea who he may be. Though that's the person you'd need to ask for certain permission. It does sound like academic fair use to me, but other posters with more experience in these matters may chime in below.

Ta, L.
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Lois McMaster Bujold No idea. Not my medium.

L.
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Lois McMaster Bujold Twenty years of learning better. A good bit under Cordelia's Betan tutelage, but doubtless other life lessons and observations as well.

Some readers seem to process characters as going into stasis between moments on stage, stored in a prop box until needed, and get unduly confused when they grow and change between viewings as if they were real people with real, complex lives. (Some people do the same with their family members, so it isn't a phenomenon confined to fiction.)

Ta, L.
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Lois McMaster Bujold It would depend on what age she was, and where. Cordelia at 15, 20, 30, 35, 50, 76, would all be a little or a lot different.

Ta, L.
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Lois McMaster Bujold Re: question 2, very loyal supporters and considerable public discretion. Aral has kept much bigger secrets than this one. Re: question 1, you seem to have forgotten or not registered the wide swathe of scandal Aral blazed in his 20s, after which anything else must seem a mere bagatelle to his interested observers.

Ta, L.
Lois McMaster Bujold
What you are talking about is a horror novella, of which there are many, classic and new. Most of the older classics (which I expect your teacher would prefer) are probably available free on-line. Perhaps other readers could chime in with some of their faves below.

L.
Lois McMaster Bujold
Nope, that's a throw-away line, on the order of the politician, the lighthouse, and the trained cormorant. (A classic example from the Sherlock Holmes stories.) Not every Dendarii assignment/escapade was covered in the stories, as they ran over some ten years.

Ta, L.
Lois McMaster Bujold
Yes, go ahead; attribution not required in this context, unless you want.

And congratulations!

bests, Lois.
Lois McMaster Bujold
Life imitates art imitates life...

L.
Lois McMaster Bujold
Nothing new in that direction is planned at this time. (Nothing is ruled out, though the probabilities trend to the negative.)

Ta, L.
Lois McMaster Bujold I'm not quite sure how to parse this question. Skipping over my youthful efforts and starting the count in late 1982, I wrote 3 novels in 3 years, sold them all to Baen in late 1985, and tried to produce a book a year thereafter. Lather, rinse, repeat for thirty years, and here I am. Submitting my 4th novel Falling Free to Analog for serialization probably helped my early visibility, as well as winning my first Nebula with it.

"Resources" and "connections" are pointless without "productivity". Cart, horse...

Ta, L.
Lois McMaster Bujold Shared...

L.
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Lois McMaster Bujold
I don't think I've talked about this much, as it is a story element I had no desire to commit to one way or another. (Although if there is anything, it would be in interviews from around when the books were first published -- https://vorkosigan.fandom.com/wiki/Au... ) Gods might have been real, and left or were excluded; gods might have always been as mythological as our own. The two things certainly known is that some people have an extrasensory perception and magical manipulative abilities, and no one believes the gods are around now. There should be folk stories about this, but I did not have occasion in the books to recount (invent) any.

Ta, L.
Lois McMaster Bujold
Yep. And an insomniac.

L.
Lois McMaster Bujold No error. See definitions 2 and 3 ferex here:

https://www.dictionary.com/browse/bem...

Ta, L.
Lois McMaster Bujold
Yes, the landscapes of The Sharing Knife are indeed drawn from my Ohio childhood (now mostly paved.) I don't offhand know the building, though. There's a lot of so-called Brutalist (if I'm getting the name right) architecture around, though, as 20th C. architects did regrettable things with concrete.

Ta, L.
Lois McMaster Bujold
I use real places much the way working artists use reference photos when arranging their compositions; not because I am trying to draw a portrait, but as a quick way to get proportions and perspectives right for a coming overlay pursuing quite another purpose.

Readers who try to read the result as portraiture -- either as historical fiction with the serial numbers filed off, or as historical critique -- are using inappropriate viewing protocols for this style of composition. The ones who attempt to draw mistakenly exact one-to-one correspondences between such fiction and history, and then try to tell the writer they got it wrong, are... unstoppable, apparently.

Not accusing you of this, btw. But it does come up, if one makes the mistake of revealing how sausages are made.

Ta, L.
Lois McMaster Bujold
This link appears broken...

(But yes, the insect world is full of wonders.)

L.
Lois McMaster Bujold
I don't have news re: an audio edition yet, though it will certainly be offered. I am pleased to report Subterranean Press has offered for a limited hardcover like the others, though. They still have to chew through "The Flowers of Vashnoi" and "Knife Children" first, though, so that will likely be about a year.

Ta, L.
Lois McMaster Bujold
While I doubt that the "every few seconds" factoid is correct -- men vary about sex quite as much as women do, if not necessarily in the same proportions (and over time as well as by individuals) -- I do think expecting book-characters to be comfortably asexual, or at least anything about their sexual lives well-hidden off-stage, is less likely to be found in modern writing than in the older, more censored sort that she might prefer.

As for how authentically guy-like Miles is, guy readers will have to speak to that.

Ta, L.
Lois McMaster Bujold Foy, rhymes with Roy.

Ta, L.
Lois McMaster Bujold Maybe not a question, but a cheery note nonetheless.

You are both welcome!

Ta, L.
This question contains spoilers... (view spoiler)
Lois McMaster Bujold
Mine will be one-at-a-time projects from here on out, not that they weren't always, so no promises. Happily, there are lots of other good writers out there to keep you occupied while you wait.

Commenters might chime in below -- "If you like Bujold, you might like..." I'll toss in Megan Whalen Turner to prime the pump.

Ta. L.
Lois McMaster Bujold Yes, this GR Q&A function is in dire need of a search function. I don't think whoever set it up imagined answered questions over time running into the many hundreds. When they started out, the reader could not even order questions by newest-first, but was just presented with a random mix. Maybe if many, many people requested a Q&A search function of the GR site wranglers, one might be installed?

To answer your question, Miles was at that moment having his epiphany about his true identity through that metaphor of his Barrayaran stubborness refusing to give up his underlying identity as a Barrayaran and a Vorkosigan, despite how Naismith's glittering galactic possibilities tried to seduce him. Not just the echo of his ancestors' war-tenacity, but an echo of his future responsibilities to his District and redeeming the poisoned land.

Ta, L.
Lois McMaster Bujold Having just finished a 43k-word near-half-novel last week (and some trailing editing chores, plus writing a 2,000 word introduction for the upcoming first Baen Penric collection), I am due some slacking off right now. I have no idea what project I will tackle next -- or rather, I have a few ideas lying around breathing shallowly, but none have yet gone live -- but the chances of anything like this seem remote at present.

Ta, L.
Lois McMaster Bujold Not odd, but I am not sure where Pen's stories, or his god, are going to take him. A fair part of his world has not even been made up yet, since no stories or characters have traveled through them to bring them into existence. He represents a chance, though not a requirement, for something fresh.

Ta, L.
Lois McMaster Bujold There were a couple of maps of the Ibran peninsula, back when, which didn't make it into the first hardcover but did into later editions. The fan-made Chalion wiki reproduces and extends it -- see under Places at:

https://chalion.fandom.com/wiki/The_C...

I believe the wiki creator is looking for more help in bringing the site to life, btw.

Ta, L.
Lois McMaster Bujold The Ibran peninsula is ~800 - ~1000 miles east of the Carpagamon islands and the coast of Cedonia.

Remember, north is toward the equator, south is toward the nearest pole. Also recall there are two large peninsulas in play, the Ibran to the east and the Cedonian to the west.

Ta, L.
Lois McMaster Bujold No change in the answer, apart from "The Flowers of Vashnoi" novella.

Ta, L.
Lois McMaster Bujold
Glad you are enjoying the work, then.

Ta, L.
Lois McMaster Bujold A good question to which I've never worked out the answer, since, among other things, I've never made up what marriage ceremonies on Komarr consist of. (Though they would include a lot of behind-the-scenes contractual maneuvering, if the principals were from high oligarchical families.) It is entirely possible that Aral, at least, stayed home; Cordelia and/or Miles might have attended; the Komarran Viceroy Imperial Councillor might have stood in for Barrayar.

Ta, L.
Lois McMaster Bujold Yes, there will be two 3-novella collections upcoming next year from Baen. The first, due out in January in hardcover, will be titled "Penric's Progress". The second, slated for later in the year, will be titled "Penric's Travels". I'll be making a proper blog post about them later on, when this rather busy summer's other publishing activities have been worked through.

Trade and/or mass market paperback editions will presumably follow from Baen after the usual intervals.

Ta, L.
Lois McMaster Bujold Much the same philosophical question Pen faced when slaying fleas in his bed. More order for the bed, great disorder for the fleas... There is a name for that sort of moral accounting, which escapes me just at the moment. But any sufficiently adept 5GU sorcerer would grow adept at it.

Ta, L.
Lois McMaster Bujold
I am mostly retired from the convention circuit these days, so any rare travel and appearance announcements will be posted on my blog. (Such as the recent very local booksigning at Uncle Hugo's.)

Ta, L.
Lois McMaster Bujold I wasn't going to name anything else after that schmuck Prince Serg. If Cordelia'd had her way, she'd have renamed the planet; that may yet happen. I can see Gregor doing so posthumously-to-her -- Cordeliyar? Aralyar? Alas that a place name used so often should be short and pronounceable.

Place-name titles tend to happen when I can't come up with something better, so "Sergyar" is definitely not being saved for anything.

Ta, L.
Lois McMaster Bujold Yes, Betan boffins are that far ahead (not least because of free flow of information among each other), but yes, even Betans manage to keep military secrets for a while. If a new system goes public you can be sure there's a better one now developing in the wings.

Ta, L.
Lois McMaster Bujold A combination. The social aspects of religion, how humans use religion to organize themselves to carry out various social functions, are pulled from a lifetime of observation and reading; the mystical likewise from readings across several real-world religions. The underlying theo... call it theography, I made up myself, and is very contrary to most real-world religions.

The gods of Chalion are not, and are generally understood not to be creator-gods, but evolved and evolving from matter that came first. They are not deities people can give bribes to in the form of sacrifices for material-world favors, or to punish people one does not like either before or after death, both early motivations for religious beliefs. (Although I'm sure some people, being people, try anyway.) They are however about a non-material afterlife, although not one that is easy to understand or describe. "Union with god" is meant rather literally, here.

Ta, L.
Lois McMaster Bujold I imagine the planet is stuck with "Sergyar", but we can hope for something more euphonious.

Ta, L.
Lois McMaster Bujold Glad you are enjoying them!

One of my notions for these e-novellas was that they should be ala carte, open-ended, not bolted to any particular series template. So I don't exactly have plans, more like possibilities. Penric has that invaluable character trait of being good for several different kinds of tales, so I shouldn't have to repeat myself any time soon. (Although one of the interesting things an writer can do in a series is revisit themes for a different slice on them, which I don't rule out.)

Ta, L.
Lois McMaster Bujold
This speculation perhaps belongs in a fan discussion forum, not Author Q&A.

Ta, L.
Lois McMaster Bujold
Glad you have found and are enjoying my work! (This sounds like a recent discovery -- good.) The audiobooks really seem to be getting around.

Ta, L.
Lois McMaster Bujold Er, to what?

Though I would point out, all series works are "sequels" by definition. So it would be more rare, unusual, and fresh for me to write something that wasn't.

Ta, L.
Lois McMaster Bujold No, not really. Go to your Author Dashboard and check out the tutorial -- https://www.goodreads.com/author/how_to -- and then maybe try some discussion groups. Also, just explore, poke around and look at stuff, maybe starting with the GR homepage.

Ta, L.
This question contains spoilers... (view spoiler)
Lois McMaster Bujold No, I'd not seen it before, and don't know anything about its provenance or history. It wasn't used on any of my published works that I know of.

Ta, L.
Lois McMaster Bujold
I don't teach writing, not even over the internet. A good source for level-headed writing tips is http://www.pcwrede.com/blog/ or Pat's ebook Wrede on Writing. Here is a quick link to a dozen of her posts on just that topic: https://www.pcwrede.com/?s=endings

That said, a lot more attention in writing advice seems to be devoted to beginnings. My own stubborn tendency to finish almost everything I start has resulted in me writing almost as many endings as beginnings, so the practice effect has had a chance to cut in.

Your question as written also brings up the question, "Ending to what?", since each story's needs in that department will be a little or a lot different from every other, depending on what has gone before. See: Pat's links.

Ta, L.
Lois McMaster Bujold It may be too global to be dubbed a "technique", since I don't think it's detachable from my whole writing process. For the viewpoint characters, it certainly involves mentally walking into their skins and bones, wrapping their lives and worlds around me, and looking out through their eyes as best as I can. For the non-viewpoint-characters, I suppose it has something to do with recognizing each is an independent actor in their own life, a kind of lite version of the foregoing. A form of virtual literary method acting, perhaps.

Pat, as always, has more wide-ranging things to say. https://www.pcwrede.com/complicated-s... ferex. A search on "characters" or "characterization" over there should produce more.

Ta, L.
Lois McMaster Bujold They have several, depending on local origins.

(I leave the tutorial on the vast multiplicity of British accents to someone else.)

Ta, L.
Lois McMaster Bujold
https://www.dictionary.com/

Give a man a fish, you feed him for a day. Teach him how to fish, and you feed him for a lifetime...

L
Lois McMaster Bujold Well, if I'm not having any fun writing something, I can't write it at all. (Nor, at this stage of my life, have I any need to.) So anything that appears you may assume I wanted to do.

(That said, no such extended project is ever fun all the time, but the balance, at least, needs to be intrinsically rewarding.)

Ta, L.
Lois McMaster Bujold
Nope. The first I usually hear is when it pops up on the downpour.com website. (It's not there yet as of 9/8/19.) I would expect a minimum production time of 4 months from the time we signed the contract (August), maybe six, so... midwinter...?

Ta, L.
Lois McMaster Bujold As usual, I have no idea what I might write next (nor, being semi-retired, when.) Nothing is promised, nothing is ruled out. Though right now I'm due for a long random-input-break.

Glad you liked Nikys! I did, too. (And so, of course, did Pen & Des.) Though I expect her adventures for the next few years are going to be domestic, very absorbing to the principals but not so much to fantasy readers.

Ta, L.
Lois McMaster Bujold
Here's one list:
https://www.goodreads.com/author/list...

Here's another:
https://www.goodreads.com/story/show/...

There's always Wikipedia, you know...

L.
Lois McMaster Bujold Absolutely. (She's also been one of my first readers since my very first professional story, to my great benefit.)

For those coming in late, that's http://www.pcwrede.com/blog/

Ta, L.
Lois McMaster Bujold General and historical reading, certainly. But Shakespeare, mainly, I think. I used to belong to a play-reading group back in the 90s, and we went through a lot of his plays. The cadences worm into your brain.

I also pay attention to what turns of phrase or metaphors don't belong, perhaps because that technology or theory does not exist in the world of my tale. Though the absence of some literary toe-stub tends not to be noticed. I can't be too strict about it, though, because so many words have become common coin. The 5GU or the world of the Sharing Knife never had the theory of the four humours, for example, but "sanguine" or "melancholy" are still useful words.

Ta, L.
Lois McMaster Bujold
That's a question you'd have to ask Blackstone Audiobooks. I wouldn't think so, however, since they already have a working edition. About the only time one gets new narrators is if one switches publishers, not in my plans. Blackstone has been pretty good to me for quite a while.

Ta, L.

Ta, L.
Lois McMaster Bujold Any new-book sale is a good one, including audio downloads and publishers' websites. Whatever is most convenient to the reader is fine. That said, my self-pubbed ebooks on Kindle, Nook, and iBooks give the most, and most immediate, %$ pass-through to me.

Ta, L.
Lois McMaster Bujold I don't need one; my income stream and retirement savings are sufficient to support me. My present preference is to finish any work before trotting it out in public anywhere, in any publication form. To the greatest extent possible, my goal is to own my own time.

Ta, L.
Lois McMaster Bujold You and your wife are both most welcome.

bests, Lois.

(For general information, the surname is actually Bujold, so books should be filed under "B". I'm not sure this always happens. Years ago, when I was tracking down the Judge Dee mysteries of Robert Van Gulik, some libraries had them under "V", some under "G", and some, both...)
Lois McMaster Bujold Each publisher buys their own covers from the artists. So there won't be any swapping around of art on the assorted editions in this case, as, from Subterranean to Baen. (Blackstone Audiobooks sometimes rebuys cover art for their editions, though, if sometimes not.)

I would expect Baen would use the same art on their ensuing paperback editions as on their hardcovers coming out in 2020.

Ta, L.

Lois McMaster Bujold Including translations, I've had probably hundreds of covers over the years. A large selection may be seen here:

https://vorkosigan.fandom.com/wiki/Sp...

And some older ones here:

http://www.dendarii.co.uk/Covers/

So the question is probably harder to answer than you'd think.

Among the early Baen covers, the original cover for Memory stood out, possibly because I'm partial to blue. Paladin of Souls was perhaps the best from HarperCollins. The upcoming one for the Subterranean edition of "Knife Children", which no one has yet seen, is an unusually fine character portrayal. The Japanese covers have their own style, well worth taking a look at. And so on; see links above.

Ta, L.
Lois McMaster Bujold Er, what about a self-publishing house? You will have to rephrase and contextualize your question for me to get what you are asking me, here.

L.
Lois McMaster Bujold This is an interesting problem that is part of the technological changes of our times. In the old paper-only world, book sales to libraries were self-limiting -- after a certain amount of use, books wore out, and needed to be replaced or discarded. They were not available in unlimited quantities free forever to compete with actual book sales, upon which not only publishers but authors live.

Attempts to fit ebooks into this old economic model have been awkward. One mode is to limit the number of checkouts per purchase to something approximating the average life of a paper book. Another, mentioned in the article, is to up the price to the libraries to partially compensate. One I would actually favor, which I understand is used in some other countries, is to charge the library some small sum per checkout. Overhauling the multitude of scattered and independent library systems to e-report same to the multitude of publishing entities is obviously do-able, but difficult; some central money clearing-house might need to be devised (and paid for, siphoning off yet more between reader/purchaser and author, sigh.) Amazon manages somehow, but they have a better budget and are under a single roof.

I am, increasingly, an ebook user from my local library, as my eyes don't play well with print on paper anymore. (My tablet turns every ebook into an instant large-print book.) So I find myself on both sides of the debate, wanting more to be available to me as a reader, and wanting to actually be, y'know, paid for my work as a writer. The current system, or rather, mess of competing systems, isn't really satisfactory for anyone.

Ta, L.
Lois McMaster Bujold The answer varies with the type of book and publisher and the terms of the individual contracts. Typically, the author will be due royalties, i.e., a percent of the cover price of each book sold retail, in the neighborhood of anything from 2% (in the more abusive practices of some romance and academic publishers) to 6-8-10% per paperback sale, to 15% for hardcovers after a certain sales break-point. You can do the arithmetic, but that translates to a range between $.48 for an $8 paperback to $3.75 for a $25 hardcover of the purchaser's money going to the author. (As one can see, a writer needs to sell a pile of paperbacks to make a living.)

(As a side note, the rest does not all go to the publishers, who sell books to vendors at discounts of up to 50%. The difference between wholesale and retail is what the bookstores live on. The waste in the system would take a whole 'nother essay, but look up "remainders.")

An advance is money paid up front to the writer as a debt against future royalties. The author's share when the book is finally put on sale goes first to paying back the advance, at which point the book is said to have "earned out" and twice-yearly-accounted royalties start flowing to the writer. There is a lot of mythology surrounding the size of advances, but I think of it as money earned by my future self being paid to my current self. The publishers assume some risk in this regard, since they have to eat the difference if the advance does not earn out -- it is non-returnable.

Ebooks are even more wildly varied. It is important to note that entities such as iBooks, Amazon, and B&N are vendors, not publishers. Per unit sale, Amazon ferex keeps 30% of sales priced over a certain break point -- I don't remember offhand if it was $1.99 or $2.99 -- passing 70% through to the author or publisher, and keeps 65% for sales under the break point, passing 35% through to the originator. They pay monthly. If a book is indie published, this goes directly to the writer, after an initial 3-month delay.

If an ebook is published through one's paper publisher, the publisher passes 25% - 50% of their e-receipts through to the author as royalty, so the author gets 50% of 70% = 35% of each ebook sale, accounted quarterly or half-yearly. The publisher potentially does a hella lot of work for the writer and their book to earn this, so most writers I know regard the 50% split as fair.

Terms for ebooks sold directly through publishers' websites or other venues will vary with the publisher.

Ta, L.

(The other crucial factor for non-indie writers that has changed with the arrival of ebooks is contractual term-of-license, but that, too, would take another essay.)



Lois McMaster Bujold First, you have to write and finish a good book.

Next, in this day of the internet, go to the publisher's website appropriate to your work and look for their particular submission guidelines and directions. Follow same. Prepare to wait a long time.

There are lots of writers' groups and other help online these days. I can't say much about them because I am not plugged into them myself; commenters below may have some more current tips. But a good place to start for level-headed advice is http://www.pcwrede.com/blog/

Begin at the beginning, read all the posts, and then, if any question is still unanswered, you can float it. (Do read first, so you won't be asking a question that's been answered eight times already.)

That should keep you busy for a while...

Ta, L.
Lois McMaster Bujold
Yep, that's been mentioned several times below in this column, if that's the right name for this Q&A feature, in the wake of whatever pop sci article that's making the rounds in a given month. In any case, it's good that researchers are thinking outside the box...

Ta, L.
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Lois McMaster Bujold
Not a clue, sorry. Someone in the comments section below may have a suggestion of where to go for such help; I know there are sites devoted to such readerly puzzles out there.

Ta, L.
Lois McMaster Bujold But if I stay in this world, I can go into every book...

(Apart from practical limitations such as my eye endurance and expected lifetime.)

L.
Lois McMaster Bujold I started boringly, waiting to be taught how to read in first grade. About second grade, I discovered I was allowed to read any book in the school library, not just the thin picture books laid out for my class during library period, and my reading level shot up.

The number of books I read in a year has varied wildly over the course of my life; lots back in my school days and my early working years, less once kids and my career arrived. Lately my reading time is limited by annoying eye issues, hence my recent turn to manga, ebooks, anime, and Great Courses DVDs. You can see the YA and manga I've reviewed (which is not all I've read, nor the anime I've consumed) on my My Books section -- https://www.goodreads.com/review/list...

I'm not sure what your reading level is in English, nor what kind of access you have to them where you are, though if you have access to Amazon, it's lots. Readers in the comments section might chime in with their favorite YA. (Probably not the depressing ones, if the OP is trying to boot up a desire to read more.) Patricia C. Wrede's books are marketed as YA, and are a lot of fun. You might try her 4-book series The Enchanted Forest Chronicles. T. Kingfisher (who writes kids' books as Ursula Vernon) is also fun.

I don't think I have a favorite book -- it's varied over the years. Much-reread books/authors in the past have included Tolkien and Georgette Heyer, though I'm mainly moving on to other explorations now.

Ta, L.
Lois McMaster Bujold I read the first O'Brian; possibly I did not get far enough into the series to collect the rewards of character development. I read the Hornblower books in my youth. I've heard of but not read the Helprin. (My reading is way down these days due to eye issues, but I'm finding ways around.)

Ta, L.
Lois McMaster Bujold It will have an about-two-thousand word intro from me, yes. (Some of which consists of me saying, "Go read the book first, then come back!" Possibly I should have just made it an afterword...)

Ta, L.
Lois McMaster Bujold
Not that I know of.

L.
Lois McMaster Bujold
"Decide" makes it sound like a more conscious process than it is. Imaginative streams of daydreams of bits about any or all of the characters can run through my head, if my head is in that mode. (Most of which aren't useful or consistent, cutting-room floor stuff.) One set may have more psychological resonance for me, will be more interesting. I'll start to think more about it, and an accretion of thoughts may eventually hit some critical mass that would promise to support an actual writable story. I may start making penciled notes at that stage, but at least half of those few also get discarded in favor of something I eventually like better.

Ta, L.
Lois McMaster Bujold
Thank you, and you are welcome!

Ta, L.
Lois McMaster Bujold Haven't seen it, but it does sound fascinating.

Thanks for the good wishes, Lois.
Lois McMaster Bujold This question is answered at length in Sidelines: Talks and Essays https://www.amazon.com/Sidelines-Essa... (also on Nook and iBooks), in an essay titled "My First Novel". I see I wrote it in 1990, which means I was remembering events way better than I would if I attempted to retype it all out today, nearly 3 decades later.

Ta, L.

...Goodness, that edition might could use a little tidying. I haven't looked at it for ages. The context notes seem to fall at the ends of prior essays, not at the start of the next as they should. Well, we'll see how bored I get this winter.
Lois McMaster Bujold
The synopsis on the vendor pages is accurate, because I wrote it myself. Ferex https://www.amazon.com/Orphans-Raspay... also on iBooks and Nook.

I can't tell if you would like it, because every reader is different, but I can say the hero in this novella is a grownup, with grownup-level problems, which include looking out for other people.

It's fine to start here -- the story stands alone -- although there is a beginning to the arc, featuring a younger Penric, "Penric's Demon", that tells how his string of adventures first got started.

If you do read it/them, do report back and tell us how/if you enjoyed them.

Ta, L.
Lois McMaster Bujold
Staying home! No commute.

After that, the autonomy, though allowing that one must do things like make deadlines. Or turn in the final work before one runs out of money, whichever happens first.

It also gives me an excuse to be interested in everything or anything, most writers having magpie minds.

It also brings one interesting friends and colleagues. Also, a manageable amount of attention, always gratifying. (Well, when it's positive.)

And so on, but all those aspects are near the top.

Ta, L.
Lois McMaster Bujold Briefly, to your first question, there are so many conflicting definitions of feminism out there that the question is impossible to answer unless you closely define the term.

To the second, equally briefly, No, especially if you consider the whole planet and not just selected bits.

Ta, L.

Lois McMaster Bujold
Authors are in it for the money, too, or else they have to stop writing and get another job. Or become destitute in their old age, not uncommon, or medically destitute at any time. (Not me -- I've planned ahead, and also been very, very lucky.)

The thing about e-books is that they don't wear out, so placing one in a library without restrictions is tantamount to giving it away for free forever. The money has to come from somewhere, or everyone goes out of business. In the US, libraries are supported by property taxes in their respective communities, and you know how much everyone loves to pay taxes.

I personally would be in favor of a charge-per-e-checkout model, but the complexities of getting such in place are large, especially in the US with its diverse and independent libraries and publishers.

Ta, L.

(If you do the arithmetic in your example, $55 barely replaces 4 lost e-book sales. A popular title may have dozens or even hundreds of checkouts. How does this compare with libraries buying 4 paper copies of a hot title, and then discarding 3 of them when the demand wears off or the books wear out? These problems are more complex than they appear at first glance.)
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Lois McMaster Bujold
If it felt right to you, you wouldn't be asking, so probably not.

Ta, L.
Lois McMaster Bujold One I read, or one I wrote?

If the latter, I see if you scroll down my profile page, GR puts my titles in order by number of reader rankings (and some other factors): https://www.goodreads.com/author/show... Which ought to be a reasonably good proxy.

Awards might give another slice: http://www.sfadb.com/Lois_McMaster_Bu...

Ta, L.
Lois McMaster Bujold No idea. But if you add in all the ones who originated in the (broader) Midwest and moved elsewhere -- Poul Anderson, Heinlein, and Harlan Ellison, to name 3 off the top of my head -- it's been going on for a while. Not to mention Gordy Dickson or Clifford Simak, who stayed.

Someone (not me) would have to do an actual regional count of SF writers, calibrate for population density, and compare, to discover if this is an actual thing, or just an effect of expectations of a low density being surprised by an average one.

That said, there were and are a synergistic groups of writers in the Twin Cities in several genres who stimulate each other, but, again, you'd have to compare us with other cities of similar size to see what's really going on.

(I'm actually from Ohio, moved here in '95, but still certainly from the Midwest.)

Ta, L.
Lois McMaster Bujold As for how I come up with books, I could talk about how I write, though not in this tiny answer box -- Sidelines: Talks and Essays and The Vorkosigan Companion, plus some of my interviews, https://vorkosigan.fandom.com/wiki/Au... go into my process at length. Also more if you scroll back to earlier in this Q&A column. (This column could really use a search function. Anyone with more energy this morning than me is welcome to throw in some links to earlier answers on the topic in the comments.)

"Great" is a reader's judgment of their reading experience, which is different for every reader-book combination. So even if you just limited your survey to people who liked my books, the array of reasons and reactions are bewilderingly varied, as any cruise through my reader reviews here on GR or Amazon will show. (Plus some people who had a great reading may not be articulate about why -- commercial fiction read for pleasure does not normally come with a quiz next period.) So that half of your question is the one the writer is least able to answer.

Ta, L.
Lois McMaster Bujold
My best answer remains the same: go to this blog, scroll down to the beginning, and read up. http://www.pcwrede.com/blog/

For a more compact version, there is also

https://www.goodreads.com/book/show/1...

It's among the most level-headed writing advice on the net.

My own how-I-got-published experiences are now 35 years out of date for the modern market, so mainly of historical interest. But the very short version is that one learns how to write by actually writing -- and then learning to self-edit. The latter, happily, is more teachable.

Ta, L.
Lois McMaster Bujold
Nothing is planned at this time.

Ta, L.
Lois McMaster Bujold
Thanks!

It's a career honor, in essence. Which is kind of recursive, being in some sense an award for winning awards, but there you go. I think the equivalent on the fan-or-reader side is probably being invited to be the Worldcon writer guest-of-honor. In any case, all good.

Ta, L.
Lois McMaster Bujold
No, I don't think so. NESFA's original motive was to put in hardcover the batch of my early works that had only appeared as original paperbacks. The first eight titles, if I'm counting right. After that Baen began issuing them as commercial hardcovers first, so there was no need.

Unified, complete series reprint editions are a small-demand market (where small = microscopic), and with reason. I remain bemused that the very first fan comment on my announcement of our (somewhat experimental) print-on-demand edition of The Spirit Ring was someone helpfully chiming in to tell the world that no one needed to buy it, used copies could be had on-line for a fraction of the price. Which is exactly why publishers are reluctant to do reprints of backlist (old) books unless there is a hot new frontlist release to boost interest. (Or a big media adaptation, I suppose.)

Ta, L.

Lois McMaster Bujold Thanks! Yes, I'll be attending. (And you see what it takes to get me... I was about to say "on a plane," but planes are OK. It's the airports. :-)

And, actually, age 70 seems just right to me for this.

Ta, L
Lois McMaster Bujold
Actually, both of these questions can be answered by a quick glance at my Author Profile page and the "My Books" link on the header-bar to my recent book reviews, right here on Goodreads.

https://www.goodreads.com/author/show...

And, of course, there's always Wikipedia.

https://en.wikipedia.org/wiki/Lois_Mc...

Ta, L.
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Lois McMaster Bujold
At the moment, My Bad Back, which I've been wrestling with since August. When I finally decide I've found the optimum coping methods, I will probably return to creating publishable prose. Maybe.

Meanwhile, it hasn't been a bad few months for taking in new material. How much of that will be useful later, I never know till later.

Ta, L.
Lois McMaster Bujold
Thank you! And everyone else who took a moment to say kind things.

Ta, L.
Lois McMaster Bujold
Thanks!

That was one of those lines that just fall out of nowhere onto the page; alas that there is no way to make that process more reliable.

Ta, L.
Lois McMaster Bujold
I pronounce it with the hard g. Both of them.

While I am on the subject, my last name is pronounced with a French, not a Spanish J. I can always tell when someone is from the Southwest when they try to pronounce it "Boo-hold". It's actually "Boo-jhold". (I'm told my ex's family used to pronounce it "Bee-jou", even more confusing.)

Ta, L.
Lois McMaster Bujold
Mm, not constricting. I've had decades of practice at resisting other people's suggestions for what I should write. And at least it shows they're interested.

I notice my answers to that frequently asked question are getting shorter and shorter, though.

More bemusing are the ones that come with suggested outlines. Um, that's not how my process works, folks...

Ta, L.
Lois McMaster Bujold (This refers back to this OP: https://www.goodreads.com/questions/1... If follow-ups aren't in the comments section, they risk getting separated from their context when the Q&A column gets presented in some other order than chronological.)

I think the fan pleas are more in the nature of a wish-list.

Re: publishers, you have to learn to read publisher-speak. What they are really saying is that they want something that will sell as well or better than whatever came before. Strict series work is an economic security blanket for them. To be sure, they presumably bought the earlier work because they liked it and it seemed what they were looking for.

Tor editor Theresa Nielsen Hayden had a classic rant from the editor's side about "writers as otters" on the subject. Short version: when you try to train an otter to do a trick, and reward it hoping for a repeat, the otter doesn't think, "Great! She liked it! I'll do it again!", but rather, "Great! She liked it! Now I'll do something else that's even cooler!"

(Turning in something that sells better, or copping a few major awards, mutes this sort of thing to muffled editorial whimpers, but one can't count on that.)

My award-storage has moved around over the years. For a while I kept my first Nebula on a shelf over my kitchen sink, so I could enjoy it while washing dishes. (No dishwasher in that old kitchen.) My old house had a fireplace with three little stone shelves that stuck out, which held three Hugos very nicely for a while. My current place has some built-in cabinet-shelves in the back of the living room that houses everything now.

Ta, L.
Lois McMaster Bujold
Sort of. A quick-and-dirty method for making up a bunch of names that sound as if they come from the same place/language is to take a real-world map or other name-source, chop the place names into syllables, and reassemble them in whatever ways seem pleasing. It is well to have some slight awareness that such names may themselves be the product of several languages layered in over time. (As in the Iberian peninsula.) I often, when booting up ideas for a tale, generate a page or two of possible names to do quick picks from so that I don't get stalled for hours/days every time a new person or place arrives on stage. I occasionally swap names around, if I find I've made a non-optimum assignment, and want the better, more fitting name to go with something that appears more often.

I (and Foix) pronounce his name to rhyme with toy.

Other places on the map helped generate names in other regions of the world of the five gods, some perhaps less obvious than others. For the Weald, I tried to get as many names as possible in standard English, to subliminally indicate that these people have been on their ground for a long time, with less "Torpenhowe Hill" effect. (Which, if you don't know it, is a place in England that back-translates "Hillhillhill Hill".)

The problems of coming up with short, pronounceable names, each different enough visually from every other one used to be readily distinguishable, that aren't accidentally an unfortunate word in another language (or, indeed, one's own) are non-trivial.

Ta, L.
Lois McMaster Bujold You may, but there is a system that you have to find and go through, which will cause your name to pop up under my "Friends" icon, with an "accept - reject" button. I can then friend you.

Can someone below please explain how to find and activate this friend-request feature from the reader end?

Ta, L.
Lois McMaster Bujold
Seniority, probably. No one took it away from him, and he does have to supervise sorcerers. Or maybe frugality. Really, one could fannishly devise many possible reasons.

Ta, L.
Lois McMaster Bujold Barrayar's gravity is within maybe 5% of Earth's, Komarr's enough less to notice. At least if one is Barrayaran.

I would imagine most places with artificial gravity would set it close to Earth-normal, for physiological reasons, but really, anything is possible.

No, I haven't worked out a table of astrographic data for every throw-away line I ever generated. If conditions are enough different from standard for a person to notice or to affect the plot, it might be mentioned, otherwise not. (Or if a person is enough different, I suppose.)

Ta, L.
Lois McMaster Bujold Happy New Year to you too!

The 5GW has the Father's Day, on winter solstice, which marks the official beginning of His quarter of the year. So it's a somewhat more somber religious holiday than the American winter Saturnalia honoring, as far as I can tell, Mammon.

The Daughter's Day falls on the spring equinox, the Mother's on summer solstice, the Son's on the autumn equinox, and the Bastard's on whichever days are added to make the year come out even for the shift of the seasons with respect to days versus planetary orbits. Usually but not universally the white god's day/s are assigned to Mother's Midsummer, at the halfway mark between summer solstice and autumn equinox. Plenty of holidays for all!

Ta, L.
Lois McMaster Bujold Lots of them mixed 'n matched over the years. (I just typo'd "loots of them," which is also true.) You'd have to specify if you want a particular answer, which you may do in the comments. (Although this question falls perilously close to "Where do you get your ideas?")

Somewhere in Sidelines: Talks and Essays there is iirc a series of six short essays I did for Eos back when The Sharing Knife was coming out, discussing the inspirations for that, mm, anti-epic, which would have more length scope than what I can type in this tiny answer box while drinking my morning tea.

Ta, L.
Lois McMaster Bujold I try to balance my worlds' pros and cons. As I said once in an interview, I don't write dystopias or utopias, I just write topias. "Which Vorkosiverse world would you want to live on?" is something of a sorting hat for fans. Personally, I'd want Beta for the ultra-modern medical care and mores, but I'd miss the out-of-doors that Barrayar or Sergyar would provide. Sergyar (sorry about its unfortunate name; Cordelia or Gregor may yet fix that) will, in about another generation, probably be my perfect balance.

Ta, L.
Lois McMaster Bujold These are very large questions to answer in this tiny typing box. For a start, there's this: http://www.dendarii.com/biolog.html

Also this: https://vorkosigan.fandom.com/wiki/Au...

Also my e-nonfiction collection, Sidelines: Talks and Essays available at the usual suspects, Nook, iBooks, and Kindle.

That should keep you reading for a while...

Ta, L.
Lois McMaster Bujold Well, keep in mind that Shards was written in 1983, when the public conversation around these issues was quite different. But in general, I don't think violence against women should be portrayed erotically. Given Rule 34, it really is impossible for a writer to control how their prose is read, though it's at least possible to control how it is written.

My own views on the matter are more bio-evolutionary than social (not that the latter isn't the costume the that former wears.) Primate studies are most interesting to me, because they actually provide a control group for comparison. In primates, non-reproductive mounting (and reproductive, for that matter) a very clearly expressions of bio-social dominance or would-be dominance, a statement of "I am more important than you and this proves it!" (Obviously especially urgent to someone who has internal doubts about their status.) Extension to the highest primates left as a mental exercise for the student.

The deepest work I've ever read on these issues, which I recommend to everyone, is Nick Lane's Power, Sex, Suicide: Mitochondria and the Meaning of Life. https://www.goodreads.com/book/show/3... It's 14 years old now, which is, like, 98 bioscience-years at the current pace, but much of it covers fundamental aspects that have been well-established and aren't likely to be changed.

Ta, L.
Lois McMaster Bujold "The Orphans of Raspay" is going to have a lovely Subterranean Press edition later this year, but it will be a while before it gets collected, as I'd have to write a couple of sibling-stories to go-with to make up market weight. Baen did such a nice job on the book design, I rather hope so, just to get another volume. Nothing in progress, Penric or otherwise, at the moment, though.

Ta, L.
Lois McMaster Bujold OK, I get a few English-as-a-second-language questions that are hard to parse, but this one is utterly baffling. Any guesses?

L.
Lois McMaster Bujold Goodreads does not sell or lend books -- it is a book review and discussion site. You'd have to go to a vendor, such as Kindle, Nook, iBooks, or one of the others, or a library with e-lending, to get the actual ebooks. The little cover thumbnails on the assorted Goodreads pages are for illustration.

The exception would be if a blogger has a link up on their profile page under "[Person's] Writing" -- all I have under mine is my reading-order guide, though. https://www.goodreads.com/story/show/...

Ta, L.
Lois McMaster Bujold Goodreads does not sell or lend books -- it is a book review and discussion site. You'd have to go to a vendor, such as Kindle, Nook, iBooks, or one of the others, or a library with e-lending, to get the actual ebooks. The little cover thumbnails on the assorted Goodreads pages are for illustration.

The exception would be if a blogger has a link up on their profile page under "[Person's] Writing" -- all I have under mine is my reading-order guide, though. https://www.goodreads.com/story/show/...

Ta, L.
Lois McMaster Bujold None of my own at this time, but it's a great idea for/from Ben.

Ta, L.
Lois McMaster Bujold Nothing significant other than GURPS so far.

My agent prefers to hold those rights in hopes of some larger media contract that would want them (none of which are on the horizon, I would note), so probably would disrecommend the tinier publishers.

Fans can, of course, make up their own RPGs for personal use -- that's normal fanac.

Ta, L.
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Lois McMaster Bujold Ah good, I'm glad we figured each other out.

Ta, L.
Lois McMaster Bujold
I am so not an expert on child-raising. I feel my own survived despite not because of me, though it wasn't for lack of trying. Two off-the-cuff thoughts are: appropriately applauding creative efforts/attending when they are shown off, and giving the kid the space to concentrate.

And, of course, reading to them is always good, although on this site that hardly seems needful to mention.

Also, generational drift being what it is, as they get older their notions of creative media and yours may not intersect as much as you'd fondly pictured. I'm reminded of my mother, who used to criticize my sitting around reading F&SF books in my teens when she thought I should be Doing Something -- preferably chores, obviously, but I suspect also creative activities to which she herself related, such as painting or fabric arts. The reading and fantasizing were just too invisible.

Good luck!

Ta, L.
Lois McMaster Bujold
Thank you! That is just the sort of more wide-ranging reportage that this collection needs to get the word out.

No, no foreign offers on Penric yet except Japan, who did a lovely job on their cover last year.

https://www.goodreads.com/author_blog...

Now that the 3-story collection makes up actual novel-length market weight, and with a second in the offing, I'm hoping for more action on the translations front, but first, of course, foreign editors need to hear of the works.

Ta, L.
Lois McMaster Bujold No idea -- memoir is not my genre.

You'd probably have the most luck by finding a writing or critique group devoted to memoir and nonfiction writing, and pool with them for tips and help.

Ta, L.
Lois McMaster Bujold OK, now that one's just silly...

L.
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Lois McMaster Bujold And another totally incomprehensible random one -- there's been quite a spate of these lately. I wonder why?

L.
Lois McMaster Bujold Well, I trust you have already found the Penric & Desdemona novellas, starting with "Penric's Demon". (So I don't feel I've left that world, as Temple sorcerer Penric continues to explore it for me.)

Or do you just mean "at novel/trilogy length"?

Beyond that, it's one story at a time, no promises. I don't do "plans" much, these days.

Ta, L.
Lois McMaster Bujold I've done both, but unless the pictures bloom in my head, there's nothing to write, however many boxes into which stories could go I have on hand. So more the latter, although sometimes that has included the former.

Ta, L.
Lois McMaster Bujold I'm glad you are enjoying my work!

Well, no two characters can or even should be alike, so I can't promise you another Caz. If you haven't tried the Penric novellas yet, they might work for you as well, if differently, as Penric starts out as a much more callow youth, who is not even now as old as Caz was when his story began. (Start with the e-novella "Penric's Demon" or the Baen collection Penric's Progress.)

Ta, L.
Lois McMaster Bujold No, I hadn't. Cool!

Ta, L.
Lois McMaster Bujold Now that they've reached market weight with the two collections, I'd certainly think the Penric novellas could go for French and other translations. That choice is not up to me, however, but rather to the foreign publishers' purchasing editors. I'm sure my agent, who they should know how to find, would be happy to hear from them.

Also hoping, L.
Lois McMaster Bujold This seems like a good question to throw open to the commenters in the comments section. Thoughts, folks?

Ta, L
Lois McMaster Bujold Both had their diverse charms, but at the time Mark was the newer character to write. But, really, it was their combination that was synergistic.

Ta, L.
Lois McMaster Bujold Nope, no clue. A commenter may have one, though.

L.
Lois McMaster Bujold It would depend entirely upon the story being told. Nonlinear worked well for Catch-22, evoking the chaos and absurdity of war and ending in a climax of revelation. The Lord of the Rings, while linear, was written in omniscient, which allowed some temporal flex as needed. Most of my work (all, come to think) is third-person-personal, past-tense, and chronological, following the point-of-view characters and allowing the reader to learn things as they do. Really, "better" is not a useful word in criticism, unless it includes the information, "Better for what?"

Ta, L.
Lois McMaster Bujold Glad you enjoyed The Spirit Ring. Well, truly, the answer is, because I wrote something else instead -- the whole run of Miles books through the 90s, from Mirror Dance through A Civil Campaign. Which worked out pretty well for me...

Had tSR been a surprise bestseller, rather than a surprise non-bestseller, I might have had more push to get back to its world, but instead I took what I had learned about how I wanted to write fantasy and went on to The Curse of Chalion, which is still spinning out aspects to explore, gosh, 20 years later.

But I'm happy The Spirit Ring is still finding new readers almost 30 years later.

Ta, L. Still not cloned yet.
Lois McMaster Bujold
Why do I get these questions...?

L.
Lois McMaster Bujold Not anymore. There are the two new Baen dead-tree collections, the first hardcover, Penric's Progress, just out, containing the first three novellas, and the second, Penric's Travels, with the next three, due in May. Baen paperbacks will follow at the usual remove. (Baen also has world rights on these paper volumes, so no problems ordering overseas.)

Also, "The Orphans of Raspay" will be out from Subterranean Press in their usual deluxe hardcover come summer. I'll have more about that on my blog as dates firm up. For it to be collected by Baen, I'd have to write two more, however, so that would be a while.

And, of course, Blackstone/Audible/Downpour has the audio versions. Also some public libraries.

Anyway, lots of options. B&N online and Amazon are two sources for paper as well as ebooks. Baen should have some distribution through regular bookstores. SubPress has a different business model -- you need to go online to their website or to a few specialty stores like Uncle Hugo's for their offerings, though I believe some regular bookstores can order them in by request.

(Not quite my mom's old quip about the lazy man who said, "Just roll me over and stick it in me pocket," but darn close.)

Good luck --

L.

(Oh, and as I write this, "Knife Children" is pending real-soon-now from SubPress as well. I'll blog it when it ships.)
Lois McMaster Bujold We figured out (just last week) that there may have been a glitch in the submission, which is presently in process of being corrected. I'm waiting to hear back, but expect delay. If/when it changes from "if" to "when", I'll make a blog post.

Ta, L.
Lois McMaster Bujold Probably the most extensive place to see me piffle on about my writing is at the author interview section of the Vorkosigan Wiki, here. https://vorkosigan.fandom.com/wiki/Au... That should keep you busy for a while. The other two fairly useful places are in The Vorkosigan Companion and Sidelines: Talks and Essays.

And, as always, Pat Wrede's blog on writing is good value, http://www.pcwrede.com/blog/

Beyond that, I've pretty much lurched from project to project over the years not quite randomly, but rather like a person scrambling from one stepping stone to the next across a river, or scaling a climb one piton and some rope-work at a time, each step both creating and constraining the possibilities for the next, teaching me a bit more each time in the doing. I've learned to write by writing, on-the-job training. Possibly not efficient, but there ya go.

Ta, L.
Lois McMaster Bujold What is this in reference to?

(Remember, folks, entries in this column can get separated randomly from prior entries, depending on the "sort" chosen, so one needs to include context.)

Ta, L.
Lois McMaster Bujold Well, my winter weather descriptions are authentic... :-)

L.
Lois McMaster Bujold "Good" (which I don't think is really a very useful word, when talking about books) is a quality that does not actually lie in the book, though most people unthinkingly or carelessly assume it does. It actually describes an emotional response on the part of the reader to the text in question, and is thus a transactional event varying with each reading and reader.

So asking the text (or its author) why a story is good aims the question in the wrong direction. You have to ask each reader, since it's only inside their heads that the experience(s) of "a good read" lies. Now, what people will say when asked will depend heavily on how the question is framed.

In general, I think anyone with the nous to see "message" incoming is right to duck, but maybe that's just me.

Ta, L.
Lois McMaster Bujold The two Penric novella collections, Penric's Progress and Penric's Travels, are the latest volumes to be published. Another Penric tale, "The Orphans of Raspay" is out as an ebook, and "Knife Children" also a e-novella, just got a nice hardcover reprint. . The most recent prior full-length novel was Gentleman Jole and the Red Queen.

Ta, L.
Lois McMaster Bujold Yes, among others the songs of Dave Carter and Tracy Grammer helped inspire some of The Sharing Knife.

They only made three albums before Carter unfortunately, and prematurely, passed away -- Tanglewood Tree; Drum Hat Buddha; When I Go -- all worth a listen.

Ta, L.
Lois McMaster Bujold Thanks! The Goodreads setup makes to easy to dash off a note, and it does give me a handy record of what I've read. It can be disturbing, looking back over my list, how many things on it were forgettable (and duly forgotten); some quite the opposite, and with little relation to what some people dub "quality of writing". Some kind of independent variable thing going on there, perchance.

Ta, L.
Lois McMaster Bujold The SFWA folks are working hard behind the scenes to figure out what they need to do, and plan to make announcements at the end of this month. Check back then.

Ta, L.
Lois McMaster Bujold Logo, emblem, crest... I've never sat down and precisely designed it myself, although there have been several nice fan art versions. (People could throw in links to images in the comments, I suppose.) It does involve mountains and maple leaves, and I expect different generations of Vorkosigans have done variations on it over time.

Ta, L.
Lois McMaster Bujold My two local stores with signed copies of my work here in Minneapolis are Uncle Hugo's, and Dreamhaven. Both do mail order, and both have lots of different titles in stock. (Hugo's stock is probably larger.) You'll have to ask them about gift cards.

http://www.unclehugo.com/prod/index.s...

http://dreamhavenbooks.com/

Both excellent book places.

Ta, L.

Lois McMaster Bujold Nope, I missed gaming generationally -- when it was coming on as an activity, I was deep into raising kids and booting up my writing career, leaving less than zero time for anything that didn't directly serve same. So I missed gaming as an influence. Although I can see how it has affected other writers and media, which makes for an interesting study in narrative modes.

But I'm glad GURPS led you to my books I was hoping it might work like that. Btw, GURPS Vorkosigan sourcebook author Genevieve Cogman has gone on to her own writing career with the The Invisible Library series, which you might find fun.

Ta, L.
Lois McMaster Bujold Well, Penric's Travels is a hardcover collection/reprint of my original Penric & Desdemona e-novellas "Penric's Mission, "Mira's Last Dance", and "The Prisoner of Limnos". Following, of course, from January's Penric's Progress, which collected the first three novellas in the series chronologically. I'm very pleased with the art and design for both volumes.

I suspect book distribution, along with everything else, is going to be quite disrupted for a time, which may affect the volume's immediate availability with respect to its hoped-for release date, but books don't spoil. Folks should be able to obtain it through normal bookselling channels in due course.

Ta, L.
Lois McMaster Bujold That's a very large question to answer in this tiny typing box... Year by year, I abandon old work and engage with new, so the older stuff would fade to a complete blur if it weren't for me needing to proofread reprints, which brings them back on the tide. I only wince some... I am certainly not the same person I was in 1982 when I began writing.

My response to reader-response has shifted to a more relaxed mode, as I am not so anxious to make-or-break it. This is all to the good.

The quote you mention was actually taken from a remark by my dad, who taught engineering, about why he didn't have to worry about cribbing in the tests he gave his students.

Ta, L.
Lois McMaster Bujold Well, I mostly remember my dad when he was older, so, Georg. Due to his profession as an engineering teacher and researcher, a lot of engineers paraded through my young life, including my older brother who went though dad's engineering course himself, so Leo's more of an amalgam, source-wise.

Ta, L.
Lois McMaster Bujold Glad you've enjoyed my work! No, no new Vorkosigan work is planned at this time.

Ta, L.
Lois McMaster Bujold Goodreads is a book review and blogging site, not a book vendor or e-library. It's not for reading books, but rather, for reading about them; you have to go elsewhere to get the content.

The exception might be bloggers who choose to put their own content on their individual blogs. I use this feature to make a reading-order guide to my work permanently available.

https://www.goodreads.com/story/show/...

Ta, L.
Lois McMaster Bujold Nothing planned in that direction at this time.

I'm glad you enjoyed Falling Free, though! It's always reassuring to know an early work is still holding up.

Ta, L.
Lois McMaster Bujold You seem to have missed all my blog posts about Penric's Progress a collection of the first 3 novellas, released as a hardcover by Baen Books in January, and Penric's Travels, a collection of the next 3, upcoming in May (or thereabouts -- book distribution being disrupted just now. But it'll catch up eventually.)

Prior to that, there were all the Subterranean Press hardcover chapbooks of the individual novellas. "Penric's Demon" is long sold out, but most of the others are still floating around -- Uncle Hugo's Science Fiction Bookstore here in Minneapolis still has most of them, signed, and does mail order. And, of course, they have plenty of copies of Penric's Progress. Dreamhaven Book & Comics also has some. Likewise Amazon and B&N.

You get them by ordering them -- waiting for them to spontaneously turn up at any particular bookstore is a crapshoot. Check the assorted websites.

Ta, L.
Lois McMaster Bujold Nope, sorry. I am also unclear what you mean by "sarcastic statements", though I could make several disparate guesses. Do you mean satire, perchance?

Anyway, I suppose commenters could have a go at it.

L.
Lois McMaster Bujold Well, a great many sources went into those books, but if you want to think of them that way, why not. :-)

Ta, L.
Lois McMaster Bujold Yes, I'd been told at the time. I was very saddened to hear it.

(To those who don't know why the name rings a bell, I borrowed it for a minor character once. I trust John was amused.)

Ta, L.
Lois McMaster Bujold I've found the technique that works for me is to write books that sell themselves. After that, sales is their job, best carried on without my interference.

All the other publicity antler-dances are far too much work. Unless the writer is a high-energy extrovert who enjoys such activities as a hobby, the way some people enjoy jumping out of perfectly good airplanes.

That said, of the 3 e-vendor platforms, iBooks, Nook, and Kindle, we use for my indie work, Amazon's sales are largest, about two-thirds, with the other third split between the other two.

Ta, L.
Lois McMaster Bujold I don't know enough about directors to choose one, and, let's be clear, it is the producer, the one with the money, who does the choosing. S/he picks the directors and it flows down from there.

I am much less hot for a media adaptation that I was when I was younger and poorer, only partly because the money would no longer make any great difference in my life. When it is so hard to even get a cover that accurately represents my story, a single still image rendered by one person, getting an enormous committee with multiple other motivations in play to do so seems exponentially less likely.

Whatever came out the far end of this movie-making machine might (or might not) be a good advertisement for my books, but it would no longer be my story.

Ta, L.
Lois McMaster Bujold I have no idea why you are asking me this.

However, perhaps some commenter may know.

L.
Lois McMaster Bujold Well, Bothari's death was the first scene I'd visualized for The Warrior's Apprentice, back when. By the time I'd plowed through the 40k words to get to it, it had altered substantially, but it was still the emotional center of its subplot.

Ta, L.
Lois McMaster Bujold Nope.

Well, apart from fan fiction, which is not my responsibility and I want to keep it that way.

Ta, L.
Lois McMaster Bujold OK?

Also, thanks for the attentive reading!

Ta, L.
Lois McMaster Bujold I've read and enjoyed the first two Murderbot tales, yes. Good voice.

Having just finished the latest Penric novella mere days ago, what I'm mainly looking forward to at the moment is a summer off. After that, no one knows, including me. I'm still enjoying exploring the novella length, at this point.

Ta, L.

Lois McMaster Bujold Sounds like a job for Fanficperson...

L.
Lois McMaster Bujold
Nope.

L.

...Huh. GR suddenly will not allow one-word answers. However true. Weird.

I wish the admin would actually do something useful, like add a search function.
Lois McMaster Bujold I believe in the typo fairy, myself.

But, in the cases you cite, they were probably shoved up online by some overworked, underpaid minion somewhere with a quota to meet who didn't bother with the vast, time-consuming, and unrewarding tedium of proofreading it all again.

Commenters with experience in these matters are invited to chime in.

Ta, L.
Lois McMaster Bujold
Long enough that I can't remember without looking it up; ever since they threw me (and a lot of other folks) off my original blog host MySpace. I have no idea if MySpace even still exists, but they erased everyone's files behind them.

(Goes and looks it up.) My profile page says February 2012, but this site was being run as a fan thing before I arrived and took up squatter's rights. My first book-notes seem to date from then, so it's probably about right.)

I like this hosting site; it stays reliably book-oriented.

L.
Lois McMaster Bujold
The Miles & Co. that have taken up residence in your head cannot be stolen out of it short of the fog of time or a major stroke, so you're likely safe there.

Ta, L.
Lois McMaster Bujold
A new one for me, though I have it on my Kindle. I'd started it a while back, then tripped over my belief that it was the sequel to Swordheart (which was a delightful tale.) I need to restart it without spending many pages of misreading. expecting it to be some other book.

I really want to know more about the Dervish (in SH), though I suspect the author may be more interested in the other member of the unfortunate triumvirate, wossername.

L.
Lois McMaster Bujold
Hard to say. Doing in vegetation may be too slow a process to dump hot chaos in a hurry; or it may be a skill Pen acquires later on, should a future plot require it.

Revisiting Joen's leashed sorcerers in Paladin of Souls might give an idea of the wilder possibilities.

I have a fleeting memory of Sophie in Howl's Moving Castle doing in the weeds while in a bad mood one day, but I can't remember if she used magic. It may be time for a reread...

L.
Lois McMaster Bujold
I'm glad you are enjoying my work!

No, I'm afraid I have no idea what the hold-up is at iBooks. I will probably send in the corrections list to my e-helper tomorrow, which will either kick things along or delay them, no idea which.

Ta, L.
Lois McMaster Bujold
Mm, it was a short gap, but perhaps made to appear shorter by the fact I was keeping quiet about the work until my test readers could see the final draft, and I could get some sense of how it would be received despite the unfortunate coincidence of subject matter and timing. There was also some back-and-forthing about the title and cover before we got it right, which, for similar reasons, I didn't particularly want to air to fans.

It seems to have all come together in the end, though. I'm looking forward to a summer off, after all the flurry of PR this month and leading in to Nebula Weekend.

Ta, L.
Lois McMaster Bujold
It is, but Penric is only one dude. And sorcerers generally are rather thin on the ground. I don't think the kinds of flies and fleas and mosquitoes and ticks that bite people are in any more danger of magical eradication than whatever dent humans have made in their populations after centuries of trying in non-magical ways. (I.e., none.) Cockroaches ditto.

Though if anything, magical eradication might be better for the ecology because it could be far more selective.

There are also lots of plant and animal diseases and pests of interest, glancingly touched on in the most recent tale.

Ta, L.
Lois McMaster Bujold
Alas, I do not create during my insomnia. I mainly lie there and fume.

It also steals my creative and writing brain the next day, because of the deep fatigue, headache, and body ache that result from too little sleep. Sleep meds help general function, when they work at all, but then have drug hangovers the next day that also rob me of higher brain function, so there's no win there.

Insomnia. Sounds dramatic, actually sucks. Not recommended for writers.

Ta, L.
Lois McMaster Bujold
Xav was a half brother of Yuri, of different mothers. He was born well before Yuri's mother died, Dorca finally married his significant other, and Xav was legitimated. So Xav's legitimacy was always a bit dodgy.

More critically, Mad Yuri had Xav's only son murdered (his daughters survived) so Xav had no successor when Yuri was brought down and they had to figure out a new emperor. He was also old and grieving and very, very tired. Piotr was in a similar state, having just lost his favored heir. The two put their heads together and decided to headhunt Ezar instead of putting too-young Aral in the hot seat.

Good question for historical speculators whether things would have gone differently if Piotr's older son had lived.

Ta, L.

Lois McMaster Bujold
The Barrayaran imperial succession, like successions in real history, are pretty much a matter of the moment. Precedents may break or be broken, or hold, depending on what the people with power around the events want to have happen at the time.

"Power" by the way, is a trickily undefined term that usually sneaks by unexamined. I'd define it most broadly as "the flow of will in human activities", which, if you back-translate it into most of the places the word is bandied about, has some odd effects.

E.g, such slogans as "Speaking Truth to...The Flow Of Will in Human Activities". Hmmm.

(Leaving aside the definition of "Truth.")

Ta, L.
Lois McMaster Bujold
The co-incidence of "The Physicians of Vilnoc" with current events was accidental. I'd planned the story last year, based on an amalgam of earlier historical models, run through the peculiarities of the world of the five gods. But it got off to a later start than I'd thought it would, and so the present pandemic more-or-less rose up around it.

Not writing it was, at that point deep in the creative process, a non-option, though I did wonder for a while about finishing but not publishing it. I finally concluded my readers could be trusted to decide for themselves whether it was anything they wanted to read right now. The story will, presumably, be around for years yet.

I like the watercolors analogy. Interesting personal connection.

Ta, L.
Lois McMaster Bujold
Nope.

The GR program won't let me give one-word answers, but it's still nope.
Lois McMaster Bujold
The story is so new, it's barely been submitted to Blackstone, but we certainly intend to do so. I expect they will want to license it as usual.

When the contract actually comes through, I'll likely mention it on my blog, but really, the pertinent news will be later on when they have a release date. I would assume Blackstone's business is as disrupted as everyone else's at the moment, so you probably need to build some extra time into your expectations.

Glad you enjoy my work, in whatever format!

Ta, L
Lois McMaster Bujold
Hm, glad you're asking for "one of" instead of an impossible just one. I am at the moment considering whether I want to dip into a reread of Pandora Hearts, at least the first 22 manga volumes, and there's a new T. Kingfisher waiting in my queue. A roundup of some of my reading in recent years may be seen here:

https://www.goodreads.com/review/list...

Lots of Great Courses lately, but since they are vids not books there's no such handy way to mention them on Goodreads.

L.
Lois McMaster Bujold
What an odd question.

Child or scammer? Any opinions?

L.
Lois McMaster Bujold
The story isn't due to be released on audio till mid-July. I think what you are seeing on Amazon US is the pre-order page. When the novella actually goes up for downloading it should appear on all the Amazons in the usual way.

Ta, L.
Lois McMaster Bujold
All my publishing news goes up on my blog, here:

https://www.goodreads.com/author/show...

Your mistyping above may actually be on-point, given the topic of the latest Penric & Desdemona novella, "The Physicians of Vilnoc", but that, I finally decided, must be for the individual readers to choose for themselves.

Ta, L.
Lois McMaster Bujold
You already have an email for me. Goodreads has a private messaging system, which any registered Goodreads user (such as yourself) can use to message any other GR user (such as me.)

You are not the first baffled person to resort to the Author Q&A column, which is designed for public discussion of my writing, for other questions. Perhaps some commenters below could offer instruction on how to use the Goodreads mail system. (I don't offhand know if the messaging is limited to the officially befriended or not.)

I would note that other public information is usually available on writers' Goodreads Profile pages or in Wikipedia entries.

Ta, L.
Lois McMaster Bujold
First, you're welcome!

No more Miles in the offing at this time, no.

Ta, L.
Lois McMaster Bujold
Both. My first notions were for an older Penric, but prior experience with series has shown me that skipping over large swathes of time tends to limit what stories can later go in between. Besides, I thought I could get to know him better by beginning at his beginning.

The particular details of each novella were developed one by one, in the writing. I like surprising myself. (And you all.)

I arrived at what eventually became the novel Falling Free, decades back, by a similar process. My first notions were for the race of quaddies in situ in their asteroid colony in Miles's time, but then I reasoned back to their necessary beginning, Leo popped up, and other characters and the story began to coalesce around him.

Ta, L.
Lois McMaster Bujold
The Sharing Knife tetralogy has had quite varied reader response, from folks who like it as you do to those who totally bounce off it, for a variety of reasons. (Including the perennial "This wasn't the [name some other book] I wanted to have been reading!" Also, "It's bad, because it's a romance!", which I find a touch a priori.) One can get a sense of the array by a cruise through the assorted-star Amazon reviews, or here on Goodreads.

I think my 1600-page anti-epic is a major and original and deeply considered work, but I'm not prepared to argue with those who feel otherwise.

Anyway, standard writerly kvetching about reviews aside, I'm always very pleased to run across a reader who sees it my way. Thank you for your thoughtful reading!

Ta, L.
Lois McMaster Bujold
I am, thankfully, neither Eliot nor Nabokov, and I paid my dues with interest long ago. I don't do obligations anymore, nor mornings.

Writing may still happen. Sometimes. If I feel like it...

Ta, L.
Lois McMaster Bujold
This is a good question, which I don't expect to have to address for a long, long time, if Des has her way.

Ta, L.
Lois McMaster Bujold
Oh, yes, my older books often feel as if they were written by a different person. Which they were, in a sense.

And yes, ebooks for dodgy eyesight are a boon. They arrived just in time for me, and I am grateful

Ta, L.
Lois McMaster Bujold
The Bastard isn't saying. There may be odd constraints, rare or hard to meet.

Ta, L.



Lois McMaster Bujold Yes, everyone in my immediate circle is OK so far.

Ta, L.
Lois McMaster Bujold Thank you! It was an amazing experience. The SFWA president, Mary Robinette Kowal, the SFWA staff, and the huge crew of savvy volunteers did a monumental job of moving the whole Nebula Weekend online, pretty much making it all up as they went. They provided an unforgettable (and educational!) experience for the attendees, logging in from time zones all over the world.

Ta, L.
Lois McMaster Bujold
This is much too large a question to answer in this tiny typing box, though if you check my assorted interviews from around the times the books were published, you may find some material. https://vorkosigan.fandom.com/wiki/Au...

But yes, fun, in that peculiar, absorbing way that writing long projects is fun. (And frustrating, and tiring, and exhilarating, and many other things.)

Ta, L.
Lois McMaster Bujold
Nope, the two series have no connection. Unrelated worlds. Both have rather restrained, non-visible magic systems, but that just represents their author's taste.

Ta, L.
Lois McMaster Bujold This is a very large question to answer in this tiny typing box, and has been answered before. It's unfortunate that this Q&A blog does not have a search function, but some of this is covered in earlier posts in this column if you scroll back, and in interviews -- see https://vorkosigan.fandom.com/wiki/Au... Interviews dated around the time of the specific book you are curious about may be more directedly fruitful.

Also Sidelines: Talks and Essays https://www.amazon.com/Sidelines-Essa... also on Nook and iBooks, and likewise The Vorkosigan Companion https://www.amazon.com/Vorkosigan-Com...

I've written reams of stuff on these sorts of process questions, some of it a lot closer to the times of actual composition, so likely to be fresher and more accurate. Have fun!

And thanks for the many years of faithful reading.

Ta, L.

...and now I'm wondering how many readers out there are too young to know what "reams" were....
This question contains spoilers... (view spoiler)
Lois McMaster Bujold I don't always get royalty reports from the smaller foreign publishers. Glancing back through my contracts file, I see BARD in Sofia has in the last decade licensed the first 6 Penric & Desdemona novellas, Gentleman Jole and the Red Queen, and Cryoburn; since foreign publishers are also spotty about sending on author's copies, I don't know what happened to them after that.

Ta, L.
Lois McMaster Bujold
This is so far left to the imagination of the readers. But one may presume it is almost as disorienting for the demon as for the host. Also, every demon is as or more different from one another as every person. It might be possible for the personalities to disagree, although as time goes on they do tend to meld, but at the moment of the host's death there will only be a small number of choices in range. We've twice, with Hallana and Ruchia, seen demons jump to someone nearby other than the new host the Temple presented, but that was more likely disagreement between the demon and its handlers than internal to the demon. Probably...

Ta, L.
This question contains spoilers... (view spoiler)
Lois McMaster Bujold
I don't think the text gives enough detailed information to draw close parallels. Not that that stops folks.

Ta, L.
Lois McMaster Bujold
It seems unlikely. The Vorkosigan and the fantasy series are still licensed to their original publishers.

NESFA Press had a go at producing my first several VK books, which had been paperback originals, as hardcovers, and they're still around as well.

(Also, the vision of having to proofread them all yet again is kinda horrifying, but that's just me.)

Ta, L.
Lois McMaster Bujold
I have not made up Roic's first name, so you won't find it anywhere. (Which leaves you free to imagine what you like, for now.)

Ta, L.
Lois McMaster Bujold
It's fluid, but it does appear that the personalities blend around the edges over time, with the older ones less distinct than the newer. The memories mostly remain distinct, but the presenting persona becomes more of a consensus.

There is some interesting recent research in neurobiology that suggests the the parts of a brain actually cooperate in something of a consensus fashion in generating awareness.

Ta, L.

Lois McMaster Bujold
The text never specifies exactly, but you could work out an approximation from the ages of her children. For one thing, we don't know exactly how long she lived in Cardegoss right after she was widowed, getting more and more strange, before her mother came to remove her to more out-of-the-way Valenda, at what instigation we also do not know. "About ten years" would be a fair guess.

Ta, L.
Lois McMaster Bujold
I don't really have an answer for this, but maybe spiced peach or apricot tarts or Jam butter cookies? Flourless chocolate cake? Maybe the commenters below could chime in with suggestions.

I do not recommend oatmeal and blue cheese dressing, however...

L.
Lois McMaster Bujold
Not especially. Dag's is not a world of schools and certifications, nor of answers to be found in the back of the book, though it certainly contains ad hoc apprenticeships. Pretty much everyone has to be an autodidact, there, plus... whatever one calls it when small groups of people boot up each other, which is much the way the world of grownups works generally.

...Really, there ought to be a plural form of the autodidact concept. Besides "writers' group".

Ta, L.
Lois McMaster Bujold
My usual answer, alas; nothing is planned, in progress, or promised in that direction at this time.

(This summer, I've decided, is for slacking. After that, who knows.)

Ta, L.
Lois McMaster Bujold
It's merely a variant. There are only two choices of age-spreads for romantic partners; dead-even ages, or some degree of uneven ages. You are just noticing the more uneven ones preferentially. (Although indeed it can add a dramatic element, depending, like any other disjoint cultural aspect that must be worked through by one's characters.) There are lots of even or nearly even pairs as well, that pass by unremarked. Miles and Ekaterin, ferex. Ingrey and Ijada are pretty close, as are Fiametta and Thur, Ista and Illvin, Simon and Alys... the list goes on, but no one makes breathless comments about the near-age-pairs; invisible, I guess.

Ta, L.
Lois McMaster Bujold
Other writers certainly have combined the genres; perhaps the commenters could chime in below with favorite examples.

I happen to think that genres are a continuum, rather than discrete boxes. (Actually, I think the world of books is an amorphous mass over which we drop assorted organizing and varyingly arbitrary mental grids. Also the world of people, but that's another discussion.) Speaking only for myself as a writer, I would classify anything as "fantasy" in the genre sense if the supernatural, in the book-world, is something real. This does not capture the dozens of subgenres that have other kinds of elements of unreality, from FTL travel to alternate history to, for that matter, fictional characters. But that's a much broader and less useful definition of "fantasy".

And then there's the numinous, of which the SFnal version is probably "sense of wonder". Which is not about rules, but about evoking an emotion of awe in the reader. Which is another slice through it altogether.

Ta, L.
This question contains spoilers... (view spoiler)
Lois McMaster Bujold
It should all be on this page. https://www.goodreads.com/author/how_to Note especially the several links for further explanations, including the frequently asked questions and the contact-us links at the bottom.

My experiences are unhelpful, since, besides being several years out of date, as I recall I just strolled in and took over my site previously set up by fans. Further tweaking by me involved following the instructions with some experimental back-and-forthing since, indeed, it's not always clear what to do even if one's first language is English. (It would likely help to be bilingual in Computer, which I am not.)

Too, if an entry is not required, one can always leave it blank for the moment.


L.
Lois McMaster Bujold
Barrayar does have dogs; Dono is mentioned as owning a large and unruly one, not to mention young Donna's ill-fated puppy. There is also a problem of feral dogs mentioned iirc in "The Flowers of Vashnoi".

Young Miles does not appear to have ever owned a dog, so they haven't been front and center.

Ta, L.
Lois McMaster Bujold
I am not a math person, tho' I did get up to differential calculus, decades ago in college. Long forgotten now. I do like the pictures/graphs generated by math -- those, I find intuitively illuminating. I only do or consult on math to get time-speed-distance and suchlike calculations in my tales not-wrong, within the bounds of the possible. This is as important for horses as it is for spaceships.

Ta, L.
Lois McMaster Bujold You are welcome to make one for yourself, but not to post or sell.

The old source was Steve Salaba at Softwear Toys 'n Tees, who was actually licensed, and sold VK stuff in assorted SF convention dealers' rooms around the Midwest. He might still be findable for mail order, if you want to save yourself steps. My brief websearch turns up an address in Kalamazoo, Michigan, which sounds about right, but the website link goes to something in a foreign language that is definitely not the droid you're looking for. Possibly some Michigan-area fans could chime in with more recent news or contact info on Steve.

Ta, L.
This question contains spoilers... (view spoiler)
Lois McMaster Bujold
First, congrats for getting out. I've heard from a surprising number of women who felt Ekaterin's story spoke to them, so you are not alone.

Back to fiction, I'm actually not sure what some folks think Ekaterin should be doing with her life, more than the three or four jobs she's shouldering already. Nor how she could fit it into the time allotted to her. I suspect it's simply that they do not value the same things she does.

(The systematic and rather toxic denigration of domesticity and caregiving in our culture is a subject too large for this tiny typing box, but the readerly recoil from such a threat to status, even vicarious, can get quite heated. It gives me, as the kids say, thinky thoughts.)

Meanwhile, standard answer, nothing new in the Vorkosigan direction is happening at this time. It's a frequently voiced question, although the proposed suggestions for subject matter are as varied and wildly contradictory as the readers.

Ta, L.
Lois McMaster Bujold
With difficulty. For the books set on our world-ish, I can use real-world names, calibrated for cultures and times, but in the pre-internet days finding such wasn't as easy; my thin local phone book had rather slim pickings. Nowadays one can Google [country name] surnames/popular names for men/whatever, and be spoiled for accurate choice.

For my fantasy worlds, I've found it speeds things up to generate name lists in advance, from which I can just select if a new character or place pops up. (Main characters get first pick and more cogitation.) One trick to make names sound as if they all come from the same language base is to pick a place on a map (or the index in a history book), take the names found, break them down into syllables, and remix them into euphonious and pronounce-able new names. (I'm also trending to "shorter", these days.) Then stare at the list till the right name for this person or place presents itself. A prudent last step, which also wasn't possible before the internet, is to do a quick name check and make sure one hasn't accidentally given a character/place a made-up name that is something unfortunate in another language.

Ta, L.
Lois McMaster Bujold
No, but nearly a year went by for Pen and company between the two novellas, during which the characters' lives did not stand still. Thus the references.

Ta, L.
Lois McMaster Bujold If by the Bastard, only long enough to transport him to hell's own rendering plant, I suspect.

:/L
Lois McMaster Bujold Glad you are enjoying my work!

As for what to pick next, it will entirely depend on what aspects you are reading for, or against. Readers are all over the map on this question, reasonably enough I suppose as my stories are not all the same.

I have two fantasy series, the World of the Five Gods and The Sharing Knife. (Plus the lonely stand-alone The Spirit Ring.) The first series is medievaloid-European in inspiration, and the stories are spread around its world but not always closely connected. The second is inspired by, but is NOT, the pre-industrial American Midwest, quite deliberately not lords 'n swords, but deliberately with a strong romance backbone, and is one continuous story in 4 books.

The first starts with The Curse of Chalion; the second with The Sharing Knife: Beguilement. I'd say your best shot is to try the first in each, and see if either grabs you. Good luck!

Ta, L.

PS -- My standard reading-order guide is here:

https://www.goodreads.com/story/show/...

Due for another update, I see...
Lois McMaster Bujold
Mm, hadn't considered that one. Hallana's demon didn't emerge as a personality much, as that tale did not include her interior viewpoint.

Everything doesn't always have to connect...

Ta, L.
Lois McMaster Bujold
Well, there's online resources -- you can see if you can buy things off Amazon Japan, ferex. In the US, not sure.

Also, you could send me a private message through the Goodreads mail, and I could see about one other possible source.

Ta, L.
Lois McMaster Bujold
Nope, I don't have any control over this. You'd have to ask Blackstone Audiobooks. But I don't think they revise extant audiobooks.

Some of the Penric novellas don't have chapters, depending on what I'm doing with viewpoint cues.

I suppose if anyone knows and tricks or hacks for this, they could chime in at the comments.

Ta, L.
Lois McMaster Bujold
Yes, I'd heard that. I thought it was great.

With the photo someone sent me from the Antarctic base library, I can say that my books are read on all seven continents and the International Space Station!

Ta, L.
Lois McMaster Bujold
If you scroll down the Amazon page of the book you are interested in, on the left just under the box with the yellow bars telling what percentage of reviews each star ranking has, there is a box to click on labeled "write a customer review". Click on it, and it will take you to a page labeled "create review" with a composition pane. It should be self-evident from there.

Ta, L.
Lois McMaster Bujold
Nothing like that planned or in the works at this time, no.

Ta, L.
Lois McMaster Bujold
A whole lot of little subliminal (and not so subliminal) things adding up gradually, but probably the final test was when Bel leaned in and kissed Mark, and got a very un-Miles-like reaction.

Their flirting was a practiced near-joke by that time, and Miles normally would have ducked and passed it off with a laugh, not panicked and frozen.

Ta, L.
Lois McMaster Bujold Sadly, there is not enough context in this question to make it answerable.

L.
Lois McMaster Bujold So I am apprised. But if you are willing to accept a world with living gods, chaos demons, shamanic beasts, magical healing, and Temple sorcerers, you can probably stretch it to include some albinos with red eyes.

Adelis's eye color, post Penric, is definitely the result of magical foolery.

(Also, a leopard gecko is a much less alarming namesake than, say, children.)

Ta, L.
Lois McMaster Bujold
Depends on what you mean by "first"; I've had many, starting from a writing assignment in third grade, going on through junior high efforts that would be called fanfiction today (the term was not to my knowledge invented yet in the early 60s, tho' it wouldn't be long), through to my first finished professional novelette that didn't sell, through to my first novel that did. Much of this is covered here: https://www.amazon.com/Sidelines-Essa... I'd direct you particularly to the occasional essay titled "My First Novel" for an answer at some length.

I was trying to write from very early on, though I lost track of myself for several long stretches in there. It took till my early thirties to claim that identity with sufficient determination to see it through.

(Also, lots and lots of reading.)

Ta, L.
Lois McMaster Bujold
It's not up to me, alas. Some producer with a ton o' cash for making media would need to license it.

It's the ton o' cash part that's the choke point on all these ideas. Stories are many, experienced producers are rare, and they are the only people who can actually make the choices.

Ta, L.
Lois McMaster Bujold
Never heard of that one, sorry.

So many books, so little time...

Ta, L.
Lois McMaster Bujold
Ayup, I've heard from a number of people who took inspiration from my characters' names. It's less alarming when it's pets...

Ta, L.
Lois McMaster Bujold
That's correct.

It is, however, available on Kindle, Nook, and iTunes. I know you can download the free Kindle reading app to most devices, and be reading in minutes; I would guess the same goes for the other two platforms. So I don't think you are actually cut off from my ebooks except by your own choice.

Ta, L.
Lois McMaster Bujold
Nothing more in the Sharing Knife series is planned at this time. I expect a bit more from Penric & Desdemona from the Five Gods, in due course.

After that, who knows.

Glad you've enjoyed my stories!

Ta, L
Lois McMaster Bujold
Nothing gets rid of flies, especially in a world of abundant animal manure. Trust me (and Mark Twain) on this point. And our world has been going after mosquitoes for decades with every tool imaginable, with very little impact. I really don't think a handful of sorcerers are going to make a dent in these very resilient species.

Actually, sorcery ought to be more eco-friendly than our insecticides, since it can be directed to the single biting disease-bearing pest, and leave everything else untouched.

Ta, L.
Lois McMaster Bujold
Something like that, yes. This being magic not science, I didn't specify the details.

Ta, L.
Lois McMaster Bujold
The name began as a mere throw-away line in another story, something of a joke or pun. The development came later.

That's the hazard with throw-away lines in a long series. They can come back on the tide to haunt you.

Nothing personal intended toward the town in Wyoming, though I had been through the area as a child and thus knew the name.

Ta, L.
Lois McMaster Bujold
I don't believe so. Any translated audio books would have to be arranged through their French publishers, not me, so you'd need to ask them.

Ta, L.
Lois McMaster Bujold
I am totally not up on modern actors and actresses, alas. I'll have to leave the perpetual casting thread to others. Enjoy...

Ta, L
Lois McMaster Bujold
In the ten years before he went to Lodi and then Cedonia, some such must have happened in some form, if brief. A sister's wedding, perhaps, or some business that took Rolsch to Martensbridge. Pen might/might not have made it to his mother's funeral -- a hundred miles (each way) was farther at that tech level. There would certainly have been exchanges of letters. But Pen would be increasingly growing away from the concerns of Jurald Court; interesting to him but not vital anymore.

You will not have a long wait for new Penric news, but not quite yet.

Ta, L.
Lois McMaster Bujold
I usually run a Goodreads blog post soon after e-pub, for both spoiler fan-discussion space, and typo reportage. It's a good system to both avoid duplication, and collect all the errata in one place. So that's the best place to report to save things from being lost in any of my several shuffles.

Ta, L.
Lois McMaster Bujold
I'm always pleased to learn that another writer likes my work. And surprised -- I know how tight their time and attention are to devote to other writers' works. ...Naming no names right now because it's first thing in the morning and I haven't had my tea yet, but there have been several, over the years. Well, Catherine Asaro comes to mind because she got me to write a novella for her romance-SF crossover anthology. Which is how you all came to have "Winterfair Gifts".

Ta, L.
This question contains spoilers... (view spoiler)
Lois McMaster Bujold This reminds me, having just rewatched Good Omens, of the dispute between the Great Plan, and the Ineffable Plan.

I think this one's Ineffable.

Ta, L
Lois McMaster Bujold
I was aware it was coming up -- being head-down in writing the latest Penric, I hadn't caught up with it yet. I will soon!

Ta, L.
This question contains spoilers... (view spoiler)
Lois McMaster Bujold
I'm very glad you find my work heartening, but I do have to say I didn't start out to represent anything but the characters themselves. All sorts of characters, in all sorts of situations (that interest me, a necessary caveat), revealing themselves and their stories to me as I write them.

I do think that readers generally pick out and respond to aspects of any tale that resonate with them, regardless of how complex the tale may be. The obvious negative form of this is triggering, or special individual allergies to whatever story element it may be; the less obvious positive form is loving a work for particular elements it presents despite what else it contains. I compare this with how one person's hearing may be especially sensitive or muted in some specific range of frequencies.

Reading a wide range of reviews of the same work gives insight into this effect. All reading the same words, responses wildly varied; therefore, what's happening can't be in the words themselves, but in that other half of the text-reader partnership. (The half the writer can't control, I note.)

Ta, L.



Lois McMaster Bujold
Short request is, Don't, but more helpfully, any Goodreads member whom I have friended can use the GR private messaging system to send email within the system. The trick, it turns out, is that one must have been friended to make the address box populate. This isn't hard to achieve, since I friend pretty much anyone who asks, there being too many to vet.

If you feel you must use the Q&A for this off-label purpose, please make it clear the message is not meant to be publicly posted, and be aware I have no way of answering.

Ta, L.
Lois McMaster Bujold
As of tonight, 10/21, the upload attempted last Thursday has still not emerged on the other end. Repeated attempts to reupload have run afoul of various blockages. B&N's system won't allow another upload of the same thing, I'm told, though once it does go through, updates should be possible, we hope.

So yep, we know, but the problem isn't one we can solve from our side. We'll keep trying, but it may be awhile. (Think of how long paper publishing takes...)

Meantime, yep, iBooks and Kindle are working OK.

Ta, L.

Lois McMaster Bujold
(Writing at the end of October 2020): The novella has only just been offered to SubPress, ink not dry on the contract, so nothing definitive there yet. Since there are now 3 loose novellas, enough to make up market weight in word-count, I would hope for another omnibus someday, but the earliest that could happen is one year after the last SubPress volume is published.

My next thing due out from SubPress is "The Physicians of Vilnoc", which has been scheduled for release July 2021.

It's likewise only just been offered to Blackstone for audio, too soon for any news from that quarter as well. I'll post it on my blog if/when there is.

We've only placed the first of the e-text novellas, "Penric's Demon", on Overdrive so far, along with a handful of other titles for experiment. They remain available as far as I know. Sales have been disappointing compared to the extended hassle of getting them up to Overdrive's specs, so I don't think we'll be doing that as an indie again. The regular publishers and Blackstone have their own arrangements.

Remember the Baen paper versions for your libraries, please!

L.
Lois McMaster Bujold
Saints of the Son are not impossible (that shaman in "Penric and the Shaman" was nearly one, functionally) but they would be rare. As are all saints, really. But Pen is more professionally likely to run into them than most folks would be; a biased sampler, as it were.

I have no idea what may turn up in a future story. I generally have to write them to find out, myself.

Ta, L.
This question contains spoilers... (view spoiler)
Lois McMaster Bujold
Just a coincidence. I tend to gravitate to certain names or syllable collections as seeming euphonious to me, which, if I'm not careful, can lead to inadvertent duplications. Illyrica iirc is a variant on Illyria, which is or was a real place. I think. I got it out of Shakespeare, so not swearing to its historicity.

Ta, L.
Lois McMaster Bujold You're welcome!

Typos in printed books are beyond correction, natch. If it's a recent e-edition, well, maybe, but it involves putting my e-handler through a hassle. But there is space for typo reportage in the spoiler-discussion posts I put up on my blog after every new e-work. You could stick it in there, I suppose, even if it's not for the story under discussion. Keeping it all in one place is good. (Actual discussion of the stories is even better. I notice folks tend to get pretty distracted by minutia. Not sure just why.)

Ta, L.
Lois McMaster Bujold
Though I'm glad you continue to enjoy my books, I'm not sure what you are asking. Historical Venice, or indeed any historical place, is there for any writer to raid for inspiration.

Ta, L.
Lois McMaster Bujold
Thank you! I'm looking forward to a nice quiet day.

bests, Lois.
Lois McMaster Bujold
Thanks! I'm doing just that.

Ta, L.
Lois McMaster Bujold
If the Goodreads messaging system doesn't work for you, which is what I prefer for private messages on Goodreads, I have a semi-public e-mail addy as lois@dendarii.com

More generally, using the Author Q&A for private messages creates dilemmas, and I'd rather folks didn't.

Ta, L.
Lois McMaster Bujold
Yes and yes, but I won't clutter things trying to list them. This seems like a better game for the commenters, chiming in below. More room for them there.

Ta, L.
Lois McMaster Bujold
Thanks for the kind words!

L.
Lois McMaster Bujold
My input has varied wildly over the years, from none to much, and a lot of experiment has shown that how much input I have has no relationship to how satisfactory the outcome is. Regardless of what you ask artists for (especially in words), what you get back will be related to the pictures in their heads, or maybe their favorite reference materials, and not at all to the pictures in yours. Words are nearly useless; giving them pictures helps some (an old tip from Jim Baen) but not much. It's a crap shoot.

I had the same amount of input to all four of the Sharing Knife, covers, same artist. What I got back was never the picture in my head I'd started out with, and sometimes not even what prelim sketches had led me to expect.

When one has been handed a finished painting, there is very little that can be done to revise it. First, the artist, who imagined it was just fine, gets very cranky about being asked to go back, and not only because they aren't being paid for that. Note also another limit is that all paper book covers are contracted, ordered, and paid for by the publisher, not the writer.

I've also noticed a phenomenon in myself which I've mentally dubbed "rearranging the deck chairs on the Titanic." If I'm presented with a piece of art that is Just Wrong, I'll fix upon little details that seem easy to repaint, getting pickier and pickier about them as they fail to fix the underlying problem. (And getting the artist more and more irritated, as one naturally would be.) The real solution is to sink the whole boat and start over, which I can only do if I'm paying for it (twice), and there is no hard publication deadline. I've done this once, to good effect, but that was very far into my lifelong learning process. I should do an illustrated blog post about that one, some slow day.

Artists will argue that covers are just advertisements, little billboards that have done their job if they get the prospective purchaser to pick up, or pick out, the book, and the details don't matter. I argue that they are the very first moment of the reading experience just as much as the opening page of text, coloring the reader's expectations about what comes after. Wrong covers start the readers off on the wrong foot, from which they may not easily recover.

Ta, L.
Lois McMaster Bujold
Right oh...

A tip, follow-up comments to Q&As are better placed in the comments section following, so they don't get separated from the thing they refer to. Unless you select the "newest first" button, entries are randomized.

Ta, L.
Lois McMaster Bujold
There are dozens of real-world places named Lodi, mostly I suspect after the original one in Italy. I'd selected the city name somewhat idly back when it was just a throw-away line in an earlier Penric story, with no expectation of its ever becoming a live setting, because it sounded suitably Italianate, implying but without obviously being Venice. And so I was stuck with it. (Same goes for the planet Jackson's Whole, btw. No, it never had a hidden meaning, it was just a bit of word-play.)

Glad you enjoyed the story! The filched canal-city setting-inspiration was a lot of fun, once I got down to it, and suggested all kinds of useful plot developments.

(And, yep, I also remember the old CCR song.)

Ta, L.
Lois McMaster Bujold
I've not read The Road, so I can't compare and contrast. But everyone processes the same work of fiction differently, sometimes by a little, sometimes by a lot. So the answer, if any, is more likely to be found in you than in me.

Other readers may have insights on the question to offer, below.

Ta, L.
Lois McMaster Bujold
You are welcome!

Ta, L.
Lois McMaster Bujold
Sure. People can convince themselves of anything. And the appearances of the gods are usually subtle, through the material world or in visions and dreams, uncheckable by outside observers. (The Temples do have systems for sensitives to check each other, which reduces false positives and negatives greatly -- much, much harder for witch-hunts or spiritual con artists to gain traction -- but a sufficiently determined person could dismiss this.)

Ta, L.
Lois McMaster Bujold
SubPress is sold out, but Hugo's can still get a few copies, signed, in either trade or leatherbound. Since copies are priced at $295 out in the general collectable resale market (well, the one copy I see for sale on Amazon, not that anyone's biting at that price), it will probably be offered at above list price, but not that high. Check with Hugo's by email and see what they can do for you.

Ta, L.
Lois McMaster Bujold
I've been asked before, not least by my publisher, and the short answer is No. Riding herd on such an enterprise is way, way more work that most people realize, and it is antithetical to the way my creative process works.

Ta, L.
Lois McMaster Bujold I never decided this question, though I expect Gregor had to. Miles is not on the list. Leaving aside persons in Gregor's more extended family tree not mentioned in text, the most probable candidate is Ivan, with Aral as Regent/advisor. It's possible they got Aral to sit still for this threat in trade for promising Miles would be kept out.

Ta, L.
Lois McMaster Bujold
No, I'm afraid I don't. I always got along with crit groups and writer-friends with whom I traded, and still trade, test-reads.

One does need to learn to edit oneself, because no one else can really know just what story you're trying to tell, but that's a lifelong learning process.

Good luck --

L.
Lois McMaster Bujold
Sure, although vat meat won't take off till it's cheaper than the real thing. At that point, it will sell on its own.

Ta, L.
Lois McMaster Bujold
Glad my books continue to serve you!

No, I have made no decisions about Pen & Des's future/s beyond what is set in print -- as of this answer, "The Physicians of Vilnoc" is still the latest in their timeline.

Ta, L.
Lois McMaster Bujold
It was from a Vietnam wartime anecdote told to me by a vet -- in the original, his squad was down to oatmeal and Thousand Island dressing, but I thought blue cheese might be even worse.

The combo wasn't meant to be a recommendation...

Ta, L.
Lois McMaster Bujold
iBooks/iTunes and Nook both have it. They and Kindle are the only three authorized sellers of the e-version of this short novella. I believe Blackstone's audio edition may be on a few more vendor sites, and in some libraries.

Subterranean Press is sold out of their limited hardcover; the second-hand market is bidding it up to rather startling asking prices at the moment.

Ta, L.
Lois McMaster Bujold No, though I was a devotee of TOS in my teens, I haven't kept up with recent Trek.

Ta, L.
Lois McMaster Bujold
I'm so glad my stories served you!

I have no other work planned or in progress at the moment. Next week, month, year, who knows. It'll be a surprise to us both.

Ta, L.
Lois McMaster Bujold
Well, character, setting, and plot are always interlocking, with feedback loops throughout, so that comes with the fundamental structure of fiction.

Tolkien's famous quote about the difference between allegory and applicability always struck me as cogent. To save y'all the task of looking it up, it goes, "But I cordially dislike allegory in all its manifestations, and have always done so ever since I grew old and wary enough to detect its presence. I much prefer history, true or feigned, with its varied applicability to the thought and experience of readers. I think many confuse 'applicability' with 'allegory'; but the one resides in the freedom of the reader, and the other in the purposed domination of the author."

I should be pleased if people find my work applicable.

(I think this quote also nails the difference in readerly perception of a story between "human insight" and "preachiness".)

Good luck on your writing!

Ta, L.
Lois McMaster Bujold
Ayup, I've been pleased and bemused by how many people read my work in family pods. Very heartening.

Ta, L.

Lois McMaster Bujold
Thanks for the kind words! No, nothing new going forward at this time.

Ta, L.
Lois McMaster Bujold
I'm not sure where you got that population figure, but it wasn't from me. Too high. Some major cities are that large, though. (Which isn't that large -- my home urban area is something like 4 million, iirc.)

"Current" population of the planet is more than 50 million (that was its population back at the end of the Time of Isolation), less than 500 million. Komarr has maybe 1/10 the population of Barrayar. Sergyar, it's been noted, is up to about 2 million, making Vicereine Cordelia's administration roughly that of a mid-sized Midwestern city.

Ta, L.
Lois McMaster Bujold
So glad you found and enjoyed all the books!

Nothing new is planned for the Vorkosigans at this time, although if you want a somewhat different flavor of Bujold, I'd point you at my fantasy works. The Spirit Ring is a complete stand-alone. The Curse of Chalion is probably the best place to start the World of the Five Gods tales, although the novella "Penric's Demon" is also a possibility, as it kicks off a sub-series.

Ta, L.
Lois McMaster Bujold
No, it's been much too long since I broke in, and all my experiences are out of date. But I send all persons looking for writing advice to Pat Wrede's blog on the subject. https://pcwrede.com/blog/ It has a search function that might allow you to hone in on posts pertaining to your particular area of interest.

Ta, L.
This question contains spoilers... (view spoiler)
Lois McMaster Bujold Glad you've enjoyed the stories!

Nothing along those lines is planned at this time, beyond the Ivan book and the Cordelia book that you have presumably already seen, in which Miles, no doubt to his dismay, gets only a supporting role, and the "Vashnoi" novella ditto.

Ta, L.
Lois McMaster Bujold That quote is at the present time mis-attributed to many writers, including but not limited to Zhou. I don't think this will get better in the future. :-)

Ta, L.
Lois McMaster Bujold Hi Dave --

Private questions like these do not belong in my public Q&A space, although you are not the first frustrated GR user to resort to it. The way to communicate on GR is first to request to be friended by the person you are trying to reach, and then to use the GR internal email system. Turns out you have to be friended first in order to send a message, which is non-obvious. After being friended, it should be possible to get the person's GR addy to populate your intended GR email, and send it.

Ta, L.

(Anyone with more tips to offer on this recurring problem, feel free to chime in below in the comments.)
Lois McMaster Bujold
I rode horses quite a bit in my youth, but never tried to transport baggage or weapons while doing so. Military history from the Middle Ages or antiquity or, for that matter, 19th C. cavalry might help. All the pictures one sees show the rider holding the spear or lance upright, often anchored on the stirrup, which seems to me would tie up a hand; might be OK for immediate deployment, but I don't think it would do for distance travel. Swords did have saddle-mounted scabbards.

Anyone with more info is invited to chime in below in the comments section. There have to be pictures...

Ta, L.
Lois McMaster Bujold
Mm, I get my thoughts on paper, any old how, at the notes-and-outlines pre-writing stage. Jotted in pencil on lined paper in a 3-ring binder, which I keep around my house open pretty much all the time when I'm into a project, ready to capture passing thoughts. Pencil and paper are, somehow, non-binding, allowing brainstorming (or brain-drizzling, or brain light-Scotch-misting.) I think of it as my prosthetic memory on paper, because otherwise things would all evaporate before I needed to remember them. I also do a certain amount of shoving things around on paper to get them into a sensible order.

When words actually start to flow, it's out of the basis of this pre-writing. At that stage, I find it enormously easier to do it right the first time than try to fix it later. I hate doing revisions because, first, my prose sets up like concrete and takes a jackhammer to change, and second, I always worry I'm making it worse not better. (I still revise, mind you, as needed.)

Note that I do this in succeeding scene-sized chunks, not the whole at once. By the end of a project, I'll have accumulated about as many pages of scribbled notes as I have of finished story.

However, more recently, I'm slipping more and more to wholly paperless production, a medium in which fixing becomes easier. I do way more micro-editing when I'm working paperless. (As I have just spent several minutes doing on this very answer.) I still need my notes, but they've been getting sketchier.

So there isn't just one way for even one writer to do things all the time.

As ever, I rec https://pcwrede.com/blog/ for the best stock of writing tips on the net. Don't overlook the very useful search function.

Ta, L.
Lois McMaster Bujold
Yes, it's a quote -- but from my father, complaining about my mother's overly frugal grocery buying habits. (Not the only element of Vorthys inspired by my Dad; engineering failure analyst, professor, and baggy suits being some others.)

If my Dad picked it up from anywhere, I would not know, but it would certainly have been long pre-internet.

Ta, L.
Lois McMaster Bujold
You are welcome!

Miles came from a number of braided sources, but his beginning was in his parents' story (like everyone else's, I suppose.) Before I'd finished my first novel, before I knew his name or anything else, I knew Aral and Cordelia would have a short, disabled son on Barrayar but, given his parents, he'd probably be quite bright. The energy and charisma, he generated for himself as his story got rolling.

(Young Winston Churchill and T.E. Lawrence were two other sources that contributed a few more elements, and his Great Man's Son Syndrome owes some of its insight to my relationship with my own father.)

Ta, L.
Lois McMaster Bujold
Had my first last week. The second, and Minnesota spring, should arrive at about the same time. So looking forward to both!

Ta, L.
Lois McMaster Bujold
Well, nothing is planned at this time. It's the most honest answer I can give, apart from "No." Which would depress people unnecessarily, and beside might turn out not to be true if some random neuron fires in the unforeseen future and presents me with something that has to be a VK story and nothing else. (One hasn't fired yet.)

But I'm glad what I wrote in the past is still finding love in the present! (Or the future, from my point of view.)

Ta, L.
Lois McMaster Bujold
Ayup.

I've always maintained that my uterine replicators weren't science fiction, just unrealized engineering. They don't require any counter-factual sciencey like my FTL wormhole jumps.

Ta, L.
Lois McMaster Bujold I Covid-shelter like a guilty pleasure, I'm afraid. It suits my reclusive tendencies all too well. Since I remembered I could freeze milk, I go to the grocery half as often and buy twice as much. The time it takes to use up one half-gallon carton is about what it takes for the next one to thaw in the fridge.

The writing hasn't been impaired, as one might guess from the two novellas last year. I'd retired anyway...

Ta, L.
Lois McMaster Bujold I have no plans for this, no. The ala carte single-title e-editions seem to be doing OK, and are pretty universally available.

Ta, L.
Lois McMaster Bujold
Well, Turner, Aaronovitch, Pratchett, Wrede, Kingfisher, and Heyer are all tastes of mine that seem to have crossover for some of my readers. My "My Books" link, above, has reviews of things I've read lately.

For much older influences, Poul Anderson, Eric Frank Russell, Randall Garrett, Fritz Leiber, Cordwainer Smith for sure, and James H. Schmitz might all be mentioned.

Not genre fiction, but Smoke Gets In Your Eyes, which I reviewed somewhere in My Books, was a profoundly excellent fairly recent read.

This seems like a game anyone can play -- I'd invite folks to chime in below in the comments.

Ta, L.
This question contains spoilers... (view spoiler)
Lois McMaster Bujold
Well, in Chalion, a lot of the family relationships were lifted directly from 15th. C. Spanish court history, which includes a lot of gossip about people's love lives, true or not, much as the internet has. (It does something to one's view of history to realize that its written sources are just about that unreliable.) There were a couple of weak kings in there who had overly powerful and resented lordly supporters, including Orico's model poor King Enrique IV. Coin flip which members of a royal couple were accused of adultery, but I'll give you one guess which generated the most criticism.

Aral's situation grew more directly out of his own psychology and the frustrated Betan-ness of his beloved wife.
Lois McMaster Bujold
Yep, several people have reported that one. Science marches on...

As I said elsewhere, my uterine replicators aren't science fiction, just unrealized engineering.

Ta, L.
This question contains spoilers... (view spoiler)
Lois McMaster Bujold
This was 22 years ago, and I can't remember what I had for dinner last week, but anyway, the idea first floated up back when I was devising the butterbugs for A Civil Campaign -- what else could I do with this tech? etc. The way termites reprocess and recycle their landscapes played into it, and how their gut bacteria works to break down otherwise indigestible lignin.

There is also a touch of that fairy tale about how the hero/ine is aided in a seemingly impossible sorting task of some fine-grained mixture by friendly ants.

Also recommended: the PBS Nature episode "Radioactive Wolves".

Ta, L.
Lois McMaster Bujold
Dreaming, I'm afraid. No such tale has ever been written by me. (I can't speak to whatever fanfiction may be sloshing around out there.)

Ta, L.
Lois McMaster Bujold
I am woefully behind on all my genre reading, and my reading in general. But I'm sure folks will be glad for the rec!

Ta, L.
Lois McMaster Bujold
Well, Nikys and Penric don't have a problem with what Nikys does now -- she's fully engaged with her busy life. It's only the antipathy of the genre to domesticity in general and caregivers in particular that makes that what she's doing un-story-able. Producing all the thread and fabric and clothing for her household, ferex, is pretty interesting to the maker, and perhaps to the fabric artists in the audience, but it's not what most people tune in to a fantasy tale for. Nor are the hour-to-hour tasks of keeping small children from killing themselves. Nor is gestation. Yet readers automatically expect grownup infants to populate their stories, dressed, without ever thinking about how they got there and how much labor it took.

Pen, between adventures, sitting happily in his study translating the same book into yet another language, finds it a perfectly absorbing task to him (tho' Des is getting pretty bored with it) but it couldn't be a story either.

Stories happen in the interruptions, I guess. Plenty of room for them in all sorts of spots in the timeline. Especially if one isn't writing yet another universe-saving War To End Wars (and the series.)

Though giving a woman with nursing infants or small children bolted to her an adventure turns it into something a lot less fun, more of a horror story, a genre I don't care to explore at present. Though arguably, Cordelia and Dubauer in Shards of Honor might qualify. (Giving such a tale to a woman with older children has been done from time to time -- readers could probably chime in below with examples. Wrede's Caught in Crystal comes to mind. )

Ta, L.
Lois McMaster Bujold
Well, ideas come as they come for me, trailing in as single spies not battalions. I just finished the next Penric tale yesterday -- see my April 16th blog post for details -- so there won't be anything else started for a while. I'm looking forward to a summer off, with some outdoors time...

Ta, L
Lois McMaster Bujold
A third collection on paper is certainly possible, and hoped-for, but it can't happen till Subterranean Press's really quite short term of exclusive license for the last story runs out. Which is "Masquerade in Lodi", probably to be published as a limited hardcover by SubPress sometime this coming winter. (I've seen the preliminary cover art.) So no third collection before 2023.

I have a nice series title ready for it, anyway -- Penric's Labors.

Meanwhile, all three collections -- Penric's Progress, Penric's Travels and Penric's Labors -- are available now for foreign language translation sales. With the novel to join them soon, for a tidy package.

Ta, L,
Lois McMaster Bujold
Did part of this question get truncated somewhere?

If so, answer/explicate below in the comments, not in a new question, or the two parts will get separated.

Ta, L.
Lois McMaster Bujold
Could be...

Ta, L.
Lois McMaster Bujold
Yes, although less for current usage than that I turned out to want the neutral pronoun a decade later much more for the biologically sexless ba. Well, different planets, different strokes...

English is desperately in need of a gender-neutral singular pronoun, and I wish SF back then had evolved some consensus on one that would have become common coin and leaked out into the culture at large, so we wouldn't be stuck now with the repurposed and confusing "they". There were a wide variety of tries at it, but no compelling uniformity was reached.

(And while I'm at it, I long for the equivalent of the Japanese gender-neutral "sensei", meaning a person having mastery in a skill. Because "mistress" does not mean at all the same thing as "master", and "master" trails yet other baggage.)

Bel actually started as futuristic furniture, just something for Miles to trip over in that first scene back in The Warrior's Apprentice (written 1984.) But then the herm regained consciousness, opened its mouth, and started to talk, pretty instantly becoming a person, and that was that.

Ta, L.
Lois McMaster Bujold Much too large a question to answer in this tiny typing box. The major viewpoint characters have to have appeal, or I won't be interested enough to write about them . As a rule of thumb, I like characters, in my own work and that of others, who are laboring on a road toward redemption. Barr from The Sharing Knife ferex, started out in a pretty deep narrative hole, but he grew on me as he gradually started to Learn Better.

A sense of humor or sly wit is always a good sell, not to mention invaluable in bringing snap to the dialogue. Intelligence natch, though intelligence without humor... is mainly funny from the outside.

This question seems like a game anyone could play. Anyone else who cares to compare their answers in the comments, feel free.

Ta, L.
Lois McMaster Bujold SEE-oh-ann. Or SIGH-oh-ann if you prefer.

Ta, L.
Lois McMaster Bujold
Long years of self-training and self-editing meant it was already my custom to turn in manuscripts as camera-ready as possible. (I prefer to get most of my editing in before the story is done, because I'll be too tired and wired at the finish line to do a good job.) So I don't hire anyone, relying instead on my circle of test readers as before; some fellow writers with whom I trade crit, some old friends whom I just exploit. People drop in or out of this small circle as per their interest and time.

I publish through my long-time literary agency (I've been with Spectrum since 1989), who has a tech wizard who does all the formatting and uploading for me. I could learn how to do that but I'm glad I don't have to. Spectrum also collates the proceeds and sends them on in tidy monthly lumps, and handles the subrights sales -- audio, paper reprints, foreign translation sales. So they fully earn their 15%.

In our early outings, said tech wizard and I devised the covers ourselves, which was a valuable learning experience for us both, but now that it's clear the ebooks will pay for the outlay, I hire out the cover art to a pro, also a long-time friend, at his standard (rather modest) e-cover rate.

Here in my semi-retirement, the virtues of indie epub, besides the higher royalty rates and the broad reach and durability of its market, is for me exactly its independence. I can write what I want, when I want, and no publisher has to eat the costs of any failed experiments. I am especially not obliged to perform more PR than I want to because someone else has bet their money on me. (The semi- in my retirement is largely from public speaking, book tours, and convention travel, all a lot more uncomfortable for me than they used to be.) So I prefer epub now, though trad pub was certainly excellent in its day.

Ta, L.
Lois McMaster Bujold

Nope.

My recent indie ebooks are available at just 3 vendors, Kindle, Nook, and Apple Books/iBooks, and none are for free. If you see one elsewhere, and for free, it's probably pirated.

(Blackstone, Baen, and HarperCollins reach more vendors, and of course Baen sells licensed editions through their own website, all good. Though also not free. They, and I, also have some in libraries, also legit, and free to the patrons.)

Ta, L.
Lois McMaster Bujold
That would be an interesting question to explore in some story sometime. Did they/will they ever suffer the equivalent of the 7-year-itch? It's more likely to be a problem for Pen than Des, due to her deep experience and long view. It really is a till-death-do-us-part issue. If Pen got difficult, Des would likely be the one to compromise and comport -- for now -- because she'd know she can wait it out.

There's also the interesting point that the longer they are together, the more they will leak into each other. This is obvious on Des's side, as she takes up Pen's imprint, subtler on Pen's side. Losing her by this point, for Pen, would be like being blinded and having several limbs amputated. Rather worse than having your car break down, suddenly turning from a magic carpet into an awkward 2000-pound outdoor sculpture.

But yes, some internal arguments could get pretty amusing.

Ta, L.
Lois McMaster Bujold I'm afraid not.

The nice SubPress edition of "Flowers", being sold out, is prohibitively expensive on the used market now even without shipping, though you can still get a (signed) copy from Uncle Hugo's at market price (ask) and they do ship worldwide.

It may be collected in some larger print volume someday, but that's not on the horizon yet.

Ta, L.

(There is no prospect of any of my work being paper-printed in the UK, my prior outings there having been traumatizingly disastrous for all concerned. Fortunately, ebooks interpret British publishing as damage and route around.)

(Also note the Baen editions of the two Penric & Desdemona print collections do have UK distribution rights.)
Lois McMaster Bujold (OP was asking if the novella "The Flowers of Vashnoi" would ever be reprinted on paper in the UK, to which the short answer was "No".)

My experiences with British publishing are a long story, or maybe a horror story, which I have told before, but to recap in brief:

My first four VK books were sold to Headline for mass-market paperback in the late 80s by Baen's then-foreign-rights agent, as in my early book contracts I hadn't kept those rights. Good so far. (I think the first mistake was not staying with them, but at the time no one, even me, knew how long the series would go on.) Said agent got a better advance offer from Pan, to which my original purchasing editor had moved (I swear British editors should be fitted with tracking collars) and we switched to them for the next few books. About the time Mirror Dance was winning my third novel Hugo, Pan's SF line went under, taking my books with it.

Third try was Earthlight, a few years later, with whom we tried to restart the series at Memory. I see they actually got as far as Diplomatic Immunity. Meanwhile, we'd recovered the rights for the out-of-print books with Headline, three of which (Shards, Barrayar and Warrior's) we resold to Pan in hopes of getting some series synergy going. When they didn't appear after a rather long wait, we made inquiries, to discover 1) the line was going under and 2) they had forgotten they had bought the titles. They reluctantly published them at the last gasp (the undertaker editor tasked with the cover copy had never read them, with odd effects on same), to minuscule sales. And that was the end of that.

Meanwhile I'd started the Chalion books with Harper Collins US, who treated them and me quite well, so we tried that series on HC UK. When Paladin of Souls returned disappointing sales, they declined to pick up The Hallowed Hunt, so that was the end of that as well. No one ever offered for The Sharing Knife series.

Meanwhile yet again, ebooks were at last starting to take off with the arrival of the Kindle around 2010, which was the big game-changer. As my literary agent recovered the rights to all the dead books, in 2011 we gradually got them up as indie ebooks in the UK, where they have sold modestly but steadily ever since.

I actually have no idea what current British publishers may think of my work, as I swore them all off over a decade ago. We gave UK distribution rights for the two Penric paper collections to Baen, who may not do better with them in the UK market but certainly cannot do worse.

Ta, L.

Lois McMaster Bujold Ingi is his nickname, yes.

Glad you enjoyed the tale!

Ta, L.
Lois McMaster Bujold
Yes, I'm enormously pleased by that cover art. Best depiction of a character of mine on the cover I've ever had, and an accurate representation of the story as well. (Although SubPress's cover for "Knife Children" is also up there.)

Ta, L.
Lois McMaster Bujold
Sounds like paranoid fantasy to me. Really, given actual biology, such is not needed.

People do tend to be weirdly reassured to imagine that such things are under some human control, even when they're not. Especially when they're not, I suspect.

Ta, L.
Lois McMaster Bujold
It's a common internet coinage, which is where I picked it up. Like verbal lint...

Ta, L.
Lois McMaster Bujold The difference is one of degree rather than kind. A petty saint can channel a little of a god, a little of the time; a regular or great saint can channel much more. Cazaril was, briefly, a very great saint indeed. The difference between a whisper and a roar, perhaps.

Ta, L.
Lois McMaster Bujold
Er, The Gate to Women's Country is by the late Sheri S. Tepper.

Curious conflation... any idea why your brain/fingers made it? (Did you mean to post this elsewhere...?)

Ta, L.

Lois McMaster Bujold
Ayup, Bosha especially has long tugged at my eye, but a lot of his most interesting events are now already-told backstory, which saps narrative tension. Well, we'll see.

Ta, L.
Lois McMaster Bujold
Not sure what this is in reference to, since it's a separate entry instead of a comment on an earlier question. In any case, you can likely start with The Warrior's Apprentice, available on Kindle, Nook, and Apple Books.

...Or you might be thinking of Byerly Vorrutyer, who makes his first appearance in A Civil Campaign, sequel to Komarr. I rec starting the pair with Komarr, for continuity, tho' By isn't in it.

Ta, L.
Lois McMaster Bujold
This reminds me of that old joke about the fellow visiting NYC asking an elderly passerby, "How do I get to Carnegie Hall?"

To which the New Yorker replied, "Practice! Practice! Practice!"

There is more than one kind of published author, and thus more than one answer with respect to the details, but, "Write it. Finish it." would come first in all my replies. First one must write something publishable. After that comes an obstacle course which varies with the end goal, but one can't run for a touchdown with empty arms.

Ta, L.
Lois McMaster Bujold
Yes, there will be an audio edition. It won't be for several months, however. I should have more specific news in a few more days.

Ta, L.
Lois McMaster Bujold Yes, one could. What difference it would make would depend on the particulars of the human (though not of the demon-elemental-blob, which would be identical in every case.) It might feel less like going mad to the untrained recipient, as there wouldn't be all those confusing animal lives/perceptions/memories to deal with, but it would still feel decidedly odd. (Not to mention carcinogenic, plus the new accident-prone-ness.)

Interesting question!

Ta, L.
This question contains spoilers... (view spoiler)
Lois McMaster Bujold Text does not specify, and Velka is beyond questioning, but we may construe that Velka did not have Sight or any other uncanny powers. Whatever spycraft or informers he was using in Lodi missed that twist, only that "the chancellery sent out an agent with the incriminating letter you wanted".

Ta, L.
Lois McMaster Bujold One or two times a month, I get a question posted to my Goodreads Q&A that is not a question about my work, but rather, some obviously personal message or request that cannot be answered privately in this column. Anything that goes up here is for all eyes to see. Please stop handing me the dilemma of trying to guess whether it would be worse to appear to blow the questioner off by not answering at all, or embarrassing us both by trying to answer here. Use the Goodreads private messaging system for such queries -- that's what it's for.

(A separate subcategory are "questions" that are actually the OP's attempt to parasitize my space for promoting their own self-published work, with not only no relation to my work, but no relation to my genres. Despite my sympathy for (not to mention memory of) the desperation of being an aspiring clueless newbie, I have steeled myself to start deleting those unanswered.)

Ta, L.
Lois McMaster Bujold
Nope, the writing blog I routinely rec is Patricia C. Wrede's,

https://pcwrede.com/blog/

She also has an ebook out of collected posts, Wrede on Writing. Excellently useful stuff all around.

Ta, L.

(And yes, this Q&A desperately needs a search function. Pat's blog has a good one, for those wanting to narrow their focus to a particular topic.)
Lois McMaster Bujold
Nope. Not a peep. Alas, it's not up to me. Media is a buyer's market, and the buyers are the producers, the folks with money, other people's or their own -- or both, given the high costs of production.

I suspect few of them are Bujold readers.

Adapting my material also has a hidden hazard in its interiority --a lot of what readers enjoy is actually taking place inside the characters' heads, where the camera cannot go, or in the stylistic voice (which are mostly one and the same, in my choice of tight viewpoint.) It's the great strength of prose fiction, so I play to it hard, but removing that whole layer for visual media would cost a lot of depth.

Ta, L.
Lois McMaster Bujold
The 5GU is not our world, so I can have them eating potatoes if I want, I just haven't so far. I have so far also resisted "mahogany" for the typical skin color of Cedonians, although it's the perfect term. So my "great green bird" is probably some sort of parrot.

A dog-fox is actually an our-world term; it just means a male fox. As contrasted with a vixen, a female fox.

The sex, not the species, of the animal is usually matched with the supposed gender of the god/ess. So one might well have a male gray parrot for the Father sometime. Color coded where possible -- if they can obtain something close or evocative.

And if the local temple can't afford those fancy flourishes, five kittens with different colored ribbons around their necks can also do the job. It's apparent from the results that the gods aren't fussy.

Ta, L.
Lois McMaster Bujold
Not seen, but it sounds interesting. Closed stoves, regardless of fuel, made a huge difference in, among other things, burn injuries and mortality, back when.

Ta, L.
Lois McMaster Bujold
My books have not sold well in German. But it's also possible the publisher never noticed it was 4 books, not the expected trilogy -- that happened with the Russian edition. I believe we did eventually catch up with them and get the 4th through, but I didn't know about Germany. Urgh, but too late now, as the books are out of print and out of license.

I really don't think many of my foreign publishers pay much attention to my work...

But no, gypsies weren't in my stock of (several) inspirations for the Lakewalkers.

Ta, L.
Lois McMaster Bujold This world's Linnaeus has not yet turned up, though s/he will doubtless be a member of the Father's Order when that happens.

:-), L.
Lois McMaster Bujold
Besides reading such classic nonfiction books as Why Buildings Fall Down

https://www.goodreads.com/book/show/5...

and a good deal of other nonfiction on engineering over the years, one of the oldest roots, oddly, was from a climactic scene from the old British comedy The Horse's Mouth, in which... is it spoilers for a film almost as old as I am? -- a bunch of justifiably distrait people unwittingly cross a rug that has been hastily thrown over the floor to conceal a large hole, and... slowly.. sink... out... of... sight...

I'll have to check out the Ivan song.

Ta, L.
Lois McMaster Bujold
Oh, yes.

More on my Dad here: http://www.dendarii.com/tribute.html

I think you'll be able to connect some of the dots...

Ta, L.
Lois McMaster Bujold Partly coincidence, partly no doubt combinations that my brain, for whatever reasons, finds euphonious, and partly that readerly eyes naturally notice similarities but gloss over the more common differences that blend into the general background noise.

Also, one does run out of pronounceable names that are not-our-world after a while -- quite a short while, now we have Google putting all the real world's languages at everyone's fingertips.

(I get the same effect with age differences across romantic relationships; certain ones jump out at people who have sensitivities about them, making them feel more common to them than an actual statistical survey of my characters would support.)

Ta, L.
Lois McMaster Bujold
I invented it, including the blue horseflies, although it is informed by details from several real-world diseases -- insect-borne ones like sleeping sickness, yellow fever, and malaria, bruising in the extremities like bubonic, and so on. One is spoiled for choice of sources for unpleasant symptoms. I also had a physician test-reader vet it for physiological plausibility.

Ta, L.
Lois McMaster Bujold
Some, in WWI analyses and the like historical examinations. Stuff on the Dunning-Kruger effect (smart people underestimating themselves, non-smart people overestimating) has been kicking around for a while, but that's rather different.

I understand the use of repurposing of standard English words into specific other meanings for the purpose of precise argument, which he does here, but it irritates me, as it seems more likely to lead to misunderstanding than the intended reverse. Otherwise, yes, I get what he's trying to say and somewhat agree.

My own related observation, which does dovetail with the article, is that stupid (in the original meaning) people fool themselves in stupid ways, and smart people fool themselves in smart ways. Examples of the latter may be found in dead-end scientific theories -- all those complex calculations for epicycles of planetary motion were not done by stupid people -- and high-end theology -- Scholasticism makes an interesting study of enormous amounts of brainpower wasted on systematic rubbish. The biggest problem with the latter category is how hard it is for anyone else to combat, since it will certainly look convincing.

Ta, L.
Lois McMaster Bujold
Indeed. Nikys would be a very lucky home gardener, if she had space for it.

Ta, L.
Lois McMaster Bujold
In the near future, no. I am presently taken up with other creative interests.

"Ever" (or "never") is not something I can answer, as story ideas strong enough to grip me trickle in somewhat randomly and unexpectedly. I don't have schedules or contracts anymore, thankfully, so it only depends on my energy level, and conceiving something interesting enough to overcome the temptations of yet more rounds of mindless tablet games. (Which remind me of that old line, "Hard work pays off in the future, but laziness pays off right now...!")

Ta, L.
Lois McMaster Bujold
My condolences on your loss, but I'm glad you found and enjoyed The Sharing Knife.

Fan mail is best sent email. Since you are on Goodreads, the Goodreads messaging system would be best. It is non-obvious how to use it, but other posters may be able to help, or there may be a tutorial somewhere around here.

Ta, L.
Lois McMaster Bujold Right oh. Where possible, it's a good idea for folks to put follow-up questions in the comments section if you want them to be seen together, because GR's random-sort presentation (if you don't select "newest first") may separate them.

L.
Lois McMaster Bujold
No "box" sets planned for ebooks, but really, Amazon has already done this -- https://www.amazon.com/dp/B07W9LXSYG

You just have to click on the series link (in rather tiny print, admittedly) toward the top of the book descriptions on the vendor page.

(Though I see, looking at the Amazon page just now, that Borders of Infinity is missing from the list -- it's actually a 17-book series. Getting corrections out of the Amazon bots is like pushing pudding uphill, so we may not be able to fix this, but I'll bring it to someone's attention.)

Not sure what Nook and Apple Books offer in terms of cross-linkage; someone who uses them may chime in down in the comments.

In addition, my reading-order guide, including the (complete) chronological-order list, appears in the back of every. single. copy of every. single. title of ALL my indie-published ebooks. I have no idea why or how so many people (not just you) are managing not to find it. We've also recently put the "other books by" up in the front matter, so people hitting the "Look Inside" function will come across it right away.

Hope this helps --

Ta, L.
Lois McMaster Bujold
My print publisher for the Vorkosigan Series remains Baen Books, who have faithfully (if sometimes intermittently) kept them in print since 1986.

There have been lots of editions and different cover iterations over that stretch of time. The most recent that comes closest to what you want (including larger print) are their trade paperback reprints, but I'm not sure that list was ever completed. (Though the more recent titles have included going through a trade paperback morph between the hardcover and the mass-market paperbacks, so all the 17 titles may in fact all be covered out there in trade paperback.)

...Aaand I was going to link a sample, but I see that edition is out of print, defeating my own remark -- https://www.amazon.com/Warriors-Appre...

But there's a problem of scale for all publishers with paper reprints. Basically, they can seldom sell enough copies of newly printed old (aka "backlist") books to pay for the effort, especially with cheap used copies of the older titles being so easy to find on the internet these days. About the only time one would see that occur is with a very popular series that has a new ("frontlist") book coming out, to which the older titles can be attached.

Remember, a publisher's paying customers for paper books aren't readers, they are bookstores and chains, wholesalers, and other vendors. Those folks are the ones who have to decide whether to buy a book, and they must do so before any end user ever gets a chance to see it in a store. They don't want to lose money and go out of business either, so they mainly filter for salability.

Ta, L.

(Heh, and now I'm reminded of my own experimental foray into print-on-demand for a fresh trade paperback edition The Spirit Ring. When I posted the news, the very first comment anyone made on it was a guy complaining about the price and telling everyone they could get a used copy cheaper.)
Lois McMaster Bujold
A frequently asked question. Frequent answer: nothing planned, nothing in progress, nothing ruled out.

If you are ambidextrous to fantasy, I have quite a few more works of mine I could point you to, but if you're here you presumably already know about them. In your own time, as they used to say to cannoneers taking aim.

But it's always nice to hear my books are still finding new readers so far into their lifespans!

Ta, L.
Lois McMaster Bujold Glad you enjoyed it -- twice! It's always nice to know my works stands up.

Oh, yes. Bosha was a scene-stealer from his first moment on stage.

Ari-SAY-dia is correct, or at least the way I pronounce it. (Also NICK-ease, although I believe Grover went with something more Greek-sounding.)

Ta, L.
Lois McMaster Bujold
Thank you!

I actually consider Penric to be a pretty normal human being, well, apart from his profession. I'm not sure what it says about our current fiction that he stands out... (There's that line in Thasalon, "Normal people carrying on with unthinking kindness must be as shocking as sudden sunlight to such dark-adapted eyes..." We may have been reading in the dark for a little too long.)

Ta, L.
Lois McMaster Bujold
Nope.

It was likely highly planned to some scientific aesthetic, and, like Athos, veered away from the founders' original visions over time. Real-world example over a similar number of centuries: the Bay Colony vs. 21st C. Boston. I doubt many of the pilgrims could have pictured it, even with 1600s European cities as a model.

Glad you like the names! They are always a challenge for me.

Ta, L.
Lois McMaster Bujold
I don't have a strong preference, but I'd probably go with roh-DAY-oh.

Ta, L.
Lois McMaster Bujold
Nope, never heard of it, sorry. Commenters below may have...

L.
Lois McMaster Bujold No, the WotFG (sometimes abbreviated 5GU) and the Wide Green World are separate creations, never to be conjoined. No matter how hard some tidy-minded fans try.

Plunkins come from water lily roots (magically bioengineered, so GMOs of a sort.) So, probably some sort of tuber, though a proper botanist could likely specify more precisely.

Ta, L.
Lois McMaster Bujold Thanks for the kind words! Answering the second question first, another Penric novella. I hope to get it done and up in another month or so. (We're talking about late 2021, here.)

For the first question, that will change with every reader, and with the same reader over time. But for me, what makes books rereadable are characters that for one reason or another I have come to care a lot about, and so want to be with again. Plot is more of a once-and-done thing.

Ta, L.
This question contains spoilers... (view spoiler)
Lois McMaster Bujold
Don't know Squid Game, so, none.

Ta, L.
Lois McMaster Bujold
Right oh...

A general reminder, personal messages that one does not want posted for the world to read should go on the Goodreads messaging system, to be found under the little envelope icon at the top right.

Ta, L.
Lois McMaster Bujold Miles's bone problems are inspired by brittle bone disease, yes, but I prudently made the cause something more science fictional in case I needed to adjust it to the needs of my plot and characterization. It is not the our-world version, any more than the bioengineered Betan herms are the our-world version of any of the assortment of natural intersex conditions, in the underlying medical details.

Anyway, glad you are enjoying Miles, and that his medical issues ring true for you at least metaphorically. (Which is kinda what fiction does.)

Ta, L.
Lois McMaster Bujold
In my 90th year (or any time now): Betan medicine, natch.

(Star Date was a one-shot Star Trek fanzine (do I need to add "on paper"?) that some friends of mine and I put together out of high school in 1968. I still have a couple of copies in my filing cabinet. The first, but not the last, time Ron Miller supplied me with illustrations, heh.)

Ta, L.
Lois McMaster Bujold
No, actually. Just a coincidence, if not a bad one.

Ta, L.
Lois McMaster Bujold
That is actually a reflection I'd entertained, years ago, but I've never been moved to explore it further.

Glad you enjoy my work!

Ta, L.
Lois McMaster Bujold (The OP adds): "WRT my previous question, my deepest apologies if it’s offensive. It just reflected two things I’m curious about? I think your work is amazing. I read excessively and have found no one that equals you in character development." Pasted together here because GR separates posts randomly.

To answer the second part first, not offensive, just common. Among the most frequently asked fan questions are some variations of, "Can I get more of whatever character/situation intrigued me in X story?"

If people are still thinking about my stories after they finish reading, it's a good sign I've done my job well for them. Nonetheless, I can't give a promising answer, especially not to all of them. (There have to be hundreds by now!)

There are interesting time/shift issues going on underneath, as well. People who are just stumbling across my work for the first time recently (bless them) are getting stories that came out of my head over the span of decades, all piled up at once. I'm not the same writer (or person) I was ten, twenty, thirty, or now almost forty years ago (and a good thing too); I had different psychological concerns to explore at all those times, and so different ones now. (As some readers who were taken aback by Gentleman Jole and the Red Queen have cause to know, and even that is, in the initial conception and writing, almost a decade old.)

Which is a long way around to say (tl;dnr) "Nope." And also never certain, because who knows what ideas will suddenly interest me in a month, a year, or more. (Though not a week, as I just finished a novella.) But it seems more likely to be something new than something old.

Ta, L.

(Bel is doing fine, btw. That's one herm who knows how to land on... well, not its feet in this case, but something better.)
Lois McMaster Bujold This fantasy geography is inspired by but by no means identical to our-world, but I frequently use our world the way an artist uses reference photos, as a quick way of getting the proportions right. With that caution... Orbas would be in the western Balkans, on the Adriatic coast; Croatia roughly. (That "roughly" matters.)

Vilnoc follows more-or-less logically, drawn somewhat freehand and from what I've learned about assorted ancient and medieval Mediterranean cities.

Ta, L.
Lois McMaster Bujold Thank you! I'm looking forward to a peaceful day of mild self-indulgence, topped by dinner with a friend. Well, and some laundry.

Indeed, the Q&A column is designed for questions only; comments and discussion generally go either below blog posts or below questions, or, if private, sent through the Goodreads messaging system.

bests, Lois.
Lois McMaster Bujold
Works as well as any. Thanks! I've had a nice restful day.

Ta, L.
Lois McMaster Bujold
The Daughter of Spring has first dibs. (The Father yields regretfully.)

Ta, L.
This question contains spoilers... (view spoiler)
Lois McMaster Bujold
Yes: Cordelia thought it was just fine, as long as due emotional care was taken; Aral fretted, and had to be Betanly reassured. Which made him roll his eyes -- Betans! -- and then calm down. Which was Cordelia's intent.

(I observe that Betans' long lives would tend to make them less finicky about age differences than our current oddly obsessed fashion is.)

And Jole was quite thoroughly a grownup himself by that point, late 20s. A senior lieutenant considered responsible enough to be put in operational charge of weaponry that could devastate a planet, as his prior post's duties included, can probably be trusted run his own personal life. (And the romancing was mutual, if cautious, like two porcupines trying to date.)

Note that Aral was out of the military at that point, a civilian, so did not think of Jole being his subordinate in the same sense as when he was Regent and commander-in-chief. This got upwhacked during the Hegen Hub crisis, of course, in all kinds of interesting ways that Miles didn't see. Very politically dicey period, in ways that totally eclipsed any personal concerns; Aral's worst nightmares coming in waves.

Ta, L.
Lois McMaster Bujold
Thank you!

Ta, L.
Lois McMaster Bujold
No, those are our only three platforms for ebooks. Given their free apps, they should be available for whatever device you are reading this on, though Nook does not distribute outside N. America. The Blackstone audio editions, however, appear more widely, including in some libraries.

The two, eventually three, Penric collections are also available in the Baen e-bookstore, as a limited exclusive, and I think they do a few more formats. It will be a while till Baen can work around to the newer titles in a collection, though, because Subterranean Press has first dibs for their signed limited editions. (Penric's Labors is tentatively projected for paper publication in December of 2022.)

Ta, L.
Lois McMaster Bujold
I don't do that anymore, for a bunch of practical reasons, including not wanting to drag myself to the post office or shipping store, and not least the chances of parcels being lost en route.

HowEVER, Uncle Hugo's Science Fiction Bookstore or Dreamhaven Books & Comics here in Minneapolis can sell and ship signed new books, personalized by request. No added charge or delay for the sigs, though there might be a bit of a wait on personalizations. (Which means folks thinking of Christmas right now (this is Nov. 14th) may want to build in lead-time.)

Ta, L.
This question contains spoilers... (view spoiler)
Lois McMaster Bujold Huh. I can't find that word-string in either my master file or in my Kindle edition, and thus can't find the passage that puzzles you. Check for a misquote?

Wait, found it. "It's the haut way, is it not?" No, there is nothing missing or mislaid in that passage. Definitely no unauthorized edits, though you may be missing nuance. The haut are big on nuance, and Miles is still young.

You'll have to rephrase your question; I can't make out what you are asking as it stands.

Ta, L.
Lois McMaster Bujold London isn't the only old European city to have this -- Zagreb is another -- but cool about the article.

Ta, L.
Lois McMaster Bujold
No, actually. I was however thinking of the other ancient Japanese/Asian tradition of (upper class, natch) women only speaking to people from behind screens.

(The nonfiction book The World of the Shining Prince is a good guide to Heian Japan https://www.goodreads.com/book/show/7... and an enlightening read-along or read-before if you want to tackle The Tale of Genji.)

Ta, L.
Lois McMaster Bujold
Baen will be publishing a third paper volume of the next 3 Penric novellas in late 2022 or early 2023, to be titled Penric's Labors. It will include "Masquerade in Lodi", "The Orphans of Raspay", and "The Physicians of Vilnoc".

Ta, L.
Lois McMaster Bujold
What they were doing before their marriages I don't know, but after, Olivia would have had a full-time job as Countess Vorrutyer, and Delia, who could be an understudy for Alys by temperament, also would become a political hostess/mover-and-shaker.

Miles does remark somewhere that a countess is in effect an assistant count, though the role is rather freeform, even more so now post-uterine-replicator technology -- counts wear a lot of hats in terms of their duties, and have to delegate if they are to do right by their Districts.

Ta, L.
Lois McMaster Bujold
Aha, I did not know that. Change made. Thanks!

I consider Goodreads to be my public PR face, not a private one, not that anything is truly private on the internet. I'll have to see if this change puts me in the way of more spam. GR is pretty good about keeping that out.

Ta, L.
Lois McMaster Bujold
Fanac is for the fans, and it takes so many new (well, not so new by now) forms on the internet, but yes, those were quite fun to see.

Ta, L.
Lois McMaster Bujold
You're welcome!

Though if it would make you feel less sad to think of the recursion as an opening spiral rather than a closed circle, feel free...

Ta, L.
Lois McMaster Bujold
Hm, this is probably a comment on a prior question. Understandable in this instance, though.

Note that Goodreads separates questions, often randomly, so if you want something to appear with whatever it is commenting upon instead of bobbing around loose and mysterious, it needs to go down in the comments section of the answer given.

Ta, L.
Lois McMaster Bujold
Thank you!

JG&RQ has had quite a bifurcated reception, by my standards, depending on what preconceptions given readers approached it with. It's always nice to hear from someone who gets my intended "study of grief and recovery as changed by science fiction bio-technology".

Ta, L.
Lois McMaster Bujold
Interesting idea, though I'm afraid the 5's minds are much too large to encompass. They're not like the Greek or Norse or even Chinese gods, humans writ large; they are genuinely ineffable, alien even though profoundly part of the world. The visions characters occasionally have of them are human-sized-and-seeming just because that's all the human mind can encompass, like a millimeter leak from a municipal water tower. (Or more accurately as a millimeter leak as experienced from inside a submarine.) Which is also why every vision is subtly different, each shaped by the shape of the mind receiving it. Of all the visions that have turned up in the stories so far, Cazaril's of the Daughter at the end of Chalion came the closest to seeing a god entire, and that nearly broke him, and certainly effected permanent changes in and upon him. A little bit joyously mad thereafter, and inclined to emitting William-Blake-level poetry at random times. (Saint Umegat would make a whole 'nother study.)

Ta, L
Lois McMaster Bujold
Welcome!

That answer will vary depending on the tastes and interests of the reader. The Curse of Chalion is my usual starter-rec for fantasy readers, so you're good to go there. Dive in.

The science fiction side is trickier. If you like to read your series in strict order, Shards of Honor is first in the Vorkosigan series in chronological, publication, and writing order, and also my first novel. If you prefer a young male protagonist, The Warrior's Apprentice, another early and early-series book, also works, or The Borders of Infinity novella collection for a sampler platter, though I really feel that would work better after tWA.

Start the recent Penric & Desdemona novella series with the e-novella "Penric's Demon" or its first paper collection Penric's Progress.

Note that while The Hallowed Hunt is set in the same fantasy world, it does not follow on from the first two, Chalion and its direct sequel Paladin of Souls but is rather a stand-alone set 200 years earlier in another realm and with a completely different cast of characters. If you know that going in, you won't waste time flailing around either waiting for it to turn into a continuation or peeved that it doesn't. It does lay in some worldbuilding useful for the later "Penric and the Shaman" novella.

Happy reading!

L.

-- As always, my compete reading-order guide is here:

https://www.goodreads.com/story/show/...


Lois McMaster Bujold
Not consciously. But I was pleased by the serendipity, when I noticed it.

Divine and therefore theologian does follow in lockstep to becoming a trained Temple sorcerer. Physician was a less-standard bonus. Pen will likely duck lawyering.

The original term "doctor", which dates back to the medieval university system, actually means "teacher", not "physician". (No one will have noticed that I never use the term doctor for 5GU medicos.) A doctorate was actually a license to teach in any Church-accredited institution throughout Europe. An oath-sworn Temple divine has something of the same status, someone to be trusted with teaching.

Ta, L.
Lois McMaster Bujold
I've actually read very little Bronte (just Jane Eyre) and not that one, so no, it wasn't an influence. Ekaterin and Miles's tale came from a wide range of seeds, including real life experiences that won't be available to people tracking literary sources. But Heyer, Sayers, Austen, and Shakespeare are also all in the work's family tree somewhere, to be sure, in the oblique way that such a piled-up compost heap of ideas work out.

Ta, L..
Lois McMaster Bujold Writers have all kinds of systems, variously elaborate. I don't have much. By the time I've written a book, I've read it over so many times it's nearly ingrained, although I notice that now that I have a longer past, more early work is fading out. If it's written and published, I can look it up in the story, or nowadays search text if the question lends itself to keywords. In a pinch, I can ask my fans on my blog or chat list if anyone remembers the detail in question, on the confident theory that among them all, someone will have reread it more recently than I have.

Anything not published can be changed, or changed around, to fit the current story's needs. It's seldom wrong to have a better idea, if it can be sneaked in. So no, I don't have a 30-volume Encyclopedia Barrayarica secreted in my garage, slowly molding. I made it up once; I can make it up, or at least boot it up, again, although my innate laziness prefers not to if looking it up is easier. I do sometimes reread when working out a new story, to prime the pump and refill the well.

Rereads also come in the way of business when a new edition needs proofread, an exercise of incredible tedium that I have had occasion to regret skipping, so there's that periodic reinforcement. (A subset of Don't Trust Anyone.)

Now, I've regretted my lack of system more than once, particularly as the lists of made-up names grow unwieldy. And proper publishers like to have written lists of all the neologisms and usages for their copy editors to refer to, so keeping one as you go along, saving devising it later in a hurry, is a good idea. Also speaking from experiences to be avoided.

"When in doubt, check it" usually works. Problem comes when one is not in doubt but nonetheless wrong, oops.

Good luck!

Ta, L.
Lois McMaster Bujold
I usually toss in Ben Aaronovitch and Megan Whalen Turner when asked this, for recent writers, though really neither are that recent anymore. If you look at the top of this page for my "My Books", there are reviews of quite a lot of things I've read since taking up Goodreads, some recced, some not. I don't review everything I read, and I don't review anything I don't finish or don't like (much the same, these days) and I usually only cover the first of a series.

I presume you've found my other two series, the Vorkosigan Saga and The Sharing Knife tetralogy?

Ta, L.
Lois McMaster Bujold
Please do not use the Author Q&A feature to try to ask private questions. They cannot be answered privately.

Use the Goodreads private messaging system instead -- that's what it's for. To be found under the little envelope icon, I believe. I have recently reset (I hope) my GR email to public instead of limited to GR-accepted friends, so any GR member should be able to use it. In theory. Unless I'm misunderstanding the system, which happens.

(If the questioner has not also set their GR email to public, or possibly been friended by/friended me, not sure, I can't message them in reply either.)

Anyone who actually has used the system is invited to chime in down in the comments to explain how in more detail. The method is non-obvious, unfortunately.

Ta, L.
Lois McMaster Bujold I am sorry for you loss. And yeah, cancer surely qualifies as a Bastard's chaotic curse, almost literally. I'm glad you find something in my work that supports you.

(The Goodreads messging system, to be found under the little envelope icon at the top right of one's screen, is the best way to send me private messages here. Again, if someone wants to chime in down in the comments with exact instruction on how, please do, because GR certainly does not make it obvious.)

Ta, L.
Lois McMaster Bujold That's a frequently asked question, but no. At least not at this time.

Nothing in the pipeline at the moment -- I've been slacking this winter. Or at least re-Covid-sheltering with, at my fingertips, a million Amazon insta-large-print ebooks, most of which I don't want to read, and ten million hours of streaming media, most of which I do not want to watch. It's certainly a post-scarcity world with respect to entertainment. I'd long noticed that information wealth was non-Malthusian, and now it's demonstrated. Brave new world.

Out of all that, I'm glad you have found and like my tales!

Ta, L.
Lois McMaster Bujold
Well, my tale first tripped (literally) over Bel in 1983, supposed to have been a throw-away bit of world-building, scene setting not a speaking or an ongoing character. If I had known, etc. I most regret the use of "it" then because the pronoun would have been far more useful later when my genuinely sexless ba came onto the scene.

The English language is desperately in need of an unambiguous gender-neutral singular pronoun, and if science fiction as a genre had picked one ("zie" ferex), instead fielding a competing dozen, and agreed upon it decades ago as common coin, it might have leaked into the wider culture by now and the problem would be solved, sigh. If I'd given Bel a different pronoun, it would have been one of these or one of my own coinage, certainly not the repurposed plural.

Updating is a problem with multiple pitfalls. First of course is that "current standards" are a moving target that change about every ten or even five years. Any writers engaging in reediting a large body of work to keep up would soon find themselves doing nothing else.

A subtler problem is that, in a very real sense, those long-ago books were written by someone else. Not only am I a different person mentally by now, in 20 years, they say, even one's bones completely replace themselves. To what extent should I have a right to alter that other person's words, to retcon the past, to photoshop that snapshot of history?

Which also leads me to the musing of whether a story is more like an artifact or a person, a philosophical question that would require a lot more tea than I've drunk yet this morning to address.

Ta, L.

(Betan herms, I should probably say again, are not intersexed. They are an artificially bioengineered future sex that does not exist on Earth today. I suspect this fine point of biology slips past many readers.)
Lois McMaster Bujold
The work would have to be licensed by a media production company, one that has the money, know-how, and clout to make such. (I'd love a mini-series for any of my books; feature-length movies have to leave too much out.) It's very much a buyer's market, however, since books are many and media producers are few.

No media company has offered for it yet. Such an event is not ruled out, but it's not up to me.

Congrats on having a very bright young reader!

Ta, L.
Lois McMaster Bujold
I've not used tags before, and am uncertain of their protocols, but I expect it's time to continue my laggard foray into the 21st C. and learn how to do so... sometime...

Ta, L. (Reflecting that knowing how to saddle and bridle a horse doesn't count for much on the computer.)
Lois McMaster Bujold
I'm very fond of By myself.

By's father suffered from being Ges Vorrutyer's younger brother, and was likely molested and certainly tormented by him in various proto-nasty ways when young. This more than anything predisposed him to be suspicious of older brothers, with knock-on effects on poor By. I don't think it would have needed Richars's input, though the latter is not ruled out. (Neither is it made up at this time.)

Ta, L.
Lois McMaster Bujold Heh. That's one of those many pernicious "writing rules" that aren't. Pat Wrede in her excellent writing blog has a number of tart things to say about dictums of that ilk. https://pcwrede.com/blog/ "In danger" is more of a moving target. The character needs a problem that strongly matters, but it need not be life-threatening to do so. (See "Knot of Shadows" ferex.)

That said, when such a death was integral the story, it was the story, and I don't argue with the story... well, I don't win, anyway. Two disparate examples (spoilers follow):

My generation of what became The Warrior's Apprentice actually began with a vision of the death of Bothari, under rather different circumstances than what finally evolved, but that was inherent from the get-go. I'm not sure to what extent he qualifies as "likeable", to be sure. The death of Teidez in The Curse of Chalion was likewise baked into the plot from the beginning.

The death of Aral was something I'd edged up to, and avoided, for years, and it finally took an entire book to get its thematic and emotional work done, both for me and for Miles. That one was likely the hardest.

I recall one review, years ago, where the reviewer complained that he "wasn't going to take my work seriously" unless I killed off Ivan. I decided that was his problem, not mine. Violence is not the only kind of action, and mortal stakes are not the only ones that matter. As always, in writing as in life "It Depends."

Ta, L.
Lois McMaster Bujold
No, not really. The books have shown a pretty good range of them, from the least formal (Ivan) to the most (Gregor.) I don't especially recommend either end for emulation...

You should please, first of all, yourselves, then family & guests q.s. (Q.s. is a Latin abbreviation used in pharmacy meaning "as much as is sufficient; enough."

Good luck!

L.
Lois McMaster Bujold A frequently asked question: frequent answer, nothing is planned at this time.

Ta, L.
This question contains spoilers... (view spoiler)
Lois McMaster Bujold Well, fans can and do make up whatever they want to fill in the blanks, but I see the relationship progressing slowly from the traumas after the Pretender's War, through to increasing mutual respect as they each grow into their new jobs, to secret hopeless silent but not mutually unaware pining in the later years. To, with the chip removal and Simon's retirement, the glorious freedom that we see glimpses of thereafter in the books. So: not realization, but opportunity at last.

Ta, L.
Lois McMaster Bujold There will be a third Penric omnibus, Penric's Labors,, from Baen in November.

SubPress has a one-year exclusive term of license after publication for their editions (really quite short, by publishing standards) so there won't be anything else on paper soon.

Ta, L.
Lois McMaster Bujold
A flimsy is essentially plastic paper. So, folded over, holds things like any other envelope. I picture being able to put old flimsy sheets in some hopper in the flimsy printer to be melted down and re-sheeted for instant recycling.

Ta, L.
Lois McMaster Bujold
You have a choice of two explanations: it was an early work and I hadn't worked out all the details yet, or it was special dress for certain sorts of Imperial ceremonies only.

Ta, L.
Lois McMaster Bujold
Early work, and I don't remember what all I intended. I suppose there could have been an uncle on one side or the other also caught up in the general deadly sweep, possibly Padma's father i.e. Sonia's husband. It was an extended family gathering, after all, plus the death squads struck elsewhere at the same time. Final version is mother, brother, and sister there at the time for sure.

Ta, L.
Lois McMaster Bujold
Nope, sorry, no maps except the fading pictures in my head and whatever you can construe from textev. I'm sure if you made one, the Vorkosigan fan wiki would be glad to post it...

Ta, L.
Lois McMaster Bujold
WA, only my 2nd novel written, pretty much presented itself through Miles's eyes from the get-go. (My first venture into multiple viewpoint was Falling Free, written 4th.) So, no; though if readers find themselves thinking about the other characters' viewpoints, it's a good sign they're getting through the single-viewpoint character's filters (in some cases, blinders) well. I didn't experiment with dual viewpoint till irrc my 10th novel, The Spirit Ring.

Ta, L.
Lois McMaster Bujold
Not seeing the typo here...

?

L.
Lois McMaster Bujold
Ivan always had capacity, but he really was pretty feckless and thoughtless as a youngster and teen. He earned his moniker through a string of boneheaded gaffes, misadventures, and remarks, not recounted. (Nor made up by me in detail, so don't ask, but his nearest and dearest witnessed and remembered, to his later annoyance.) But, like the more fortunate among us, he survived and learned better over time. By 25, he was much improved, and by 35 hardly off-putting at all.

He also, of course, grew in the writing, as did all the ongoing series characters. When he first stumbled onto my page in 1984 in my second-ever book (WA) he was mainly a foil for Miles, though already with his own voice. When the chance to reuse him came up in my fifth, Brothers in Arms he had not only the in-story time but also the page space to develop.

Ta, L.
Lois McMaster Bujold
In order to answer this question and the following -- which is going to get separated btw -- I would have to stop and make stuff up. Which I am disinclined to do just at the moment. Perfectly reasonable question, mind, and I'm pleased that the characters seem real enough to you that you're still thinking about them after the book is closed, but working through the many possibilities seems more a task for the ficcers, who routinely work in multiverses.

Ta, L.
Lois McMaster Bujold
Me making up what Simon and Alys are thinking at that point would be tantamount to committing to a future direction, I think. Many are the possibilities, and I'm not interested in either exploring or cutting them off just at the moment. So you're still free to imagine for yourself...

Ta, L.
Lois McMaster Bujold
No idea. Look on the map and see if there's another large city mentioned -- that would be the best bet. On a river, or in the more populated south. (Somewhere in the farmer-heavy south, not touched on in the tale, seems likely. The map only includes places named in the story, for reader orientation, not all possible places.)

There are also still old coins floating around from lost cities of the past.

Ta, L.
Lois McMaster Bujold
I never worked out all seven, but Oleana centers on Ohio and surroundings, Raintree on western Indiana and Illinois to the Mississippi, Seagate is New England (which does have snow-topped mountains) and eastern-seaboard Canada, Luthlia indeed Minnesota and S. Canada. Not the Dakotas, they're too far west and still recovering from the Big Blight. The south presumably has a name or two for its regions (which would include Graymouth.) I don't believe I ever named all the hinterlands -- it's useful to leave some things undefined to give space for future tales.

The larger map included in the books is as good as it gets for defined geography, though I rearranged it freely when I needed to. The Hardboil was the Tennessee River, roughly, though it's been a while.

Ta, L.
Lois McMaster Bujold
Yes; part of the exploration of the series is how to carry on somehow when your world and your history hands you nothing but bad choices. Triage all the way down. (And I expect Aral is not nearly as admiring of his moral center as some outside observers, as he knows just how much of a bloody mess it really is in this triage tent.)

Falling Free is a spaceship that has sailed, I'm afraid. Diplomatic Immunity allowed me to get in some closure for the tale, though, a century or two late.

Ta, L.
Lois McMaster Bujold
I think that was Elena, when she was explaining opting out of the Dendarii mercenaries to Miles; so somewhere in the first few chapters of Memory. Unless it was Kareen somewhere -- both young women were certainly infuenced by Cordelia.

Ta, L.
Lois McMaster Bujold
I don't think that quote is one of mine... I can endorse the sentiment, though!

Ta, L. (About your same age, apparently.)
Lois McMaster Bujold Original question was here, for the confused: https://www.goodreads.com/questions/2...

(It's always best to put comments on a question in its attendant comment space, or they'll be separated.)

The ellipsis was, as is usual in my and much fiction, and indicator of a trailing off without completion, or a pause in either a speaker's speech or thought-stream, so I don't have to keep putting the clarifying interruptions in stage business -- "Yadda, hadda," he hesitated, "yadda." The hesitations can be for lots of reasons, usually for the speaker/thinker to select the right word, sometimes to read the room, other things in context.

In formal essay and report writing, ellipses are also used to indicate words edited out of material in a quotation -- Yadda yadda ... yadda. Where the missing bits can be either a few words or many sentences.

The first use is more in the nature of a stage direction. The second use is scholarly etiquette. If you've been trained in essay writing, it might be easy to conflate or confuse the two very different functions of this handy punctuation device.

As another general rule of how people read, if something in the writing has confused or discombobulated readers, they are more likely to stumble over whatever comes next, being already dizzied -- even if it's perfectly fine, because their flow-of-attention will be divided between that and whatever they're still chewing over. Sort of a knock-on effect. Which also happens at more macro levels than just sentences, alas.

Ta, L.

Lois McMaster Bujold Technically, the "worst possible thing" would pertain to the plot, not the theme. The theme is an emergent property of the story as a whole, an after-the-fact perception. But anyway.

I've tried to correct this misquote/misunderstanding before, but never seem to catch up. What I was trying to get at in the original exchange was that what happens in a story is most satisfactory for me when it most deeply reveals a character's character. It's not meant to be an invitation to authorial sadism. So it would be much better expressed as "What is the most revealing thing I can do to my character/s?"

I actually think that almost all real people are damaged, merely some less visibly than others. It accumulates with age and experience. So I fondly imagine that I'm just writing about people being people. The damage comes along for the ride.

(There was a particularly wonderful line from Good Omens on that subject: "... most of the great triumphs and tragedies of history are caused, not by people being fundamentally good or fundamentally bad, but by people being fundamentally people." )

Ta, L.
Lois McMaster Bujold Well, I've done very little fishing myself, and no drinking along-with, but I know many people do. Fishing is big here in Minnesota, in all weathers. A painter I once had joked, "I don't have to go ice fishing -- my wife lets me drink at home!"

But any occasion where characters can sit down together makes a good setting for story-advancing dialogue, from meals to being trapped on a boat.

Ta, L.
Lois McMaster Bujold
I've answered this before at greater length, somewhere, if you scroll back through the pile, but I'm in-between. I do a lot of general note taking, and pushing ideas around on paper to see if they'll fit, before I start writing, but it's as much a memory aid as anything. I then narrow down on scenes, my basic work unit, and outline each one quite a bit before I sit down and write it out, sometimes mutating as it goes. Then lather, rinse, repeat with the next scenes in a chain. I don't outline in detail in advance; future developments fade off into obscurity pretty quickly, until I work my way closer.

I have more problems with characters sitting down and not moving than with them running off.

When I'm writing anything at all, that is.

Ta, L.
Lois McMaster Bujold
I don't know if any Vorhartungs still exist or not. Anyway, the Castle is Imperial property and has been for quite some time, probably since some war in the Bloody Centuries. The name just lingers, the way such do.

Ta, L.
Lois McMaster Bujold
Textev never says outright, but the facts of their shown tech level implies they are certainly not below galactic standard in health care including basic genetic tweaking against gene-based disorders or deficits; and for those who use replicators, any fresh mutational accidents that happen during the chromosome do-si-do of fertilization as well. Cosmetic changes, hm. Basic ones probably allowed, but there might be a borderline at which such measures might start to impinge on the haut monopoly of the superpersons project. The haut would always stay a couple of generations ahead in any case.

Advanced tech levels pretty much have to be supported bottom-up, even if partially directed top-down, just to have the necessary educated people to do All. That. Work. At which point such persons will also be taking care of themselves and their own. The average Cetagandans probably find their 8 planets pretty nice places to live, and brush up against the secretive haut very seldom. The ghem would be more visible.

Real population sizes not addressed, but nowhere is as dense as Old Earth yet. Then or now.

Ta, L.
This question contains spoilers... (view spoiler)
Lois McMaster Bujold Spring is flirting with us here, but it's often bait 'n switch -- April snowstorms are not uncommon.

I have no information on Galeni's mom, sorry. Possibilities range from her dying young, to still being around but estranged, by politics or just by distance or remarriage and/or emotional withdrawal from the old pain of her first marriage and all it brought with it. Or just by physical distance, of which there is a lot. People do grow away from each other -- here on Old Earth, emigration often meant never expecting to see one's birth family again in one's lifetime, and galactic travel times are not unlike old sea ones.

Ta, L.
Lois McMaster Bujold This one looks as if it would be best answered in the comments, since it already covers my work. Go for it, folks...

Curiously, I find my reread pile goes in and out of fashion for me; things I thought I'd never tire of go stale, others rise to the surface again after years. Best shorthand I can think of for this effect is that my psychological needs change over time, as do, sometimes, the reasons I reread what turns out to be no longer quite the same book.

I'm glad my work holds up for you. Judging from reviews the book of mine that most changes its effect on subsequent readings is The Hallowed Hunt; possibly because readers stop fighting preconceptions created by other books in the series and the expectations of the genre generally, and start to take it on its own terms.

Ta, L.
Lois McMaster Bujold
Vast cities are described; who do you think lives there?! Not to mention who built all that. And does all the other everyday work that keeps a high-tech society running, much of which is not very high-tech.

"Absence of evidence is not evidence of absence." Turning that around, evidence galore should surely be evidence of presence, even if not many get speaking parts in the highly focused story you see.

Bemused, L.
Lois McMaster Bujold If I read any Wyndham, it's so long ago I don't remember it; so, not an author on my radar, pro or con.

Ta, L.
Lois McMaster Bujold
I have an old and close circle of friends with whom I still trade test-reads or critique of my work in progress, some writers, some just very good readers. I have had a long history of crit groups over the decades, changing as my needs or location has; it all pretty much goes by email nowadays, so geographical proximity is no longer an issue.

My indie-published works do not have a publisher or editor, it's all do-it-myself here in my semi-retirement. I figure if I don't know what I'm doing by now, it is probably Too Late. But my professional editors were very valuable to me in my earlier years, and helped build up the foundation I now rest upon.

A very good source for level-headed writing advice is Patricia C. Wrede's blog at https://pcwrede.com/blog/ Aspiring writers could start at the beginning and read it all, or use the search function to narrow in on topics of interest.

Her ebook Wrede on Writing has a more compact collection. (Pat's been one of that aforementioned circle since the mid 80s.)

Ta, L.
Lois McMaster Bujold
Art vs. Commerce is one of those balances that have varied over the years. It was my good luck that early in my career the stories I had a taste for, and those people would buy, had an identifiable overlap, so "finding my audience" wasn't insurmountable. What I found most pressing back then wasn't content, but the need for speed of production in pro publishing. Publishers wanted reliable writers who would deliver on time and regularly; a book a year or more.

By mid-career, I was more-or-less trusting my audience. From whom a writer had much LESS feedback at that time, therefore marginally less crazy-making. (Because reader response, over any very wide range of persons, is a contradictory cacophony. I was fortunate to learn this early on even without the internet.) And my editors were trusting both me and and their customers, so, while I certainly wanted to write things my publishers could sell, most of my pressure was internal and speed-related.

Pat Wrede, as usual, had a good line for it: if you write something you don't like thinking it's "for the market", and it doesn't sell, you will have wasted your time utterly; and it's worse if it does, because then people will just want more of what you didn't want to write in the first place.

Post-career, none of that applies anymore. I need only write what I like (not that I could ever do anything else) and sales, though nice, are mainly a way of keeping score. What's much harder now is finding any story idea that I like well enough to write at all, and that's enough different from the ever-larger pile of things I wrote before that I bore neither myself (critical) nor my readers.

Ta, L.

Lois McMaster Bujold
Yes, "ser" is meant as a minor middle-upper-middle-class honorific, roughly equivalent to "mister". There could be a matching "sera", but Barrayarans would tend to revert to the more familiar French/British "madame".

I did recycle my "ser - sera" nomenclature to 5-gods Adria-Lodi, both it and Komarr being inspired by historical Venice.

Ta, L.
Lois McMaster Bujold
As with all media adaptations, It's Not Up To Me. An animation producer would have to make an offer.

Ta, L.
Lois McMaster Bujold
Such decisions are made by media producers -- the people with the money and, it must be observed, who undertake the financial risk as well as all the work -- not by fans, but here you go.

Ta, L.
Lois McMaster Bujold
I'm glad you find my stories rereadable! It's a high compliment.

Nothing new is in progress at this time, nothing is ruled out.

Ta, L.
Lois McMaster Bujold
You're welcome!

L.
Lois McMaster Bujold
As always, my pointer for newbie writers is Pat Wrede's blog, and/or her ebook Wrede on Writing. Some of the most level-headed writing advice on the net, and covers, over time, a wide range of topics. (The search function is useful for netting particular interests.) https://pcwrede.com/blog/

Should keep you busy for a while.

Good luck -- L.
Lois McMaster Bujold
Naming is a default custom, not a law; people can and do vary it, for any number of reasons. I can think of lots that might have been the case here, as I expect you can too, but I haven't needed to settle on one.

Ta, L.
Lois McMaster Bujold
Not really; SF and Fantasy are sort of universal receivers, that can absorb all other genre tropes. I have written several different genres even within the same series, and never really had to venture "outside" to explore.

Problems of how to professionally publish in more than one genre or even one subgenre are challenging in the market, due to the way "names" have to be built up to make minimally financially successful sales volumes. Writers who make a go of this need to be prolific (which I am not, especially) and/or to write under more than one name. (Though e-publishing tips over the old-school game board in interesting ways.)

Ta, L.
Lois McMaster Bujold
The novella is too short to publish in paperback by itself -- the Subterranean Press limited hardcover was about the only way to get it on paper without a few sibling stories to make up market weight. That edition is sold out at the publisher, but one can still get copies from Uncle Hugo's or Dreamhaven Books here in Minneapolis.

You can, of course, download the free Kindle app to most devices -- not sure about Nook and Apple Books.

Still no Kobo, sorry.

Ta, L.
Lois McMaster Bujold
That was serendipity. I do not remember at what point I gave Cordelia's late dad his full name, from which Mark's (and Miles's) actually come, whether it was in BiA or earlier. (Well, Da Naismith's first name of course came much earlier, when Miles was named after him.) The unit of money was also named way earlier. Though if my belatedly seized inspiration looks like long-laid planning, so much the better.

Ta, L.
Lois McMaster Bujold
I'm so glad you discovered my work! Also that you nabbed the whole set right off -- unlike my other more episodic series books, The Sharing Knife really is one story in 4 volumes, and needs to be read together like The Lord of the Rings.

Much more exploration awaits you. Be it noted, some of these things are not like the others, as I vary my style according to viewpoint and world.

Ta, L.
Lois McMaster Bujold
They're distracted by the internet? It takes a long time to get famous, and at that point, they're old and tired? People don't write as fast as you imagine? Your question is rhetorical, sure, but really, your guess is as good as mine.

There is certainly no shortage of new writers with new works, so I don't think you risk running out of books soon.

Although I do note, the sort of cutting edge and science speculation that only SF used to bring to isolated readers can now be found online in abundance with the real thing, real science doing amazing things that its practitioners are delighted to show you. Hard to compete with that, or even keep up.

Ta, L.

(Also, this: https://www.goodreads.com/review/show... )
Lois McMaster Bujold You're welcome!

It's always nice to hear that my books stand up to rereading.

Ta, L.
Lois McMaster Bujold
There have been no new story starts this past winter ('21 - '22), so, nothing in the pipeline soon. Breath holding contraindicated.

Ta, L.
Lois McMaster Bujold
Afraid not, if you mean getting it into e-format.

The story referred to, for those who are wondering, was my last piece of fanfiction (Sherlock Holmes, in this case), written somewhat out of the blue in my late 20s. I now think of it as the baby writer trying to peck her way out of the egg, not breaking through yet.

When, in the mid 90s, the SF convention Boskone, at which I was writer guest-of-honor, was putting together their traditional souvenir book of unpublished or other oddments from their GoHs, I didn't have many pieces of unpublished work, as I had done very few short stories after I turned pro, and they'd all (eventually) sold except for that very first novelette, "Dreamweaver's Dilemma". Scraping the barrel, I found the typescript of that fan story, missing its last page, and added it just to help fluff up things.

DD also contains the short story contents of the later Proto Zoa, a few early essays, an introduction by Lillian Stewart Carl some of which I think later got recycled into The Vorkosigan Companion, and some material from the NESFA editors.

The NESFA Press edition of this is still available in trade paperback, with a few copies sloshing around the used market. https://www.amazon.com/Dreamweavers-D... or sometimes Uncle Hugo's can get signed copies.

I consider the fanfic piece to be juvenilia, not part of my early pro work, or I'd have included it in Proto Zoa.

Ta, L.
Lois McMaster Bujold
Yeah, I enjoyed him too. At the moment, I don't know if he'll impinge on another tale. He's kind of a homebody.

Where there's life, there's hope, I guess...

(I have nothing in progress at the moment, I mention merely for hope-calibration purposes.)

Ta, L.
Lois McMaster Bujold I'm not really sure what you are asking for. For some writers, I expect first books recede into the dim mists of time and memory as an increasingly vague blur. The continuing series that Shards of Honor launched in 1986, the need for proofreading reprints of various kinds over the years, and new reviews from readers still just now discovering it has kept it relatively fresh in my mind.

It's... OK, I guess? At this point, 36 years on from first publication (40 from first starting to write it), I'm pretty sure of its survival in the marketplace, so I no longer feel much need to defend it as a covertly-economically-anxious new writer struggling to hold a spot on bookstore shelves. The kids'll be all right, as some song fragment puts it.

The characters from the book still seem to be finding life in some unknown number of readers' minds, which is the only kind of life they can have. So, all good.

Ta, L.
Lois McMaster Bujold While one preferred god is indeed the statistical norm, nothing so far rules out holy sharing.

Ta, L.
Lois McMaster Bujold You can ask an engineer a readily as I can... just tell her what it does, and let her work out how it must look.

Ta, L.
Lois McMaster Bujold
Nothing new on Pen & Des is in progress or in the pipeline right now.

However, I do have a rather unexpected personal nonfiction project upcoming, an e-chapbook of family historical documents that I compiled and edited, on which I'll be making a more complete announcement on the blog here later this month when I make it available through Kindle. So don't let your tablet get too dusty yet.

The e-chapbook will be titled The Gerould Family of New Hampshire in the Civil War, and I've made a preview of the main contents available in my "Lois's Writing" aka "My Writing" slot here on Goodreads, https://www.goodreads.com/story/list/...

Ta, L.



Lois McMaster Bujold
I pronounce them much as you do: den-DARE-ee, guh-LEAN-ee.

The audiobooks narrator and I caught up with each other at one point and corrected some of his earlier pronunciations, hence the inconsistency.

Ta, L.
Lois McMaster Bujold
Not answerable -- the gods are ineffable -- and it's hard to say what happens to a soul in the hands of any god over enough time. But it's fair to guess that people who have been in the afterlife a short time like a century or so will have the most resemblance to their earthly selves, the way ghosts hold their forms only more so, but will begin to change to something less imaginable over longer time, like many millennia. "Union with god" may be rather literal over those scales.

Much the way the next 90 years may shape a person more than the first 9 months, however critical those 9 months were for existence at all. And will certainly be better remembered.

So there would likely be the most perceived differences in one's experience of the afterlife near its beginning, with, mm, maybe not fading differences, but less understandable ones, as time goes on.

Or, imagine trying to explain college life to a 3-month fetus. Heaven here is not a replication of life in the world only better, but an existence qualitatively different, however much it still depends on the world for its growth and sustenance.

Remember, these are not creator gods, but created ones, emergent properties of the world. Though for life after death, they are the only game in town.

Ta, L.
Lois McMaster Bujold Definitely chose another name/s. "Xav" likely features somewhere, speaking of war hero relatives. That diplomat-prince at least had a good galactic reputation

"Ezar" may not appear either, given his history with Komarr, which Barrayar is trying to retroactively woo. Current success patchy but sufficient.

Ta, L.
Lois McMaster Bujold The answer to this question would have changed through time and local polities (countships). Before the end of the Time of Isolation, it wasn't a question that could even be asked, as the tech did not exist. The disruptions of the Occupation and its war would have prevented anyone focusing on such issues, but the tech would have been leaking slowly out from the more to the less developed areas. In general, it's something that would be left to families, not taken up in legislatures -- this could be good or bad.

The law tended to skirt around "women's work". So it's more likely any permissions would be the purview of the mother rather than the father, for girls. Remember, minor girls are by default in the legal custody of their mothers, not their fathers.

By Gregor's reign, empire-wide "galactic standard", i.e., Cordelia-driven, customs of leaving the decision to individuals (so yes, the women) would prevail. (And do remember, that's not the only contraceptive on the market, tho' likely the most reliable -- older methods would also remain in circulation.) Celibacy (for women) would remain a lingering social ideal long after it had become medically moot, I expect. The way it does.

Ta, L.
Lois McMaster Bujold
One of the reasons the plot of that tale veered toward the social rather than the scientific was indeed the timescale of realistic research. I can think of ways it might have succeeded, and ways it might have failed; the only certainty is that there would need to be many trials to get it right, and even then it might flounder on economic-feasibility rocks.

I would point out that a number of attempted bio-solutions in our world have not gone well; cane toads ferex. (Ask an Australian about that one.)

Biotechie people are welcome to speculate in the comments...

Ta, L.
Lois McMaster Bujold Cool!

The biology has always been the most scientific part of my science fiction

Ta, L.
Lois McMaster Bujold I have not, but sounds interesting.

L.
Lois McMaster Bujold Interesting scenario!

Both coming to the same result, though perhaps Cordelia's enthusiasm would have been tempered by maternal concerns that would not occur to Elli. Elli did seem quite willing to just be a cuckoo, and fly away afterward.

Ta, L.

Lois McMaster Bujold Aral had the backbone to stand up even to his conscience, I think...

Ta, L.
Lois McMaster Bujold Trigger and content warnings are a custom that has arisen in online fan fiction. Professional fiction for an adult market has never had them, the audience being assumed to be grownups with agency capable of making and owning their own choices. To me, it would feel like infantilizing my audience.

Somebody else choosing and applying such tags for my work pre-publication would feel a little too close to censorship. Though I suppose it would be better than direct censorship. (Though I can see how it could be argued that this would actually remove the need for censorship, as it maybe seems to do in fanfiction. But I suspect it would just result in authors self-censoring in the effort to avoid audience-and-sales-reducing tags, and editors and publishers encouraging it for the same economic reasons.)

There is also the problem, if one starts such a thing, of where to stop, since there will always be one more outlier who could be imagined to be unhappy about something in the content however arcane or idiosyncratic. Thus those warning/tag blocks one sometimes sees in fanfic that have a higher word-count than the story being prefaced...

That said, I am starting to see such warnings prefacing recent professional work self-supplied by authors who seem to have come out of the fanfiction culture. (It's almost a marker.) So we may be on the verge of a generational divide with respect to this custom.

What friends have to say to friends when handing books around has nothing to do with the foregoing, it should not be necessary to say but probably is.

Ta, L.

(The way fan readers-and-writers set up their own ways of categorizing and filtering work, for their own needs, see ferex Ao3's methods of indexing, as contrasted with the way traditional publishing and bookstores do, is a study worth its own essay or possibly book.)
Lois McMaster Bujold Heh. I agree with you as to the unwieldiness of the series name. (Some fans abbreviate it "5GU" for "five gods universe" in casual posts, but I felt that was not identifier enough for the uninitiated; also I have not yet committed to my theological world-building extending beyond one planet.) "Pentheon" is amusing and succinct, but might make for some confusion with respect to one of my protagonist's names.

Not that there aren't people named things like "Theophilus" or "Theodosia" in real life...

Ta, L.

(It's also now engraved on my Hugo for Best Series, so rather indelible.)
Lois McMaster Bujold You are welcome!

Many books have done that for me, so paying forward is good.

Ta, L.
Lois McMaster Bujold I did persuade myself to start it in the theory it was going to be a novella. When I approached the ~40k word limit for that form and my crew had not yet made it to Thasalon, I conceded. I toyed for a while with splitting it into a novella duology, but decided I'd prefer to keep the story together. As long as it didn't eat a year to write, which it didn't, thankfully. (I still think of it as a novella that got out of hand.) Well, part of the aim of the Pen & Des series was that it was not to be bound to any pre-set template, so, all good.

Ta, L.
Lois McMaster Bujold My maps tend to be pretty rudimentary. There was one of wormhole jump relationships I think I devised for The Vor Game, but nothing more official. There might be something fan-made around -- commenters could chime in below.

Otherwise, there was Ron Miller's nice poster of the e-covers, which I think is still available somewhere. I'd have to scroll way back through my blog for the link, or someone might have it offhand.

Ta, L.
This question contains spoilers... (view spoiler)
Lois McMaster Bujold Not much more than the characters are realizing, I think, a moment of mourning for a personal opportunity of some closer relationship that never really was.

(Other readers may chime in with other interpretations. The hazard of leaving things subtly unspoken between the lines is that readers don't always fill in the blanks with what the writer had in mind.)

Ta, L.
Lois McMaster Bujold
I have a 40-year traditional publishing career behind me, which did my marketing for me, pretty much. So I'm not the best person to answer this question. I have no idea how such things work, but I'd be very cautious of claims from would-be book marketers, or anyone else who is making their money from you and not from your book (as a publisher does.) There are simply too many ebooks competing for too few eyes, too little reading time.

This is the internet age, so there have to be a million self-help sites and vids out there; the problem is finding a legitimate and actually useful one. Kristine Katherine Rusch's blog is a good known starting point for experienced advice. https://kriswrites.com/ Another more recent presenter I ran across who impressed me with being pretty level-headed was YouTuber M.K. Williams, ferex https://www.youtube.com/watch?v=1LsqE...

But ultimately, books have to sell themselves, be appealing enough to enough readers to keep them coming back for more, and recommending them on to their friends. This requires a) writing enjoyable or useful books, and b) writing more books to come back for. As a rule of thumb, both pre- and post-internet, a writer is better off directing their limited time-energy budget toward producing new quality work than various frantic or annoying attempts at marketing.

An error I saw in the early days of the internet egoldrush with respect to b) was writers throwing all kinds of old crap up just to have more items to catch the eye, ultimately counterproductive. Every book put up needs to be good enough to bring its random reader back for more, because that may be the only chance to snag that readerly eye the writer gets. (The hitch in this plausible advice is the definition of "good", which in reading is very subjective. Understanding this has allowed quite a few indie writers to do well in their own quirky niche markets that Big Publishing is not structured to serve.)

If any commenters do have actual experience with modern book marketers, or "marketers" as the case may be, good or bad, do chime in down below. It strikes me as an arena that would be rife with scamming pitfalls.

Ta, L.
This question contains spoilers... (view spoiler)
Lois McMaster Bujold
Correct, Joen's demon is not Des. But an interesting compare-and-contrast about how much can go wrong with a demon too long in the world under corrupt and corrupting and/or ignorant masters.

Desdemona was much luckier in her riders, not least because she fell into shrewd and nurturing Temple hands soon enough.

Best Temple vs. Worst Hedge is kind of cherry-picking the moral gradient; there can be hedge sorcerers who do well, due to their personal integrity, and Temple sorcerers who do badly due to their lack of same -- we saw an example in Tronio. But the Temple's oversight, or, more correctly, the oversight of the better folks in the Temple, do try to improve the odds.

A demon's underlying nature is chaotic-destructive; that never goes away. Even a demon as "good" as Des could be spoiled if it fell into the hands of a bad enough rider. Whether a demon as smart as Des could get herself out of that trap, ah, more promptly than natural is another interesting knock-on question. With its own consequences...

Ta, L.
Lois McMaster Bujold You're welcome!

Heh. Cordelia is sort of a maternal fantasy for me -- she does it so much better than I ever could. Professional driver, closed course, as they disclaim in those commercials.

Ta, L.
Lois McMaster Bujold Nothing metaphorical; it was just an adventure book (and movie, by the way) that would be utterly alien to the quaddies, but that modern readers would recognize, and thus recognize the absurd mismatch. (Well... maybe.) It has a sequel, Rupert of Hentzau, an early entry into the "let's explore the villain as a hero of his own tale" trope. I've read both, long ago.

Ta, L.
Lois McMaster Bujold There is no Vorkosigan (nor, just at the moment, anything else) in the works, so the question is moot.

As a general rule for all my work, my process is to have the idea and to have worked through at least the first several chapters, and ideally most of the first draft, before discussing contracts or even content with anyone. I want it to feel really solid before making promises.

Historically, this has varied quite a lot, including having sold a work on a one-word outline as part of a 3-book contract and then writing something completely else. (As I dimly recall, it was "Quaddies", a vague notion for a sequel to Falling Free, which actually ended up being The Vor Game. No one complained.) But I'm much more comfortable selling work after it is written.

Ta, L.
Lois McMaster Bujold That's a frequently asked question! But no, she remains one of the many dangling threads that happen when a writer makes up so many people.

...33 years ago, from my point of view, even though some readers will have just met her last week.

Ta, L.
Lois McMaster Bujold The Zangre was inspired by the Alcazar of Segovia (Cazaril's name is also a part anagram from the same source.) I don't know the Verdi opera, alas, but if you do, that may be enough to figure it out.

Ta, L.
This question contains spoilers... (view spoiler)
Lois McMaster Bujold I don't have any plans at this time for NextGen tales, no. Nor names in mind, although I'm pretty sure the crown prince is named Xav.

Ivan and Tej will likely have children eventually, one trusts in time to gratify Alys.

Ta, L
Lois McMaster Bujold Glad you have enjoyed the series!

No, I'd not heard of Flaherty, though after my series got started many short soldiers of history were brought to my attention, most interestingly Prince Eugene of Savoy and Homer Lea. (Both worth a look-up.) Miles's actual inspirational roots run more to T. E. Lawrence and the young Winston Churchill, though not in any 1:1 manner.

Ta, L.
Lois McMaster Bujold I wouldn't say worry, exactly... mildly speculate, perhaps.

The trouble with real-world prognostication it that it tends to straight-line thinking, "if this goes on", when in fact events are a giant snarl of many factors all of them constantly changing, interacting and mutating, with new and unanticipated ones jumping in from the side out of seeming-nowhere. Realistic fictional speculation should share a touch of this, I think.

Ta, L.
Lois McMaster Bujold No, sorry, I am not a professional reviewer, and I do not read and review on request. My Goodreads reviews are merely comments on (some) things I chanced to read already.

I also do not review works I did not finish, anything I did not like (strong overlap there) or, usually, more than volume one of multi-part works.

(Thank you, by the way, for not putting in the particulars of your book into this unavoidably public reply forum, turning the question into a stealth ad that I can only deal with by not answering at all. I appreciate the courtesy.)

Ta, L.
Lois McMaster Bujold Mm, maybe, but more likely not. The Barrayarans might have gained temporary control in space, of the wormholes and maybe the orbitals. But if the purpose of the war was to annex a functioning planet, and not just reduce it to a cinder, that's ground war of a very ugly and expensive sort, with a very long and thin supply line. Escobar also has a considerable population advantage.

One must also consider the wider diplomatic context. Intimidating the neighbors is one thing; terrifying them into uniting against you, another, and more than two can play that game. Possibly by different rules. Cetagandan micro-surgically-genetically targeted biowar, anyone...? (Which, if the target planet can be quarantined behind wormholes, bears less risk of blowing back on the caster. Highly inadvisable if the opposing sides are occupying the same planet.)

Ta, L.
Lois McMaster Bujold In the real world, "ineffable" is usually a synonym for "we haven't figured it out yet", or "this is too hard for me to understand." Still, what is understanding? For most people, it's metaphors all the way down.

Though if you take "ineffable" as a description of an emotional response, akin to "awe", mm, maybe.

That said, it's interesting to imagine the sort of mental effort that went into development of the scientific worldview in our world going into practical theology in Penric's world. (The medieval Scholastics make a fascinating study as a worked bad example. So much brainpower wasted on so little use...)

Ta, L.
Lois McMaster Bujold Hee! Now there's a question worthy of Scholastic-style debates... which I am sure enliven the halls Wot5G seminaries, with or without late-night beer.

Ta, L.

(Dang, "5GU" was a more succinct acronym. Too late now.)
Lois McMaster Bujold Well, I have more in the world of course -- The Hallowed Hunt and the, now, 11 Penric & Desdemona tales -- but presuming you've already found those, I suspect what you hanker for are the particular characters from those first two novels. Thing is, I feel both Cazaril's and Ista's great spiritual journeys are complete. Anything added would be anticlimax or smudging. Novellas are less ruled out, but would feel like writing my own fanfiction. Which I am not above doing, but the story-notions that have compelled me have gone in other directions.

If one looks beyond that core cast of characters, it's a whole world and there are many other people-possibilities in it, yes, hence Penric & Desdemona, or Ingrey and Ijada for that matter. If you haven't found HH and P&D yet, the question is easier to answer -- I can just point.

In any case, I'm glad the Chalion duo has held up for you after all these years! ...Decades now, oof.

Ta, L,
Lois McMaster Bujold Pen's times in Lodi, Martensbridge, and his shaman-student year in Easthome are all still on the table, but in addition to needing the right idea, it needs to be one that fits in without throwing off later-set stories written earlier. This is tricky, like swapping out one card in the second layer of a six-layer house of cards.

Ta, L.
Lois McMaster Bujold The earthworms, perhaps. Although given the worms' imminent fate of being stabbed, drowned, and eaten by fish, that may be a distinction without a difference.

But, Science! Don't just speculate or assert, test!

Ta, L.
Lois McMaster Bujold Heh, I once visited Venice briefly, too. Very memorable!

The idea is certainly not ruled out. Anything that involves research I've already done has a certain edge.

Ta, L.
Lois McMaster Bujold Indeed not! Thank you!

Lois.
Lois McMaster Bujold Thank you! I had a very pleasant day.

Ta, L.
Lois McMaster Bujold Not very belated. I had a very pleasant day. First dinner out in a very long time!

bests, Lois.
Lois McMaster Bujold It's quite enough present for me that you read and enjoy my work!

And that folks in general have been doing so for so many years. Very gratifying.

Ta, L.

Lois McMaster Bujold It's hard for very short works to be profitably marketed on paper. People expect a certain heft for the price they must pay. Short story collections and anthologies, which are the only way to make up market weight, are notoriously poor sellers in paper compared to novels. (Novella collections aren't much better.) So yeah, I don't know about popular, but ala carte short stories are much more possible to sell electronically than on paper.

(A collection, in this context, is a book of stories by one writer; an anthology is a book of stories by many writers.)

Ta, L.
Lois McMaster Bujold Thank you! I had a pleasant birthday.

Ta, L.
Lois McMaster Bujold Less security than temporary privacy, in Pen's case, in a moment when he had no sealing wax. Nope, I had not heard of letter locking before.

Ta, L.
Lois McMaster Bujold Uncle Hugo's Science Fiction Bookstore is getting their copies from me, till my very limited supply runs out. So if you want the resale price to go in part to the author, that's the place to go. And Hugo's takes care of the sales tax and shipping, bless them.

If whippets are as hyperactive as I think, your dog may be very well named!

Ta, L.
Lois McMaster Bujold I'm perfectly happy to enjoy my birthday all year long. Or, of course, there are always Unbirthdays.

Ta, L.
Lois McMaster Bujold Mostly I'd been just trying to select the Barrayaran ethnic names in ways that reflected or hinted at the varied regional origins of the Firsters, but I did have a quite wonderful trip to Finland for a convention some years back.

(This name selection process has been much aided by the arrival of the internet, so I'm not limited anymore to ideas gleaned from my local phone book.)

Ta, L.
Lois McMaster Bujold I suspect you underestimate how much planetary (or national) governments cost, and how many projects compete for funding. $406 billion for the US Federal alone for one year, a quick google suggests, not counting the states, or the rest of the planet. And we don't even have a space navy...

As some legislator once quipped, "A million here, a million there, and pretty soon you're talking about real money!"

Ta, L.
Lois McMaster Bujold With 9 to choose from, I'd imagine there'd be a wide range of relationships possible. A more cousinly relationship would be likely between Cordelia and Jole's kids and Miles's. They'd likely see each other once, maybe twice a year, depending on travels; about what you'd get between cousins living in different distant states. But Miles would be functionally more uncle than brother.

(Cordelia's girls are full sisters to Miles, Jole's boys are half-brothers and some mitochondrial change. They are all aunts and uncles to Miles's kids, all younger than their nieces and nephews, doubtless the source of many family jokes.)

Ta, L.
Lois McMaster Bujold Only in the broadest sense of "a Barrayaran Regency/Shakespearean romantic comedy". Komarr was the romantic drama half, and it would have been a tonal mismatch to try to jam both parts together into one book.

Parts that came up only well after I started writing the first draft were Mark's butter bug plot, recycled from an abandoned short story idea, and Ivan's plot with Donna/Dono. Ivan's subplot gave me fits, as I generated and slew several bad ideas, till Dono arrived and took over, in all her/his thematic perfection.

Viewpoint, and limiting it, mattered hugely in structuring and centering the story. At one point I had an early scene from Pym's point of view, which would have pulled the tale off-course into a study of armsmen in the capital, which, however intrinsically interesting, was not what turned out to be thematically on-point. Also I dimly recall (it's been over 20 years, yowza) a scene either written or outlined from Gregor's point of view, which would have had a similar problem. His romance was told in Memory and did not need revisited.

More high-level fannish musing on ACC here: http://dendarii.com/accc.html

Ta, L.
Lois McMaster Bujold You're welcome!

Hugo's does a great job for my books.

Ta, L.
Lois McMaster Bujold I have no idea. He likely went on to an unexceptionable career as a Barrayaran officer, mustering out at either 10 or 20 years depending on his career prospects. But, really, a blank, as characters drawn from central casting for bit parts so often are.

Ta, L.
Lois McMaster Bujold I could swear I answered this this morning, but apparently I sent it into oblivion. Anyway, winter solstice would be the Father's Day proper; "Father's Midwinter" would be halfway through the quarter, or about Groundhog Day. (Hence the point of the old joke, which I never got as a kid, that if the groundhog sees its shadow there will be six more weeks of winter.)

You all can do your own arithmetic for the other god-mids, although there is no certainty that the year or even the day is the same length on the Five Gods world as our own. (Solstices and equinoxes would still divide it up evenly.)

I didn't much address holidays in the world of The Sharing Knife, but one may assume solstices, equinoxes, harvest festivals, and local memorials would be observed variously.

Ta, L.
Lois McMaster Bujold Thank you!

It's something I wonder about, when I'm in a bio-evolutionary mood -- why do people's brains even do fiction? Storytelling is something done in every culture, and generally anything so universal has to have a biological root. Story-making certainly ties in with language -- even the most utilitarian uses of speech, like describing where that good berry patch or fresh carcass may be found, involve using sounds to make pictures appear in other people's brains/minds. From there to mistakes, making pictures that aren't true, to lies to stories is no step at all; they all use the same program. (Teaching, too.) I suspect empathy, mirroring as recent psychology dubs it, came before speech, but speech taps into that as well.

Emotional responses to fiction may be induced by immersion, giving the reader as close to the characters' experiences as possible, teaching as it goes. They may also, much more succinctly, be induced by evocation, drawing up (presumably) shared experiences from the readers' minds, which is very powerful when it works but can fall flat if the reader doesn't have any analogue to the experience, or knowledge of the reference. (The bifurcation of responses to the end of Cryoburn, to judge from some readerly discussion, sometimes seems to depend on what real-life bereavements the reader has suffered, in a sort of resonance. Or not, as the case may be.)

"I loved that character" is often assumed, when it happens across gender boundaries, to be the reader positing the character as an imaginary heartthrob, but I think it is way more often identification, strong empathy. (Not that it can't be some of both.) It's certainly identification for me, sometimes in the most oblique ways, when I attach to a fictional character. (Confusing the two forms of attachment has led to some rather mis-aimed readers recs, both to me and by me.)

Any of the above paragraphs could be a 10k-word essay, but there isn't enough space. Or tea. Consider them the boiled-down takeaway, tl;dnr without the r.

Happy New Year to all, this snowy morning --

Ta, L.
Lois McMaster Bujold I don't voluntarily do videos, and I can get about all the fan interaction I can handle right here. So you likely need to canvass younger or more active writers.

Ta, L.
Lois McMaster Bujold Wow, that's a hard question to answer. There have been many many books I've liked over the years, fewer I've liked over decades, fewer still that I'd want to reread right now, some authors that are lingering faves but have a lot of books or a tight series -- Pratchett, Heyer, Turner, Tolkien. But you need a book, not a bookcase. I'll assume you've read The Lord of the Rings, so let's go with, hm, Georgette Heyer's Cotillion. There are half-a-dozen titles of hers that are first tier that I could have offered instead.

Otherwise, Megan Whalen Turner's fantasy The Thief, but N.B., that's the first book of a 6-book series, and it takes the first three for the full reward to really slot in. (Not a hardship.)

Ta, L.
Lois McMaster Bujold Well, I was actually thinking of "The Sorcerer's Apprentice" at the time, as the title points to, but I like this parallel too.

:-), L.
Lois McMaster Bujold Well, I have, or had, a broad scheme of things in mind at one point, lacking detail and most critically, characters; though a bounded or restricted range of possibilities is still many many. But mostly, it would be a downer. I neither read nor write dystopias or disaster epics. And writing smaller scale cozy stories pre-disaster in a world all the readers know is doomed would feel weird.

So, likely not.

Ta, L.
Lois McMaster Bujold Thank you for the kind words, and I'm deeply glad my books are serving you in your need. That's a function of fiction I think gets overlooked in so-called "critical" thinking, along with other emotional impacts and effects on readers generally. (Crit tends to valorize the political over the personal, and my dim opinion on that would take a whole essay.)

Ta, L.
Lois McMaster Bujold Correct. Like "Smith". The ba knew enough to select an unexceptional name.

Founder effect, ultimately. The short pre-VKverse-story "Dreamweaver's Dilemma" explains that, indirectly. (To be found in my e-collection Proto Zoa.)

Ta, L.
Lois McMaster Bujold A throwaway line. Bel likely acquired it in some spaceport shop on a whim. Hamsters are not long-lived creatures -- or at least, my daughter's never were -- so I imagine it was a temporary indulgence.

Ta, L.
Lois McMaster Bujold Don't know PET -- thanks for the heads-up -- but this does suggest where Aldous Huxley got the idea for his 1932 SF novel Brave New World. Which is the earliest place I, and I suspect a lot of other SF writers, got the idea for what is now a fairly standard genre trope for anyone who thinks about future biology in any depth.

My uterine replicators are actually a bit of a conscious argument with Huxley -- it's been decades since I read his book, but my young Midwestern mind was left with the impression that he used the technology as an exploration of specifically British class tensions, alien to me, but, fair, that sort of political allegory is what a lot of SF does. But I thought, yeah, but what would real people do, for which my first and ongoing answer was "not just one thing, but all of the things". So I've tried to include as many different uses and social consequences as I could think of.

Ta, L.
Lois McMaster Bujold Either or both would be fine -- one does not preclude the other if one's media contracts are written right. Though I would especially like to see Falling Free as an animation. And I always thought The Spirit Ring would be great done by some spiritual heir of Ray Harryhausen, for its climax sequence. Either could be feature-length -- Miles would really need to be a series or mini-series, whether live or animated.

Media adaptations are a buyers' market, though, so it's not up to me. Somebody with a hundred million dollars would have to decide it would not lose money for them, and such persons are very rare. (Possibly a lower budget and bar for animation, but still the same problem.)

Ta, L.
Lois McMaster Bujold
Two reasons, well, three, one extrinsic and two intrinsic. Extrinsically, the age gap gives a proxy visceral response to some readers parallel to the in-story visceral response of characters to the bloodline gap. Modern readers, well, any that are likely to pick up my books, would presumably scorn a negative response to the latter; quite a few of them recoil from the former. Alas, absolutely no one other than myself has ever made this mirroring cultural compare-and-contrast connection, one of the many sub-components of the long journey-of-understanding the books try to give to both characters and readers.

Intrinsically, this is what the characters were when they walked into my head. I don't argue with that gift.

But more specifically, Dag and Fawn stitch together what were at the time the two emotional ends of my own generational life experiences. I was 55 when I started writing the tetralogy, as post-adult as I'd ever been, and I most certainly remembered being a late-teen girl-woman, desperate to start my adult life. (Which makes Dag, not Fawn, my Mary Sue, but a lot of people don't seem to realize that strong identification with characters, for media creators and consumers, crosses genders. Which is a whole 'nother essay.)

So, yeah, very thought out.

Ta, L.
Lois McMaster Bujold
You're welcome! The series gets even better in the next couple of volumes, by my tastes.

Ta, L.
This question contains spoilers... (view spoiler)
Lois McMaster Bujold
You are entirely welcome. That wasn't a reader-response I actually anticipated, no more than I anticipated the first responses to Miles or the quaddies or Ethan from readers who had real-life reasons to feel special identification or recognition with them when, to me, the characters simply were who they were. I continue to learn from readers.

Ta, L.
Lois McMaster Bujold Nope. Bothari's unknown father was a Random Customer, probably without gene cleaning so probably Barrayaran not galactic, not that there were many galactics around during that period. Well, apart from the Cetagandans, who would have been gene-cleaned. (See: Rene Vorbretten.) Outside possibility, dad was a passing spacer crewman with considerable radiation or other accumulated gonad damage, though.

If Barrayaran, caste or grand-caste of dad also unknown. (Recalling Cordelia and Piotr's breakfast conversation on the subject, Vor ancestry of some sort is possible, sure, somewhere up the tree.) Some of Bothari's problems also may have been what is now being called epigenetic, exposure to toxins in the womb due to things his dodgy mother was ingesting; some was certainly due to the toxic social environment in which he grew up.

Ta, L.
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Lois McMaster Bujold I'm not sure I'd call it unconscious... :-)

But yes, Venetia was a fun book. Not my favorite of Heyer's, but there are so many of hers vying for the top spots that's no disrecommendation.

Ta, L.
Lois McMaster Bujold Heh. There's a satirical fanfic waiting to happen...

For added bonus points, and a longer fic, imagine the roster of the rest of the characters in the role, for compare and contrast. I mean... Cordelia. Gregor. Aral. Ivan. Illyan. Alys... Yeah, it could be worse. Older Ivan might not be so bad, though.

Ta, L.
Lois McMaster Bujold
A lot of people choose not to read my books, for a lot of reasons. Whether, when, or how any given reader may come to find or to process one's works is beyond the writer's control, and always will be. Still moreso after the writer dies. I mean, really, could any of the many older writers I read have even begun to imagine me, or where their words would fall, and how? The 11th C. Byzantine biographer, for example. Through his book, I could imagine him; the reverse is very much not true.

The one thing I can do that I can control is to try to make each book work as a stand-alone, as well as being part of a larger series structure. I do the best I can, where I am, with what I have, each year. After that, my words are necessarily cast loose on their own, sink or swim.

That said, I am very pleased when my books do work well for someone, as evidently in your case.

Ta, L.
Lois McMaster Bujold
Well, never say never, but I am not writing at the moment.

Ta, L.
Lois McMaster Bujold
Oh, sure! Also, the enthusiasm of this reviewer is pretty charming.

But the thing I still marvel at the most is how books that were written with the expectation that they would have a bookstore shelf life of maybe two years are still gaining brand-new readers decades later -- some of whom, alarmingly to me, weren't even born at the time of the works' first publication. To me, that is really beating the odds, especially in a genre that risks becoming dated very rapidly.

Ta, L.
Lois McMaster Bujold
Answer unknown. Or at least, not made up by me. What career one wants at age 9 can change quite a lot between then and age 20. Or age 30, for that matter. Consider the gap between "wants to ride horses" and "writes science fiction", for a near example.

Ta, L.
Lois McMaster Bujold Yep, if we're both remembering the name right. Much about that period of Wealdean and Darthacan fictional history jumps off from Charlemagne versus the Saxons. (Itself an extension of the earlier conflict between Romans and Teutons.)

Ta, L.
Lois McMaster Bujold
No, all of Des's elements are, as it were, native to the 11 Pen & Des tales. No outcrosses.

Ta, L.
Lois McMaster Bujold
The reader can suit themselves, but I imagine Betan accents as rather American Midwestern, and Barrayaran as a sort of British actor doing stage Russian.

More realistically, one may imagine them as future English translated into current English, the way we routinely treat languages in fantasy worlds.

Ta, L.
Lois McMaster Bujold
I will be at Minicon next week, which is right down the road from me, as a local writer guest. I've retired from the con circuit, but this was a special exception for a friend, with no travel. Otherwise not.

Ta, L.
Lois McMaster Bujold
Oh yes. Copies of my Croatian editions sit on my foreign-rights bookcase. (Bookcases. 4 so far. I try to keep one copy of every title in every printing in every language, when the foreign publishers send them, which they don't always.)

Ta, L.
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Lois McMaster Bujold It will vary with the ba, but a tendency to treat them like what used to be called "a red-headed stepchild" rotating with "highly prized science project" is probably baked in. Which can't be a good combo, psychologically.

Ta, L.
Lois McMaster Bujold
Nirvana in Fire is on my to-be-watched list -- it will be a considerable time investment. I do have it to hand on viki.com which I'd signed up just to watch the Nie brothers spin-off Fatal Journey, worth it, but viki comes with a million hours of other stuff, eep. My media-watching buddy and I just finished up Word of Honor, which was, hm. Good tour of the genre, about which I know little yet, but none of the characters grabbed me the way The Untamed characters did.

If you (collective you) have any other Asian media recs from viki or Netflix, trot 'em out in the comments. I am, this first pass, mainly interested in fantasy. Do not want crime or horror or grim dystopias or most mainstream, although Extraordinary Attorney Woo turned out to be a winner. (Also on Netflix.) Do not want wall-to-wall angst. I don't need broad comedy, but some sense of humor somewhere in the script is a plus.

Also have watched Hotel Del Luna, Korean mostly-modern fantasy, quite wonderful, recommended. 3-D animation Green Snake also turned out worthwhile, despite its dystopic beginning, which was eventually explained satisfactorily. Once Upon a Time on Lingjian Mountain was very silly, but a good tutorial in xianxia genre tropes and cliches.

(Our The Untamed panel was a bit frustrating -- it was billed as a geek-out, but since half the audience hadn't seen the show, it mainly ended up a pitch session. Trying to describe the show without spoilers and still sound coherent is probably not possible.)

Ta, L.
Lois McMaster Bujold
Many, many fans have asked, and the answer is no; I do not wish to bathe my brain in that much dire.

Ta, L.
Lois McMaster Bujold
You're most welcome, and yes, I'm glad that ending worked for you as intended. The solution to a different meaning of the word "mystery" than some readers expect, I suppose.

Ta, L.
Lois McMaster Bujold
Pen had met the archdivine of Adria at a Temple conclave in Carpagamo a few years back that he'd attended in his own princess-archdivine's train. I've always felt that event and setting ought to have a story-worthy plot attached, but I've never been able to come up with one. So a combination of reasonable proximity, some acquaintance, and, as many people anxiously circulating resumes find the clincher, an actual offer.

Also, warmer climate.

Ta, L.
Lois McMaster Bujold
Heh. Probably not. It lives in the same throwaway-line box as the politician, the lighthouse, and the trained cormorant. (A famous throwaway line from Sherlock Holmes, never followed up on... by its original author.)
Lois McMaster Bujold
Alas, no motivation at present. I've been dividing my attention this past year between home maintenance and renovation, Asian media, and far too much Spider Solitaire, which crept back onto my tablet after I'd bravely booted it off. Weirdly soothing, but very much what my mother would have dubbed "a sinful waste of time." The home maintenance projects, at least, must come to an end soon.

L.
Lois McMaster Bujold I'm very pleased with this edition, too!

Folks who want to see the cover can view it on SubPress's website,

https://subterraneanpress.com/knot-of...

Ta, L.

Lois McMaster Bujold That will depend on the individual library; whether they have purchased my titles for their collection, and/or have not, what is that weasel-word, "de-accessioned" them.

Most of my books are still available on paper in one form or another, and Blackstone keeps all my titles available as downloadable audiobooks. Anyone who wants to see a particular title in their local collection needs to ask their local library.

Oh, I should add, I have several e-titles available to libraries through OverDrive.

Ta, L.
Lois McMaster Bujold No plans at this time.

...Not just in this context, I reflect that there is an interesting sort of readerly mania, or perhaps narrative tension, that if a secret is shown a story, it must be Outed before the end. I wonder why that is. Conditioning by the mystery genre...?

Ta, L.
Lois McMaster Bujold
There are two kinds of block for me. One I might dub a "local block", where I am stuck for a time on what turn the next bit of a work in progress should take, because I haven't yet thought of a good enough one, or I've thought of a bad one and my characters go on sit-down strike till they're offered better wages. It may last for weeks, but by now I recognize it as part of my normal process. It was only a problem back when I had deadline pressures, though a story does have its own internal narrative drive as well -- "the work demands its own completion" is the way I've phrased it.

The other is more internal, or perhaps global, what a friend of mine dubs "a general disinclination to write." I may be in one of those at the moment, though it's kind of hard to distinguish from "being retired". Or maybe just being tired. It would go away on its own if I had an idea that gripped me harder than whatever life distractions I have, I suspect.

Ta, L..
Lois McMaster Bujold
I haven't heard from Easton Press in years and years, so probably not.

I'm not actually sure what speculative fiction Easton is publishing these days, but I suspect it would run to hot new frontlist bestsellers, not quiet evergreens like my current stuff.

("Evergreens'", in this context, is a publishing term-of-art for books that aren't or never were bestsellers, but continue to sell in modest numbers for year after year into multiple decades. The Warrior's Apprentice would be a good example -- never a best seller, never won an award, never out of print for, now, 37 years. The Tortoise can definitely win in the word-of-mouth race.)

Ta, L.
Lois McMaster Bujold
I am sorry for your loss, whatever form it took. I'm glad my work can serve you, in this or any other need

best wishes, Lois.
Lois McMaster Bujold
In the rough & ready sort of way I'm taking inspiration from Midwestern American rather than the bog-standard European models for fantasy worlds, yep, Pittsburgh. (My parents' hometown, btw.)

Barr and Remo can probably learn how to do unbeguiling much as they learn other groundwork, as their skills and strength grow. Some Lakewalkers will doubtless be better or worse at it than others, through innate capacity or personal psychology.

Ta, L.
Lois McMaster Bujold
Heh! No, I did not. Not the first mammal named after one of my characters, if so. Forward momentum, Miles, I guess...

Ta, L.
Lois McMaster Bujold
Not impossible. When last seen Pen had not yet gotten around to his Ibran translation, but there's plenty of time (and time for downstream translators) yet. Not to mention seminary libraries would likely have books in neighboring languages, as academic libraries tend to do.

Ta, L.
Lois McMaster Bujold
I haven't been following that, tho' someone else had mentioned the horse name, but interesting to know!

Ta, L.
Lois McMaster Bujold
Good questions. Purify seawater, sure; it just needs evaporated and condensed, tho' if one is in/by the sea, the air should be damp enough to skip step one. Ice wine, yes. Break down water molecules, not sure. Heating/cooling/cooking, maybe on a very small scale. (Mustn't overheat the sorcerer!) He would of course have to deal with the waste heat/waste chaos.

If science advances in this world, a very open question, I'm sure Pen would follow along and try to work out even more clever sorcery as insights emerge.

Ta, L.
Lois McMaster Bujold
Your vision maps more closely to mine. Not Victorian, certainly. Late Edwardian can be rather nice, but later still is probably better.

Nevertheless, fanac is for the fans; folks can envision whatever best pleases them, mostly. (I have one friend who insists she will always see Ivan as blond. Um.)

I am not a fashion designer, though I fake being one in prose. (I mostly care about colors.) Anyone with a better eye/hand is welcome to have a go. Have fun!

Ta, L.
This question contains spoilers... (view spoiler)
Lois McMaster Bujold
Dono, like every other count, will always have problems. I suspect By's roles will just be one more in the array. Meanwhile, though, By has been shipped off out of sight and out of mind, which should cool interest as new and better high Vor scandals come up to capture the public eye.

Ta, L.
Lois McMaster Bujold
Both. :-)

Also, Hugo is an experienced da, which Vassily is not.

L.
Lois McMaster Bujold
Don't know. I am not averse, but no new idea has gripped me yet. There is nothing presently in the pipeline, anyway.

Ta, L.
Lois McMaster Bujold
Dag lets his camp name go, or maybe adopts Clearcreek. Arkady and Sumac likely keep Hickory Lake, as they still go there part time, and are too valuable to spurn.

No idea on the camp credit. Dag might recover some; some he might be able to generationally transfer to Sumac and her sibs. I can see Sumac passing back some under the table, or maybe not so under, to Dag as a face-saving way to make restitution without the camp council ever having to admit wrongdoing.

Ta, L.
Lois McMaster Bujold
It's been a while... A lot of things about Dag & Fawn arrived together -- both of their starting-points at first meeting (Dag with a longer, but not more important, backstory than Fawn), their ages and heights, the uneven command of magic but equal smarts (actually, Fawn has the edge there, camouflaged by her lack of experience) the bare basics but not yet all the details of their respective cultures and families and world history, much of which was developed as the story went along.

Having set up their bare-bones backstories, I basically set the pair in motion in the opening scenes and let them show me their tale as they moved through it, adding more characters and material as needs arose. We were frequently all of us surprised.

The first two volumes were initially a single bigger one, split on publication, but ending on a down-ish if promising note. There was plainly more tale to be told and more world to be explored as both characters broke free from the constraints of family and clan and found new room to grow; the second pair of volumes became the "there and back again" of all that.

Ta, L.
Lois McMaster Bujold As above.

Huh. GR just rejected this as being "too short". How prescriptive.
Lois McMaster Bujold
I pulled it out of the air, having seen it I-don't-remember where (this would have been in 1983), for something sounding vaguely Spanish-y not-Anglo-Saxon. Trying to indicate, despite the books being written in then-20th. C. English, that all the other major languages and peoples were still Out There.

I don't care to salt my prose with SF or fantasy neologisms to the point of making it indigestible, so the reader may take this thousand-years-from-now English, which ought to be profoundly altered by then, as being translated back for them by the narrative, just like the Penric tales where the people are all speaking Wealdean or Cedonian.

Ta, L.
Lois McMaster Bujold
Well, there's all that, plus the genre expectation for each story being more "important" than all the prior, as well as "different", which is another moving target. Easy enough when one is writing the second story of two; harder when it's the umpteenth of whatever it is by now.

(Also, much of that description of the annoyances of aging now applies to me, except, thankfully, seizure disorder.)

Should I generate a story idea fresh enough to get me excited, there is no reason I can't write, but that internal threshold has become rather high. Plus I'm drowning in new media distractions, previously unavailable or nonexistent (streaming!) which is something like going out for a dinner someone else has cooked. Reduces motivation; I don't have to run an internal television just to be fed/entertained.

So the short answer is probably "Yes."

Ta, L.
Lois McMaster Bujold Glad you have enjoyed my work!

I have no idea when, or if, there will be anything more, or what it would look like should it get here. I can say there is nothing in progress or in the pipeline right at the moment (July 2023.)

I am, actually, not the same writer or person who wrote those books back in the 80s and 90s; they say that in 20 years, even your bones replace themselves. So writing "more of the same" would be as much of a stretch as trying to write a pastiche of another writer. (Or, more weirdly, trying to write my own fanfiction. Though that notion may be too self-limiting.) Though I'm immensely thankful those books have lasted till now, and are still finding new readers.

Ta, L.
Lois McMaster Bujold
Yes, Heyer has been a huge influence on authors in several genres, Romance obviously, but also science fiction, fantasy, and mystery. For an author whose work has never been out of print for over a century (her first book was published in 1917, I believe) she is remarkably overlooked by the sort of people who make up those Important Books of the 20th Century lists. Reasons why left as an exercise for the student.

The two not necessarily mutually exclusive ideas I've seen for why a book/writer is considered great are, a) it is beloved by many people over generational time, or b) it changes how books that come after it are written. Hearts and minds, as it were. Heyer certainly hits both metrics.

Ta, L.
Lois McMaster Bujold
First, I'm glad my work found resonance for you!

I'm afraid I don't know what "Moravian influence" might be. ??

Thanks for getting the difference between my (presently) fictional bioengineered herms, and natural intersex, tho' you would seem to be in a good position to appreciate the nuance. A lot of my future biotech echoes concerns of today, part of why readers find it interesting, but the science does make a difference. Though at the rate biology is progressing, I don't think we'll have to wait 1000 years for some of my SF speculation to become real. (Let's hope it's the nicer parts, and not the scarier ones!)

Ta, L.
This question contains spoilers... (view spoiler)
Lois McMaster Bujold
I don't see how to answer this private question privately -- if anyone has tips for sending/originating GR messages (as contrasted with replying to them, which is what I mostly do) shout out.

Anyway, no, I don't wish to commit to this.

Good luck with your con --

Ta, L.
Lois McMaster Bujold
You are most welcome, and oh boy howdy, that sounds like a tough duty. Best of luck to you, and thank you for your civic service, which is one most people don't think about till it taps them on the shoulder.

Ta, L.
Lois McMaster Bujold
Glad you have enjoyed my books!

I don't have anything else planned for the Vorkosigan series at this time. If you haven't found them yet, I have two (or three) fantasy series and one fantasy stand-alone still out there to explore: The Sharing Knife (4 books and 1 novella), The World of the Five Gods (3 novels, plus the Penric & Desdemona sub-series of 10 novellas and 1 novel) and the singleton The Spirit Ring.

Ta, L.
Lois McMaster Bujold You are welcome!

I was, I think, too new in the marketplace at time time (1986) for the book to have attracted notice from enough readers for an award. The Hugo award for The Vor Game, a couple of years later when I'd gained more visibility, was something in the nature of compensation, I feel. And the Nebula for Falling Free I attribute in part to its serialization in Analog Magazine, which brought it before a lot more reader-voters than might have encountered it otherwise. Awards are very much an intersection of skill, work, and luck -- the skill and work, which are under a writer's control, are required to put one in the pool that luck, which is not, may fall upon.

What's important, then and now, is that the book is still finding readers, which I'd always felt was the main utility of winning an award, one more bit of advertising. If the work can find its readers without same, that's just as good.

Ta, L.
This question contains spoilers... (view spoiler)
Lois McMaster Bujold
That alternate universe sounds like fanfic bait... There are many different ways it could play out, positive or negative.

I think Nefertiti would be happier with Jin, actually. And vice versa. I do see the appeal of gene-engineered pets, though.

Ta, L.
Lois McMaster Bujold
Nothing is planned or in progress at this time.

I've got a lot of home repairs done this year, though...

Ta, L.
Lois McMaster Bujold
All good speculations!

I have not, at the moment, made any decisions about where Pen & Des are going long term, or even next, except I suppose that they will go together.

I'm not even sure "till death do you part" applies, at least from Des's viewpoints.

Ta, L.
Lois McMaster Bujold
Not in Miles's universe -- it's the Bioengineering-R-Us future. There will be some very alien intelligent species in not many more centuries and millennia, but they will all be descended from Earth humans.

For an earlier model of the idea, see Cordwainer Smith's excellent Tales of the Instrumentality series.

We've already seen Miles dealing with the proto-versions of these -- quaddies, Betan herms, Guppy the somewhat one-off merman, arguably the Cetagandans. Heavy-worlders have been mentioned but not met. Miles's century is as it were a snapshot out of the early part of a much longer movie of radiating human evolution.

Ta, L.
Lois McMaster Bujold
Thanks!

If a story idea occurs that's sufficiently compelling, there's little to stop me. (Except a million hours of media at my fingertips.) House stuff seems almost done, until something else breaks. Though the Mark I brain does seem to be running on a slower clock speed these days, sigh.

Ta, L.
Lois McMaster Bujold
You can speculate away, I guess.

Ta, L.
Lois McMaster Bujold
Hah, no, I hadn't seen that (yet). I will try to be more aware.

Trademarking is a non-trivial exercise and ongoing expense, so not something I'd rush to do until forced.

Ta, L,
Lois McMaster Bujold
We have not licensed them to Overdrive. "Penric's Demon" and a few other titles were an experiment in that direction, undertaken with a lot of hassle -- Overdrive doesn't make it easy -- which fizzled out. Rather disappointing.

Blackstone markets their audiobooks to libraries (and everywhere else.) I have no idea how they make them work -- I suspect they have a dedicated department to deal with the details -- but I'm glad they apparently succeed.

Ta, L.
Lois McMaster Bujold
What drew me most to the Queen's Thief was (as usual) the characters, Gen and Irene and their peculiar romance of course, but also the rest of the cast. I also enjoyed the worldbuilding. The gods weren't bad, but the QT gods are much more, hm, Greek, local, and humanoid, than the Five. But in both series, properly rare and disturbing when they enter the mortal plane, a logical commonality given their in-world realities.

Ta, L.
Lois McMaster Bujold
This answer contains spoilers… (view spoiler)
Lois McMaster Bujold
Not really a difference in kind, but a difference in size. Rather like seeing sunlight through a pinhole in tent versus a large window, or, in the best case, a large doorway. Iroki (not Dubro, he was the sorcerer) got, or more accurately was, a large window. Cazaril was a doorway, eventually, though he had to grow into it.

Most petty saints get a pinhole or maybe a thumb hole at most. The aperture depends on the character of the person, not of the gods who are everywhere and always the same, and too vast for any one person's perceptions, no matter how wide, to take in entire.

Ta, L.
Lois McMaster Bujold
Thanks for the terminology clarification! Yeah, real-world religions are more deeply weird than anything a writer can make up.

As a general note for the future, such should go down in the comments section of the post they are talking about, because otherwise they will be bewilderingly separated from their context.

Ta, L.
Lois McMaster Bujold
To reiterate, interesting, but should go in the comments section of the Q&A post they are discussing. Goodreads used to serve up Q&As in completely random order ("relevant" and "popular" both totally scramble chronological order.) It took a while for GR even to offer the ability to choose order, but I'm not sure where that button went. And there's no search function beyond a general google search if one can remember enough key phrases, which is like using a sledgehammer for a gnat.

Ta, L.
Lois McMaster Bujold
At this time, I don't know. It has aged out of its license period at Subterranean Press, so a reprint is contractually possible. Because it's a shortish novel, and "Knot of Shadows" is a shortish novella, I thought the two would make a good compendium pairing, a 4th Pen & Des omnibus volume, and we have indeed marketed them that way for foreign rights under the title Penric's Intrigues, not that foreign publishers don't change the titles anyway. So far it's sold to Japan, where the prior volumes have done OK. "Knot of Shadows" is not out of its SubPress 1-year US license yet, though, having only come out this past January. So, we'll all have to wait and see.

Ta, L.
Lois McMaster Bujold
In the early 80s, when I first came up with Miles, I wasn't thinking in those real-world terms at all. Well, only insofar as one wants one's action hero to be distinguishable from all the others on the market. In particular, thwarted from direct physical/violent solutions, I wanted him forced to use his brains. (*)

Like other people, Miles began with his parents -- I had the basic idea for him and his physical (if not mental, though I suppose emotional) challenges during the writing of Shards of Honor back in 1983; I'd written the first draft of that up through the soltoxin attack before I circled back and found the current ending. The writing (and, eventually, publication) of The Warrior's Apprentice came next, as I set out to explore things I'd set up in the first book. It all grew chapter by chapter in the writing, so, more discovery than decision. (As a rule, my writing explores people, not issues, though I grant from an outside view issues do sometimes seem to come along for the ride.)

* -- I've since wondered, watching all those 15-y-o anime heroes begging their masters to make them stronger, why not one ever begs their master to make them smarter. It seems a much more urgent need...

Ta, L.
Lois McMaster Bujold
No.

What drives the differences in the cultural choices is not ideology, but technology (and its partner economics) which both creates and constrains the ambit of the possible. For all cultures, not just fictional ones.

Ta, L.
Lois McMaster Bujold
Well, that would be up to Subterranean. While HarperCollins still holds hardcover rights, a limited print run of signed editions might be allowable under present contracts -- a question for one's agent. But, really, I don't see how SubPress could compete economically with the used (and new, according to Amazon) hardcovers still floating about the market, some at quite low cost.

Ta, L.

Lois McMaster Bujold
You are most welcome!

(And, I'm glad the books stand up to so many rereads. Bodes well for their future.)

Ta, L.
Lois McMaster Bujold
I did not. Thanks for passing the news.

End of an era... The Man From U.N.C.L.E and specifically his character was one of my first junior high fannish delights.

Ta, L,
Lois McMaster Bujold
Wow, that's a blast from the past. The books on audio cassette are long out of production, but I have a few lurking in a box in a closet that are doing no one any good. Contact me through Goodreads private messaging for more information, if you are determined.

Otherwise, used book vendors such as Abebooks, Half-Price Books, or Amazon might have a trail.

Ta, L.
Lois McMaster Bujold
Well, I'm hanging on to the last Pratchett, though not because I think it will make me happy, but because I suspect it will make me sad.

At the moment, I'm mostly going on to the next whatever because it has sustained my curiosity, at least for a time. But otherwise it's been browsing the infinite entertainment smorgasbord and mostly not finding the next gripping thing. Temporarily amusing, yes, I have found that.

The things I've most gotten into lately have all been finished works. The Asian live-action fantasy TV shows The Untamed and Hotel Del Luna (both on Netflix) have been the biggest recent hits. Also recently found (on Rakuten Viki) worth mention is the 3-D animation The Island of Siliang, unfinished at present. Astounding production quality. I'd be ecstatic to have any work of mine done so well in that medium.

Ta, L.
Lois McMaster Bujold I always thought so!

L.
Lois McMaster Bujold Hiya!

It never went as far as a draft, just unsatisfactory planning notes scrapped instantly when I had a much better idea. I don't actually remember who the victim was supposed to be, possibly Richars, but I do recall a plan to plant him in the garden under/in where the structural construction work was going on, under the walkway. Sort of like those murder victims who end up under a basement with new concrete floor poured over them.

It would have given Ekaterin's new gift garden an awfully weird vibe. Donna/Dono was a much better way to thwart Richars' nefarious plans, and was actual science fiction for a bonus win.

Not that by and Ivan, not to mention Dono, aren't all perfectly capable of hiding a body at need, mind.

Ta, L.
Lois McMaster Bujold Ayup, sometimes the narrators call me to get my pronunciations, sometimes they don't.

I pronounce dy Ferrej as dee Fer-ezjh, French J not Spanish.

...I can usually tell when someone is from the west of southwest when they give my name the Spanish j, Boo-hold. Nope, French, Bu-zjhold.

Ta, L.
Lois McMaster Bujold
Thank you for the kind words! Yeah, there are reasons Cordelia's tale bookends the series.

Which is about all I have to say, but others may want to chime in at the comments.

It's interesting to look at the series as a whole in light of the recently read The Heroine's Journey by Gail Carringer, which I reviewed in my My Books section here. Structurally speaking. Because the VK Saga actually doesn't end in the series-expected hero's War to End Wars, and that is very much on purpose.

Ta, L.
Lois McMaster Bujold
Goodness, those are a hoot. Thanks for sharing!

Bosha's protective spectacles were a more modest green glass and brass, but I'm happy to see sunglasses weren't so out-of-period after all.

Ta, L.
Lois McMaster Bujold You're welcome! I haven't found anything lately to top Siliang Island, (found on the streaming site Rakuten Viki) though I keep scrounging. Although there was a recent manga-faithful remake of the story-essential Hazel arc of Saiyuki Reload, now dubbed Saiyuki Reload Zeroin, that was a wonderful correction to the incoherent mess the earlier anime makers made of it, now with Ukoku done right, and a DVD release I just found of Saiyuki Reload Burial, mine now. Though Saiyuki is perhaps an acquired taste. (And the static 90s-crude polar opposite in animation style to the elegant Siliang, so requires some tolerance.)

Otherwise nothing too compelling, although the animation of My Heroic Husband was fairly entertaining. Haven't got far into the live-action version yet. Also recent, Link Click started interesting, got much too serial-killery for me by the end of season 1, have not yet sampled season 2. When all that fails, it's back to the bottomless bin of Great Courses on Wondrium.com.

This would be a good place for commenters to share media finds with each other.

Ta, L.
Lois McMaster Bujold
Alas, no one (so far) actually capable of doing so. It takes, not a script writer or wannabe writer, but a producer with, or with control of, more money than I've ever seen in my life to make even the most modest adaptation. These folks, very limited in number, are understandably choosy about what they bet their bank upon.

My literary agent has a media rights agent who handles these things, findable through Spectrum or, I suppose, if one is in the know about the media biz. (Which is not me.) As they've not succeeded in licensing my work in a quarter century (and they have tried!), I'm no longer holding my breath. Though they have been successful in not tying my work up with folks who can't actually, in both senses, produce, so that's a plus.

Ta, L.
Lois McMaster Bujold Hi Mary! Hope you are well! (Well, well-enough, at our ages.)

I don't have one favorite Heyer, but I do have a top tier. In no particular order, Cotillion, The Reluctant Widow, The Toll Gate, The Unknown Ajax, The Convenient Marriage, A Civil Contract, Sprig Muslin, The Foundling, maybe The Black Sheep... which adds up to about a third of her output.

Which, I note, trends away from her early Rake heroes and onto the later more sensible dudes. Well, not so sure about Freddy, but he's certainly not a rake. And the hero of The Black Sheep reformed himself, sort of, well before the heroine arrived.

Charlotte, not so much, but she is an early founding mother so could not be left out of my dedication list.

Ta, L.
Lois McMaster Bujold
Not the only connection, I daresay, but I won't deny it.

:-), L.
Lois McMaster Bujold
I'm not on any social media apart from this blog, so, no, sorry.

(Possibly stop doomscrolling...?)

Ta, L.
Lois McMaster Bujold
In real life, no, sadly.

My two fictional worlds take their similarities from my own ad hoc grounding in biology and medicine, I think. Given human bodies, there are only so many things that can be done with them unless one is going to unmoor one's magic system entirely from any physical realism. Which is a perfectly fine fantasy narrative choice, just not the one I made for these two universes.

Ta, L.
Lois McMaster Bujold Thank you! (I'm hopeful for health myself, though wealth and cheer are also welcome...)

bests, Lois.
Lois McMaster Bujold
Very pleasant, yes! A friend over for dinner, strange Asian media for dessert...

Ta, L.
Lois McMaster Bujold
That choice is not up to me; your thanks are due to my publishers.

Although I do need to thank the readers (such as yourself) who keep buying enough of them to make them profitable to keep in print. Print book economics are pretty vicious.

Ta, L.
Lois McMaster Bujold
Thank you!

bests, Lois.
Lois McMaster Bujold
The site blocks me from reading this -- can you give a short summary in the comments?

L.
Lois McMaster Bujold
Welcome to my work!

Yes, that old link is broken. It was nixed when Goodreads took away its space for people's personal writings, a year or two ago.

The Bujold reading-order guide has been moved here:

https://vorkosigan.fandom.com/wiki/Th...

This is the link that should now be passed around, replacing the prior.

The whole site is worth a visit -- it's owned & run by one volunteer fan, who could likely use some volunteer help. Being a wiki 'n all.

There is also a wiki for the World of the Five Gods, here:

https://chalion.fandom.com/wiki/The_C...

Hope this helps -- L.
Lois McMaster Bujold Aha, that link worked for me. Thanks!

I see the article writer was having fun at their job...

L.
Lois McMaster Bujold
Mainly, because they are in two different countries. Caz's peninsula had been well worked-over by Quadrene conquerors bent on stamping out sorcery altogether, and even the areas that have been subsequently reconquered have not totally recovered that culture by Caz's time. So the Ibran peninsula is behind. It will catch up with its neighbors in another generation.

(As retcons go, pretty plausible, I think...)

And also because Penric is paying a lot more attention to these matters than Caz, as it's his profession. It's like the difference between a bridge builder and a bridge user.

We may also note that Pen, so far, has not completed any Ibran translation of his growing body of work. Perhaps he never gets around to it...

Ta, L.
Lois McMaster Bujold While this does seem a fun idea for fanficcers, I don't imagine I will write in that direction.

Ta, L.
Lois McMaster Bujold
I don't know if I will write a novella or story set in Pen's college/seminary years -- it would depend on me hitting just the right-sized idea -- but they were a pretty intense time for him and a big change from his restricted youth in the rural mountains. The life of the mind opened up for him there. Plus he was assimilating Des, an even larger store of experience. Plus, y'know, he'd lately met his god, which ought to be life-changing for anyone.

The one bit of head-canon I have for him was that he actually did have a girlfriend there for a while, a music student. Alas, she graduated and went to be a Temple choirmaster elsewhere, and married someone less complicated and high-maintenance, the way ya do. (Though she never forgot his baritone.)

Ta, L.
Lois McMaster Bujold
Welcome to my work! I hope it gives you many years of enjoyment.

I don't do many personal appearances anymore -- travel etc. is the "retired" part of my "semi-retired" state. Once in a while I'll do something around the Twin Cities, but I don't have anything planned at the moment.

Also once in a while -- I resist -- someone will catch me for some online something. Latest was this:

https://www.youtube.com/watch?v=91no4...

But such things aren't exactly interactive.

Ta, L.

-- Bunches more of the same here: https://vorkosigan.fandom.com/wiki/Au...
This question contains spoilers... (view spoiler)
Lois McMaster Bujold
We saw one of your prospective scenarios in the backstory for The Curse of Chalion, with Fonsa the Fairly-Wise and the Golden General. But no one knows what extra things may have been going on underneath in these events visible to the god but no one else.

I would think just the known existence of such miracles would have a chilling effect on villainy in general, but alas. People. "No one is a villain in his own eyes" and all that.

Though one could mull on the fact that the gods want people to grow good/great souls, which is not actually the same thing as good/great lives. Death is not necessarily a tragedy in Their views.

Commenters may have some fun with this below...

Ta, L.
Lois McMaster Bujold
I try to avoid reading fic of my own works, though people are perfectly welcome to write it. (Though I'm happy to read in other fandoms.)

Ta, L.
Lois McMaster Bujold
Miles is so different from his dad, and Ekaterin from his mom, it won't be quite the same. Also, here we have the chance for six different reactions to their parenting, so there could be quite a range across the siblings; plus sibling interactions with each other that Miles lacked.

So there will be some great-man effects (or embarrassing-dad, at certain ages -- not an issue shared by Miles vs. Aral.)

They are also growing up in a different world, in the generational not the planetary sense.

And the rest I must leave to the ficcers, but to borrow another term from that community, my head-canon is that Alex goes for architecture, Helen becomes interested in law/a lawyer (and gets the duties of count's voice dumped upon her by big bro so he may continue to pursue his own passion, to both their satisfactions) Taurie goes for the military, Lizzie for science, and Selig and Simone are the wild cards.

(Also, "Bujold-sensei" tickles me greatly.)

Ta, L.
Lois McMaster Bujold
...Is "freshen up" not a term/polite euphemism used in Europe?

Or just medieval Europe.

Technically, none of the 5GU characters are speaking any our-Earth languages, so there ought to be some elbow room in pretend-translation by the Author. But I do try to comb out metaphors, anachronisms, and terms based on technologies that don't exist there. (I really miss being able to use "download" and "upload" when discussing demons and souls.) This gets fuzzy when one gets to words like "sanguine" or "melancholic", or "born under a bad star" based off medical and other theories that never existed in the 5GU, but deeply embedded in standard English. (The 5GU also happily free of bleeding and cupping as medical practices, and have discovered hand-washing centuries early, from dreams from their Mother goddess demanding they Wash Up First.)

Though I'm sure they have their own astrology and alchemy at this point, accurate observation with gonzo theories developed to account for them.

(And word echoes. I spend so much time in revisions playing whack-a-mole with word echoes.)

Ta, L.
This question contains spoilers... (view spoiler)
Lois McMaster Bujold
It was mostly inspired by Des. And the reflection that with that expert guidance on board, he ought to be really good at it!

(Crossdressing a a trope predates manga by a few centuries, or possibly millenia.)

I got into manga via anime, which I first encountered at SF cons back in the 80s. Explored more when a few cassettes filtered into video rental stores in the 90s, then came Netflix discs by mail and access suddenly bloomed. I began tracking manga when anime series were truncated, to see how the stories came out.

Ta, L
Lois McMaster Bujold
Island of Siliang is very fine, but The Untamed is what put me at the top of the slippery slope of modern Asian media, about 3 years ago, and shoved.

I stealth-reviewed it on GR through the translation of the parent novel a while back...
https://www.goodreads.com/review/show...

I can't really rec the books -- I suspect translation issues -- but they were a useful supplement to the TV show.

Ta, L.
Lois McMaster Bujold
With respect specifically to "Jeeze!", one has to know it was a politer contraction of "Jesus", like darn to damn, from a time when such expressions were considered blasphemous. (We have moved on to different forbidden/violated vocabularies now.) Very anachronistic in fantasy ancient China. One might have gotten away with "Buddha!", I suppose... It's possible the young translator had never heard the word used as anything but a noise of surprise, and did not know its history. But yes, you confirm my suspicion that the original word in Chinese had none of the above historical baggage.

I have interacted with a few of my translators, mostly since email; it was not feasible before. Though my Japanese translator did get to visit me briefly back in my early days in Marion, OH, when she was in the States to visit her brother at Cornell. I remember specifically trying to explain the idiom "he pursed his lips" by fetching out a little string bag I happened to have, and demonstrating its closure. But again, one has to know that's what archaic purses looked like.

It's generally an exercise in mutual frustration, especially when only the one side speaks both languages. There is apparently no word in French that conveys exactly what the term "wooden" does for a person's expression, ferex. A few times, I was able to catch errors of understanding, but the ratio of work to result on both sides was uneconomically high.

So, a very interesting exercise, but one I should likely stay out of, unless asked some very specific question by a translator. And even then, I can only expand on what I meant in English, and can never know what the term chosen in the target language may be doing viz connotation, etc.

Ta, L.
Lois McMaster Bujold
I'd be delighted to sell the Penric series to a French publisher, now collected into 4 tidy book-sized volumes for just this purpose:

Penric's Progress
Penric's Travels
Penric's Labors
Penric's Intrigues

Operators are standing by... (At my agent's French agent, Agence Litteraire Lenclud, which French publishers presumably know how to find.)

But this decision is up to the publishers, who have to choose books that they think will sell well, so they don't sink their business. I have absolutely no guess how my works fall in that decision matrix, except that if Sauron had the Ring we would know it I lack evidence that I'm a top seller in France. Persistent, consistent, maybe, but not breakout. C'est la vie.

Yes, that's a negative feedback loop. Welcome to publishing. (But not e-publishing, which is why I'm now a hybrid indie-traditional writer.)

Ta, L.
Lois McMaster Bujold Thank you so much! Word of mouth (now turbo-boosted by the internet) has always been the lifeblood of my career.

Ta, L.
Lois McMaster Bujold
Since I wrote the first drafts of my first 10 published novels in pencil in a 3-ring binder, I am unimpressed by all the futzing over writing paraphernalia. The penciled drafts were subsequently transcribed for submission drafts onto a succession of other tools over time -- typewriter, Coleco Adam, KayPro II, whatever came after that in the way of desktops, couple of Dell laptops, and now, my nice compact Lenovo Thinkpad. I gradually graduated to writing first drafts from the penciled notes/outlines directly on my computer when I first got my own writing space, a little computer stand in my bedroom. Around 1993.

Environment's improved, step by step and move by move over the years, but I still do my prelim notes in pencil in a binder. College-ruled punched paper bought, usually, in the grocery store.

So no, tech has not changed my process much, although I make happy and heavy use of the built-in spelling check and thesaurus Word comes with. My first drafts go down faster -- though in the same chunks, scene or part-scene spurts -- but I do (and need) a lot more micro-editing, so no time is saved overall. I almost never make printouts anymore. I'm very happy not to have to mail manuscripts. After the notes (still in pencil in a 3-ring binder) it's pixels all the way to publication now.

Ta, L.
Lois McMaster Bujold
All the Pen & Des stories are available from Blackstone Audiobooks and its vendors under their individual titles. (Well, the newest one, "Demon Daughter" will be coming later this year.)

As an example, Apple Books has this lineup:

https://books.apple.com/us/author/loi...

Also to be found on Amazon, Kobo, Nook, Google Play, and possibly other vendors. And don't forget Downpour.com -- Blackstone's own audio download distribution outlet.

For anyone wondering where to start, the internal chronology of the series goes:

“Penric’s Demon”
“Penric and the Shaman”
“Penric’s Fox”
“Masquerade in Lodi”
“Penric’s Mission”
“Mira’s Last Dance”
“The Prisoner of Limnos”
“The Orphans of Raspay”
“The Physicians of Vilnoc”
The Assassins of Thasalon
“Knot of Shadows”
“Demon Daughter”

Hope this helps --

Ta, L.
Lois McMaster Bujold
No offers since the mid-90s, which are, good grief, almost 30 years ago now.

My ideal would of course be a miniseries that hews closely to the books.

That said, I think Falling Free could be a good stand-alone animated feature film -- it could all be squeezed into 90 minutes without losing much. The Spirit Ring likewise, same reason, but those are not the books most folks are thinking about.

But the sad truth is, once a production company licensed any work of mine, it would be run through multiple committees of endless compromises on its route to release, and what came out the other end probably wouldn't have much resemblance to my books. There are also the Problems of Miles, not only his physical appearance but the fact (shared with my other point of view characters) that much is what of most interest to readers including the humor is actually happening inside his head, in his thought-stream, and making that visual would be very hard.

All that said, it could be a great (if expensive) advertisement for my books...

Ta, L.
Lois McMaster Bujold
The biggest difference for me is exactly that -- big -- the ability in ebooks to enlarge the type so my aging eyes can comfortably read it. I've given away scads of old paperbacks and some hardcovers that have print now too small for me.

I do agree about the tactile memory pleasure of a beloved much-read paper book.

My late brother said he'd read Chalion over 40 times. Whatever literary nourishment it was giving him must have been very great, or very needed. I never did tease out from him exactly what.

Ta, L.
Lois McMaster Bujold
This seems to be a comment that was not put in the comment section of whatever Q&A it was responding to, so I have no idea what it's about.

Do be careful, folks, not to get the boxes for comments on old questions and those for new questions mixed up. Responses will get separated from their antecedents and become incomprehensible.

Sorry, L.
Lois McMaster Bujold
Yeah, the lack of a search function (and/or my failure to provide tags) is an ongoing problem. In part because some questions do come up repeatedly, and it would be handy to link old answers.

With regards to the necklace, it was the solution my Minneapolis art jeweler friend Elise Matthesen came up with when I brought her my box of assorted award nominee pins I'd accumulated, and wanted them all put together in a way I wouldn't lose. (Again. One Nebula nomination pin was lost when I left a jacket it was pinned to in a restaurant, never recovered, although SFWA kindly provided me with a replacement.) And also that I could conveniently display in such venues where it means something to folks, conventions and booksignings and PR photos and so on. Because pinning them all to a shirt had become impractical. (Mike Resnick, for a while, had a sort of cloth bandolier he could keep all his pins on, which lent him a bandit-like look, and might have given me the idea.) Elise calls it, justly, "wearable art".

I thought there was a little illustrated essay on it somewhere, but a cursory look does not turn up a link. In any case, I am indeed wearing it in the recent PR shot that goes with this blog, where I'm standing in front of the poster with all of Ron Miller's Vorkosigan ebook covers. (Of which people can buy copies, by the way. See https://society6.com/product/the-vork... )

Ta, L.
Lois McMaster Bujold
Early essay, but not incompatible, I think. This sort of hallucination or compulsion spell is normally the province of shamanic magic in this world, as later developed. We do see sorcerer Pen do it much later on (in both book and world time) at a price: the horses he sent on their ways in "Mission", the courier he hypnotized at the end of "Limnos". What price Hallana pays or how she learned it, or if she's special (well, we know that) and it's one of her several god-gifts, not worked out because I didn't need to at that point, plus it wasn't in her viewpoint.

Although I also trust it was a bit of fun.

Ta, L.
This question contains spoilers... (view spoiler)
Lois McMaster Bujold
I decided against, or rather, Simon and Alys did. It's a different political statement if he is offered and politely refuses. And both Alys and Simon not-so-secretly enjoy the transgressiveness of a love affair across caste lines. Cordelia agrees it sets a good example for the younger (and older) generation.

Ta, L.
Lois McMaster Bujold
They already have been. Look for the Baen Books titles Penric's Progress, Penric's Travels, and Penric's Labors.

They've been out for a while, so don't expect to still just find them on store shelves. You'll have to order them, either through your favorite physical bookstore, or online.

(Uncle Hugo's Science Fiction Bookstore here in Minneapolis still carries them, and does mail order.)

Ta, L.